Tag Archives: career

Love Your Job Print, Edition Of 25 Released

One of my favourite street photographs, is now available as an edition of 25. Even before publicising the edition, 3 prints have already been sold, so at the time of writing, there are 22 prints left. Perhaps the perfect Christmas treat or gift?

A heavy downpour of rain soaks a businessman, as he passes an illuminated advertising sign stating “Love Your Job”. Hammersmith, London. January 14, 2011. Photo: Edmond Terakopian

The edition is an archival Giclée, gallery quality print. The photograph is printed on A3 (approx 11-3/4” x 16-1/2” or 297mm x 420mm) with a white border, on Hahnemüehle Photo Rag Bright White. 310 gsm on 100% cotton art paper. Signed on the back, name on the front left, edition numbered on the front, along with my embossing on the right side. Each print will also come with a certificate of authenticity.

The price of each print is £400 (which includes VAT) plus shipping. Each print will be shipped in a sturdy tube. As the edition gets sold out, it’s customary for the price to rise near the end of the edition, so it’s wiser to invest earlier on. Please contact me via the Contact page to make arrangements.

For me, the image perfectly encapsulates modern life in the city. The duality of striving for happiness and survival, with far too many working in jobs they don’t love, to make ends meet. That constant struggle.

The image was made as I was running to the car park. As soon as I saw the light from the advertising hoarding, it made me stop. The way it was lighting the rain and the wet pavement caught my eye. It was only a moment later that I read the message. The problem though, was that the digital advertising was a constant slideshow. None of the other adverts were as bright or simple; they were in fact colourful and messy, and as a light source didn’t work as they were much dimmer.

I must have waited for around 20 minutes. Suddenly from the right hand side, a businessman in a raincoat, holding a briefcase, rushed past. It was so quick, I managed to shoot two frames on my Leica. As luck would have it, the timing of the businessman coincided with the “Love Your Job” slide showing on the advertising board.

I love my job 😉

The photograph has been recognised by various awards and curators over the years, including being a runner-up in the Driven Creativity shortlist and exhibited in London, Paris & Berlin. It was a finalist in Travel Photographer Of The Year too. It was exhibited in The Press Photographers’ Year in the National Theatre, as well as the Fleet Street Photo Exhibition in London. It was commended by the judges of the Fotoura International Street Photography Awards as well as used as a double page spread in AP Magazine’s ‘Tribute To Leica’ issue. It also won the Life At Work category of the British Life Photography Awards. It was judged as Professional Photographer of the Year’s winner in the Street Photography category. It also made The Huffington Post Pictures of the Year in 2011.

To purchase your print, please use the CONTACT page to get in touch.

Photo Insight; Amateur Photographer magazine, July 2014.

Talking Shot Photography Podcast

Lovely to have been invited for a nice chat with the fabulous Ross Grieve and Matt Jacobs on their popular Talking Shot Podcast.

We chatted about the COVID 19 lockdown, how I started out as a photographer, my career, inspirations, philosophies on journalism and even a little about the equipment I use. Hope you enjoy the conversation.

World Photo Day 2016

The 30th Anniversary Of My First SLR; The Start Of My Journey In Photography

Today is World Photo Day. Strangely, I didn’t have any assignments on and didn’t really shoot any pictures. I photographed the full moon as I got home, but the day was one of meetings and not of actual photography.

Edmond Terakopian-1990-copy pic on-20160819-013

A photograph of me at work for the Wembley Observer in 1990. I started my career in 1989 on the Ealing Gazette and moved to the Harrow Observer and Wembley Observer the following year. Shooting with a Canon T90 (my third ever SLR) and Metz 45 flashgun with bounce card. © Photo.

It is however the perfect day to reflect back on my photographic career, and specifically on how it all started. I’d always been interested in taking pictures as a child; I guess I liked the click of the camera and the flash going off! So much so that although our family had a Kodak, my Godfather bought me my own camera for my seventh or eight birthday; a Fuji 110 cartridge point and shoot.

