Absolutely delighted to get a third place in the the premiere, international photographic awards dedicated to food photography, which so deeply covers the various aspects of food, from celebration and opulence to hunger and the need for sustenance. It’s a phenomenal competition and I’m thrilled my work was recognised by the global judging panel. Many thanks to the awards’ team and all the supporters and sponsors of the Pink Lady Food Photographer Of The Year.
Many thanks also to this year’s judges, chaired by food photographer, David Loftus, Fiona Shields, Head of Photography, Guardian News & Media, Susan Bright, Writer and Curator, Nik Sharma, Cookbook Author and Photographer, Chef Simone Zanoni, Restaurant Le George, Four Seasons Paris, Alison Jacques, Founder, Alison Jacques Gallery and Vitalie Taittinger, President, Champagne Taittinger.
My prize winning image got third place in the Politics Of Food category. This section is about photojournalistic images that show the reality of issues relating to food anywhere in the world including the impact that Covid 19 has had on the global population over the last year. I’m delighted that another of my photographs was a finalist in this section and one other also made the shortlist.
I’m absolutely in awe of the overall winning image, titled ‘Taste’, by Li Huaifeng. Such a wonderful image.
The exhibition of award winning work is due be held at the RPS (Royal Photographic Society) in Bristol from 20th November to 12th December 2021. With over 20 categories, ranging from the Politics of Food to Food Portraiture, the images from the Awards capture the great sweep of stories and cultures in the world of food.
For the photographers, some background to the equipment used. The third place image (top) was shot on my Lumix S1R with a Lumix S Pro 16-35mm f4.0 lens.
The finalist image (centre) was made using my Lumix S1 and Lumix S Pro 70-200mm f4.0 lens.
The shortlisted image (bottom) was made using my Leica M10-D and Leica 35mm Summilux ASPH FLE lens.
All images were shot in raw and processed in Lightroom Classic and finished in Exposure Software’s X6.
As the judges of the prestigious Travel Photographer of the Year competition, currently choose the winners for the main competition from the announced shortlist, the organisers have now opened the public vote segment for the People’s Choice award – the winner of which is chosen purely by visitors voting for their one favourite image. The winner will be announced in January together with all of the judged results of the awards.
There is some truly phenomenal photography in this segment and I’m thrilled that one of my images appears on the People’s Vote page. Please have a look and vote for your favourite shot. Should you choose image number 45, I will of course be most grateful!!
Voting is open until 21st January 2021.
The photograph was made when I was shooting a project for the L Mount Alliance, using a Sigma fp and a Leica 50mm APO-Summicron SL lens. The raw file was processed in Adobe Lightroom Classic and finished off in Exposure Software’s X6.
Many thanks and wishes for a much deserved happy new year for us all. Keep safe, keep well.
One of my favourite street photographs, is now available as an edition of 25. Even before publicising the edition, 3 prints have already been sold, so at the time of writing, there are 22 prints left. Perhaps the perfect Christmas treat or gift?
The edition is an archival Giclée, gallery quality print. The photograph is printed on A3 (approx 11-3/4” x 16-1/2” or 297mm x 420mm) with a white border, on Hahnemüehle Photo Rag Bright White. 310 gsm on 100% cotton art paper. Signed on the back, name on the front left, edition numbered on the front, along with my embossing on the right side. Each print will also come with a certificate of authenticity.
The price of each print is £400 (which includes VAT) plus shipping. Each print will be shipped in a sturdy tube. As the edition gets sold out, it’s customary for the price to rise near the end of the edition, so it’s wiser to invest earlier on. Please contact me via the Contact page to make arrangements.
For me, the image perfectly encapsulates modern life in the city. The duality of striving for happiness and survival, with far too many working in jobs they don’t love, to make ends meet. That constant struggle.
The image was made as I was running to the car park. As soon as I saw the light from the advertising hoarding, it made me stop. The way it was lighting the rain and the wet pavement caught my eye. It was only a moment later that I read the message. The problem though, was that the digital advertising was a constant slideshow. None of the other adverts were as bright or simple; they were in fact colourful and messy, and as a light source didn’t work as they were much dimmer.
