As the year comes to a close, I was truly humbled and moved when photography commentator Shira Shavit wrote a piece about my work on her extremely popular LinkedIn.
Shira chose a backstage photograph of opera singer extraordinaire, Ida Ränzlöv, as a leading image and very kindly wrote the following about my work.
“I usually write about photographers who are not among the living. For photographers who have left a priceless legacy. That influenced me. Who left a mark on me. I have written very little about photographers while they are still alive. But this Is one of the pulse-pounding photographers and I am very attached to his work. A brave connection of a viewer In front of the work of the photographer – It’s a special bond . Edmond Is one of them. The seam between photojournalist and artistic photography – He symbolizes for me. Beyond being a photographer of supreme grace he Is also a wonderful human . Photographers show us the world, through the lenses of their eyes. I have a real and sincere fondness for observing the subject Of the world through the lenses of Edmond’s special eye.”
“Photography as a language, of all visual languages, Is known to be the most intuitive, completely unmediated and speaks directly to the brain. There Is a factor In photography that evokes the almost physiological response of the word / sound – wow. The wow factor – I found In his work.” – Shira Shavit, December 2021.
The new season has a fresh, new approach to podcasting and I hope you can listen throughout. If you’d like to jump straight to my segment, skip forward to 00:54:51 minutes. I’m discussing my passion for photography, street photography, wedding photography, shooting video and a new hobby I started during lockdown which has led to an entirely new genre of photography for me! I would urge you to listen to the entire episode though as it’s very enjoyable and informative.
Part 2 will be published the following week and I will make sure to post about it. The entire episode is interesting with a fresh, new approach to podcasting and I hope you can listen throughout. If you’d like to jump straight to my segment, skip forward to 0:45 minutes. I’m discussing our new group exhibition called Unlocked as well as various aspects of being a photojournalist, what photography is for me, social media and also the pandemic. I would urge you to listen to the entire episode though as it’s enjoyable and informative.
With huge thanks to all who contributed, especially our main sponsors, Gogar Services and Fujifilm UK.
“UNLOCKED” – a public art project by the Ealing satellite group of London Independent Photography, with the generous support of Ealing Police Station, to stimulate reflection and discussion of the impact of the pandemic on our daily lives and ways forward. This unprecedented project will be on five storeys, on the front of the Police station, providing a canvas, the likes of which have probably never been seen in London before.
We need to ask a favour! This is a huge exhibition project planned for September, as part of BEAT. It’s a project that has taken over a year of planning and discussion.
Alongside generous support by FujiFilm UK, we’ve applied for an arts grant to help with the funding. As part of that application for the grant, there is a crowdfunding aspect. The grant committee will monitor how many backers we have and from that, gauge interest in the outdoor exhibition and decide to back this unique project or not. We would hugely appreciate your support in making out 5-storey public art project become a reality.
Please back our project and make your pledge, regardless of how large or small: https://www.spacehive.com/ealingunlocked Every individual pledge will bring us closer to getting the grant and bringing this to life.
Kindly share the link or this post far and wide. Thank you.
Alongside the exhibition, we are also planning a talk and workshops given by photographers in the group, about this project, in conjunction with OPEN Ealing.
A joy to receive the Travel Photographer Of The Year (Inspirational Journeys 11) book today. I was fortunate enough to have my image selected by the judges for a ‘Special Mention’ and was included in the very popular outdoor exhibition, by the banks of the River Thames outside City Hall.
My image was shot in the Tate Modern, using my Lumix G9 and the amazing Leica DG 50-200mm f2.8-4.0. The image was processed in Adobe Lightroom and the monochrome treatment finished in Exposure X5.