As I got into my teens, I really began taking an interest in photographs and photography. The older brother of a friend of mine was a very keen, advanced and creative amateur photographer. I would often chat with him when visiting, look at his cameras and look at his latest pictures and bombard him with questions about technique, composition, camera gear and so on. He was always very patient and I guess could see my deep interest, so would answer all my silly questions and let me play with his (and his father’s) lovely array of Nikon cameras.

In 1986, as I was approaching my 16th birthday, I had saved up my pocket money and would scour the pages of the Argos catalogue, looking at Zenit and Praktica cameras, day dreaming that one day I would have my own real camera! An SLR that I could manually focus and choose the exposure settings as I wanted them.

I mentioned to my self appointed mentor that I was getting ready to pop to Argos and buy A Zenit or Praktica. He suggested I hold off, asked me how much I had saved and told me he’d get back to me. Unbelievable, he had spent the next few days looking through various magazines and had found a special deal on a Nikon which fitted my meagre savings. We met, my pocket full of my cash, got on the tube and made our way to the Tecno on High Street Kensington. Miraculously they had a special offer on the Nikon EM, with a 50mm Nikon E Series lens, a filter, lens hood and I think camera case too.

So, I bought my first camera. A Nikon no less, all thanks to my mentor, who helped me set up the camera, and answered the inevitable questions which followed my weeks of joyous discovery.

Dearest Vahe, I dedicate this post to you. 30 years ago you took this 15 year old and put him on a path which has brought him joy every since. As a result, I’ve really learned about life, through my lens. Met the most interesting people, experienced extremes of sorrow and joy, creation and destruction, with my camera and helped share the plight of people with millions around the planet. You were my first influence and a huge influence. You showed me creativity. You taught me photography and technique and when you were under no obligation to do so, answered my hundreds of questions and found me my first proper camera.

Thank you so much 🙂

Olympus Magazine Interview – May 2015

10 Page Interview

Olympus Magazine May 2015 Front

Thrilled to share that this month’s Olympus Magazine has a 10 page interview with me about my photography and video work.

You can get your free online copy HERE.

Alternatively, you can download a PDF of just the 10 page interview HERE.

Photoshoot with model Jordan Ebbitt. London. April 10, 2015. Photo: Edmond Terakopian

A portrait of Jordan Ebbitt. London. April 10, 2015. Photo: Edmond Terakopian

Tips On How Not To Annoy Professional Photographers

Things To Avoid

L-R: Edmond Terakopian and Ian Berry having a chat about all things photographic London.  January 22, 2015. Photo: Neil Buchan-Grant

L-R: Edmond Terakopian and Ian Berry having a chat about all things photographic. London. January 22, 2015. Photo: Neil Buchan-Grant

1- Do not say “Great capture”. So annoying. Calling it a good photograph, shot or picture is all that’s needed.

2- Do not say “wow, I bet you get really nice pictures with that camera”. The camera doesn’t make the photographs; the photographer does. It’s just like you wouldn’t compliment a writer on their choice of word processor or a chef on their choice of pan.

3- Do not say things like “nice bokeh”! It’s not a compliment to make a comment on the out of focus areas on a picture; probably better to concentrate on the actual subject in the picture. If you really like how the lens renders out of focus detail (bokeh) write to the manufacturer and lens designer. They designed it and so, deserve your praise.

4- “I could’ve done that if I was there”. Well, being there at the right time is half the skill; then it’s making it happen in camera. Trust me, it’s not that easy when everything’s going down.

…perhaps most importantly:

5- Respect your copyright and don’t give away your pictures for free (or for ridiculously low pay. Remember, if it’s worth publishing, it’s worth paying for). You’re ruining an entire industry when you do this. Imagine if in your line of work a hobbyist turned up and started working for free. You would soon not have a job.

Feel free to add to this list in the comments below and please do share this post around 🙂 Thanks.

Edmond Terakopian at the new Wembley Stadium, covering the first football game after it's opening. Photo: Stuart Emmerson

Edmond Terakopian at the new Wembley Stadium, covering the first football game after its opening. Photo: Stuart Emmerson

The Soul of Photography

Interview On Armenia’s Civilnet

I had the honour of being interviewed on Armenia’s Civilnet on my career as a photographer.