I must have waited for around 20 minutes. Suddenly from the right hand side, a businessman in a raincoat, holding a briefcase, rushed past. It was so quick, I managed to shoot two frames on my Leica. As luck would have it, the timing of the businessman coincided with the “Love Your Job” slide showing on the advertising board.
I love my job 😉
The photograph has been recognised by various awards and curators over the years, including being a runner-up in the Driven Creativity shortlist and exhibited in London, Paris & Berlin. It was a finalist in Travel Photographer Of The Year too. It was exhibited in The Press Photographers’ Year in the National Theatre, as well as the Fleet Street Photo Exhibition in London. It was commended by the judges of the Fotoura International Street Photography Awards as well as used as a double page spread in AP Magazine’s ‘Tribute To Leica’ issue. It also won the Life At Work category of the British Life Photography Awards. It was judged as Professional Photographer of the Year’s winner in the Street Photography category. It also made The Huffington Post Pictures of the Year in 2011.
To purchase your print, please use the CONTACT page to get in touch.
Photography Rules, Essential Dos and Don’ts from Great Photographers is a new book by Dr Paul Lowe. To say that I’m delighted to be part of this amazing book would be putting it extremely mildly! I’m humbled to be in such great company and touched by Paul’s kind invitation to be part of this wonderful project. Sharing pages with one’s own inspirations and heroes in photography is quite literally, awesome.
As photographers, we all consciously or more often, sub-counciously form our own philosophies and rules. Be these ethical, compositional, a work ethic or technical. Ways of approaching life, interacting with people, the technical aspects of photography or camera techniques that serve us well.
This fascinating insight from some of the most amazing photographers, stretching back to greats like Ansel Adams or Richard Avedon, Brassai to Bresson, is not only interesting but thought provoking, enlightening and inspirational.
As Paul Lowe writes, “The book is not a systematic ‘how to’ guide to photography but it does have a reasonably logical progression of entries, organised into three main categories of rules: ‘Making Photographs’, ‘Being a Photographer’ and ‘Professional Practice’. These follow the journey of the photographic process from even before the image is made through to building a long- term corpus of work to its distribution to the world. Individual genres and approaches to photography are interspersed throughout, covering fields such as portraiture, documentary and photojournalism, landscape and commercial photography.”
This book is going to appeal to an extremely wide range of photographers; seasoned professionals to those who are at the start of their journey in photography. Not only do I see this as becoming essential reading for every student in photography, but also for photography enthusiasts and amateur photographers who want to get an insight into the thought process of the authors behind some of the images they admire.
My own contribution, is about my personal approach to photojournalism, the ethics I live by and is listed in the ‘Being a Photographer’ section of the book. The beginning of the text reads, “The award-winning photojournalist Edmond Terakopian reminds us that, when documenting other people’s lives, especially in situations of distress, ‘it’s not your story, it belongs to your subject. You must never forget that.’”
It accompanies my photograph documenting life, 10 years on from the devastating earthquake that struck Armenia. “A Woman Prays in an Armenian Church in Gyumri, for the Souls of Those Who Died in the Armenian Earthquake, 1988.”
The photograph from Gyumri was shot on a Leica M6 with a Leica 35mm Summicron, using Kodak Ektachrome slide film.
Photography Rules, Essential Dos and Don’ts from Great Photographers is out now and alongside good bookshops, is also available online from Amazon.
Biography: Dr. Paul Lowe is a Reader in Documentary Photography and the Course Leader of the Masters programme in Photojournalism and Documentary Photography at the London College of Communication, University of the Arts, London, UK. Paul is an award-winning photographer, whose work is represented by VII Photos, and who has been published in Time, Newsweek, Life, The Sunday Times Magazine, The Observer and The Independent amongst others. He has covered breaking news the world over, including the fall of the Berlin Wall, Nelson Mandela’s release, famine in Africa, the conflict in the former Yugoslavia and the destruction of Grozny.
All the images were made using the L-Mount camera system. Three images were shot on the Lumix S Series with Lumix S Pro lenses and the other two images were shot on the Sigma fp with a Leica APO Summicron SL lens and a Lumix S Pro lens.
All photographs were from raw files, edited and processed in Adobe Lightroom and finished in Exposure Software’s Exposure X5, with the monochrome image being finished in DxO’s Nik Collection, Silver Efex Pro.