Tag Archives: video

Never Ending Storage Needs

The OWC ThunderBay 8-Bay Enclosure

With the constant need for more storage, when my current storage got down to a few hundred gigabytes of free space, the time came to expand. I was very happy to spot that OWC had brought out a new 8-bay solution, which I had somehow missed. So I ordered the OWC ThunderBay 8-Bay Enclosure to expand my photographic and video storage.

OWC ThunderBay 8 Thunderbolt 3, 8 Bay Storage Enclosure. August 28, 2020. Photo: ©Edmond Terakopian

I’ve been using various OWC external storage boxes for many years now. My current storage for my picture library (including video) was residing on a four bay ThunderBay box, filled with WD 6Tb Enterprise class hard drives. These were all left as individual drives, connected via Thunderbolt 2 to my Mac Pro. Once the fourth drive was down to a few hundred gigabytes of free space, it was time to plan ahead and upgrade.

OWC ThunderBay 8 Thunderbolt 3, 8 Bay Storage Enclosure. The lockable front cover has been taken off, showing the 8 drive trays. August 28, 2020. Photo: ©Edmond Terakopian

Before I continue, a few explanations on why use multiple drive bay enclosure boxes, over getting individual external drives. In a nutshell, its to keep things nice and tidy. Declutter. With a box storing 2, 4 or 8 hard drives, you only need one electricity plug and one connection cable to your computer, not 2, 4 or 8. It also means that my entire picture library is always available; many colleagues have to unplug and plug in various hard drives to try and find more historical work. Lastly, the constantly attached library also means that Cloud backups can happen fully and properly.

OWC ThunderBay 8 Thunderbolt 3, 8 Bay Storage Enclosure. With the thumbscrew undone, the drive tray can easily be slid out. Here, the new 8Tb Toshiba hard drive has been screwed into the tray, ready to be inserted back. August 28, 2020. Photo: ©Edmond Terakopian

The ThunderBay enclosures aren’t hardware RAID boxes, but give you an option of using SoftRAID (a software RAID, available in two versions) by OWC. It’s not something I personally use. All my drives in my ThunderBay enclosures have always been used as individual drives (I do use hardware RAID 5 in other enclosures as backup boxes). These individual hard drives are then backed up to my RAID 5 box using Carbon Copy Cloner, backed up offsite manually (per assignment) and also backed up in the Cloud automatically, using Backblaze. Incidentally, that Backblaze referral link will give us both a free month of Cloud backup, if you’re a new customer.

OWC ThunderBay 8 Thunderbolt 3, 8 Bay Storage Enclosure. I always add a label to the hard drive (make sure never to cover any holes on the hard disk’s case) and also onto each individual tray. This makes future upgrades or swap outs easier and fool proof. August 28, 2020. Photo: ©Edmond Terakopian

Once the OWC ThunderBay 8-Bay TB3 Enclosure arrived, I simply shut down my Mac Pro, took out the four hard drives from my previous ThunderBay 4-bay enclosure, installed them in the 8-bay enclosure and added the fifth, new drive. Each drive screws into its own drive tray using the supplied screws. After some research, I also decided to try a Toshiba Enterprise class hard drive for the first time. I opted for the Toshiba 8.0TB MG05ACA Series SATA Interface Enterprise Class Hard Disk Drive, also available from OWC. This leaves three bays free in the box, for future upgrade needs. It’s an extremely elegant, practical and future proof solution for one’s never ending storage needs.

OWC ThunderBay 8 Thunderbolt 3, 8 Bay Storage Enclosure, next to (on the left) an OWC ThunderBay 4 Mini enclosure, which houses 2.5” SSD drives. All the drives have been fitted, leaving thee vacant for the future and the unit is plugged in. Being a TB3 enclosure, I used an Apple TB2 to TB3 adapter, to allow it to work with my Mac Pro (Late 2013 model). August 28, 2020. Photo: ©Edmond Terakopian

Something worth thinking about, if your current storage involves multiple external drives, with a spaghetti like tangle of cables. If you’re not worried about warranties, you are extremely careful and are happy to take the risk (there is always risk present in doing anything with the innards of computers and related equipment) is to physically transfer those individual SATA hard drives into a ThunderBay box. Declutter and become more efficient. The intelligent design also allows 2.5” drives to be used.

Clockwise: OWC ThunderBay 4 Mini, ThunderBay 8 Thunderbolt 3, G-Technology G-Speed Shuttle XL (in RAID 5 configuration, used as a backup) and my Apple Mac Pro (Late 2013). August 28, 2020. Photo: ©Edmond Terakopian

However, the best option would be to transfer the data onto new hard drives. I tend to swap out hard disks every 4-5 years, as they all have finite life cycles. Also it means that as hard drives increase in size, the physical number of drives needed is less.

OWC ThunderBay 8 Thunderbolt 3, 8 Bay Storage Enclosure has individual LEDs for each drive. August 28, 2020. Photo: ©Edmond Terakopian

Lastly, always backup your work. You need everything on at least two physically different drives, but ideally three. One set being kept in a geographically different location. Ideally, a final layer of safety would be a Cloud backup.

My previous OWC ThunderBay, 4 Bay Storage Enclosure, which has now been retired. August 28, 2020. Photo: ©Edmond Terakopian

Digital Impact Awards 2017

Gold Award – Barclays and Speak Media

Edmond Terakopian-20170620-009

Photographer and film maker Edmond Terakopian after a video shoot in the Barclays building in Canary Wharf. Barclays, 1 Churchill Place, London. Photo: David Sandison

Very happy to share that the team at Speak Media have won the Digital Impact Awards Best Corporate Website gold award for their work for Barclays. I’m thrilled to be part of this multi award-winning team and been fortunate to help with his project with shooting various videos for Barclays’ award winning website. It’s been a joy to work with such a talented group of people.

