Tag Archives: monochrome

2017 TZIPAC Zebra Awards

Four Images In The Finals

Martini Porsche 911

Happy to share that four of my images are finalists in the 5th Zebra Awards and a further five managed to reach the second stage of judging. Many thanks to all the judges and congratulations to all the winners and other finalists.

Finalists

Shot on an Olympus OM-D E-M5 Mark II and a Voigtlander 17.5mm Nokton f0.95 lens.

Shot on a Leica M (Type 240) and a Leica 35mm Summilux ASPH FLE lens.

Shot on an Olympus OM-D E-M1 and an Olympus 17mm f1.8 lens.

Shot on an Olympus PEN-F with a tilt adapter and a Nikon 24mm f2.0 lens.

Second Stage Images

Shot on a Leica M Monochrom (Type 246) and a vintage Leica 50mm Summilux lens.

Shot on an Olympus OM-D E-M5 Mark II and a Voigtlander 17.5mm Nokton f0.95 lens.

Shot on an Olympus PEN-F and an Olympus 25mm f1.8 lens.

Shot on a Leica M Monochrom (Type 246) and a vintage Leica 50mm Summilux lens.

Shot on an Olympus PEN-F and an Olympus 25mm f1.8 lens.

Black & White Spider Awards 2016

Six Images Chosen By Judges



Thrilled to have two of my images given honourable mentions and four other images achieve nominee status in the 2016 Black & White Spider Awards.

Honourable Mention in Nature | Murmurations

Murmuration

A murmuration of starlings at dusk, just after the sunset at the beach in Blackpool, Lancashire, United Kingdom. March 10, 2015. Photo: ©Edmond Terakopian

The photograph was made using an Olympus OM-D E-M1 and Olympus M.Zuiko 40-150mm f2.8PRO lens, processed in Adobe Lightroom and Nik Software Silver Efex Pro.

Honourable Mention in People | Backstage Reflection

Albert Herring; an Opera by Benjamin Britten

The final performance of Albert Herring at the Britten Theatre, RCM. Miss Wordsworth, played by Sofia Larsson, reflects on her performance backstage and awaits her cue for her next scene in the second act. Albert Herring by Benjamin Britten. Royal College of Music, Bitten Theatre, Prince Consort Road, London. July 08, 2015. Photo: ©Edmond Terakopian

The photograph was made using an Olympus OM-D E-M5 Mark II and Voigtlander Nokton 17.5mm f0.95 lens, processed in Adobe Lightroom and Nik Software Silver Efex Pro.

Nominee in People | Backstage Tunnel

Albert Herring; an Opera by Benjamin Britten

Miss Wordsworth, played by Natasha Day, waits in the “cross over” tunnel backstage before going on to perform in the second act. Albert Herring by Benjamin Britten. Royal College of Music, Bitten Theatre, Prince Consort Road, London. July 06, 2015. Photo: ©Edmond Terakopian

The photograph was made using an Olympus OM-D E-M5 Mark II and Voigtlander Nokton 17.5mm f0.95 lens, processed in Adobe Lightroom and Nik Software Silver Efex Pro.

Nominee in People | Street Dance

Dancers (L-R) Zunnur Zhafirah and Faye Stoeser. J’Agura (The Present Of Now), Means Of Engagement present a contemporary dance performance titled “Embellished Abundance”. Creation and composition by Muti Musafiri and Nella Turkki. The performers are young dancers from London, ranging in age from 20 to 28. Organised by the South Bank Youth Club. The dancers are along the Queen’s Walk, South Bank, London, United Kingdom. August 28, 2015. Photo: ©Edmond Terakopian

The photograph was made using a Leica M Monochrom (M246) and Leica 35mm Summilux ASPH (FLE) lens, processed in Adobe Lightroom and Nik Software Silver Efex Pro.

Nominee in People | Street Dancers

Dancer Zunnur Zhafirah (foreground). J’Agura (The Present Of Now), Means Of Engagement present a contemporary dance performance titled “Embellished Abundance”. Creation and composition by Muti Musafiri and Nella Turkki. The performers are young dancers from London, ranging in age from 20 to 28. Organised by the South Bank Youth Club. The dancers are along the Queen’s Walk, South Bank, London, United Kingdom. August 28, 2015. Photo: ©Edmond Terakopian

The photograph was made using a Leica M Monochrom (M246) and Leica 35mm Summilux ASPH (FLE) lens, processed in Adobe Lightroom and Nik Software Silver Efex Pro.

Nominee in People | Warming Up

Albert Herring; an opera by Benjamin Britten

Simon Grange warms up before going on stage for the student auditions for Britten’s Albert Herring. Royal College of Music, Bitten Theatre, Prince Consort Road, London. January 20, 2015. Photo: ©Edmond Terakopian

The photograph was made using an Olympus OM-D E-M1 and Olympus M.Zuiko 17mm f1.8 lens, processed in Adobe Lightroom and Nik Software Silver Efex Pro

As always, I’m most thankful for those who allow me to immerse myself into their lives and photograph a segment of their being. The exceptionally talented musicians from the Royal College of Music and the amazing dancers on the South Bank; thank you all.

