Tag Archives: m43

BPPA Assignments 2019 Exhibition

Thrilled to have two of my photographs selected by the curators of the BPPA’s (British Press Photographers’ Association) tremendously powerful and not to be missed, Assignments 2019 exhibition. The show is beautifully curated and thanks has to be given to the talented team of curators, comprised of some of the brightest beacons in the photojournalism industry. Many thanks to Tom Stoddart, John Downing, Nikki Sutherland, Lawrence Lustig and Julie Edwards.

The private view and opening of the BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Edmond Terakopian

At the private view of the exhibition, it was an absolute joy to meet Fleet Street’s legendary press photographer John Downing for the first time. He had been a huge inspiration for me and my ethos of never being without a camera came from reading about his work. When a colleague pointed out my photograph (The Joys Of Life), it was an absolute honour to hear him kindly praise the image, saying it was one that he had chosen personally and to hear his kind compliments about the composition, timing and light, pushed me to blush!

Photographer Edmond Terakopian beside “The Joys Of Life”, which was one of two images selected for the exhibition and legendary press photographer John Downing (on right) who was also one of the curators of the show. BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo ©
The Joys Of Life. A child runs around during a heat wave bank holiday, whilst bathed in rays of sunlight in the turbine hall of the Tate Modern, Bankside, London, UK. May 06, 2018. Photo: Edmond Terakopian

This photograph was made on a Panasonic Lumix G9 and Leica DG 50-200mm lens. The raw image was processed in Adobe Lightroom and the monochrome treatment was finished in Nik Collection’s Silver Efex Pro on an Apple Mac Pro and fully calibrated Eizo CG monitors.

My photograph “The Joys Of Life” (centre), was one of two images selected for the exhibition by the curators. BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Edmond Terakopian

The second image kindly chosen by the curators was of a homeless man, seemingly passed out from wine, after another hard day on the streets.

The UK faces a homeless epidemic, with statistics showing that a homeless person dies every two weeks in London, one of the world’s wealthiest cities. Spiralling property prices are being cited as a huge factor, alongside access to mental health services becoming harder over the last several years. A homeless man lays on the street, apparently passed out from drinking the wine tied to the top of his belongings on his trolley. His guitar, probably used to busk with to pay for the wine, still strapped to his back. Another homeless man, wrapped in a sleeping bag, walks by. Tesco superstore, Pentonville Road, London, UK. March 21, 2018. Photo: Edmond Terakopian
Photographer Edmond Terakopian beside his image of a homeless man, was one of two images selected for the exhibition by the curators. BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Tracy Howl

The photograph was shot on a Sony RX1RII camera. The raw image was processed in Adobe Lightroom and the monochrome treatment was finished in Alienskin Exposure X3, on an Apple Mac Pro and fully calibrated Eizo CG monitors.

BPPA Assignments 2019 photography exhibition is on from 17th to 19th May, 2019, at Bargehouse, Oxo Tower Wharf, on all four floors. 

BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Edmond Terakopian
Contact Sheets at the BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Edmond Terakopian
BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Edmond Terakopian
A poster for the BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Edmond Terakopian

Assignments will also travel to The Potteries Museum and Art gallery in Stoke, from Sat 13th July to Sun 25th August.

An Assignments 2019 book will also soon be available, so keep an eye on the BPPA Shop to get a copy!

Travel Photographer Of The Year Exhibition

TPOTY 2019 At London Bridge City

Travel Photographer of the Year Exhibition, London Bridge City (by City Hall and Tower Bridge). London, UK. March 28, 2019. Photo: Edmond Terakopian

Absolutely thrilled to see the fabulous Travel Photographer Of The Year exhibition. So many stunning photographs in such a wonderful setting, just by the River Thames and City Hall, with a backdrop of Tower Bridge in London, UK. The free, open air exhibition is on until April 30th this year.

