“We are elated to inform you that your spectacular image has proven itself to be a superlative symbol within the entirety of the photography industry”.
Absolutely thrilled to have received these comments from the international jury of the New York Photography Awards for 2023, after four of my photographs were awarded “Silver Winner”. A further four photographs were also recognised with “Honorable Mentions”. To have eight images picking up awards, from a set of ten images entered for the awards, has been more than delightful and brings some sweet news to see out the end of the year with.
All of the photographs were shot in raw and processed in Adobe’s LightRoom Classic on a Mac Pro, with calibrated Eizo CG screens. The images were then finished off in Exposure Software’s X7 plugin.
Interestingly, five of the awarded images were made during photography workshops which I was tutoring. One during a one to one bespoke street photography workshop and the rest on two summer street photography workshops, in conjunction with my good friend and colleague Steve Simon. Look out for details of our 2024 workshop!
My thanks to the judges and organisers of the NY Photography Awards. I’m more than absolutely delighted and it’s wonderful to have a breadth of work, covering photojournalism, street photography and high-end creative product photography recognised and awarded.
Absolutely thrilled to share that six of my images have been chosen by the jury of the 18th annual Black & White Spider Awards.
Honorable Mention in People | Conversations With Dimension
Deep Conversations. Paris Baguette in the newly renovated and re-opened Battersea Power Station, London, UK. November 03, 2022. Photo: Edmond Terakopian. Lumix LX100 Mk2.
Honorable Mention in Abstract | Alternative Planes Of Existence
Alternative Planes Of Existence. Canary Wharf, London, UK. July 16, 2022. Photo: Edmond Terakopian. Leica M10-D and a 1970s Leica 50mm Summicron.
Honorable Mention in Silhouette | Alternative Planes Of Existence
Alternative Planes Of Existence. Walkers by, exist in an entirely different plane, often unknown to them as they continue with their journeys. Canary Wharf, London, United Kingdom. Whilst nothing in the photograph has been altered, it has been rotated by 180 degrees. July 16, 2022. Photo: Edmond Terakopian. Leica M10-D and a 1970s Leica 50mm Summicron.
Honorable Mention in Advertising | Baetylus
The groundbreaking Baetylus from Den’s Pens. It’s by far one of the most inventive, unique, creative and remarkable fountain pen designs. Custom made in black ebonite, with some facets polished and others in matte. Each Baetylus is even more unique, as each is entirely shaped by hand. The shape and feel, give it an organic presence, as if born from the earth. Photo: Edmond Terakopian. Lumix S1R and Sigma 105mm f2.8 Macro Art DG DN.
Nominee in People | Cooling Off At The Pub
The month of July would reach a new UK high of 40.3C being recorded at Coningsby in Lincolnshire on 19 July 2022. Scientists summise that the record breaking summer is a true sign of the changing climate. The Met Office states that “virtually impossible” without human-induced climate change. Meanwhile in London, the summer is enjoyed with joy by locals and visitors, as the change in climate causes London to have a hot summer. Cooling drinks after work at a pub in Shoreditch, London, UK. July 14, 2022. Photo: Edmond Terakopian. Leica M10-D and a 1970s Leica 50mm Summicron.
Nominee in Still Life | Nakaya Piccolo
A hand made Nakaya Piccolo Cigar Shu-nurihanashi fountain pen. London, UK. December 19, 2022. Photo: Edmond Terakopian. Lumix S1R and Sigma 105mm f2.8 Macro Art DG DN.
Photographs were entered from 69 countries and it’s great to have a breadth of my work recognised by the judges, to whom I am thankful.
Three of the images were made using a Leica M10-D and three of the images were made using Lumix cameras (S1R and LX100 mkII). As always, all photographs were made in raw and processed in Adobe’s LightRoom Classic. The monochrome finishing was done in Exposure Software’s X7, using an Apple Mac Pro, with fully calibrated Eizo CG series monitors.
