As the judges of the prestigious Travel Photographer of the Year competition, currently choose the winners for the main competition from the announced shortlist, the organisers have now opened the public vote segment for the People’s Choice award – the winner of which is chosen purely by visitors voting for their one favourite image. The winner will be announced in January together with all of the judged results of the awards.
There is some truly phenomenal photography in this segment and I’m thrilled that one of my images appears on the People’s Vote page. Please have a look and vote for your favourite shot. Should you choose image number 45, I will of course be most grateful!!
Voting is open until 21st January 2021.
The photograph was made when I was shooting a project for the L Mount Alliance, using a Sigma fp and a Leica 50mm APO-Summicron SL lens. The raw file was processed in Adobe Lightroom Classic and finished off in Exposure Software’s X6.
Many thanks and wishes for a much deserved happy new year for us all. Keep safe, keep well.
Observer picture editor Greg Whitmore, who is leaving the newspaper, looks back at the photos that made the news during his quarter century at the helm of the picture desk.
Absolutely honoured to have my work featured in this gallery of images, spanning 25 years of our modern history. The honour is even more amplified when I look at the phenomenally powerful work from talented and devoted colleagues with whom I’m sharing the page, but also by the fact that the gallery was curated by such an extremely well respected and talented picture editor with true Fleet Street heritage.
You can see the gallery here and also read about the legendary Greg Whitmore’s experiences at The Observer here, covering his near 30 years at the paper.
You can read more about London’s darkest hour in recent history and my experiences on that day, here. The same photograph from this awful day was called one of the world’s most iconic photographs by the Daily Mirror.
Very happy to share that for the second year running, the judges of the prestigious British Photography Awards have chosen two of my photographs for the award’s shortlist. This means that these two images are now eligible for the People’s Choice Awards and open to a public vote.
If you like either (or both!) my photographs, I would greatly appreciate your vote. You may vote vote for one image in each category. No registration is needed and it’s literally one click to cast your vote.
Our fundraising print auction, almost eight months in the making, ends this Sunday, November 15th at 5pm. The auction is open now for bids, so please swing by, look at the amazing selection of prints, make an investment and literally, help to save lives.
What challenging times we’re living in. Most of the world is sadly gripped by a second wave of this awful pandemic. At least the environment is definitely benefitting from these lockdowns as we all become Zoom experts though.
Sadly the timing of our MSF (Médecins Sans Frontières / Doctors Without Borders) fundraising auction couldn’t be more appropriate. Every penny we raise will go directly to the organisation and help their stellar work across 70 countries, battling this pandemic.
From purely an investment point of view, not surprisingly, spending has been lower for so many people during the past nine months and I think that’s probably going to be reflected in the bidding in our auction, which could end with some bargains to be had. Of course every penny raised will still help MSF and benefit all those whose aid they come to.
Some thoughts and advice from TV auctioneer extraordinaire James Lewis on collecting photography.
Happy to share some pleasant news from the 15th B&W Spider Awards. The judges have kindly given a Fashion Category Honourable Mention to my backstage photograph, taken at Joshua Kane‘s fantastically creative Mythical Creatures fashion show.
From the 6,378 entries, from 69 countries, these seven images were also nominated in their categories too.
All the photographs were naturally shot in raw format. These Lumix RW2 files (from the S1, S1R and G9) were then edited, captioned and processed in Adobe Lightroom. The monochrome conversions were then finished in Exposure Software‘s Exposure X5.