Tag Archives: Eizo

Three Wins At The 15th International Color Awards

Absolutely thrilled to receive the good news from Los Angeles that three of my pictures have been judged into the winner’s circle with honourable mentions and that two other images have been nominated, in the 15th International Color Awards, from close to 6800 entered images.

Many thanks to all the judges (The Armory Show, New York; The J. Paul Getty Museum, Los Angeles; The Art Channel, London; V&A Museum, London; Koller Auctions, Zurich; Preus Museum, Norway; Publicis Groupe, Warsaw; Fila, New York; Chung | Namont Gallery, San Francisco; Kolle Rebbe, Hamburg; Tilton Gallery, New York; Milwaukee Art Museum, Milwaukee; Cornette de Saint Cyr Auctions, Brussels; Podbielski Contemporary, Milan and RedKite NFT, London) and many congratulations to the other winners.

As some would have seen, I’ve started to branch out into creative still life photography, specialising in fountain pen and stationery. It was a thrill to see one of these pictures receive an honourable mention.

Here are the five chosen images. All photographs were made using Lumix cameras, using Leica DG, Olympus and Voigtlander lenses. The images were shot in raw, processed on an Apple Mac Pro with Eizo CG monitors and processed using Adobe LightRoom Classic and finished in Exposure Software’s X7.

Honorable Mention in Portrait | Coal Miner

Miner Ian Turner, at the end of his shift. Aberpergwm Mine is the only remaining operational coal mine in the UK. It’s the only source of high-grade anthracite in Western Europe. Aberpergwm Mine, Glynneath, Neath, Wales, UK. July 30, 2021. Photo: ©Edmond Terakopian. Lumix G9 with Leica DG 50-200mm.

Honorable Mention in Photojournalism | Memorial Wall For Covid Victims

The wall of hearts grows as a memorial to loved ones taken by coronavirus. Each heart representing every one of the UK’s close to 150,000 victims (to date). The memorial is the idea of the Covid-19 Bereaved Families for Justice campaign group, which has called for an inquiry into the Government’s handling of the pandemic. The National COVID Memorial Wall. North Wing, Lambeth Palace Rd, South Bank, London SE1 3FT. April 11, 2021. Photo: ©Edmond Terakopian. Lumix G9 and Voigtlander 29mm F0.8 MFT Super Nokton Lens.

Honorable Mention in Still Life | Liquid Teal

“The Teal Breaker”. One of an 88 custom pen set. A concept by Bernardo “Mr Teal” Gomes, with the fountain pen made by John Garnham, nib tuned by Noah Maasarani (the Pen Doctor UK) and engraved by Ben Walsh, for the Fountain Pens UK group on Facebook. London, UK. November 28, 2021. Photo: ©Edmond Terakopian. Lumix G9 and Olympus 60mm f2.8 Macro.

Nominee in People | Coal Mine Shift Manager

Life around the mine. Shift Manager Miner Colin Evans, who has been a miner for 40 years, prepares the safety paperwork for the shift. Aberpergwm Mine is the only remaining operational coal mine in the UK and the only source of high-grade anthracite in Western Europe. Aberpergwm Mine, Glynneath, Neath, Wales, UK. July 30, 2021. Photo: ©Edmond Terakopian. Lumix G9 and Leica DG 10-25mm Vario_Summilux.

Nominee in Photojournalism | Covid 19 Memorial Wall

The wall of hearts grows as a memorial to loved ones taken by coronavirus. Each heart representing every one of the UK’s close to 150,000 victims (to date). The memorial is the idea of the Covid-19 Bereaved Families for Justice campaign group, which has called for an inquiry into the Government’s handling of the pandemic. The National COVID Memorial Wall. North Wing, Lambeth Palace Rd, South Bank, London SE1 3FT. April 11, 2021. Photo: ©Edmond Terakopian. Lumix G9 and Voigtlander 29mm F0.8 MFT Super Nokton Lens.

