Category Archives: Mac

Interviewed On “The As Yet Unnamed Podcast”

Thoroughly enjoyable chat with Ian Barstow on the “The As Yet Unnamed Podcast“, which went live earlier today.

We spoke about life, politics, newspapers, my career and the many aspects of photography. I even shared my journey in cameras; Nikon, Canon, Leica, Olympus and Panasonic Lumix. Something for everyone!

Hope you get a chance to listen (above) or even watch our chat.

The As Yet Unnamed Podcast – Edmond Terakopian

BPPA Assignments 2019 Exhibition

Thrilled to have two of my photographs selected by the curators of the BPPA’s (British Press Photographers’ Association) tremendously powerful and not to be missed, Assignments 2019 exhibition. The show is beautifully curated and thanks has to be given to the talented team of curators, comprised of some of the brightest beacons in the photojournalism industry. Many thanks to Tom Stoddart, John Downing, Nikki Sutherland, Lawrence Lustig and Julie Edwards.

The private view and opening of the BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Edmond Terakopian

At the private view of the exhibition, it was an absolute joy to meet Fleet Street’s legendary press photographer John Downing for the first time. He had been a huge inspiration for me and my ethos of never being without a camera came from reading about his work. When a colleague pointed out my photograph (The Joys Of Life), it was an absolute honour to hear him kindly praise the image, saying it was one that he had chosen personally and to hear his kind compliments about the composition, timing and light, pushed me to blush!

Photographer Edmond Terakopian beside “The Joys Of Life”, which was one of two images selected for the exhibition and legendary press photographer John Downing (on right) who was also one of the curators of the show. BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo ©
The Joys Of Life. A child runs around during a heat wave bank holiday, whilst bathed in rays of sunlight in the turbine hall of the Tate Modern, Bankside, London, UK. May 06, 2018. Photo: Edmond Terakopian

This photograph was made on a Panasonic Lumix G9 and Leica DG 50-200mm lens. The raw image was processed in Adobe Lightroom and the monochrome treatment was finished in Nik Collection’s Silver Efex Pro on an Apple Mac Pro and fully calibrated Eizo CG monitors.

My photograph “The Joys Of Life” (centre), was one of two images selected for the exhibition by the curators. BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Edmond Terakopian

The second image kindly chosen by the curators was of a homeless man, seemingly passed out from wine, after another hard day on the streets.

The UK faces a homeless epidemic, with statistics showing that a homeless person dies every two weeks in London, one of the world’s wealthiest cities. Spiralling property prices are being cited as a huge factor, alongside access to mental health services becoming harder over the last several years. A homeless man lays on the street, apparently passed out from drinking the wine tied to the top of his belongings on his trolley. His guitar, probably used to busk with to pay for the wine, still strapped to his back. Another homeless man, wrapped in a sleeping bag, walks by. Tesco superstore, Pentonville Road, London, UK. March 21, 2018. Photo: Edmond Terakopian
Photographer Edmond Terakopian beside his image of a homeless man, was one of two images selected for the exhibition by the curators. BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Tracy Howl

The photograph was shot on a Sony RX1RII camera. The raw image was processed in Adobe Lightroom and the monochrome treatment was finished in Alienskin Exposure X3, on an Apple Mac Pro and fully calibrated Eizo CG monitors.

BPPA Assignments 2019 photography exhibition is on from 17th to 19th May, 2019, at Bargehouse, Oxo Tower Wharf, on all four floors. 

BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Edmond Terakopian
Contact Sheets at the BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Edmond Terakopian
BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Edmond Terakopian
A poster for the BPPA Assignments 2019 photography exhibition (on from 17th to 19th May, 2019) at Bargehouse, Oxo Tower Wharf, London, UK. May 16, 2019. Photo: Edmond Terakopian

Assignments will also travel to The Potteries Museum and Art gallery in Stoke, from Sat 13th July to Sun 25th August.

An Assignments 2019 book will also soon be available, so keep an eye on the BPPA Shop to get a copy!

National Geographic Photo Contest

Always wonderful to get a nice message about one’s work, but when it comes from National Geographic magazine, it truly becomes special!

