Absolutely thrilled to receive the good news from Los Angeles that three of my pictures have been judged into the winner’s circle with honourable mentions and that two other images have been nominated, in the 15th International Color Awards, from close to 6800 entered images.
Many thanks to all the judges (The Armory Show, New York; The J. Paul Getty Museum, Los Angeles; The Art Channel, London; V&A Museum, London; Koller Auctions, Zurich; Preus Museum, Norway; Publicis Groupe, Warsaw; Fila, New York; Chung | Namont Gallery, San Francisco; Kolle Rebbe, Hamburg; Tilton Gallery, New York; Milwaukee Art Museum, Milwaukee; Cornette de Saint Cyr Auctions, Brussels; Podbielski Contemporary, Milan and RedKite NFT, London) and many congratulations to the other winners.
As some would have seen, I’ve started to branch out into creative still life photography, specialising in fountain pen and stationery. It was a thrill to see one of these pictures receive an honourable mention.
Here are the five chosen images. All photographs were made using Lumix cameras, using Leica DG, Olympus and Voigtlander lenses. The images were shot in raw, processed on an Apple Mac Pro with Eizo CG monitors and processed using Adobe LightRoom Classic and finished in Exposure Software’s X7.
Well, here’s a first for me! Being recognised for some macro work!
Delighted to share that one of my pictures has made the shortlist for Close-up Photographer of the Year, in the Manmade category of CUPOTY 03. The image is a macro shot of the intricate nib design on my Montegrappa Merry Skull copper fountain pen.
Italian Flair; the intricate nib design on my Montegrappa Merry Skull Copper Fountain Pen. London, UK. May 08, 2021. Photo: Edmond Terakopian
The photograph was made using a Lumix G9 and a Leica R 60mm Macro lens and extension tube. Apologies for my lateness with this post, as the announcement was in October this year!
The portrait was shot on a Panasonic Lumix G9 and Leica DG 50-200mm. The raw file was processed in Adobe Lightroom Classic and finished in Exposure Software’s X7.
Extremely happy to share that seven of my images have made it to the finals of the prestigious Travel Photographer Of The Year 2020!
Huge thanks to all the judges and organisers of the awards and many congratulations to the finalist photographers. Results will be announced in January 2021.
My portfolio of four images is a finalist in the People of the World category.
A couple look out into the bay. The Great South Wall, Dublin Bay, Dublin, Republic of Ireland. January 18, 2020. Photo: Edmond Terakopian. Sigma fp and Leica 50mm APO-Summicron SL lens.Brighton beach, as one of the hottest days of the year comes to an end. As the COVID 19 lockdown has been relaxed, thousands of beachgoers flocked to Brighton as temperatures hit 30C (lower than the maximum temperature in South East England, which topped 36C). Authorities in Brighton have taken action to reduce the crowds at their beaches, on one of the hottest days of the year, with fears that social distancing will not be possible. Brighton, UK. August 07, 2020. Photo: Edmond Terakopian. Lumix G9 and Leica DG 50-200mm f2.8-4.0 lens.Colourful, lit up balloon sellers on the bridge. Kyiv, Ukraine. October 23, 2019. Photo: Edmond Terakopian. Lumix G9 and Leica DG 10-25mm f1.7.A portrait of Jim Connor (former picture editor, The Herald, Glasgow) enjoying a pint of Guiness at The Long Hall pub in Dublin, Republic of Ireland. January 17, 2020. Photo: Edmond Terakopian. Sigma fp and Leica 35mm APO-Summicron SL lens.
The following three photographs are finalists in the Close to Home category.
Matching face mask and outfit to one’s surrounds as the lockdown comes to an end. Knightsbridge, London, UK. June 14, 2020. Photo: Edmond Terakopian. Lumix S1 and Lumix S Pro 70-200mm f4.0 lens.Penelope and Dolly during the first Coronavirus lockdown. London, UK. March 27, 2020. Photo: Edmond Terakopian. Lumix S1R and Lumix S Pro 24-70mm f2.8 lens.Deserted London town following the COVID 19 pandemic and the first month of the coronavirus lockdown. London, UK. April 23, 2020. Photo: Edmond Terakopian. Lumix S1R and Lumix S Pro 24-70mm f2.8 lens.
All the raw images were processed in Adobe LightRoom CC and finished in Exposure Software’s X5 and X6 plugin.
