Tag Archives: photography

Deadline Every Second

12 AP Photojournalists; Eight Countries

Trailer from Ken Kobre on Vimeo.

I had the pleasure of attending a screening of “Deadline Every Second” by Ken Kobré at the Frontline Club a week ago. It’s a brilliantly shot short film covering 12 photojournalists from AP as they cover various assignments around the world, with great photographer interviews as well as superb footage of them actually on the job. Just to make things complete, we’re also treated to the actual images taken by the photographers.

Deadline Every Second screening and Q&A with director and professor of photojournalism at San Francisco State University Kenneth Kobre (on left) and AP staff photographer Lefteris Pitarakis. Frontline Club, London. September 21, 2012. Photo: Edmond Terakopian

The event had AP staff photographer Lefteris Pitarakis, one of the featured photographers, and Ken Kobré present for a very interesting Q&A session after the screening.

Deadline Every Second screening and Q&A. AP staff photographer Lefteris Pitarakis ansers questions put from the packed screening room. Frontline Club, London. September 21, 2012. Photo: Edmond Terakopian

I can’t recommend this film highly enough to anyone interested in journalism or world affairs, but also to photojournalists and students of it. Definitely try and see it. It’s being screened by various US TV stations and is also available from Amazon.

First Prize; Abstract Category

Black and White Spider Awards

Award Winning Street Photography

I’m delighted to share the good news that I have won first place in the abstract category of the Black and White Spider Awards for my image titled “Hands With Legs”.

“8,223 entries were received from 72 countries and your work received
a high percentage of votes overall”, creative director of the awards, Basil O’Brien.

1st place winner of the Abstract category. “Hands With Legs”. Lorenzo Quinn’s During Love, Halcyon Gallery, Bruton Street, London. April 01, 2011. Photo: Edmond Terakopian

I’m also happy to share that another image, “Outfits” has been nominated in the people category of these awards.

Nominated in the People category. “Outfits”. London’s Southbank. July 22, 2011. Photo: Edmond Terakopian

Both shots were part of my continuing series of street photography taken around London. I shot both images with my Leica M9, using a 50mm Summicron for the winning image and a 50mm Noctilux ASPH for the nominated shot. Both photographs were processed using Apple’s Aperture 3 and Nik Software’s Silver Efex Pro 2.

Surprisingly, I am one of only four winners from the UK and only two of us won first prize in our respective categories. To see all the winning images, click the logo below:


Press Release

FOR IMMEDIATE RELEASE:

BLACK AND WHITE SPIDER AWARDS HONORS PHOTOGRAPHER EDMOND TERAKOPIAN FROM THE UK

LONDON (June 16, 2012) – Professional photographer Edmond Terakopian from the UK was presented with the 7th Annual Black and White Spider Awards, 1st Place – Outstanding Achievement award, in the category of Abstract at a prestigious Nomination & Winners PhotoShow. The live online ceremony webcast Saturday, June 9, 2012 was attended by photography fans in 72 countries who logged on to see the climax of the industry’s most important event for black and white photography.

The awards international Jury included captains of the industry from National Geographic, Fratelli Alinari, Heffel Fine Art to the Tate in London who honored Spider Fellows with 180 coveted title awards and 875 nominees in 14 categories.

“It is an incredible achievement to be selected among the best from the 8,223 entries we received this year,” said Basil O’Brien, the awards Creative Director. Edmond Terakopian’s “Hands With Legs”, an exceptional image entered in the Abstract category, represents black and white photography at its finest, and we’re pleased to present him with the 1st Place, Outstanding Achievement award”.

You can view the 7th Annual Winners Gallery at www.thespiderawards.com/gallery/7th

BLACK AND WHITE SPIDER AWARDS is the leading international award honoring excellence in black and white photography. This celebrated event shines a spotlight on the best professional and amateur photographers worldwide and honors the finest images with the highest achievements in black and white photography.

Behind The Scenes

On Assignment In Vancouver

A short video of me on assignment covering Virgin Atlantic’s inaugural flight to Vancouver with Sir Richard Branson (Founder and President of Virgin Atlantic) and Olympic gold medallist Amy Williams. 

On Assignment, Vancouver 2012 from Edmond Terakopian on Vimeo.

Video by Andy Reik, Dust*

Photos by Edmond Terakopian

With thanks to Leon Schlesinger, TVC

Additional Audio by Simon White, Airtime TV

A set of photographs from this assignment can be viewed on my Flickr Stream.

What’s Wrong With The Newspaper Industry

Press Photography & The Papers

A press card and a selection of media accreditation from over the years. June 12, 2012. Photo: Edmond Terakopian

The problems with the industry (normally and not just during this recession) are multiple; some do lay with the accountants who run most things (being qualified with arithmetic and spread sheet skills, or the understanding of formulas, in my mind does not give someone aesthetic understanding or the ability to have a news sense), weak picture editors, bad editors, visually less capable mass audience and the pandering of the papers to the weakest common denominator as opposed to trying to visually educate the readership a little. Not too long ago we had newspapers that ran the most amazing photography; informative, accurate, ethical, creative and mind blowingly powerful – and no, I’m not just talking about the broadsheets (as they were then) but a few tabloid papers too.

Another huge issue is the switch to digital and the ‘everyone’s a photographer’ syndrome; backed by accountants who see a picture as something that has four sides to it but have no ability to comprehend it’s content, importance or power. This also lead to the birth of the mass paparazzi – the most money paid for photography is for this type of content and the publications who print this material, sell the most, so have the biggest budgets.