Absolutely thrilled to share that the 16th International Color Awards have honoured some of my work. It’s great to have my work judged alongside other photographers’ work from 72 countries, by a jury of international photography curators, editors and other professionals.
I received one win, as an Honorary Mention in the Silhouette category, for one of my street photography pictures. The photograph was made on the King’s Road in London, using my Leica M10-D and lovely 1970s Leica 50mm Summicron.
The still life photographs were made using a Benro geared head and tripod. Lighting was with PixaPro and Godox lights. As always, all photographs were shot in raw. The raw files were then processed in LightRoom Classic on my Mac Pro, using calibrated Eizo CG monitors and finished off in Exposure Software’s X7.
With thanks to the jury, comprised of members from The National Gallery of Art, Washington DC; The J. Paul Getty Museum, Los Angeles; The Art Channel, London; Groninger Museum, Netherlands; Koller Auctions, Zurich; Preus Museum, Norway; Throckmorton Fine Art Gallery, New York; Publicis Groupe, Warsaw; Chung 24 Gallery, San Francisco; Kolle Rebbe, Hamburg; Photo-Eye Gallery, Santa Fe; High Museum of Art, Atlanta; Bonhams Cornette de Saint Cyr Auctions, Brussels; Institute of Contemporary Art (ICA), Philadelphia; William Shearburn Gallery, Saint Louis; Museo d’arte Moderna di Bologna (MAMbo), Bologna; and Clamp, New York.
At a wonderful evening at the UK Picture Editors Guild Awards, held at the Honourable Artillery Company, I was honoured to have received a joint commendation for my portfolio of five portraits, placing the images as third in the UK, in the DMGT Portrait Photographer of the Year category.
Photojournalist Edmond Terakopian attending the UK Picture Editors’ Guild Awards 2022. Honourable Artillery Company, London, UK. October 17, 2022. Photo: Peter Jordan
As always, much joy in catching up with friends, colleagues and picture editors, some of whom I’ve known for around 30 years! Great to see powerful and moving photojournalism by talented photographers, still helping us understand stories from around the world and the human impact they have. Makes me think that Kodak’s famous “a picture is worth a thousand words” slogan needs to be reworded to “ten thousand words”.
My thanks to the judges, led by the legendary former Sunday Times Picture Editor Ray Wells, for all their hard work in choosing the winning and commended images. Huge thanks also to friend and colleague, Alan Sparrow for his dedication and hard work in making these crucial awards take place.
Portrait Photographer of the Year Portfolio
An XR protestor is seen through the broken window of a bus, which was broken when the Police stormed the bus as the Extinction Rebellion action began. Extinction Rebellion protestors block off the southern end of London Bridge. London, UK. August 31, 2021. Photo: Edmond Terakopian. Lumix G9 and Lumix G Vario 35-100mm f2.8II.Angelika Ghazaryan, a descendant of Genocide Survivors, at the 106th Commemoration of the Armenian Genocide of April 24th, 1915. Members of the British Armenian community gather at the remembrance service for the 1.5 Million Armenians massacred by the Ottoman Empire. US President Joe Biden has become the first US president to issue a statement formally describing the 1915 massacre of Armenians as a genocide by the Ottoman Empire (modern day Turkey) on the day that Armenian communities around the world marked the killing of 1.5 million Armenians. St Yeghiche Armenian Church, London, UK. April 25, 2021. Photo: Edmond Terakopian. Lumix G9 and Voigtlander 29mm f0.8 MFT Super Nokton Lens.Miner Ian Turner, at the end of his shift. Aberpergwm Mine is the only remaining operational coal mine in the UK. It’s the only source of high-grade anthracite in Western Europe. Aberpergwm Mine, Glynneath, Neath, Wales, UK. July 30, 2021. Photo: Edmond Terakopian. Lumix G9 and Leica DG 50-200mm f2.8-4.0 lens.Extinction Rebellion protestors block off the southern end of London Bridge. London, UK. August 31, 2021. Photo: Edmond Terakopian. Leica M10-D and Leica 50mm Summicron (1960s ‘Rigid Summicron’) lens.A mourner commemorates the victims of the Genocide, during a church service, as candles lit in prayer illuminate the back of the church. Joe Biden has become the first US president to issue a statement formally describing the 1915 massacre of Armenians as a genocide by the Ottoman Empire (modern day Turkey) on the day that Armenian communities around the world marked the killing of 1.5 million Armenians. (London, UK) 106th Commemoration of the Armenian Genocide of April 24th. Members of the British Armenian community gather at the remembrance service for the 1.5 Million Armenians massacred by the Ottoman Empire. St Yeghiche Armenian Church, London, UK. April 25, 2021. Photo: Edmond Terakopian. Lumix S1 and Lumix S Pro 70-200mm f2.8 lens.
