Tag Archives: S1R

A Portrait Of Britain-Finalist

A bittersweet email from the British Journal of Photography and 1854 Media Awards let me know that “…your entry made it to the second & final round of judging, we regret to tell you that your image has not been shortlisted on this occasion”.

Still, nice to make it that far! Rather than the work remain unseen, thought I would share my Portrait Of Britain here and show the ten images I entered for the awards.

Many thanks to the judges and many congratulations to those shortlisted.

Camera and lens details can be found in all the captions below. All raw files were edited and processed using Adobe Lightroom Classic and finished off in either Alienskin Exposure X4 or Nik Collection Silver Efex Pro.

Alford Gardner, one of the few surviving Windrush passengers, from the 1948 SS Empire Windrush, which left Jamaica bound for Britain. Portrait photographed by the River Thames, South Bank, London, UK. May 25, 2018. Photo: Edmond Terakopian
Image shot on a Panasonic Lumix G9 and Leica DG 25mm f1.4 lens.
Mezzo-soprano Angela Simkin, Opera Singer. The University Women’s Club 2 Audley Square, London, United Kingdom. July 17, 2018. Photo: Edmond Terakopian
Image shot on a Panasonic Lumix G9 and Leica DG 42.5mm f1.2 lens.
Put It To The People March. Official figures put the numbers at the anti Brexit march at over one million. The demonstration, marched in central London calling for another EU referendum. The demo ends in Parliament Square. London, UK. March 23, 2019. Photo: Edmond Terakopian
Image shot on a Panasonic Lumix S1R and Lumix S 24-105mm f4.0 lens.
It’s Their Future. Put It To The People March. Official figures put the numbers at the anti Brexit march at over one million. The demonstration, marched in central London calling for another EU referendum. The demo ends in Parliament Square. London, UK. March 23, 2019. Photo: Edmond Terakopian
Image shot on a Panasonic Lumix S1R and Lumix S 24-105mm f4.0 lens.
The UK faces a homeless epidemic, with statistics showing that a homeless person dies every two weeks in London, one of the world’s wealthiest cities. Spiralling property prices are being cited as a huge factor, alongside access to mental health services becoming harder over the last several years. A homeless man lays on the street, apparently passed out from drinking the wine tied to the top of his belongings on his trolley. His guitar, probably used to busk with to pay for the wine, still strapped to his back. Another homeless man, wrapped in a sleeping bag, walks by. Tesco superstore, Pentonville Road, London, UK. March 21, 2018. Photo: Edmond Terakopian
Image shot on a Sony RX1R M2.
Kel, a homeless man has decorated his corner of the subway for Christmas. He helps bewildered tourists with directions to Harrods and Winter Wonderland (funfair). He’s been homeless for four months following the breakup of his relationship, when he caught his brother and partner together. Hyde Park Corner subway, London, UK. December 16, 2017. Photo: Edmond Terakopian
Image shot on a Sony RX1R M2.
London’s Metropolitan police statistics for 2018, show that knife crime has surged by 16 per cent in the capital, as Britain’s crime epidemic continues. John Costi, a reformed armed robber who was jailed for raids on London bookmakers, went on to graduate from the prestigious Central Saint Martin’s where he was awarded a first class honours degree in fine art. After a spiritual awakening during a 6-year prison sentence Costi sought to make sense of the world around him through art. Costi has used his own experiences to create a relationship with young people that allows him to offer guidance to help them to avoid becoming involved in violent crime, alongside also being involved with initiatives like “Art Against Knives”. Capital House, Weston Street, London. Knife Crime Violence In London, UK. May 05, 2018. Photo: Edmond Terakopian
Image shot on a Panasonic Lumix G9 and Leica DG 12-60mm f2.8-4.0 lens.
Friends gather and perform parkour jumping tricks on the beach of the River Thames, during a heat wave bank holiday. Bankside, London, UK. May 06, 2018. Photo: Edmond Terakopian
Image shot on a Panasonic Lumix G9 and Leica DG 12-60mm f2.8-4.0 lens.
A child runs around whilst bathed in rays of sunlight in the turbine hall. Tate Modern, during a heat wave bank holiday. Bankside, London, UK. May 06, 2018. Photo: Edmond Terakopian
Image shot on a Panasonic Lumix G9 and Leica DG 50-200mm f2.8-4.0 lens.
Portrait of violinist Asia Jiménez Antón de Vez. London, UK. January 18, 2019. Photo: Edmond Terakopian
Image shot on a Panasonic Lumix S1 and Lumix S 24-105mm f4.0 lens.