A spokesperson for the awards notes “7,556 entries were received from 71 countries and your work received a high percentage of votes overall.”

The Jury represented the industry’s biggest names and tastemakers including
National Geographic, Washington DC; The Armory Show, New York; TBWA,
Paris; Victoria Film Festival, Canada; Aeroplastics Contemporary, Brussels;
Studio Hansa, London; Fratelli Alinari, Florence; Australian Centre for Photography;
Young & Rubicam, Lima; and Anthem Worldwide/Marque Branding, Sydney.

Eight Images in TZIPAC Zebra Award Finals

Zebra Awards Logo

8 Pictures Judged As Finalists In Black & White Photo Competition

Astonished and overjoyed to share that that eight of my photographs reached the finals of the BW specialist competition, the 4th TZIPAC Zebra Awards.

 

Seven of the images were shot on Olympus OM-D cameras (E-M1 and E-M5 Mark II) and one of the images (the urban dance image) was shot on a Leica Monochrom.

Whilst non of the images went onto win, having eight photographs get into the finals is pretty special! Huge congratulations to the winners; there was some exceptional photography.

 

The Leica M Monochrom Hands On Review

The King Of The Tones?

Opening of the Leica Studio-S, 27 Bruton Place, Mayfair. Portraits of photographer Edmond Terakopian trying out the new Leica M Monocrom and APO-Summicron-M 50mm f/2 ASPH. May 16, 2012. Photo: By Brett / http://www.bybrett.com

I have to admit that when I first read rumours of a black and white Leica M, I thought it would never happen. When I saw the announcements, I was a tad surprised, until I saw the images. Such tonal range and amazing detail at very high ISOs all of a sudden made so much sense.

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 640 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 640 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

I was fortunate enough to be able to try out a pre-production Leica M Monochrom today, along with the astonishingly great Leica APO-Summicron-M 50mm f/2 ASPH. In my enthusiasm to shoot with the camera I unfortunately didn’t check to see if the camera was set to RAW, so all these test images are from jpegs which I have processed a little in Aperture. Naturally RAWs produce the best files, so take these jpegs, which have been saved again as jpegs and thus degraded the image quality (especially at higher ISOs) as a guide. Even so, they are amazingly good!

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 8000 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 8000 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 10,000 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 10,000 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

One of the great aspects of the launch event for the press at Leica Mayfair’s S-Studio was being able to discuss the camera with friends and colleagues.

Photographer Ian Berry from Magnum Photos tries out the new Leica M Monochrome. May 16, 2012. Photo: Edmond Terakopian (Image shot on an M9-P and processed in Silver Efex Pro 2)

Photographer Ian Berry from Magnum Photos tries out the new Leica M Monochrome. May 16, 2012. Photo: Edmond Terakopian (Image shot on an M9-P and processed in Silver Efex Pro 2)

I must admit to being blown away and yearn to be able to work in black and white like the good old days!

The huge thing with this camera is not needing the bayer filter in front of the sensor. This makes the sensor much better at picking up ultra fine detail and a wider tonal range, not to mention it’s ability to produce really gorgeous files at 8000 ISO. Just playing with these jpegs it’s clear to me that Leica have in fact pulled off a master stroke of absolute genius. I can’t wait to get my hands on this camera again, shoot in DNG and process them properly through Aperture. It is going to be lush!

For a full set of images taken with the M Monochrom, visit my Flickr stream.

The B&W Connoisseur’s Camera?

The  Leica M Monochrom

Leica M Monochrom. Photo: © Leica

It does at first glance appear a tad odd; a digital camera that only shoots in black and white. There are two types of photographer who this camera will appeal too though; the high end enthusiast who is into monochrome photography and also the established professional photographer who has made a name for themselves by shooting black and white.

I’m very much hoping to do a hands on review soon, but meanwhile, Andreas Jürgensen from the Leica Forum has done an interesting video review.

The camera certainly appears not to be a Leica M9 which just shoots in B&W. It does indeed have a brand new sensor and it’s ISO range is upped to 10,000. Watching the video and listening to Andreas’ conclusions, the camera produces noiseless images at 3200 ISO and absolutely usable images at 8000 ISO. The sensor also renders massive amounts of micro detail. This camera appears to be an astonishing tool; an interesting concept brought to life with a brave decision making by Leica and also executed in a magnificent way. I really cannot wait to shoot with this camera and make some prints on my iPF6300 and Hahnemuhle paper!

Update: I’ve just read a fantastic piece by Jonathan Slack on the Leica M Monochrom; well worth a read and definitely check out the wonderful gallery of images.

Update: There are some images by Magnum Photos photographer Jacob Aue Sobol on the Leica M Monochrom site that are well worth checking out.