Best Single Image In A Portfolio; Special Mention. I shot the image in the Tate Modern, using my Lumix G9 with the Leica DG 50-200mm (giving a reach of 400mm). Travel Photographer of the Year Exhibition, London Bridge City (by City Hall and Tower Bridge). London, UK. March 28, 2019. Photo: Edmond Terakopian
Travel Photographer of the Year Exhibition, London Bridge City (by City Hall and Tower Bridge). London, UK. March 28, 2019. Photo: Edmond Terakopian

It’s great to have one of my images in the show. Shot on my Panasonic Lumix G9 with the wonderful Leica DG 50-200mm. If you like the image, I would appreciate if you could vote for it please 🙂 To vote, please use this link and choose image number 53. Thank you 🙂

Travel Photographer of the Year Exhibition, London Bridge City (by City Hall and Tower Bridge). London, UK. March 28, 2019. Photo: Edmond Terakopian

The British Photography Awards Shortlist 2019

I’m thrilled to share that two of my images from 2018 have been shortlisted in the British Photography Awards 2019. The images are finalists in the Street Photography and Portrait categories.

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Twice The Fun. A child runs around whilst bathed in rays of sunlight in the turbine hall. Tate Modern, during a heat wave bank holiday. Bankside, London, UK. May 06, 2018. Photo: Edmond Terakopian

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Windrush Passenger. Alford Gardner, one of the few surviving Windrush passengers, from the 1948 SS Empire Windrush, which left Jamaica bound for Britain. Portrait photographed by the River Thames, South Bank, London, UK. May 25, 2018. Photo: Edmond Terakopian

I’d like to thank the judges for putting together the shortlisted images and also congratulate the other shortlisted photographers for some truly spectacular images.

Technical Info

For those interested in the equipment used, both images were shot using a Panasonic Lumix G9. The running child was shot using a Leica DG 50-200mm f2.8-4.0 lens and the portrait was shot using a Leica DG 25mm Summilux. Both images were shot in raw and processed in Adobe Lightroom, with the final black and white treatment being completed using Alienskin Exposure X3.

Bird’s Eye View Commended By Judges

Landscape Photographer Of The Year Competition 2018

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Very happy to share that one of my images has been commended by the judges in this year’s Landscape Photographer Of The Year Competition.

Bird's Eye View

Bird’s Eye View; a bird flies into the frame created by the Peace Dove Sculpture in Hermitage Wharf Riverside Memorial Garden, as the The Shard shows through. Wapping, London, UK. May 16, 2018. Photo: ©Edmond Terakopian

The photograph was commended in the Urban View section and is the second time the competition has kindly awarded my work. The image will be printed in the forthcoming book and will be part of the digital display at the exhibition. Many congratulations to the winning photographers and judges.

The photograph was shot using a Panasonic Lumix G9 with a Leica DG 12-60mm f2.8-4.0 lens. The raw photograph was then processed in Adobe Lightroom CC Classic and the monochrome treatment finalised in Alienskin Exposure X3.

London Waterloo Exhibition details:

Dates: 19th November 2018 – 3rd February 2019
Venue: The Balcony at London Waterloo station.
Times: Opening times as for the station. Admission free.

Book details:

Collection 12: 224 pages
Publisher: AA Publishing (16th October 2018)
Language: English
ISBN-13: 978-0749579272

Image Of The Day

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Thank you to the team at Alienskin Software for their choice of today’s “Image Of The Day” on their Instagram. 

The portrait of the hugely talented Angela Simkin was made on a Panasonic Lumix G9 with a Leica DG 12-60mm lens. 

The raw image was processed in Adobe Lightroom and made into a BW using Alienskin’s Exposure X3.

If you’d like to find me on Instagram, I’m: @terakopian

Olympus OM-D E-M5 Mark II Review

Is The Sequel Any Good?!

Cameras come and cameras go. It’s a cycle that every manufacturer repeats every few years. As a professional photographer, I naturally keep my eyes open for new and better tools and as a reviewer of camera equipment for my blog and also various magazines over the years, I naturally get to use and review a lot of equipment from a lot of the main brands in our industry.