Sigma L Mount Lenses

Sigma Made In Aizu Event

Geishas from Aizu performing a traditional Japanes dance. Sigma Made In Aizu Event. The Roof Terrace, Ham Yard Hotel, 1 Ham Yard, Soho, London, UK. June 26, 2019. Photo: ©Edmond Terakopian. Shot on a Panasonic Lumix S1R and Lumix S Pro 50mm f1.4 using face and eye detection AF mode at f1.4.

Great to see the L Mount shaping up and the L Mount Alliance going from strength to strength. I was at Sigma UK’s Made In Aizu event earlier today and as well as being treated to wonderful aspects of Japanese culture in the way of Geisha performances of traditional Japanese song and dance, wonderfully delicious varieties of Sake from Aizu, it was great to see 11 prototype L Mount ART lenses from Sigma. Sigma will have 10 fast aperture ART lenses and one macro by the end of this year. The 35mm f1.4, 50mm f1.4 and 85mm f1.4 will be first and are due within months.

Sigma’s L Mount ART lens line up (prototypes). Sigma Made In Aizu Event. The Roof Terrace, Ham Yard Hotel, 1 Ham Yard, Soho, London, UK. June 26, 2019. Photo: Edmond Terakopian

This year Panasonic Lumix will launch a 16-35mm F4, 24-70mm F2.8, 70-200mm F2.8 along with 1.4x and 2.0x teleconverters. Next year will bring a super telephoto, a macro and at least another fixed focal length lens. The scheduled lens line up for the L-Mount by the end of 2020 from Panasonic, Sigma and Leica will stand at a staggering 42 lenses. From what I’ve seen so far from all three manufacturers, most of these are going to be world class lenses. We’re certainly in for a treat!

National Geographic Photo Contest

Always wonderful to get a nice message about one’s work, but when it comes from National Geographic magazine, it truly becomes special!

“Hi Edmond — Thanks for entering the 2019 National Geographic Travel Photo Contest! Your photo was selected as one of our editors’ favorite submissions”. 

It’s Their Future. Put It To The People March. Official figures put the numbers at the anti Brexit march at over one million. The demonstration, marched in central London calling for another EU referendum. The demo ends in Parliament Square. London, UK. March 23, 2019. Photo: Edmond Terakopian

To have a look at the work, please visit the People’s section in the Galleries, to see the images chosen by the editors for the photo contest.

The photograph was made on a Panasonic S1R and the S24-105mm lens. The raw image was converted to a DNG file using Adobe’s Raw Converter (as Lightroom hadn’t yet released support for the S Series, which is has done since). The Raw DNG file was then processed in Lightroom and finished in Alienskin’s Exposure X4, on an Apple Mac Pro using calibrated Eizo CG monitors.

Photojournalist Edmond terakopian on assignment with his Lumix S1, S1R and G9. Put It To The People March. Official figures put the numbers at the anti Brexit march at over one million. The demonstration, marched in central London calling for another EU referendum. The demo ends in Parliament Square. London, UK. March 23, 2019. Photo: Ian Burley

First Look At Sigma L-Mount Lenses

Art line prime lens lineup for full-frame cameras with L-Mount

Pre-production Sigma Art line prime lens lineup for full-frame cameras in L-Mount. L-R: Sigma Mount Converter MC-21 (allows Canon EF mount lenses to be used with L-Mount cameras), SIGMA 24mm F1.4 DG HSM Art, SIGMA 85mm F1.4 DG HSM Art and SIGMA 50mm F1.4 DG HSM Art lenses, with a Panasonic Lumix S1R full frame mirrorless camera (the lenses and adapter are prototype mockups and final production may vary). March 17, 2019. Photo: Edmond Terakopian

A joy to get a sneak peek at three of the newly announced Sigma L-Mount Art lenses and also the hotly awaited mount adapter. The samples were in large non working prototypes, but they gave a really good idea of weight, finish and handling.

My already huge fondness of the Lumix S1 and S1R took another leap upwards after initially hearing of the launch lineup, but having seen the quality of these lenses, I’m confident the future of the L Mount, with the L Mount Alliance (Leica, Lumix and Sigma), is going to be very bright indeed (as well as being pin sharp, with great tonal rendition!).