“Hi Edmond — Thanks for entering the 2019 National Geographic Travel Photo Contest! Your photo was selected as one of our editors’ favorite submissions”. 

It’s Their Future. Put It To The People March. Official figures put the numbers at the anti Brexit march at over one million. The demonstration, marched in central London calling for another EU referendum. The demo ends in Parliament Square. London, UK. March 23, 2019. Photo: Edmond Terakopian

To have a look at the work, please visit the People’s section in the Galleries, to see the images chosen by the editors for the photo contest.

The photograph was made on a Panasonic S1R and the S24-105mm lens. The raw image was converted to a DNG file using Adobe’s Raw Converter (as Lightroom hadn’t yet released support for the S Series, which is has done since). The Raw DNG file was then processed in Lightroom and finished in Alienskin’s Exposure X4, on an Apple Mac Pro using calibrated Eizo CG monitors.

Photojournalist Edmond terakopian on assignment with his Lumix S1, S1R and G9. Put It To The People March. Official figures put the numbers at the anti Brexit march at over one million. The demonstration, marched in central London calling for another EU referendum. The demo ends in Parliament Square. London, UK. March 23, 2019. Photo: Ian Burley

Winning Image In The 12th International Color Awards

Merit of Excellence

Light and shadows make patterns and shapes in the Tate Modern Turbine Hall, Bankside. London, UK. April 26, 2018. Photo: Edmond Terakopian

Very happy to share that one of my images has won second place, a “Merit Of Excellence”, in the Professional Category of the Silhouette section, in the 12th International Color Awards. The image was kindly chosen by judges from 7241 entries, from 79 countries.

Many congratulations on all the other winners and nominees and my thanks to the judges for their hard work.

It was shot on my Panasonic Lumix G9 with a Leica DG 50-200mm f2.8-4.0 lens (giving an equivalent of 100-400mm). The raw image was processed using Lightroom and finished in Alienskin Exposure X4 on my Mac Pro, using calibrated Eizo CG monitors for colour accuracy.

British Life Photography Awards 2018

Winning Image, “Life At Work”

Thrilled to start the new year with some wonderful news! I’m extremely happy to share that the photograph “Love Your Job” has won the Life At Work category of the British Life Photography Awards 2018.

A heavy downpour of rain soaks pedestrians as they pass an illuminated advertising sign saying “Love Your Job”. Hammersmith, London. Photo: ©Edmond Terakopian
  • Leica M9
  • Leica 35mm Summicron ASPH

The good news continues as the judges have very kindly commended three of my other photographs.

A child runs around whilst bathed in rays of sunlight in the turbine hall. Tate Modern, during a heat wave bank holiday. Bankside, London, UK. Photo: ©Edmond Terakopian
  • Panasonic Lumix G9
  • Leica DG 50-200mm f2.8-4.0
A portrait of model Jordan Ebbitt. London. Photo: ©Edmond Terakopian
  • Olympus OM-D E-M1
  • M.Zuiko 12-40mm f2.8PRO
Behind the scenes as Sotheby’s prepares the Gunter Sachs Collection for sale (2012). Sotheby’s will be offering close to 300 works of art from the prestigious single owner collection. Allen Jones’ mannequin furniture (1969) from Gunter Sach’s bedroom in St Moritz. Each individual piece is estimated at £30-40,000. Hatstand and Table are unwrapped by the technicians. Sotheby’s, New Bond Street, London. Photo: ©Edmond Terakopian
  • Leica M9
  • Leica 35mm Summilux (FLE)

Exhibition

Many congratulations to all the winners; there are some truly beautiful photographs selected by the judges. The winning and commended images will be exhibited in a travelling exhibition, which I hope many of you will be able to see. A book of the selected images from 2018 will also be published (but is not yet listed, so keep an eye out on the website).