A joy to receive the Travel Photographer Of The Year (Inspirational Journeys 11) book today. I was fortunate enough to have my image selected by the judges for a ‘Special Mention’ and was included in the very popular outdoor exhibition, by the banks of the River Thames outside City Hall.
My image was shot in the Tate Modern, using my Lumix G9 and the amazing Leica DG 50-200mm f2.8-4.0. The image was processed in Adobe Lightroom and the monochrome treatment finished in Exposure X5.
Thrilled to share that the judges of the 13th International Color Awards have kindly awarded two of my images and nominated a further five, out of the 6093 entries received.
Wonderful to see such a wide reaching panel, comprised of jury members from Newsweek, New York; Apartheid Museum, Johannesburg; The Art Channel, London; Netflix, Los Angeles; Koller Auctions, Zurich; Preus Museum, Norway; Galerie Mitterrand, Paris; Fila, New York; Wieden & Kennedy, Portland; Kolle Rebbe, Hamburg; Fox Broadcasting Network, Los Angeles; Gallery Kong, Seoul; Mini / BMW Group, London; and the Royal Academy Of Art, The Hague, Netherlands.
Honourable Mentions
Silhouette
A lady photographs her friend using a smartphone. Upper deck of the Snog frozen yoghurt bus. South Bank, London, UK. July 16, 2019. Photo: Edmond Terakopian
Lumix S1R
Lumix S Pro 24-70mm f2.8 lens
Abstract
A Surreal Stream. A bubble performance by a street entertainer. Daily Life, London, UK. October 07, 2019. Photo: Edmond Terakopian
Lumix G9
Leica DG 10-25mm Vario Summilux
Nominees
Advertising
A Piccadilly Ballerina Jonquil timepiece, modelled by Mona Ali. British luxury timepiece creator Backes & Strauss (founded in 1789). 21-22 Grosvenor Street, Mayfair, London, UK. July 17, 2019. Photo: Edmond Terakopian
Lumix S1R
Lumix S Pro 24-70mm f2.8
Fine Art
Natural History; A Bridge To Our Past. A portrait of Andre Sanganoo-Dixon with a 3D printed replica of the dinosaur skull of the Natural History Museum’s iconic Diplodocus carnegii. London, UK. May 09, 2019. Photo: Edmond Terakopian
Lumix S1R
Lumix S Pro 50mm f1.4
Elinchrom monolight
Portrait
Fashion designer and independent British luxury brand, Joshua Kane, in his flagship store at 68 Great Portland Street, London, UK. July 23, 2019. Photo: Edmond Terakopian
Lumix S1R
Lumix S Pro 24-70mm f2.8
People
Jan Hellebrand assembles a mechanical clock after a full dissasembly and service. The Clock Gallery, Pitshanger Lane, Ealing, London, UK. July 16, 2019. Photo: Edmond Terakopian
Lumix S1
Lumix S Pro 24-70mm f2.8
Food
In Armenian mythology, the pomegranate is celebrated as a symbol of life and is also believed to keep us safe from evil spirits. It has religious connotations to Christianity and is seen as the blood of Christ. The mythology of ancient Greece regarded this fruit as the symbol of life, marriage and rebirth. The fruit is also used as a holy symbol and respected in zoroastrian worshipping ceremonies and rituals.The pomegranate symbolises the soul’s immortality and the perfection of nature for Zoroastrians. For Muslims, the pomegranate is also a symbol of beauty, it is said to give beauty to those who eat it. Prophet Mohammed has advised pregnant women to eat pomegranates if they wanted beautiful children. Placement of pomegranate trees in the gardens of Eden, brings meaning for Muslims, who as a result believe that it is a holy tree. The Jewish mysticism called Kabbala reveres the pomegranate in many of its rituals. In modern Turkey today, many families throw a pomegranate on the floor and “crack” it on the New Year’s Eve to have a plentiful new year. Pomegranate still life. London, UK. July 16, 2019. Photo: Edmond Terakopian
Lumix S1R
Lumix S Pro 24-70mm f2.8
As a side note, when putting together this blog post’s images, I was quite surprised at just how many of these images were made using the extremely versatile, new Lumix S Pro 24-70mm f2.8 lens. In fact these were all shot using a pre-production lens ahead of its release. Some of these images were also used in the Panasonic Lumix international launch campaign for the lens, which I was commissioned to shoot.
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