BBC Interview On Iconic Photography

Live Interview On BBC World News

IMG_1843

Thrilled to have permission from the BBC to share this clip of myself and journalism student Wilton Jackson from the University of Baton Rouge being interviewed on a segment about iconic photography.

The segment was based around the superb photograph from the Baton Rouge protest (July 10th, 2016) by Reuters photographer Jonathan Bachman.

This clip is being used with full permission of the BBC (Global Planning Editor, BBC News, London). This was a live broadcast on July 21st, 2016.

IMG_1842

Commended in the UK Picture Editors’ Guild Awards

Videographer Of The Year

Pic Eds Awards-20160225-016

Edmond Terakopian wins a commended award in the Videographer of the Year category for his short film “Taxi Driver” in the UK Picture Editors’ Guild Awards, Honourable Artillery COmpany, City Road, London. February 25, 2016. Photo: Bruce Adams

Thrilled to share that I was awarded a commendation for my short film, Taxi Driver, by the UK Picture Editor’s Awards.

The awards dinner was held at the Honourable Artillery Company on City Road and attended by the best of the best press photographers and picture editors in the UK. As always, a great evening to catch up with friends and colleagues, drink some wine, and have conversations ranging from equipment, anecdotes and ending up with the inevitable “good old days” tales.

I’d like to extend my thanks to chairman of the awards Alan Sparrow and all the picture editors who formed the judging panel.

image3

(L-R) Edmond Terakopian, Jessica Mann (Alamy News Team) and Bruce Adams at the UK Picture Editors’ Guild Awards, Honourable Artillery COmpany, City Road, London. February 25, 2016. Photo: ©

The film was shot using two Olympus OM-D E-M5 Mark II cameras and various Olympus M.Zuiko lenses. The audio was recorded on an Olympus LS-100 audio recorder. I used a variety of Rode microphones, ranging from the Lavalier and VideoMic Pro, to the Stereo VideoMic X.

Olympus OM-D E-M5 Mark II

The Olympus OM-D E-M5 Mark II fitted with the HLD-8 Power Battery Grip and Rode Stereo VideoMic X. February 05, 2015. Photo: © Edmond Terakopian

Olympus LS-100

The Olympus LS-100 audio recorder and Rode NTG3 microphone.. February 05, 2015. Photo: © Edmond Terakopian

UK Picture Editors’ Guild Awards Finalist

UKPEG VIDEOGRAPHER OF THE YEAR

Thrilled to share some great news! Honoured to have been selected as a finalist in the UK Picture Editors’ Guild Awards for my short film, Taxi Driver. The highly-acclaimed UK Picture Editors Guild Awards competition is distinctive in that panel of judges consists only of working picture editors from national and regional newspapers, and international photo agencies, assessing the thousands of entries from professional photographers from throughout the media.

I’d like to congratulate all my fellow finalists and look forward to seeing you all on the award’s ceremony.

The short film is a look at a day in the life of a London black cab driver. It was shot on a pair of Olympus OM-D E-M5 Mark II cameras and a selection of M.Zuiko lenses. Full details here.

Olympus OM-D E-M5 MarkII Video

“London Taxi”

A short film shot on the new Olympus OM-D E-M5 Mark II camera. The film was shot using two cameras and the following Olympus M.Zuiko lenses: 9mm f8 (Body Cap Lens), 12mm f2, 12-40mm f2.8PRO, 25mm f1.8, 45mm f1.8 and 75mm f1.8.

The new Olympus OM-D E-M5 Mark II fitted with the HLD-8 Power Battery Grip and Rode Steroe VideoMic X. February 05, 2015. Photo: © Edmond Terakopian

The new Olympus OM-D E-M5 Mark II fitted with the HLD-8 Power Battery Grip and Rode Steroe VideoMic X. February 05, 2015. Photo: © Edmond Terakopian

Addendum:

I have since made a shorter edit with a different grade of London Taxi (above) and it’s called, Taxi Driver:

Ambient audio was recorded on camera using a Rode Stereo VideoMic X. Audio was also recorded using an Olympus LS-100 with it’s internal microphones for ambient sounds and also hooked up via XLR to a Rode NTG3 for other atmospheric recordings. A Rode Lavalier microphone was used for for the interviews, attached to the Olymps LS-100 via it’s XLR input. All of the microphone mounts and windjammers used (apart from the one on the Stereo VideoMic X) were by Rycote.

The Olympus LS-100 audio recorder and Rode NTG3 microphone.. February 05, 2015. Photo: © Edmond Terakopian

The Olympus LS-100 audio recorder and Rode NTG3 microphone.. February 05, 2015. Photo: © Edmond Terakopian

The majority of shots were hand held, using the camera’s built in stabilisation system to keep the shots steady. For the shots where the camera was attached to the taxi, a Delkin Fat Gheko camera mount was used. A Manfrotto tripod and video monopod was also used for the interview and cab rank scenes.
Editing was done on an Apple Mac Pro and FCP X, using Eizo CG-276 monitors and monitoring audio on Event Opals. Asset management and image processing were done on Adobe Lightroom and Photoshop.

The new Olympus OM-D E-M5 Mark II. The two grips, the HLD-8 Power Battery Grip. February 05, 2015. Photo: © Edmond Terakopian

The new Olympus OM-D E-M5 Mark II. The two grips, the HLD-8 Power Battery Grip. February 05, 2015. Photo: © Edmond Terakopian