The images in my commended portfolio were shot on Lumix G9, Lumix S1 and M10-D cameras. The raw files were edited and processed in Adobe’s LightRoom Classic, finished in Exposure Software’s X7, all using fully calibrated Eizo CG monitors attached to an Apple Mac Pro.
Three Honourable Mentions at the 16th Annual Black & White Spider Awards
Very happy to share that several of my monochrome images have had awards success at the BW Spider Awards. During the online Gala Ceremony, attended by by over 11,000, I was thrilled to receive three honourable mentions and also discover that five other images had also been nominated.
Honourable Mentions
Photojournalism – A Vigil By Smartphone Lights. Fundraising and Candlelight Vigil. Following miltary action by Azerbaijan with the backing of Turkey from the 27th of September, against the Republic of Artsakh (Nagorno Karabakh) and Armenia, a war has ensued in the region. Armenian communities in the diaspora gather to raise funds with the defence effort and humanatarian crisis in Artsakh and Armenia. Members of the Armenian community in the UK gather for a candle lit vigil (using smartphone lights as a result of health and safety rules) and fund raising event for the Armenia Fund (Himnadram) with the support of the Armenian Apostolic Church in London. St. Yeghiche Armenian Church, South Kensington, London, UK. October 10, 2020. Photo: Edmond Terakopian.
Shot on a Lumix S1 and a Sigma 85mm f1.4 DG DN Art lens.
Americana – Classic Corvettes. The Classic Car Drive In Weekend (a new style of socially distanced, COVID-compliant classic car show for buyers, collectors and petrol-heads as well as movie-goers). Bicester Heritage, Buckingham Road, Bicester, Oxfordshire, UK. September 18, 2020. Photo: Edmond Terakopian
Shot on a Lumix S1R and Sigma 85mm f1.4 DG DN Art lens.
People – A chorister is dressed in traditional Armenian choir outfit, with a more modern face visor as protection following guidelines. Churches Allowed To Open After Easing Of UK COVID 19 Lockdown. The Apostolic Orthodox Armenian Church is one of the most ancient Christian institutions. The Kingdom of Armenia was the first state to adopt Christianity as its official religion. Having live streamed services during the pandemic lockdown, St Yeghiche Church opened its doors for public worship on Sunday 5th July 2020. Kensington, London, UK. July 05, 2020. Photo: Edmond Terakopian
Shot on a Lumix S1 and S Pro 70-200mm f2.8.
Nominations
Architecture – Concord Road, Industrial Estate, Park Royal, London, UK. December 15, 2020. Photo: Edmond Terakopian
Shot on a Lumix LX100M2.
People – Brighton beach, as on of the hottest days of the year comes to an end. As the COVID 19 lockdown has been relaxed, thousands of beachgoers flocked to Brighton as temperatures hit 30C (lower than the maximum temperature in South East England, which topped 36C). Authorities in Brighton have taken action to reduce the crowds at their beaches, on one of the hottest days of the year, with fears that social distancing will not be possible. Brighton, UK. August 07, 2020. Photo: Edmond Terakopian
Shot on a Lumix G9 and Leica DG 50-200mm.