Pre-production Sigma Art line prime lens lineup for full-frame cameras in L-Mount. L-R: SIGMA 24mm F1.4 DG HSM Art, SIGMA 85mm F1.4 DG HSM Art and SIGMA 50mm F1.4 DG HSM Art lenses, with a Panasonic Lumix S1R full frame mirrorless camera (the lenses and adapter are prototype mockups and final production may vary). March 17, 2019. Photo: Edmond Terakopian

Panasonic Lumix S1; Hands On Preview


Three and a half weeks with the full frame mirrorless Lumix S1 Camera

Red rose of love. Daily life, Barcelona, Spain. January 27, 2019. Photo: Edmond Terakopian *NB Test shot with a prototype Lumix S1* **Image taken with a Lumix S1 preproduction sample (Image quality not final) Processed from in camera jpeg**

Story telling. That’s what my reason is for picking up a camera. As a photojournalist, a street photographer, a portrait photographer, a commercial photographer, my need for a camera is to capture the essence, subtlety and feel of my subject, tell their story at that moment.

Portrait of violinist Asia JimŽnez Ant—n de Vez. London, UK. January 18, 2019. Photo: Edmond Terakopian *Test shot with a prototype of a Panasonic Lumix S1. Copyright Photo* **Image taken with a Lumix S1 preproduction sample (Image quality not final)**

The Lumix S1 has been with me for over three weeks and I found myself not shooting with anything else. The birth of a new system for Panasonic Lumix, and the start of a fresh new camera system. Yet the camera feels completely accomplished. My prototype camera, with pre-production early firmware, behaved impeccably, never letting me down. It didn’t matter the subject matter, the level of light , the speed, the cold; it just worked. 

Edmond Terakopian at the Lumix S1 Launch Event, shooting in a chocolate factory using a Lumix S1R with S Series 50mm f1.4 lens. Barcelona, Spain. January 29, 2019. Photo: Yoshie Nishikawa **Image taken with a Lumix S1 preproduction sample (Image quality not final) Processed from in camera jpeg**

To sum up, in a nutshell, the S1 is extremely impressive. The quality is just stunning, in every aspect; image quality, camera handling, system design and build quality.

Lumix S1 Launch Event. Barcelona, Spain. January 30, 2019. Photo: Edmond Terakopian. *Shot on a prototype, pre-production firmware Lumix S1R* **Image taken with a Lumix S1 preproduction sample (Image quality not final) Processed from in camera jpeg**

The ergonomics are spot on. The camera just fits and within minutes I was already taking pictures. The button layout, joystick positioning, the placing of the AF button on the back (something crucial for my way of working) is spot on. One superb new feature for this Lumix is the lock button at the back, which can lock the rear buttons. Anyone who runs around with their cameras knows how easy it is to inadvertently find they have set the camera to monochrome HDR mode with bracketing on long exposure! The menu system is also a joy to use; its very well thought out, laid out and the design behind it means there is very little need for referring to the manual. 

Panasonic Lumix S1 full frame mirrorless camera with Lumix S Series 24-105mm standard zoom lens (L-Mount). (NB- Lumix S1 camera is a prototype). London, UK. January 09, 2019. Photo: ©Edmond Terakopian

The build quality and finishing on the camera and lens are sublime. This is definitely a premium, high end camera. One made for serious, daily use, in all sorts of environments. Most professional photographers refer to their cameras as tools; they are the beginning of the journey as it’s only the photograph that matters. These tools are expected to work in all sorts of conditions and never fail; ever. I have a feeling the philosophy behind the design and build of the S Series is going to fit that bill fully. The camera and lenses just inspire confidence in every respect.

I was initially a bit worried at having one camera battery during my testing; I made sure to always pack two USB battery power banks (one wonderful aspect of the top end Lumix cameras is USB charging, which is not only a great convenience when home, but is an indispensible feature for when in the field). It turns out, even with the camera set to sleep after 10 minutes and leaving the camera on constantly, I was managing to still have around 50% battery after close to 1000 photos. All this, in relatively cold conditions.

For most of my initial test period of three weeks, I only had the Lumix S Series 24-105mm f4.0 lens. I’m definitely a fan of faster aperture prime lenses, as I tend to shoot in very low and difficult light. With the lens and body stabilization, married to astonishing high ISO performance meant that I was never really left wanting a faster lens. I didn’t miss any shots. Having said that, I had heard many great things about the S Series 50mm f1.4, so couldn’t wait to make some photographs using that.