The ‘new’ technology, called the internet also has had a detrimental effect to the traditional model of newspapers. A day late, even with great analysis and checked, journalistically correct information, is sometimes too late for readers. I saw new in quotes as anyone looking at most newspaper websites would thing the internet came to being a couple of months ago. It’s been with us long enough, yet few papers have learnt to design good, usable websites that harness the power of the web and deliver amazing content. The business model has to change too; good content needs to be paid for properly. Content is king; no good content means lower visitor hits, equalling less advertising revenue. It’s not rocket science! It is however beyond doubt the future (including mobile devices using the internet for delivery of content).

Let’s not forget though, as photographers we have our share of the blame. Some of this ignorance comes from the educational sector who are happy to teach Susan Sontag and theory, but when it comes to actual skills needed by photographers to survive, like knowing one’s rights and the law of copyright, they teach nothing. The rest of the blame is purely with us for not finding out.

We are signing away our copyright and future rights to our work, even though the law states that it’s ours. This is shortsighted and every time such a contract is signed, another nail is hammered into our collective coffin. There is no going back from this. Sooner than you know, we will retire and have no picture library of our own to fall back on; so, no books, no print sales and no exhibitions. My thoughts are that the bigger picture needs to be looked at; after all, this is a career and so, is long term.

We are killing our own industry too.

PR & Commercial Photography

PR Professionals, You Should Bookmark This Page

Alex James, bassist from Blur turned cheesemaker, is launching an exciting, innovative line exclusively with Asda entitled Alex James Presents.The range, on shelves from August 22nd, includes deliciously creamy cheddar blended with wonderful flavour combinations, such as Cheddar and Tomato Ketchup, Cheddar and Salad Cream and Cheddar and Tikka Masala. Alex with a huge sandwich filled with sliced cheeses from the new range. Photo: Edmond Terakopian

Picture the scene; your client has spent tens if not hundreds of thousands of pounds on the launch of their latest product or service. They have hired your PR firm to generate interest and spread the word. Months if not years of R&D, planning and hard work have gone into this moment when the product is to be revealed to the public. It’s a make or break moment. You yourself have spent weeks or even months planning, writing press releases, talking of strategies and when it comes to one of the most crucial aspects, the actual reveal to the public, you choose your photographer without much thought and skimp on budget, trying to cut corners for what is a tiny amount in the grand scheme of the project. The result? All this effort and expense goes to waste; the papers don’t give your client coverage, the product fails and you and your company not only look bad, but risk losing that account.

Grey Goose vodka and Virgin Atlantic have today announced the opening of the world’s best airport bar – the Grey Goose Loft at the Virgin Atlantic Clubhouse at London Heathrow. The luxurious bar will offer Virgin Atlantic Upper Class passengers a bespoke experience and a level of service which until now could only be enjoyed in the top cocktail bars in the world. A Grey Goose Signature Dry Martini. London, UK. Photo: Edmond Terakopian

I can be of help. I’ve been a press photographer also covering PR and commercial photography since 1989. I’ve weathered two recessions – not through dropping prices or doing silly promotions, but by producing great, award winning photography – consistently. On several occasions my PR photography has made it into the papers’ “Pictures of the Week” and been given the space good photography deserves. I can be involved at the early planning stage by being a consultant (essential and often overlooked), advising on what will make a strong photographic campaign and what the picture editors will go for, all the way through to the actual photography and getting the pictures out there to the papers.

Nell McAndrew wishes UK National Lottery players the best of British luck for the record breaking £100 million EuroMillions rollover jackpot. Photo: Edmond Terakopian

This is a post you should bookmark and even more importantly, here’s my PR and commercial photography website which you definitely should bookmark:

www.commercial.pix.org.uk

I look forward to hearing from you on your next project. Your clients deserve the best photography, so don’t let them down and get in touch.

Feature on the Royal National Orthopaedic Hospital (RNOH) in Stanmore ahead of the launch of their fundraising appeal. The Imaging Department is one of the departments that will benefit from the redevelopment. Superintendant Radiographer Marubini Mamphwe carries out a Scoliosis X-Ray on patient David Chapell. Photo: Edmond Terakopian

The B&W Connoisseur’s Camera?

The  Leica M Monochrom

Leica M Monochrom. Photo: © Leica

It does at first glance appear a tad odd; a digital camera that only shoots in black and white. There are two types of photographer who this camera will appeal too though; the high end enthusiast who is into monochrome photography and also the established professional photographer who has made a name for themselves by shooting black and white.

I’m very much hoping to do a hands on review soon, but meanwhile, Andreas Jürgensen from the Leica Forum has done an interesting video review.

The camera certainly appears not to be a Leica M9 which just shoots in B&W. It does indeed have a brand new sensor and it’s ISO range is upped to 10,000. Watching the video and listening to Andreas’ conclusions, the camera produces noiseless images at 3200 ISO and absolutely usable images at 8000 ISO. The sensor also renders massive amounts of micro detail. This camera appears to be an astonishing tool; an interesting concept brought to life with a brave decision making by Leica and also executed in a magnificent way. I really cannot wait to shoot with this camera and make some prints on my iPF6300 and Hahnemuhle paper!

Update: I’ve just read a fantastic piece by Jonathan Slack on the Leica M Monochrom; well worth a read and definitely check out the wonderful gallery of images.

Update: There are some images by Magnum Photos photographer Jacob Aue Sobol on the Leica M Monochrom site that are well worth checking out.