The new Olympus OM-D E-M5 Mark II fitted with the HLD-8 Power Battery Grip. February 05, 2015. Photo: © Edmond Terakopian

The new Olympus OM-D E-M5 Mark II fitted with the HLD-8 Power Battery Grip. February 05, 2015. Photo: © Edmond Terakopian

So, how do I know if a camera is any good? Well, one sure way is at the end of the test, when I box away the camera to send back. If at this stage I feel bad and want to hold on to the camera, that gut feeling says it all. As I boxed away the OM-D E-M5 Mark II last night and begun taping up the box, I really wished I could keep it!

The new Olympus OM-D E-M5 Mark II. The two grips, the HLD-8 Power Battery Grip. February 05, 2015. Photo: © Edmond Terakopian

The new Olympus OM-D E-M5 Mark II. The two grips, the HLD-8 Power Battery Grip. February 05, 2015. Photo: © Edmond Terakopian

Although I never used Olympus in the days of film, I always really fancied the OM3Ti; to the point that even now, once in a while I’ll look them up on eBay! When Olympus launched the first PEN, the E-P1, my interest in the company’s cameras was re-invigorated. Since, I’ve owned and use various PEN cameras, the most recent being the brilliant E-P5. When I saw the first OM-D, the E-M5, I did rather like it and when I saw the E-M1, I did rather love it. It was a camera that just felt perfect from the second I picked it up and since has become my most used camera system, putting my Canon DSLR and Leica M setups in early and part time retirement. I’ve been using the new E-M5 Mark II for exactly two weeks now. My first outing with it was a video shoot of an anti ivory demonstration at the Chinese Embassy, which will be used in the feature length documentary, The Last Animals. Having played with the camera the evening before, it gave me such confidence in it’s abilities that I was happy to take it on a real and important assignment the next day. Although I brought a Canon 5D MkIII as a backup, just in case, the little Olympus worked faultlessly and perfectly, allowing me to shoot the entire demo with it. The camera’s ergonomics and menu system are very well designed. Not having a manual for the two weeks meant having to figure everything out by exploration and I’m happy to say that everything just came together nicely, all because of a well thought out camera, by designers and engineers who clearly understand photography and photographers.

A rare Ferrari 288 GTO  built in 1985 with only 883 miles on the clock. It is valued at £2,000,000 and available from H.R. Owen in South Kensington, London. Image shot on the Olympus OM-D E-M5 II, using the multi shot sensor shift facility, creating a 40 megapixel image. January 30, 2015. Photo: ©Edmond Terakopian

A rare Ferrari 288 GTO built in 1985 with only 883 miles on the clock. It is valued at £2,000,000 and available from H.R. Owen in South Kensington, London. Image shot on the Olympus OM-D E-M5 II, using the multi shot sensor shift facility, creating a 40 megapixel image. January 30, 2015. Photo: ©Edmond Terakopian

One of the highlight aspects of the E-M5 Mark II is it’s new high resolution mode; the resolution is boosted from it’s normal 16mp to a whopping 40mp. It does this by taking eight images, shifting the sensor for each shot and combining them into a 40mp jpeg, all in a matter of seconds. As the camera can fire up to 11 shots in the silent continuous mode (more of this later), the actual picture can be taken in under or around a second, so long exposure’s aren’t needed.

A rare Ferrari 288 GTO  built in 1985 with only 883 miles on the clock. It is valued at £2,000,000 and available from H.R. Owen in South Kensington, London. Image shot on the Olympus OM-D E-M5 II, using the multi shot sensor shift facility, creating a 40 megapixel image. January 30, 2015. Photo: ©Edmond Terakopian

A rare Ferrari 288 GTO built in 1985 with only 883 miles on the clock. It is valued at £2,000,000 and available from H.R. Owen in South Kensington, London. Image shot on the Olympus OM-D E-M5 II, using the multi shot sensor shift facility, creating a 40 megapixel image. January 30, 2015. Photo: ©Edmond Terakopian