  • Mall Galleries, London 18th to 23rd February 2019 
  • Banbury Museum, Banbury 16th March to 12th May 2019 
  • The Garden Rooms at Tennants, Leyburn, North Yorkshire 20th July to 3rd September 2019 
  • Redbrick building, Glastonbury, Somerset, 14th September to 13th October 2019

The post processing of the images were done on my Apple Mac Pro using Eizo CG monitors, using Adobe Lightroom (and finished in either Alienskin Exposure or Nik Collection Silver Efex Pro plugins).

Other World Computing

The Fastest; Accelsior PCI Express SSD

Long Term Test

OWC stands for Other World Computing, a title which I felt was very apt for this article. Since I started using OWC’s adapter for modifying my Mac Pro to take multiple SSDs in the optical bay and installing their blisteringly fast SSD into the optical bay of my MacBook Pro, I’ve become a fan of this company. Their adapters and SSDs just seem out of this world; great design, well made and extremely fast.

It was with great interest when I first heard that a PCI Express SSD card was going to be introduced by the company. The advantages of using a PCI Express SSD card are numerous. Firstly, one is directly plugging into the motherboard, using the fastest interface, without having to go through the SATA connectors, adding some speed to operation. Secondly, it frees up your SATA connectors and drive bays for more SSDs or conventional hard drives for storage. In my Mac Pro, I now have four conventional hard drives in the drive bays which I use to store my RAW files amongst other data including documents, music, video and so on. I also have two SSDs installed in the optical bays. One is used to clone the Accelsior every night which is my OS drive, and the other is used for video files when editing  a project. Having FCP X run on the OWC Accelsior and the ProRes 422 video files run from a OCZ 120Gb SSD makes for a very fast and fluid editing experience.

If you’re on a PC, the Accelsior will also work. Regardless of which system you’re using, the helpful thing is the card does not need a driver, so will just work once installed. On a Mac, you will naturally need a Mac Pro as the iMac does not have PCI Express slots.

I decided to go for the 240Gb version which is enough space to store the OS, applications and Documents. Via iTunes I did move the iTunes folder to another drive though as it was simply too big. The card uses Sandforce controllers and several systems to ensure that the SSD chips are used efficiently and kept running smoothly. The SSDs themselves are on smaller circuit boards which clip into the PCI Express daughter card; this means that in time if you want to upgrade to a larger size, it’s easily done.

Speed

Using OWC’s own figures, comparing their top of the range traditional SSD (Pro 6G) to the Accelsior makes interesting reading.

OWC Mercury Extreme Pro 6G – Read 559MB/s Write 527MB/s (Peak Data Rate)
OWC Mercury Accelsior  – Read 762MB/s Write 763MB/s
Traditional 5400rpm Hard Drive – Read 75MB/s Write 77MB/s

These are test figures so real life use will vary, but it will vary proportionally, so the speed advantages are clear to see.

Compared to my previous OS SSD, the OCZ Vertex 3 Max IOPS which was very quick, the speed advantage of the OWC Acceslior is immediately noticeable, even without timing.

I did perform some comparisons though using my early 2009 model Mac Pro.

Reliability

Speed isn’t the only consideration to have though. I’ve had the Accelsior installed in my main imaging workstation, a Mac Pro, for three months now. It has performed without a single hiccup. I installed it when running OS Lion, cloned the OS drive onto the Accelsior using the superb CCC and upgraded to OS Mountain Lion a few days after it’s release. My Mac Pro is on 24/7, used for photo editing, photo archive use, Giclée printing, video and audio editing and general computing too. It’s hooked up to a Sonnet D800 raid with a PCI Express RAID card as well as countless other peripherals and I didn’t have a single issue at all! The Accelsior just performed with 100% absolute reliability and speed.

Final Thoughts

As new technologies come and go and we take leaps forwards, some leaps are giant. The leap to SSDs being one. They are still too costly for storage, but for using as our OS and program disks, the capacities are more than there and the prices have dropped to affordable levels. Although purely on paper the jump to PCI SSD doesn’t appear huge, it is much more than just the speed increase; it’s the convenience increase of freeing up a drive bay for storage too. I for one can’t recommend SSDs highly enough; however if you have a machine with compatible PCI Express slots, then the OWC Accelsior is an absolute no brainer. You’ll love it!

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