All the images were made using the L-Mount camera system. Three images were shot on the Lumix S Series with Lumix S Pro lenses and the other two images were shot on the Sigma fp with a Leica APO Summicron SL lens and a Lumix S Pro lens.
All photographs were from raw files, edited and processed in Adobe Lightroom and finished in Exposure Software’s Exposure X5, with the monochrome image being finished in DxO’s Nik Collection, Silver Efex Pro.
Its an interview on my career, workflow and the camera gear which I use. It’s mainly centred around my thought of shooting with the m43 Lumix G9 but does expand on favourite lenses, workflow and other equipment too. Hope you enjoy the piece.
I’m thrilled to share that the judges of the British Photography Awards have kindly shortlisted two of my photographs for the 2020 awards. My congratulations to all the finalists and also to the judges for their hard work.
Alongside the judges ruling, there is a people’s choice award too, so voting is open to the public. If you like either (or both!) of my images, kindly press the “VOTE” button by the right hand side of each image. It’s a simple click and no registration is needed.
Category-Fashion: Fashion designer Joshua Kane
The portrait of fashion visionary Joshua Kane was shot as part of the Panasonic Lumix international launch campaign for the new Lumix S Pro 24-70mm f2.8 lens and made using my Lumix S1R and a preproduction lens. The raw file was as always processed in Adobe Lightroom.
Category – Documentary: Repairs On The Giant Tortoise
The image of Senior Conservator Arianna Bernucci working on the shell of a giant tortoise, was made using my Lumix S1 and Lumix S Pro 50mm f1.4 lens. The raw image was processed in Lightroom and finished in Exposure Software’s Exposure X5.
It’s astonishing to hear from the organisers that “In 2019 our audience potential topped 840 million people worldwide. This year we hope to greatly exceed this and showcase the creativity and dynamism of British photography to the world”. The competition’s results will be announced in 2020 at a black tie gala at The Savoy in Central London.
It’s been an absolute honour and a positively stress filled joy, to have been one of the three judges in the RAF‘s annual competition.
The Royal Airforce has trained some phenomenal photojournalists and I would say the top of that list would be Don McCullin, who signed up to National Service in the RAF as a photographic assistant. To be invited back for the second year to judge the work of McCullin’s contemporaries is indeed a special treat.
One certain way of knowing how high the level of photography is in any competition is by looking at how much discussion, heated debate and heart breaking compromise occurs between judges.
Well, I can say that this year, even more so than last year, the debates were passionate. Its also worth noting that Highly Commended places were optionally awarded by the judges, purely because the level of the work was so high and the competition was so close.
Judging of the 13 different categories of the RAF Photographer Of The Year Competition 2019 took place at the RAF Museum, in London. Jim Hedge (Picture Editor at the Guardian), Martin Keene (Press Association Group Picture Editor) and myself spent a day looking through hundreds and hundreds of prints. For the video category, we had access to view the entries beforehand and then spent around an hour together viewing our favourites and discussing the merits of our chosen favourites.
The Image Of The Year (Category L) was a great illustration of the skill of the RAF’s photographers. The winning image by Cpl Ash Keates, titled Concorde, grabbed my attention the second I saw it after entering the judging hall and it stayed with me. I later found it had had the same effect on one of my fellow judges too. A strong sense of composition, colour, technical perfection married to the subtlety of capturing the shadows left by the Red Arrows on the water, raised it from a great picture to a winning photograph.
The four images I’ve shared here show an absolute mastery of craft; bringing not only fast reflexes, but an art of composition, a deep aesthetic sensibility and layers of subtlety. Our task was to choose just one winner, but the work was so good that we decided to also award six Highly Commended places too.
The Photographer of the Year (Category K) was won by a superb portfolio of six images by Cpl Tim Laurence (ACSSU, RAF Halton). Another showcase of mastery of craft, with a varied set of images which worked extremely well together, yet each in their own right shone. Another extremely difficult category to judge with much debate and discussion as the level of work was so high. Cpl Laurence also had his phenomenal photograph titled Stargazer (of a Chinook at night) highly commended in the Image Of The Year category.
First place in the Video (Category D) section goes to SAC Ed Wright (Photo ACSSU) for Fortune Favours the Bold. Finland will be the host nation of Bold Quest 19.1 held in April-May 2019. Bold Quest 19.1 is a multinational joint fires interoperability demonstration and assessment event sponsored and facilitated by the United States Joint Staff.
The People’s Choice-Vote Now!
During the judging process, these nine images made it to our People’s Choice board. Have a look at the stunning photographs and make your vote (It’s a quick, one click vote).
Behind The Scenes
It really is a joy talking about great images, championing favourites and being treated to so many great images. Many congratulations on all the winners, all who were highly commended and my best wishes to all who entered their fantastic work. I’ve only shared some of the winners here, but do pop by the RAF Photographers’ Instagram to see more work. You can also find them on Facebook.
Here’s a video prepared by the RAF, part of which is a behind the scenes look to the work done by their photographers and also gives a glimpse of the judges at work.
A bittersweet email from the British Journal of Photography and 1854 Media Awards let me know that “…your entry made it to the second & final round of judging, we regret to tell you that your image has not been shortlisted on this occasion”.
Still, nice to make it that far! Rather than the work remain unseen, thought I would share my Portrait Of Britain here and show the ten images I entered for the awards.
Many thanks to the judges and many congratulations to those shortlisted.
Camera and lens details can be found in all the captions below. All raw files were edited and processed using Adobe Lightroom Classic and finished off in either Alienskin Exposure X4 or Nik Collection Silver Efex Pro.
Happy to share that five of my images were nominated by the judges of the Black and White Spider Awards, in the professional section, across five different categories.
“Spider Awards 2017 proves once again to be a great challenge for the jury to select the best images of the year. Every year this photographic competition increases its quality of content, reputation and prestige” said juror Andrea de Polo, Cultural Heritage Consultant at Fratelli Alinari Photo Archive in Florence.
Curator and Arts Writer Paola Anselmi added “Congratulations to all the winners. A great deal of humanity and soul in this year’s selection, maybe it is a sign of the times and a promise for future awards and photography in general.”
“This celebrated event shines a spotlight on the best professional and amateur photographers worldwide and honors the finest images with the highest achievements in black and white photography.”
Ida Ränzlöv, singing the part of Arminda, Anchise’s niece, waits backstage for her cue. Mozart’s La finta giardiniera. Dress rehearsal. Royal College of Music Opera School, Prince Consort Road, London.
Shot on an Olympus OM-D E-M5 Mark II and Voigtlander 17.5mm Nokton f0.95 lens.
A lady serves ice cream at Aromi cafe, Cambridge.
Shot on a Leica M Monochrom (M-246) and vintage 1959 Leitz 50mm Summilux.
Children Of The World Category
Chorister (L-R) Lukas Siemens, Connor Carnathan, Elliot Bowes and Freddie Sparke. Westminster Cathedral Choir School. The choir rehearsing in Westminster Cathedral, London.
Shot on a Fujifilm GFX-50S and Fujinon GF63mm lens.
Fine Art Category
Corridors at the Citizen M hotel, Tower Hill, London.
Shot on an Olympus PEN-F and M.Zuiko 25mm lens.
Hanson cement mixer lorry, Tower Hill, London.
Shot on an Olympus PEN-F, using a Nikkor 24mm f2 and a tilt adapter.
The images were all shot in raw and processed in Adobe Lightroom and finished in Nik Software’s Silver Efex Pro.