A detail crop; A rare Ferrari 288 GTO  built in 1985 with only 883 miles on the clock. It is valued at £2,000,000 and available from H.R. Owen in South Kensington, London. Image shot on the Olympus OM-D E-M5 II, using the multi shot sensor shift facility, creating a 40 megapixel image. January 30, 2015. Photo: ©Edmond Terakopian

A detail crop; A rare Ferrari 288 GTO built in 1985 with only 883 miles on the clock. It is valued at £2,000,000 and available from H.R. Owen in South Kensington, London. Image shot on the Olympus OM-D E-M5 II, using the multi shot sensor shift facility, creating a 40 megapixel image. January 30, 2015. Photo: ©Edmond Terakopian

The processing of the eight images then takes a couple of seconds. A tripod is a must and your subject needs to be still, but I can see a lot of creative uses of this with moving subjects! The results are astonishing though. An image dimension of 7296 x 5472 takes things into the higher end of medium format territory. The results are pin sharp, full of detail and tonal range. Whilst this wasn’t a feature I was enamoured by when I first found out about it, having used it, it has really blown my mind!

Taxi Rank, Paddington Station, London. Image shot on the Olympus OM-D E-M5 II, using the multi shot sensor shift facility, creating a 40 megapixel image. February 01, 2015. Photo: Edmond Terakopian

Taxi Rank, Paddington Station, London. Image shot on the Olympus OM-D E-M5 II, using the multi shot sensor shift facility, creating a 40 megapixel image. February 01, 2015. Photo: Edmond Terakopian

To download a full resolution file of the above image and see for yourself, follow THIS LINK. The other huge feature of the E-M5 Mark II is an updated and even more capable 5-axis in camera stabiliser. In a nutshell, every axis of movement is stabilised, meaning hand held shot are possible at very slow shutter speeds for pin sharp photographs. With practice I found I can shoot hand held at down to almost a one second exposure.

Shooting Video

This stabiliser also works in the video mode and in this aspect, pushes the camera to be one of the most able video shooting stills cameras around. It frees the user up to shooting so much more hand held shots. In my short film Taxi Driver, I shot the majority of shots completely hand held. Something I would never do with a DSLR, even with a stabilised lens.

Some of the shots in the film were done by attaching the camera and a mic, onto the windscreen of the taxi or to the bonnet, using a Delkin Fat Ghecko vehicle mount. This triple suction mount worked perfectly, but on it’s own offers no means of stabilisation. Considering how much a diesel London Taxi vibrates and the state of the bumpy roads in some parts of town, the smooth results just blew me away. The stabiliser is both extremely capable and extremely freeing, allowing you to shoot and create, without worrying about steadycams or a tripod. In fact, the only scenes I used a tripod and monopod were for the interview in the cafe and a few shots of a taxi rank. The rest of the seven hour shoot was freehand! By adding a grip (either the HLD-8 or HLD-8 Power Battery Grip) one also adds a headphone socket. This is essential for being able to monitor what the microphone is picking up and really makes this camera an even better video shooter. Thankfully, the audio gain level (along with ISO, aperture, shutter speed and headphone volume) can be changed using the silent touch screen during video shooting. Brilliant!

The new Olympus OM-D E-M5 Mark II. Picture shows the all important headphone socket, now part of the optional (and essential) grip, the HLD-8G and HLD8 Battery Power Grip (shown), February 05, 2015. Photo: © Edmond Terakopian

The new Olympus OM-D E-M5 Mark II. Picture shows the all important headphone socket, now part of the optional (and essential) grip, the HLD-8G and HLD8 Battery Power Grip (shown), February 05, 2015. Photo: © Edmond Terakopian

Thankfully, we now have variable frame rates, meaning that 60p, 50p, 30p, 25p and 24p can be used for full 1080p HD video. The video file itself is very beefy! ALL‑I has a data rate of 77Mbps. IPB gives the following data rates in the following quality setting: SF: ~52Mbps, F: ~30Mbps, N: ~18Mbps. Having shot the majority of the two films in ALL-I at 77Mbps, I can say that the detail holds up extremely well, rendering both highlight and shadow detail properly, allowing for proper grading. It also pushes the camera’s data rate into one the BBC with their stringent guidelines should approve of. Another very handy feature is various levels of slow motion (and speeded up footage) available in camera. I have made good use of the slow motion and am very pleased with the results. You can see this in action in my London Taxi film mentioned earlier.

