Absolutely thrilled to share that the 16th International Color Awards have honoured some of my work. It’s great to have my work judged alongside other photographers’ work from 72 countries, by a jury of international photography curators, editors and other professionals.
I received one win, as an Honorary Mention in the Silhouette category, for one of my street photography pictures. The photograph was made on the King’s Road in London, using my Leica M10-D and lovely 1970s Leica 50mm Summicron.
The still life photographs were made using a Benro geared head and tripod. Lighting was with PixaPro and Godox lights. As always, all photographs were shot in raw. The raw files were then processed in LightRoom Classic on my Mac Pro, using calibrated Eizo CG monitors and finished off in Exposure Software’s X7.
With thanks to the jury, comprised of members from The National Gallery of Art, Washington DC; The J. Paul Getty Museum, Los Angeles; The Art Channel, London; Groninger Museum, Netherlands; Koller Auctions, Zurich; Preus Museum, Norway; Throckmorton Fine Art Gallery, New York; Publicis Groupe, Warsaw; Chung 24 Gallery, San Francisco; Kolle Rebbe, Hamburg; Photo-Eye Gallery, Santa Fe; High Museum of Art, Atlanta; Bonhams Cornette de Saint Cyr Auctions, Brussels; Institute of Contemporary Art (ICA), Philadelphia; William Shearburn Gallery, Saint Louis; Museo d’arte Moderna di Bologna (MAMbo), Bologna; and Clamp, New York.
I’m absolutely thrilled to share that the judges of the 2022 Travel Photographer of the Year awards have given my photograph a ‘Highly Commended’ award! A huge thanks to the judging panel and organisers.
The photograph was awarded in the Mark of Mankind category and was made using my Lumix G9 and Leica DG 50-200mm f2.8-4.0 lens; very much a favourite combination of mine.
The raw file was processed in Adobe’s LightRoom Classic and finished in Exposure Software’s X7, on my Apple Mac Pro, using calibrated Eizo CG monitors.
Hope to see you in May 2023 where the pictures will first be exhibited at the Royal Photographic Society as part of World Photography in Focus.
“Thankfully travel is returning after two years of disruptions and restrictions. With this photographers are back out in the field, whether this is in their own countries or around the world. Below you will find this year’s stunning winning imagery from our very talented entrants. Any of you who took part in our People’s Choice vote will already know that the standard of images from our finalists is high but also how hard it is to pick the winners!So, as ever, we are extremely grateful to our incredible judges for their expertise. This year, we’ll be first exhibiting these images in May at the Royal Photographic Society as part of World Photography in Focus. 2023 is TPOTY’s 21st award and we hope you’ll share your images with us again.” TPOTY FOUNDER, CHRIS COE
Absolutely thrilled to share that three of my photographs have been shortlisted for the British Photography Awards 2022. The chosen images span my photojournalistic work as well as my creative product photography, specialising in writing instruments.
Alongside the judged categories, there is also a a public vote, which helps choose the separate People’s Choice Awards winners.
I’d appreciate it tremendously if you would pop over to the shortlisted images of 2022 and cast your votes. It’s one vote per category. As luck would have it, my three images are in different categories; Commercial: Product, Documentary and Macro. If you like the photographs, your support will as always, be deeply appreciated. You could even vote for all three images, if they appeal to your visual tastes of course! The public voting will close on November 4th.
My photojournalistic, portrait, commercial, corporate and street photography work can be seen on my main Instagram, Terakopian.
All images were shot in raw and processed on an Apple Mac Pro using calibrated Eizo CG screens, with LightRoom Classic and finished in Exposure Software’s X7.
Immensely proud, excited, honoured and delighted to share that my portfolio of five portraits, are a finalist in the prestigious UK Picture Editors’ Guild Awards.
The portfolio is shortlisted in the DMGT Portrait Photographer of the Year category, alongside three folios from colleagues. My gratitude to the team of judges, made up of the UK’s picture editors for their stellar work.
