Limited Spaces! July 5th to 11th, 2026. Passionate Photographer Masterclass with Steve Simon & Edmond Terakopian
Very much looking forward to welcoming you to London next month, for our fourth group workshop on street and travel photography. If you’re interesting in honing your skills in spontaneous street moments, street portraits, the play of light, interesting buildings or objects, as you are immersed in a week of photography, then this is the place to be!
Photographer Edmond Terakopian (on the right) using a Fujifilm GFX100RF during the 2025 Passionate Photographer London Summer Workshop. Tate Modern, London, UK. July 2025. Photo: Phil Daquila
As on previous years, we’re most thankful for FUJIFILM UK’s continued support by providing us a classroom facility at the FUJIFILM House of Photography in Covent Garden. During these two hour daily sessions we share the group and tutors’ work and have constructive conversations about the imagery. It’s always an extremely positive and hugely beneficial part of our workshops.
Rays of light bathe the Turbine Hall, creating silhouettes and shadows. Tate Modern, London, UK. July 10, 2025. Photo: Edmond Terakopian
What To Expect?!
The easiest way is to share an album of my work from the past few years of our workshop. You may recognise a few, as they went on to win awards. We always have a very hands on way of hosting our workshops, so we will travel together to various locations hand picked by me. You’re then welcome to shadow either of us, or to wonder freely, making pictures. Here’s a link to my Flickr Album of Workshop Images.
Regardless of your level of experience (we always have a small group so a varying level of experience is easily catered for), which camera format or system you use, hope to see you in London! Just pack comfortable footwear, spare batteries and memory cards!
Very happy to share that one of my photographs has been shortlisted in the Black & White Photo Contest by the judges of the reFocus Awards, in the portrait category. All shortlisted images are automatically entered into the People’s Vote Awards where the public can vote on their favourite images.
The portrait was made on assignment for the Irish Independent.
This image was shot on a Lumix S1 and Lumix S Pro 24-70mm f2.8 lens. The raw file was processed in LightRoom Classic, on an Apple Mac Studio with calibrated Eizo CG monitors.
Absolutely thrilled to share that three of my photographs have made the shortlist for the World Food Photography Awards 2026! You can see all the shortlisted photographs and their categories here.
Here are the shortlisted images in their respective categories:
Champagne Taittinger Wedding Food Photographer
The freshly delivered wedding cake awaits unboxing, as the staff prepare drinks to welcome the guests. The Wedding Of C and M. Wedding lunch and drinks at Carmel in Queens Park, London, UK. Photographed on a Lumix G9 and Leica DG 10-25mm Vario Summilux lens.
Politics of Food
Scooter delivery drivers taking a break between jobs. Chinatown, London, UK. The forerunners of these services are Just Eat, Deliveroo and Uber Eats. The UK food delivery market continued to expand, with projected growth of 3.1% to reach a market size of £14.3bn in 2025. Photographed on a Fujifilm GFX100RF.
Production Paradise Previously Published
Michelin-starred chef Richard Corrigan in The Rib Room, which features original Bentley’s paintings and William Morris-designed walls. Bentley’s Oyster Bar & Grill (opened in 1916), 11–15 Swallow Street Piccadilly, London, UK. Photographed on a Lumix S1 and Lumix S Pro 70-200mm f2.8 lens. Published in the Irish Independent.
Naturally all the images were shot in raw, edited and processed using Adobe’s LightRoom Classic, on my either an Apple Mac Studio using calibrated Eizo CG276 monitors or a MacBook Pro.
Somehow completely forgot to share this good news from last year and receiving the certificate yesterday, jogged my memory! My photograph, “Onoto Magna Classic Sterling Silver Nib” received an Honorable Mentionin the Advertising Category of the 18th annual International Color Awards.
A stunning pen, photographed in extremely fine detail, in 100mp, on a Fujifilm GFX100II using a Fujifilm GF110mm f5.6 T/S Macro and lit with Profoto lighting. The raw file was processed in Adobe LightRoom Classic, on a Apple Mac Studio using calibrated Eizo CG monitors.