Daily life, Barcelona, Spain. January 28, 2019. Photo: Edmond Terakopian *NB Test shot with a prototype Lumix S1* **Image taken with a Lumix S1 preproduction sample (Image quality not final) Processed from in camera jpeg**

One thing that can’t be denied is that the S 50mm definitely has presence. It’s a big and heavy lens. Initially, I was disappointed with the size and weight. I had wished for a smaller lens. Within 15 minutes of having it on the S1, I had shot a couple of test shots under some arches of a member of the Japanese team from Panasonic; the quality was stunning. The sharpness, tonal rendition, shadow and highlight detail, soft falloff of the background. This lens completely impressed. It has character and perfection at the same time. After seeing the results, the size no longer became an issue and the lens almost never came off my camera during three days of shooting with it at Panasonic’s launch event for the S Series in Barcelona, Spain. As a nice icing on the cake, the 50mm is also certified by Leica.

Lumix S1 Launch Event, Barcelona, Spain. January 29, 2019. Photo: Edmond Terakopian *NB Test shot with a prototype Lumix S1* **Image taken with a Lumix S1 preproduction sample (Image quality not final) Processed from in camera jpeg**

The S 24-105mm also definitely impressed me. I have to admit to being a bit of a lens snob; I’m used to shooting with Leica, Leica DG, Zeiss and in earlier years, Angeniuex lenses. I was absolutely bowled over. Not only is this lens sharp, it’s perfectly contrasty and has a phenomenal tonal range. It dealt with shooting in low light or having bright lights without issue. Build quality and feel of the controls match the craftsmanship of the camera.

One thing that has surprised me completely is the level of subtlety I’ve been able to photograph with the S1 and the new S Series lenses. Darker scenes with very subtle gradation and tonal differentiation have been rendered perfectly. The shadow detail and highlight detail have been amazing, even when the same image has had both extremes. It’s also worth pointing out the auto white balance (AWB) worked extremely well, in all but the very mixed and extreme extreme artificial light. I’ve managed to get this level of subtle micro detail and tonal differentiation using a raw converter which is new to me; whilst Silkypix worked and it was a joy to be able to shoot and process raw files on a preproduction prototype camera, I can’t wait for when my preferred imaging software, Adobe’s Lightroom, supports the raw file from the S1. Using software I know intimately is sure to bring a bigger smile to my face when I’m processing images shot on the S1 and extracting even more detail, character and subtlety.

Lumix S1 Launch Event. Barcelona, Spain. January 30, 2019. Photo: Edmond Terakopian. *Shot on a prototype, pre-production firmware Lumix S1R* **Image taken with a Lumix S1 preproduction sample (Image quality not final) Processed from in camera jpeg**

Alongside my eagerness, with almost childlike enthusiasm, to shoot with the S Series 50mm f1.4, I’m was also super impatient to shoot with the larger megapixel cousin, the S1R. In every aspect, the cameras look and behave identically. It’s the sensor and some settings which differ (mainly the highest ISOs and certain video functionality). I only had the S1R for a few hours during the launch event, so my impressions are based on a brief encounter, which left me breathless at the results this camera produces. The size and detail of the images are simply mind blowing, producing a 47.3mp image, which in high resolution mode produces a mid blowing 187mp image. This is truly top end medium format territory, in a smaller and much more dynamic package.

Unique in the full frame market, is the union of Panasonic Lumix and Leica, two camera manufacturers, collaborating around the L Mount, along with Sigma (which I would assume will bring some of their superb ART lenses in the L Mount). This is great news for the Lumix S Series as well as the existing Leica SL community. Panasonic Lumix’s three lenses (24-105mm f4.0, 50mm f1.4 and 70-200mm f4.0) joining an already available portfolio of Leica SL lenses. By 2020, Panasonic Lumix is due to release a further seven lenses. 

Lumix S1 Launch Event. Barcelona, Spain. January 31, 2019. Photo: Edmond Terakopian *NB-Image taken with a Lumix S1 preproduction sample (Image quality not final). Images processed from in camera fine setting jpeg*

It’s a truly remarkable to be so enthused about a new camera system after 30 years of professional photography. My excitement for this system reminds me of when I picked up my first SLR, 34 years ago. Roll on March 2019, when these will be available in the shops!

Alongside the S Series, Lumix Pro service has also been rolled out to support professional photographers: https://lumixpro.panasonic.com/

To see an album of test images, please visit my Flickr album Panasonic Lumix S1 and S1R

I also have an album of product shots and comparisons: Lumix S1 Camera Comparison Shots

Once final production cameras are available, I will be writing a full review. In the meantime, do keep an eye on my Instagram where I will be sharing more images.