10th Annual International Color Awards

Two Images Nominated By Judges

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Delighted to share that two of my images were nominated in the 10th Annual International Color Awards. Alas no wins, but still nice to get a couple of images chosen out of the 6178 entries. In a slight departure from my normal work, one of the images was in the Abstract category and the other in Fine Art.

Nominee in Abstract | Backstage Light

Hänsel und Gretel

A backstage light at the end of the cross over tunnel. Hänsel und Gretel, Royal College of Music, London. June 29, 2016.

 

This was shot on an Olympus OM-D E-M5 Mark II using a Voigtlander Nokton 17.5mm f0.95 lens. The raw image was processed in Adobe Lightroom and finished in Alienskin Exposure X2.

Nominee in Fine Art | Light

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The cold blue of the early morning light is warmed by an artifical lightbulb in a stair way. London. May 23, 2016.

This was shot on a Leica M (Type 240) using a Leica 50mm Noctilux ASPH lens. The raw image was processed in Adobe Lightroom and finished in Alienskin Exposure X2.

Amateur Photographer Magazine

Cover Photo

Along with most photographers I know, both professional colleagues or enthusiast shooters, the first photography magazine I looked at (back in 1986) was Amateur Photographer. It’s the one thing most photographers in the UK have in common.

I was fortunate that I turned my passion into my career and have covered a plethora of assignments, both here in the UK and internationally. My work has been published in practically every major publication around the world, from newspapers to quality news magazines.

Cover photo by Edmond Terakopian. Amateur Photographer, February 04, 2017.

I’ve made the cover of quite a few of these publications too. However, in over 30 years of photography, over 26 years of which have been as a photojournalist and commercial photographer, I have never managed to get the cover of my first magazine; Amateur Photographer!

So, to say I’m thrilled to have my first is a bit of an understatement! Although completely happy to work in the studio or location with artificial lights (be they flash or continuous, for photography or video), my passion is to shoot with available light, and I often dial up the ISO to let me work with the light available to me. This week’s issue is all about shooting with high ISOs, so when Geoff Harris (the deputy editor) contacted me on the off chance that I may have a cover photo at high ISO, I jumped at the chance and started searching through my Adobe Lightroom libraries. I found the perfect image in my 2015 library.

The image chosen, was made on one of my “one to one bespoke” photography workshops, about portraiture and lighting. It was shot with available light using a Lastolite deflector (to bounce back the light onto the model’s face) on an Olympus OM-D E-M1 with an Olympus M.Zuiko 25mm f1.8 lens. ISO 1600, f3.2 at 1/320th shutter speed. The model was the fabulous Sonia Yasmin Ali.

Sonia Yasmin Ali and Edmond Terakopian

When the model you’re working with really likes your camera! Sonia Yasmin Ali and Edmond Terakopian, after a portrait workshop. London. March 04, 2015. Photo: ©Jeremy Peters / http://www.jeremypeters.photography

 

Huge thanks to the brilliant team at Amateur Photographer for putting together a great magazine; one which my colleagues and I regularly read. The issue is in the shops now and also available for online purchase.

Sonia Yasmin Ali

Another photograph from the session. Portrait of Sonia Yasmin Ali. London. March 04, 2015. Photo: ©Edmond Terakopian

Christmas Wishes

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2016 has certainly been a rough year. The worsening refugee crisis, mass killings in Syria, extremists of all sorts (both in the Middle East and the West), political upheavals like Brexit and Trump, the rise of racism and far right ideologies, the loss of many great and gifted people, have made 2016 one of the most terrible years in my living memory.

I hope that on those things which we have control, we learn lessons and vow to make 2017 much better. On those things we have no control, let’s be hopeful that it will be a better year.

I’ve personally had a very mixed year. Very saddened by world events both far and close. Very annoyed by politicians who blatantly set out to lie and fool the population of their respective countries. I’ve met some very interesting new people; talented, genuine and with depth and substance and been let down by a couple of people whom I felt had these qualities.

I’ve been fortunate with my work being recognised by various institutions, publications and competitions around the world and had the honour of the Daily Mirror naming me as the author of one of the world’s most iconic photographs. I’ve had the absolute joy of being back at the Royal College of Music to continue my project with an extremely talented group of people; it’s an atmosphere which makes me buzz with creative energy. It’s been wonderful continuing many bespoke one on one workshops throughout the year, both for established clients and new clients. I’ve also had the absolute joy of being a tutor on Philip Bloom and Nino Leitner’s Film Makers Masterclass, where I had the joy to meet some amazing people and produce some great work.

Words of thanks to all who follow the blog, my Instagram, Flickr and FaceBook. Your kind comments always raise a smile and bring an energy when it’s needed. Thank you.