The new Olympus OM-D E-M5 Mark II fitted with the HLD-8 Power Battery Grip and Rode Steroe VideoMic X. February 05, 2015. Photo: © Edmond Terakopian

The new Olympus OM-D E-M5 Mark II fitted with the HLD-8 Power Battery Grip and Rode Steroe VideoMic X. February 05, 2015. Photo: © Edmond Terakopian

On the audio front, the camera has the all important audio limiter, meaning loud sounds or a raise in volume won’t blow the audio and make it useless. The audio is also recorded at 16 bit, 48Hz, Wave Format Base, meaning it’s actually of better than CD quality and not compressed. Naturally there is an on screen audio meter during shooting. Although the camera has built in stereo microphones, it also comes with the essential mic socket, and during filming my Rode VideoMic Pro and Rode Stereo VideoMic X found themselves at home and recording great audio. Other Goodies The flip out, articulated screen is a great bonus which allows various camera angles to be used with ease. One thing I found I was going a lot was flipping it so the screen was hidden from view and the camera resembled a film camera. This is great as it’ll stop the chimping photographer, make them concentrate on the scene and not the camera back and as a result save on battery power. During the interview scene in London Taxi, I was shooting multicam, and the screen allowed me to tilt it on the wide camera, meaning I could keep an eye on it and on the one in my hand; very handy indeed. Another very handy aspect for me was the practically silent shutter. It can barely be heard and on the street, it should be completely inaudible. Need to take pictures in a monastery of monks who have taken a vows of silence? Not a problem as there is also a completely silent electronic shutter mode. And yes, I do mean silent. Completely. Zero sound. It’s absolutely astonishing to put the camera into silent continuous and know one’s shooting 11 frames per second, in absolute, total and complete silence! In normal mode, the barely audible shutter mode means in continuous mode, the count drops by a frame to 10fps.

London Taxi driver Terry Bradford. January 31, 2015. Photo: Edmond Terakopian

London Taxi, St Paul’s Cathedral. January 31, 2015. Photo: Edmond Terakopian

The built in WiFi remains from the previous cameras and married to the Olympus O.I. Share app on iOS means you can download jpegs (I always shoot RAW and medium jpeg for just this reason) and also have full, wireless remote camera control. This naturally opens up huge possibilities and also allows quick sharing of images on social media (just check out my Instagram!) or for sending a quick image to a client for approval or a newspaper for publication. As a very important bonus, the battery system is the same as the previous OM-Ds and PENs; this means that when travelling, one needs one type of charger and one set of batteries. It’s this type of uniformity that endears a brand to the photographer and really helps on assignment. Final Thoughts So, is everything perfect? So far, I have had nothing but praise for this camera; I almost have nothing but praise for this camera. The only thing that bugs me, is the rear function button, labelled Fn1. It’s just too small and flat and is next to a lever which juts out too much, adding to it’s difficult use. In normal function button use, this isn’t an issue and works perfectly well when holding the camera away from the face and accessing the menus, but there are some photographers, myself included, who prefer back button focus, so assign all AF use to the back button. Whilst it’s usable, it’s not comfortable and not as tactile as it should be. So if you’re one of the breed who likes to back button focus, you will be annoyed. However, I like this camera so much that I will try and find a way to attach something to this button to make it stand out a few millimetres.