Onoto Magna Classic Sterling Silver. It is fitted with a 18ct gold fine nib and is available in a limited edition of 999. It has 3 gold-plated sterling silver cap bands with the sterling silver Onoto Chevron clip, plated in 23ct gold. London, UK. June 10, 2024. Photo: Edmond Terakopian
Very happy to share that several images were also nominated:
Nominee in Advertising | Leonardo Dodici Magmatica
Nominee in Fashion | Hello Kitty
Nominee in People | Jessica and Joost
Nominee in People | Pure Joy
Nominee in People | Wedding Day Fun
Nominee in Still Life | Onoto Magna Classic Sterling Silver
Nominee in Still Life | Shibui North Dragonfly Brass Seigaha
Happy to share that my photograph“Fun In The Rain” is a nominee in the Children Of The World category of the 20th annual Black and White Spider Awards.
A child plays in a puddle in the summer rain. Covent Garden, London, UK. July 06, 2025. Photo: Edmond Terakopian
The 102mp image, made on the Fujifilm GFX100RF was processed using the Fujifilm Acros raw profile in Adobe’s LightRoom Classic, on my Mac Studio using calibrated Eizo CG276 monitors. You can find my review of the GFX100RF here.
I’m extremely saddened to find out Brian Harris passed away yesterday (October 4th). He had a battle with cancer, winning mostly for quite a while, but sadly it finally took hold and he passed away peacefully at home. My condolences to his partner Nikki, his family and all close to him.
Brian Harris, after the Memorial Service for Tom Stoddart, at the Humble Grape wine bar near Fleet Street. Brian was always enthusiastic about photography. If you’re wondering why his Leica is minus its lens, its because he had happily lent me his Zeiss wide angle lens to shoot this group shot, from which I have made this crop. London, UK. May 26, 2022. Photo: Edmond Terakopian
A good 15 years before we first met, Brian had become a huge inspiration to me, through his work as chief photographer at The Independent, back when it was a broadsheet. Every edition, was a lesson of excellence in newspaper photography, writing and design.
Brian was due to give a talk organised by the BPPA, this coming week on October 8th – Assignments LIVE: An evening with Photographer Brian Harris.
I had written a short dedication to be read out at the event, but sadly, without Brian hearing it, I shall share it here:
“During the 90s, I was working on the Harrow Observer, having started my career in 1989. Although I visited many exhibitions by world renowned photographers and bought, when funds allowed, great photographic books, quickly, The Independent newspaper became my source of education and inspiration; my source for enveloping myself in great photography. As I became acquainted with the names of the exceptional photographers, one constantly stood out for me. Brian Harris. My daily ritual in my local paper’s newsroom was to track down a copy of the paper and immerse myself in the great work. Without knowing it and probably a good 15 years before we ever met, Brian Harris was a mentor. My teacher in great light, great composition, intelligent storytelling and working unconstrained by what the other photographers were doing, or what would be a safe shot. Thanks Brian.”
Brian was truly incredible. In later years he told me he would sometimes work with a 20mm and a 300mm. Just those two lenses! Always pushing creativity. Always looking at things differently. The most important thing which he did in my opinion, before accepting the position of chief photographer at The Independent, was making sure that it was acknowledged that photographers and writers had equal footing at the paper. On lesser papers, this is not the case, to the detriment of that publication. I was in awe when I heard of this.
Nick Turpin, one of the photographers at The Independent during that time writes:
“Extremely sad news, a great and fearless photographer, he astonished me with the things he would try and succeed at. He shot a vote in the House of Commons at night clean across the river Thames, he shot France from Kent getting both cliffs in the same shot. When I was 20 and working with him at The Independent, I had never seen shots like that. He also stood up for all our rights at the paper.
He inspired a whole generation of young photographers at that time in the 90’s and very much beyond.
On my first day at The Independent in August 1990, I arrived on the open plan newsroom floor and Brian was there, he came up to me, leant quite close to my face, plucked the lens caps from my two cameras and hurled them across the room, gleefully shouting ‘won’t be needing those!’.
I knew it was going to be a fun relationship with him from then on.
He was one of a kind.
Brian was already a very experienced ‘Fleet Street’ Photographer when he joined the newly formed Independent Newspaper. He quickly seized the freedom that was given to The Independent’s photographers and created his own brand of dark brooding, hand printed news imagery. From hard news stories to poetic grabbed moments during a busy day, Brian delivered both to the City Road Picture Desk.
Brian was passionate and driven, he lived the newspaper motto that you are only as good as your last picture, and was always focused on how to break boundaries and come back with something that exceeded expectations.
He was also generous with his time and advice for the younger photographers he worked with, many of whom have carved significant careers of their own. His professionalism and willingness to go the extra mile and not compromise, lives on in many of us.”
I do not condone nor can I be held responsible for reader comments published on this blog; they are the sole responsibility of the reader making the comment.