Black and White Photography Awarded

Three Honourable Mentions at the 16th Annual Black & White Spider Awards

Very happy to share that several of my monochrome images have had awards success at the BW Spider Awards. During the online Gala Ceremony, attended by by over 11,000, I was thrilled to receive three honourable mentions and also discover that five other images had also been nominated. 

Honourable Mentions

PhotojournalismA Vigil By Smartphone Lights. Fundraising and Candlelight Vigil. Following miltary action by Azerbaijan with the backing of Turkey from the 27th of September, against the Republic of Artsakh (Nagorno Karabakh) and Armenia, a war has ensued in the region. Armenian communities in the diaspora gather to raise funds with the defence effort and humanatarian crisis in Artsakh and Armenia. Members of the Armenian community in the UK gather for a candle lit vigil (using smartphone lights as a result of health and safety rules) and fund raising event for the Armenia Fund (Himnadram) with the support of the Armenian Apostolic Church in London. St. Yeghiche Armenian Church, South Kensington, London, UK. October 10, 2020. Photo: Edmond Terakopian.

Shot on a Lumix S1 and a Sigma 85mm f1.4 DG DN Art lens.

AmericanaClassic Corvettes. The Classic Car Drive In Weekend (a new style of socially distanced, COVID-compliant classic car show for buyers, collectors and petrol-heads as well as movie-goers). Bicester Heritage, Buckingham Road, Bicester, Oxfordshire, UK. September 18, 2020. Photo: Edmond Terakopian

Shot on a Lumix S1R and Sigma 85mm f1.4 DG DN Art lens.

PeopleA chorister is dressed in traditional Armenian choir outfit, with a more modern face visor as protection following guidelines. Churches Allowed To Open After Easing Of UK COVID 19 Lockdown. The Apostolic Orthodox Armenian Church is one of the most ancient Christian institutions. The Kingdom of Armenia was the first state to adopt Christianity as its official religion. Having live streamed services during the pandemic lockdown, St Yeghiche Church opened its doors for public worship on Sunday 5th July 2020. Kensington, London, UK. July 05, 2020. Photo: Edmond Terakopian

Shot on a Lumix S1 and S Pro 70-200mm f2.8. 

Nominations

ArchitectureConcord Road, Industrial Estate, Park Royal, London, UK. December 15, 2020. Photo: Edmond Terakopian

Shot on a Lumix LX100M2.

PeopleBrighton beach, as on of the hottest days of the year comes to an end. As the COVID 19 lockdown has been relaxed, thousands of beachgoers flocked to Brighton as temperatures hit 30C (lower than the maximum temperature in South East England, which topped 36C). Authorities in Brighton have taken action to reduce the crowds at their beaches, on one of the hottest days of the year, with fears that social distancing will not be possible. Brighton, UK. August 07, 2020. Photo: Edmond Terakopian

Shot on a Lumix G9 and Leica DG 50-200mm.

PortraitProfessional Dancer Faye Stoeser. The Millennium Bridge, Bankside, London, UK. September 15, 2020. Photo: Edmond Terakopian

Shot on a Leica SL2 and Sigma 85mm f1.4 DG DN Art.

PortraitA portrait of Jim Connor (former picture editor, The Herald, Glasgow) enjoying a pint of Guiness at The Long Hall pub in Dublin, Republic of Ireland. January 17, 2020. Photo: Edmond Terakopian

Shot on a Sigma fp and Leica 35mm APO Summicron SL.

PortraitYoshie At Quant. A portrait of fine art photographer Yoshie Nishikawa at the Mary Quant exhibition. Victoria and Albert Museum. London, UK. February 07, 2020. Photo: Edmond Terakopian

Shot on a Sigma fp and Leica 35mm APO Summicron SL.

All the images were shot in raw and processed on an Apple Mac Pro (2013 model) in Adobe’s Lightroom. The monochrome work was then finished in Exposure Software’s X6. To maintain absolute and precise control during processing, calibrated Eizo CG monitors were used.

Interestingly, several of the images here were shot for a feature I was writing for Amateur Photographer magazine, titled The L Mount Alliance: “A Safe Investment”.