Dramatic Clouds At Sunset, London. February 05, 2015. Photo: © Edmond Terakopian

Dramatic Clouds At Sunset, London. February 05, 2015. Photo: © Edmond Terakopian

Well, as I mentioned at the beginning, I don’t want to return this test camera back to Olympus; I like it that much. One thing is for sure, a couple of E-M5 Mark II cameras will definitely be joining my bag as soon as they are available. My E-M1 cameras are extremely capable (and will be even better with the new firmware bring faster continuous AF, I’m sure) but for video, the E-M5 Mark II has raised the bar tremendously. For me, it’s a must have camera…..so yes, the sequel is much better! Links: Here’s my Flickr Album with E-M5 MarkII images; this will be updated, so do keep an eye on it.

Addendum

My black Olympus OM-D E-M5 Mark II camera and M.Zuiko 17mm f1.8 lens. April 29, 2015. Photo: Edmond Terakopian

My black Olympus OM-D E-M5 Mark II camera and M.Zuiko 17mm f1.8 lens. April 29, 2015. Photo: Edmond Terakopian

A few months on and I’ve got myself a pair of E-M5 Mark II cameras. As I’ve already mentioned, it’s a great camera. In fact, I have an assignment tomorrow and I’ll only be shooting on these; shall leave the E-M1 cameras at home. One thing however has changed since my review; the back “Function 1” button. Olympus have clearly been listening to the feedback and seem to have completely changed the button’s mechanics. It’s no longer hard to press and feels much better. The design isn’t ideal as the lever juts out too much, but with the button being softer to the touch and with much more feel, back button focusing is actually achievable comfortably. I’ve set up both my cameras with back button focus enabled. Top marks to Olympus for making this small yet significant change since the sample camera I had for my initial review.

Olympus OM-D E-M5 MarkII Video

“London Taxi”

A short film shot on the new Olympus OM-D E-M5 Mark II camera. The film was shot using two cameras and the following Olympus M.Zuiko lenses: 9mm f8 (Body Cap Lens), 12mm f2, 12-40mm f2.8PRO, 25mm f1.8, 45mm f1.8 and 75mm f1.8.

The new Olympus OM-D E-M5 Mark II fitted with the HLD-8 Power Battery Grip and Rode Steroe VideoMic X. February 05, 2015. Photo: © Edmond Terakopian

The new Olympus OM-D E-M5 Mark II fitted with the HLD-8 Power Battery Grip and Rode Steroe VideoMic X. February 05, 2015. Photo: © Edmond Terakopian

Addendum:

I have since made a shorter edit with a different grade of London Taxi (above) and it’s called, Taxi Driver:

Ambient audio was recorded on camera using a Rode Stereo VideoMic X. Audio was also recorded using an Olympus LS-100 with it’s internal microphones for ambient sounds and also hooked up via XLR to a Rode NTG3 for other atmospheric recordings. A Rode Lavalier microphone was used for for the interviews, attached to the Olymps LS-100 via it’s XLR input. All of the microphone mounts and windjammers used (apart from the one on the Stereo VideoMic X) were by Rycote.

The Olympus LS-100 audio recorder and Rode NTG3 microphone.. February 05, 2015. Photo: © Edmond Terakopian

The Olympus LS-100 audio recorder and Rode NTG3 microphone.. February 05, 2015. Photo: © Edmond Terakopian

The majority of shots were hand held, using the camera’s built in stabilisation system to keep the shots steady. For the shots where the camera was attached to the taxi, a Delkin Fat Gheko camera mount was used. A Manfrotto tripod and video monopod was also used for the interview and cab rank scenes.
Editing was done on an Apple Mac Pro and FCP X, using Eizo CG-276 monitors and monitoring audio on Event Opals. Asset management and image processing were done on Adobe Lightroom and Photoshop.

The new Olympus OM-D E-M5 Mark II. The two grips, the HLD-8 Power Battery Grip. February 05, 2015. Photo: © Edmond Terakopian

The new Olympus OM-D E-M5 Mark II. The two grips, the HLD-8 Power Battery Grip. February 05, 2015. Photo: © Edmond Terakopian