I’d like to wish you all a Merry Christmas and a wonderful new year. Keep well!

Smithsonian Photo Of The Day

La finta giardiniera

Ida Ränzlöv, singing the part of Arminda, Anchise’s niece, waits backstage for her cue. Mozart’s La finta giardiniera. Dress rehearsal. Royal College of Music Opera School, Prince Consort Road, London. November 25, 2016. Photo: ©Edmond Terakopian

Delighted to share that Smithsonian.com has chosen my image from the current production of Mozart’s La finta giardiniera at the Royal College of Music as their Photo Of The Day.

It is indeed an honour to have an image selected from their 357,869 photographs, spanning 236 countries. The photograph was made backstage as part of my ongoing personal project “Life Between The Scenes” which explores the moments backstage as performers get ready before going on stage.

It was made using an Olympus OM-D E-M5 Mark II and a Voigtlander 17.5mm f0.95 Nokton m43 lens.

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Black & White Spider Awards 2016

Six Images Chosen By Judges



Thrilled to have two of my images given honourable mentions and four other images achieve nominee status in the 2016 Black & White Spider Awards.

Honourable Mention in Nature | Murmurations

Murmuration

A murmuration of starlings at dusk, just after the sunset at the beach in Blackpool, Lancashire, United Kingdom. March 10, 2015. Photo: ©Edmond Terakopian

The photograph was made using an Olympus OM-D E-M1 and Olympus M.Zuiko 40-150mm f2.8PRO lens, processed in Adobe Lightroom and Nik Software Silver Efex Pro.

Honourable Mention in People | Backstage Reflection

Albert Herring; an Opera by Benjamin Britten

The final performance of Albert Herring at the Britten Theatre, RCM. Miss Wordsworth, played by Sofia Larsson, reflects on her performance backstage and awaits her cue for her next scene in the second act. Albert Herring by Benjamin Britten. Royal College of Music, Bitten Theatre, Prince Consort Road, London. July 08, 2015. Photo: ©Edmond Terakopian

The photograph was made using an Olympus OM-D E-M5 Mark II and Voigtlander Nokton 17.5mm f0.95 lens, processed in Adobe Lightroom and Nik Software Silver Efex Pro.

Nominee in People | Backstage Tunnel

Albert Herring; an Opera by Benjamin Britten

Miss Wordsworth, played by Natasha Day, waits in the “cross over” tunnel backstage before going on to perform in the second act. Albert Herring by Benjamin Britten. Royal College of Music, Bitten Theatre, Prince Consort Road, London. July 06, 2015. Photo: ©Edmond Terakopian

The photograph was made using an Olympus OM-D E-M5 Mark II and Voigtlander Nokton 17.5mm f0.95 lens, processed in Adobe Lightroom and Nik Software Silver Efex Pro.

Nominee in People | Street Dance

Dancers (L-R) Zunnur Zhafirah and Faye Stoeser. J’Agura (The Present Of Now), Means Of Engagement present a contemporary dance performance titled “Embellished Abundance”. Creation and composition by Muti Musafiri and Nella Turkki. The performers are young dancers from London, ranging in age from 20 to 28. Organised by the South Bank Youth Club. The dancers are along the Queen’s Walk, South Bank, London, United Kingdom. August 28, 2015. Photo: ©Edmond Terakopian

The photograph was made using a Leica M Monochrom (M246) and Leica 35mm Summilux ASPH (FLE) lens, processed in Adobe Lightroom and Nik Software Silver Efex Pro.

Nominee in People | Street Dancers

Dancer Zunnur Zhafirah (foreground). J’Agura (The Present Of Now), Means Of Engagement present a contemporary dance performance titled “Embellished Abundance”. Creation and composition by Muti Musafiri and Nella Turkki. The performers are young dancers from London, ranging in age from 20 to 28. Organised by the South Bank Youth Club. The dancers are along the Queen’s Walk, South Bank, London, United Kingdom. August 28, 2015. Photo: ©Edmond Terakopian

The photograph was made using a Leica M Monochrom (M246) and Leica 35mm Summilux ASPH (FLE) lens, processed in Adobe Lightroom and Nik Software Silver Efex Pro.

Nominee in People | Warming Up

Albert Herring; an opera by Benjamin Britten

Simon Grange warms up before going on stage for the student auditions for Britten’s Albert Herring. Royal College of Music, Bitten Theatre, Prince Consort Road, London. January 20, 2015. Photo: ©Edmond Terakopian

The photograph was made using an Olympus OM-D E-M1 and Olympus M.Zuiko 17mm f1.8 lens, processed in Adobe Lightroom and Nik Software Silver Efex Pro

As always, I’m most thankful for those who allow me to immerse myself into their lives and photograph a segment of their being. The exceptionally talented musicians from the Royal College of Music and the amazing dancers on the South Bank; thank you all.