Alongside the judged categories, there is also a public vote category. For the first time, photographs from the shortlisted finalists in the nine categories will be put to a public vote, so that you may choose your favourite, for the IMAGO Photograph of the Year. There is a prize of two tickets to New York, chosen at random from the public voters.
Once you have registered and confirmed your registration, you can access the voting page, you will see all selected entries, to vote. You can vote for one photograph only. If you like my highlighted portrait of the miner for the public vote, it is ID: 1105 in the DMGT Portrait Photographer of the Year section. The UK Picture Editors’ Guild will choose a name at random from those who voted and will receive two tickets to New York courtesy of Norse Atlantic Airways.
All images were shot in raw and processed on an Apple Mac Pro using calibrated Eizo CG screens, with LightRoom Classic and finished in Exposure Software’s X7.
Angelika Ghazaryan, a descendant of Genocide Survivors, at the 106th Commemoration of the Armenian Genocide of April 24th, 1915. Members of the British Armenian community gather at the remembrance service for the 1.5 Million Armenians massacred by the Ottoman Empire. US President Joe Biden has become the first US president to issue a statement formally describing the 1915 massacre of Armenians as a genocide by the Ottoman Empire (modern day Turkey) on the day that Armenian communities around the world marked the killing of 1.5 million Armenians. St Yeghiche Armenian Church, London, UK. April 25, 2021. Photo: Edmond Terakopian. Camera Gear: Lumix G9 and Voigtlander 29mm f0.8 MFT Super Nokton Lens.An XR protestor is seen through the broken window of a bus, which was broken when the Police stormed the bus as the Extinction Rebellion action began. Extinction Rebellion protestors block off the southern end of London Bridge. London, UK. August 31, 2021. Photo: Edmond Terakopian. Camera Gear: Panasonic Lumix G9 and Lumix G Vario 35-100mm f2.8II.A mourner commemorates the victims of the Genocide, during a church service, as candles lit in prayer illuminate the back of the church. Joe Biden has become the first US president to issue a statement formally describing the 1915 massacre of Armenians as a genocide by the Ottoman Empire (modern day Turkey) on the day that Armenian communities around the world marked the killing of 1.5 million Armenians. (London, UK) 106th Commemoration of the Armenian Genocide of April 24th. Members of the British Armenian community gather at the remembrance service for the 1.5 Million Armenians massacred by the Ottoman Empire. St Yeghiche Armenian Church, London, UK. April 25, 2021. Photo: Edmond Terakopian. Camera Gear: Lumix S1 and Lumix S Pro 70-200mm f2.8.Extinction Rebellion protestors block off the southern end of London Bridge. London, UK. August 31, 2021. Photo: Edmond Terakopian. Camera Gear: Leica M10-D and a 1960s Leica 50mm Rigid Summicron.
Absolutely thrilled to receive the good news from Los Angeles that three of my pictures have been judged into the winner’s circle with honourable mentions and that two other images have been nominated, in the 15th International Color Awards, from close to 6800 entered images.
Many thanks to all the judges (The Armory Show, New York; The J. Paul Getty Museum, Los Angeles; The Art Channel, London; V&A Museum, London; Koller Auctions, Zurich; Preus Museum, Norway; Publicis Groupe, Warsaw; Fila, New York; Chung | Namont Gallery, San Francisco; Kolle Rebbe, Hamburg; Tilton Gallery, New York; Milwaukee Art Museum, Milwaukee; Cornette de Saint Cyr Auctions, Brussels; Podbielski Contemporary, Milan and RedKite NFT, London) and many congratulations to the other winners.
As some would have seen, I’ve started to branch out into creative still life photography, specialising in fountain pen and stationery. It was a thrill to see one of these pictures receive an honourable mention.
Here are the five chosen images. All photographs were made using Lumix cameras, using Leica DG, Olympus and Voigtlander lenses. The images were shot in raw, processed on an Apple Mac Pro with Eizo CG monitors and processed using Adobe LightRoom Classic and finished in Exposure Software’s X7.
The portrait was shot on a Panasonic Lumix G9 and Leica DG 50-200mm. The raw file was processed in Adobe Lightroom Classic and finished in Exposure Software’s X7.
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