Portrait – Professional Dancer Faye Stoeser. The Millennium Bridge, Bankside, London, UK. September 15, 2020. Photo: Edmond Terakopian
Shot on a Leica SL2 and Sigma 85mm f1.4 DG DN Art.
Portrait – A portrait of Jim Connor (former picture editor, The Herald, Glasgow) enjoying a pint of Guiness at The Long Hall pub in Dublin, Republic of Ireland. January 17, 2020. Photo: Edmond Terakopian
Shot on a Sigma fp and Leica 35mm APO Summicron SL.
Portrait – Yoshie At Quant. A portrait of fine art photographer Yoshie Nishikawa at the Mary Quant exhibition. Victoria and Albert Museum. London, UK. February 07, 2020. Photo: Edmond Terakopian
Shot on a Sigma fp and Leica 35mm APO Summicron SL.
All the images were shot in raw and processed on an Apple Mac Pro (2013 model) in Adobe’s Lightroom. The monochrome work was then finished in Exposure Software’s X6. To maintain absolute and precise control during processing, calibrated Eizo CG monitors were used.
Absolutely delighted to get a third place in the the premiere, international photographic awards dedicated to food photography, which so deeply covers the various aspects of food, from celebration and opulence to hunger and the need for sustenance. It’s a phenomenal competition and I’m thrilled my work was recognised by the global judging panel. Many thanks to the awards’ team and all the supporters and sponsors of the Pink Lady Food Photographer Of The Year.
Many thanks also to this year’s judges, chaired by food photographer, David Loftus, Fiona Shields, Head of Photography, Guardian News & Media, Susan Bright, Writer and Curator, Nik Sharma, Cookbook Author and Photographer, Chef Simone Zanoni, Restaurant Le George, Four Seasons Paris, Alison Jacques, Founder, Alison Jacques Gallery and Vitalie Taittinger, President, Champagne Taittinger.
Finalist; Politics Of Food A Key Worker In The Food Industry. First Month Of The COVID 19 Lockdown In London. The normal of ‘eating out’ during the COVID 19 lockdown, has become ordering in, as restaurants are only allowed to be open for deliveries. Bicyclist delivery driver for the online food delivery company Deliveroo, awaits their booking, as Londoners out cycling for their daily allowance of excerise, pass on by. Deserted London town following the COVID 19 pandemic and the first month of the coronavirus lockdown. London, UK. April 23, 2020. Photo: Edmond Terakopian
My prize winning image got third place in the Politics Of Food category. This section is about photojournalistic images that show the reality of issues relating to food anywhere in the world including the impact that Covid 19 has had on the global population over the last year. I’m delighted that another of my photographs was a finalist in this section and one other also made the shortlist.
I’m absolutely in awe of the overall winning image, titled ‘Taste’, by Li Huaifeng. Such a wonderful image.
The exhibition of award winning work is due be held at the RPS (Royal Photographic Society) in Bristol from 20th November to 12th December 2021. With over 20 categories, ranging from the Politics of Food to Food Portraiture, the images from the Awards capture the great sweep of stories and cultures in the world of food.
Shortlisted; Politics Of Food The normal of ‘eating out’ during the COVID 19 lockdown, has become ordering in, as restaurants are only allowed to be open for deliveries. Bicyclist delivery driver for the online food delivery company Deliveroo, awaits their booking. Soho, London, UK. July 14, 2020. Photo: Edmond Terakopian
Technical Information
For the photographers, some background to the equipment used. The third place image (top) was shot on my Lumix S1R with a Lumix S Pro 16-35mm f4.0 lens.
The finalist image (centre) was made using my Lumix S1 and Lumix S Pro 70-200mm f4.0 lens.
The shortlisted image (bottom) was made using my Leica M10-D and Leica 35mm Summilux ASPH FLE lens.
All images were shot in raw and processed in Lightroom Classic and finished in Exposure Software’s X6.
Awards Ceremony Video
If you’d like to skip forward to the Politics Of Food section, it’s at time code 31:36.
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