A spokesperson for the awards notes “7,556 entries were received from 71 countries and your work received a high percentage of votes overall.”

The Jury represented the industry’s biggest names and tastemakers including
National Geographic, Washington DC; The Armory Show, New York; TBWA,
Paris; Victoria Film Festival, Canada; Aeroplastics Contemporary, Brussels;
Studio Hansa, London; Fratelli Alinari, Florence; Australian Centre for Photography;
Young & Rubicam, Lima; and Anthem Worldwide/Marque Branding, Sydney.

World’s Most Iconic Photographs

Daily Mirror Names 7/7 Photograph As One Of The World’s Most Iconic

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Screen grabs from the Daily Mirror website (www.mirror.co.uk). September 12, 2016. ©Daily Mirror, AP, Edmond Terakopian (accordingly)

Humbled to find that one of the UK’s national newspapers, the Daily Mirror, has included one of my images  in a feature called “What happened to the people pictured in the world’s most iconic photographs”.

The photograph is one from the London bombings on July 7th, 2005.

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Paul Dadge leads Davinia Turrell (now Davinia Douglass) away from Edgware Road tube station after a suicide bomb attack in which she suffered burn injuries, resulting in the need for a face mask. The bomber blew himself up on a train at the station, killing seven passengers – one of four coordinated attacks on London’s public transport system during the morning rush hour. The bombs exploded within 50 seconds of each other on London Underground trains, and the fourth bomb occurred on a bus less than an hour later. The explosions resulted in some 56 deaths (including those of the four bombers) and 700 injuries. Surveillance video footage showed that the four men had been working together. Intelligence services have claimed links between the bombers and al-Qaeda. Edgware Road underground station, London, United Kingdom. July 07, 2005. Copyright Photo: ©Edmond Terakopian

 

 

World Photo Day 2016

The 30th Anniversary Of My First SLR; The Start Of My Journey In Photography

Today is World Photo Day. Strangely, I didn’t have any assignments on and didn’t really shoot any pictures. I photographed the full moon as I got home, but the day was one of meetings and not of actual photography.

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A photograph of me at work for the Wembley Observer in 1990. I started my career in 1989 on the Ealing Gazette and moved to the Harrow Observer and Wembley Observer the following year. Shooting with a Canon T90 (my third ever SLR) and Metz 45 flashgun with bounce card. © Photo.

It is however the perfect day to reflect back on my photographic career, and specifically on how it all started. I’d always been interested in taking pictures as a child; I guess I liked the click of the camera and the flash going off! So much so that although our family had a Kodak, my Godfather bought me my own camera for my seventh or eight birthday; a Fuji 110 cartridge point and shoot.

As I got into my teens, I really began taking an interest in photographs and photography. The older brother of a friend of mine was a very keen, advanced and creative amateur photographer. I would often chat with him when visiting, look at his cameras and look at his latest pictures and bombard him with questions about technique, composition, camera gear and so on. He was always very patient and I guess could see my deep interest, so would answer all my silly questions and let me play with his (and his father’s) lovely array of Nikon cameras.

In 1986, as I was approaching my 16th birthday, I had saved up my pocket money and would scour the pages of the Argos catalogue, looking at Zenit and Praktica cameras, day dreaming that one day I would have my own real camera! An SLR that I could manually focus and choose the exposure settings as I wanted them.

I mentioned to my self appointed mentor that I was getting ready to pop to Argos and buy A Zenit or Praktica. He suggested I hold off, asked me how much I had saved and told me he’d get back to me. Unbelievable, he had spent the next few days looking through various magazines and had found a special deal on a Nikon which fitted my meagre savings. We met, my pocket full of my cash, got on the tube and made our way to the Tecno on High Street Kensington. Miraculously they had a special offer on the Nikon EM, with a 50mm Nikon E Series lens, a filter, lens hood and I think camera case too.

So, I bought my first camera. A Nikon no less, all thanks to my mentor, who helped me set up the camera, and answered the inevitable questions which followed my weeks of joyous discovery.

Dearest Vahe, I dedicate this post to you. 30 years ago you took this 15 year old and put him on a path which has brought him joy every since. As a result, I’ve really learned about life, through my lens. Met the most interesting people, experienced extremes of sorrow and joy, creation and destruction, with my camera and helped share the plight of people with millions around the planet. You were my first influence and a huge influence. You showed me creativity. You taught me photography and technique and when you were under no obligation to do so, answered my hundreds of questions and found me my first proper camera.

Thank you so much 🙂