As we get into the new year, sadly with most of us in lock down, perhaps this is a good opportunity to start looking at your data backup strategy. It’s important to realise that you have to see it as a strategy.
As well as local backups and off-site backups, it’s crucial to have a Cloud backup. The more locations your data is in, the safer it will be. The number of times I’ve heard from desperate colleagues who have had a drive fail on them, with no backups and in that desperation are willing to lose in the high hundreds if not thousands of pounds, in the hope that a data specialist might be able to rescue some data, is dreadful. Invest a little, create a strategy and have peace of mind and security for your personal and professional work. Remember, family ‘snaps’ will become probably your most important and treasured archive as time passes, so treat both as equally important.
This offer may be of interest to anyone who hasn’t got Cloud backup yet or hasn’t tried Backblaze before. After much research, I chose them for my backup. One huge reason being that you can backup attached external drives (RAID boxes etc) too. Have a read through their website for more info on all their system does.
I use Backblaze to backup my computer and close to a million photographs, with almost 24Tb backed up on their servers.
As the judges of the prestigious Travel Photographer of the Year competition, currently choose the winners for the main competition from the announced shortlist, the organisers have now opened the public vote segment for the People’s Choice award – the winner of which is chosen purely by visitors voting for their one favourite image. The winner will be announced in January together with all of the judged results of the awards.
There is some truly phenomenal photography in this segment and I’m thrilled that one of my images appears on the People’s Vote page. Please have a look and vote for your favourite shot. Should you choose image number 45, I will of course be most grateful!!
Voting is open until 21st January 2021.
The photograph was made when I was shooting a project for the L Mount Alliance, using a Sigma fp and a Leica 50mm APO-Summicron SL lens. The raw file was processed in Adobe Lightroom Classic and finished off in Exposure Software’s X6.
Many thanks and wishes for a much deserved happy new year for us all. Keep safe, keep well.
Observer picture editor Greg Whitmore, who is leaving the newspaper, looks back at the photos that made the news during his quarter century at the helm of the picture desk.
Absolutely honoured to have my work featured in this gallery of images, spanning 25 years of our modern history. The honour is even more amplified when I look at the phenomenally powerful work from talented and devoted colleagues with whom I’m sharing the page, but also by the fact that the gallery was curated by such an extremely well respected and talented picture editor with true Fleet Street heritage.
You can see the gallery here and also read about the legendary Greg Whitmore’s experiences at The Observer here, covering his near 30 years at the paper.
You can read more about London’s darkest hour in recent history and my experiences on that day, here. The same photograph from this awful day was called one of the world’s most iconic photographs by the Daily Mirror.
Very happy to share that for the second year running, the judges of the prestigious British Photography Awards have chosen two of my photographs for the award’s shortlist. This means that these two images are now eligible for the People’s Choice Awards and open to a public vote.
If you like either (or both!) my photographs, I would greatly appreciate your vote. You may vote vote for one image in each category. No registration is needed and it’s literally one click to cast your vote.
One of my favourite street photographs, is now available as an edition of 25. Even before publicising the edition, 3 prints have already been sold, so at the time of writing, there are 22 prints left. Perhaps the perfect Christmas treat or gift?
The edition is an archival Giclée, gallery quality print. The photograph is printed on A3 (approx 11-3/4” x 16-1/2” or 297mm x 420mm) with a white border, on Hahnemüehle Photo Rag Bright White. 310 gsm on 100% cotton art paper. Signed on the back, name on the front left, edition numbered on the front, along with my embossing on the right side. Each print will also come with a certificate of authenticity.
The price of each print is £400 (which includes VAT) plus shipping. Each print will be shipped in a sturdy tube. As the edition gets sold out, it’s customary for the price to rise near the end of the edition, so it’s wiser to invest earlier on. Please contact me via the Contact page to make arrangements.
For me, the image perfectly encapsulates modern life in the city. The duality of striving for happiness and survival, with far too many working in jobs they don’t love, to make ends meet. That constant struggle.
The image was made as I was running to the car park. As soon as I saw the light from the advertising hoarding, it made me stop. The way it was lighting the rain and the wet pavement caught my eye. It was only a moment later that I read the message. The problem though, was that the digital advertising was a constant slideshow. None of the other adverts were as bright or simple; they were in fact colourful and messy, and as a light source didn’t work as they were much dimmer.
I must have waited for around 20 minutes. Suddenly from the right hand side, a businessman in a raincoat, holding a briefcase, rushed past. It was so quick, I managed to shoot two frames on my Leica. As luck would have it, the timing of the businessman coincided with the “Love Your Job” slide showing on the advertising board.
I love my job 😉
The photograph has been recognised by various awards and curators over the years, including being a runner-up in the Driven Creativity shortlist and exhibited in London, Paris & Berlin. It was a finalist in Travel Photographer Of The Year too. It was exhibited in The Press Photographers’ Year in the National Theatre, as well as the Fleet Street Photo Exhibition in London. It was commended by the judges of the Fotoura International Street Photography Awards as well as used as a double page spread in AP Magazine’s ‘Tribute To Leica’ issue. It also won the Life At Work category of the British Life Photography Awards. It was judged as Professional Photographer of the Year’s winner in the Street Photography category. It also made The Huffington Post Pictures of the Year in 2011.
To purchase your print, please use the CONTACT page to get in touch.