National Geographic Photo Contest

Always wonderful to get a nice message about one’s work, but when it comes from National Geographic magazine, it truly becomes special!

“Hi Edmond — Thanks for entering the 2019 National Geographic Travel Photo Contest! Your photo was selected as one of our editors’ favorite submissions”. 

It’s Their Future. Put It To The People March. Official figures put the numbers at the anti Brexit march at over one million. The demonstration, marched in central London calling for another EU referendum. The demo ends in Parliament Square. London, UK. March 23, 2019. Photo: Edmond Terakopian

To have a look at the work, please visit the People’s section in the Galleries, to see the images chosen by the editors for the photo contest.

The photograph was made on a Panasonic S1R and the S24-105mm lens. The raw image was converted to a DNG file using Adobe’s Raw Converter (as Lightroom hadn’t yet released support for the S Series, which is has done since). The Raw DNG file was then processed in Lightroom and finished in Alienskin’s Exposure X4, on an Apple Mac Pro using calibrated Eizo CG monitors.

Photojournalist Edmond terakopian on assignment with his Lumix S1, S1R and G9. Put It To The People March. Official figures put the numbers at the anti Brexit march at over one million. The demonstration, marched in central London calling for another EU referendum. The demo ends in Parliament Square. London, UK. March 23, 2019. Photo: Ian Burley

Thank You

The Photography Show 2015

The Olympus Seminar Room time table at The Photography Show, NEC, Birmingham. March 21, 2015. Photo: Edmond Terakopian

The Olympus Seminar Room time table at The Photography Show, NEC, Birmingham. March 21, 2015. Photo: Edmond Terakopian

A word of thanks to everyone who made The Photography Show special. I’m very grateful that many of you came to my talks at the Olympus Seminar Room every day. Some great Q&A and interesting conversations were had and I’m most thankful.

Olympus Seminar Room

Edmond Terakopian giving a talk at The Olympus Seminar Room at The Photography Show, NEC, Birmingham. March 21, 2015. Photo: Rob J Hugh

Edmond Terakopian giving a talk at The Olympus Seminar Room at The Photography Show, NEC, Birmingham. March 21, 2015. Photo: Rob J Hugh

A big word of thanks also to all who came to my two talks at The Film Makers Theatre on behalf of Snapper Stuff. Talking of which, great to see so many friends, colleagues and customers, old and new, come and visit the stand, check out some new bags, tripods and lighting kit and have such great conversations.

"Essentials In Documentary Film Making" talk by Edmond Terakopian at the Filmmaker Theatre on behalf of Snapper Stuff. The Photography Show, NEC, Birmingham. March 23, 2015. Photo: Freia Turland

“Essentials In Documentary Film Making” talk by Edmond Terakopian at the Filmmaker Theatre on behalf of Snapper Stuff. The Photography Show, NEC, Birmingham. March 23, 2015. Photo: Freia Turland

"Essentials In Documentary Film Making" talk by Edmond Terakopian at the Filmmaker Theatre on behalf of Snapper Stuff. Showing how I pack my Rode microphones, Rycote accessories and other video necessities into my Think Tank Photo Airport Accelerator. The Photography Show, NEC, Birmingham. March 23, 2015. Photo: Freia Turland

“Essentials In Documentary Film Making” talk by Edmond Terakopian at the Filmmaker Theatre on behalf of Snapper Stuff. Showing how I pack my Rode microphones, Rycote accessories and other video necessities into my Think Tank Photo Airport Accelerator. The Photography Show, NEC, Birmingham. March 23, 2015. Photo: Freia Turland

"Essentials In Documentary Film Making" talk by Edmond Terakopian at the Filmmaker Theatre on behalf of Snapper Stuff. The Photography Show, NEC, Birmingham. March 23, 2015. Photo: Freia Turland

“Essentials In Documentary Film Making” talk by Edmond Terakopian at the Filmmaker Theatre on behalf of Snapper Stuff. The Photography Show, NEC, Birmingham. March 23, 2015. Photo: Freia Turland

"Essentials In Documentary Film Making" talk by Edmond Terakopian at the Filmmaker Theatre on behalf of Snapper Stuff. Showing "1 Sixpence 1 Play", shot on the Olympus OM-D E-M1. The Photography Show, NEC, Birmingham. March 23, 2015. Photo: Freia Turland

“Essentials In Documentary Film Making” talk by Edmond Terakopian at the Filmmaker Theatre on behalf of Snapper Stuff. Showing “1 Sixpence 1 Play”, shot on the Olympus OM-D E-M1. The Photography Show, NEC, Birmingham. March 23, 2015. Photo: Freia Turland

"Essentials In Documentary Film Making" talk by Edmond Terakopian at the Filmmaker Theatre on behalf of Snapper Stuff. My laptop bag, a blue Think Tank Photo Retrospective 13L can be seen by the podium. The Photography Show, NEC, Birmingham. March 23, 2015. Photo: Freia Turland

“Essentials In Documentary Film Making” talk by Edmond Terakopian at the Filmmaker Theatre on behalf of Snapper Stuff. My laptop bag, a blue Think Tank Photo Retrospective 13L can be seen by the podium. The Photography Show, NEC, Birmingham. March 23, 2015. Photo: Freia Turland

It was great to see my choice in monitors, the great folks at Eizo, use my short film Taxi Driver, shot on the Olympus OM-D E-M5 Mark II to show just how great these monitors are.

Taxi Driver, shot on the Olympus OM-D E-M5 Mark II being shown on the Eizo UK stand at The Photography Show, NEC, Birmingham. March 21, 2015. Photo: Edmond Terakopian

Taxi Driver, shot on the Olympus OM-D E-M5 Mark II being shown on the Eizo UK stand at The Photography Show, NEC, Birmingham. March 21, 2015. Photo: Edmond Terakopian

Naturally, also a big word of thanks to the teams at Olympus, Snapper Stuff and Eizo, along with many friends throughout the trade, who made the show fun; it’s always good to catch up and say hi, even if in some cases it’s annually!

Here’s looking forward to The Photography Show in 2016!

1 Sixpence 1 Play

Rode Reel Entry For 2014

Two days of shooting, many days of editing; a collaboration with the assistance of Magda Rakita, who also shot the “Behind The Scenes” film and the talented Neil Patience, from TAP TV, who gave direction on the editing, and our new short documentary film is done.

It’s a story on James Millham who is a pinball enthusiast. A collector and renovator of machines from a pre-Space Invaders era, James says the best thing about his hobby is playing the games.

We shot this film for the Rode Reel 2014 competition. Part of the competition is the People’s Choice prize. If you liked our films, we’d really appreciate your support. Kindly take a few seconds and vote for us; we’d be tremendously grateful!

CLICK HERE TO VOTE FOR “1 Sixpence 1 Play”;

Thank You!!

Preparing a pair of Olympus OM-D E-M1s for the first shot of the day. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Preparing a pair of Olympus OM-D E-M1s for the first shot of the day. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

"Action". 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

“Action”. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

A Rode VideoMic Go on an Olympus OM-D E-M1. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

A Rode VideoMic Go on an Olympus OM-D E-M1. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Testing the Rode NTG3 is connected properly to my Roland R26. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Testing the Rode NTG3 is connected properly to my Roland R26. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Magda Rakita filming the behind the scenes action. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Magda Rakita filming the behind the scenes action. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Gitzo carbon fibre tripod and fluid video head keeping things nice and steady. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Gitzo carbon fibre tripod and fluid video head keeping things nice and steady. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Editing the piece on FCP X and a pair of calibrated Eizo CG277 monitors. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Editing the piece on FCP X and a pair of calibrated Eizo CG277 monitors. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Editing the piece on FCP X and a pair of calibrated Eizo CG277 monitors. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Editing the piece on FCP X and a pair of calibrated Eizo CG277 monitors. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian