Lovely to have been invited for a nice chat with the fabulous Ross Grieve and Matt Jacobs on their popular Talking Shot Podcast.
We chatted about the COVID 19 lockdown, how I started out as a photographer, my career, inspirations, philosophies on journalism and even a little about the equipment I use. Hope you enjoy the conversation.
I’m thrilled to share that the judges of the British Photography Awards have kindly shortlisted two of my photographs for the 2020 awards. My congratulations to all the finalists and also to the judges for their hard work.
Alongside the judges ruling, there is a people’s choice award too, so voting is open to the public. If you like either (or both!) of my images, kindly press the “VOTE” button by the right hand side of each image. It’s a simple click and no registration is needed.
Category-Fashion: Fashion designer Joshua Kane
The portrait of fashion visionary Joshua Kane was shot as part of the Panasonic Lumix international launch campaign for the new Lumix S Pro 24-70mm f2.8 lens and made using my Lumix S1R and a preproduction lens. The raw file was as always processed in Adobe Lightroom.
Category – Documentary: Repairs On The Giant Tortoise
The image of Senior Conservator Arianna Bernucci working on the shell of a giant tortoise, was made using my Lumix S1 and Lumix S Pro 50mm f1.4 lens. The raw image was processed in Lightroom and finished in Exposure Software’s Exposure X5.
It’s astonishing to hear from the organisers that “In 2019 our audience potential topped 840 million people worldwide. This year we hope to greatly exceed this and showcase the creativity and dynamism of British photography to the world”. The competition’s results will be announced in 2020 at a black tie gala at The Savoy in Central London.
Shooting The International Launch Campaign For Panasonic Lumix; Seven Weeks With The Lumix S Pro 24-70mm f2.8 (Pre-Production) Lens
“Mmmmm, this is going to be special”. This was what I said to myself as soon as I looked at the the very first test frame I shot with the lens on my Lumix S1R. Followed by, “Its so sharp!”. This was a very good way to start shooting with a brand new lens. In fact, a pre-production model at that, with early, pre-production firmware.
I felt rather honoured when Panasonic Lumix UK got in touch to see if I’d like to test out the unreleased S Pro 24-70mm f2.8, ahead of it’s global launch on August 28th, 2019, which was around 1.5 months away. Unboxing the generic brown box, cutting away the bubble wrap, revealed the new lens. I found out the lens had been carried by hand, all the way from Japan! I got out some black tape, covered up all the markings and began shooting.
It’s a bit of a special feeling knowing only a handful of people globally have seen the lens and I’ve been asked to test it and make images with it to be used for the global launch campaign. It’s also quite stressful, knowing photographs have to be made to not only showcase, but live up to every aspect of what was already proving to be a spectacularly good lens.
One of the characteristics that hit me as I begun shooting more and more, was that this wasn’t just a sharp lens, but it had something special. Pure clinical sharpness is ok for forensic type photography, but for being creative, for conveying mood, for sharing a story, one also needs gentleness, subtlety and grace. The rendering from this lens has all of that.
Generally, a 24-70mm f2.8, is a bread and butter lens; pretty much everyone will have one in their bag and it’s the standard professional zoom. Versatile, useful and a safe choice. What I found special though, was this wasn’t just a bread and butter lens. Where one may have a standard zoom for safety, one would also have a special prime with nicer rendering, for making those special portraits or creative shots.
Well, the S 24-70mm f2.8 has all of that. It’s truly special to have all these qualities wrapped up in one lens. Versatility and speed, but also beautiful rendering, colour, contrast, detail and well, a bit of poetry too. I found it captured light and colour beautifully and rendered a nicely soft background in out of focus areas. As much as I hate talking about this and using the word bokeh, it does have beautiful bokeh! (I need to add my dislike is purely based on people who only care about bokeh and nothing else, especially not the craft of photography).
It is chunky though. I felt the same way as when I first picked up the S Pro 50mm f1.4. Although I wished all of the S Series lenses could be a little smaller, just as with the S 50mm, as soon as I started shooting with the S 24-70mm, it justified it’s size and won a place in my camera bag. In fact, I pretty much didn’t shoot with anything else and seven weeks on, it’s always been mounted on either my S1 or S1R.
It just produces beautiful images and no matter what type of subject I point it at, it does as I ask and produces what I want. Fast to react and precise in rendering.
Super fast and silent AF, outstanding build quality and stunning optics. I have a feeling the scientific types at DxO Labs are going to enjoy putting this through their rigorous tests.
So please don’t read this small post as a review; it really is a quick preview. I’ll let the pictures speak for themselves. Keep in mind though that this is a pre-production lens with early, non final firmware and so is definitely a pre-release lens. Yet, it helped make these images with grace. I can’t wait to get my hands on the final thing! If you have an L Mount camera, I suggest you try it too!
Art line prime lens lineup for full-frame cameras with L-Mount
A joy to get a sneak peek at three of the newly announced Sigma L-Mount Art lenses and also the hotly awaited mount adapter. The samples were in large non working prototypes, but they gave a really good idea of weight, finish and handling.
My already huge fondness of the Lumix S1 and S1R took another leap upwards after initially hearing of the launch lineup, but having seen the quality of these lenses, I’m confident the future of the L Mount, with the L Mount Alliance (Leica, Lumix and Sigma), is going to be very bright indeed (as well as being pin sharp, with great tonal rendition!).
Very much looking forward to the Photography Show this year, which is on from March 16th to the 19th at the NEC in Birmingham.
I’m thrilled to be celebrating my 30th year as a photographer at the show, by sharing some images and thoughts, at my talk about my career, generously, supported by Lumix.
“30 years of photography; photojournalism and beyond”, Behind The Lens Theatre, 19 Mar 2019, 13:00-13:40. Edmond Terakopian shares images and stories from his 30-year career as a photographer, covering photojournalism, commercial photography and his passion for observing daily life with his street photography.
I’m also looking forward to sharing some photographs and thoughts on the Panasonic Lumix G9, which has helped me win several awards over the year, and show my work shot on the newly launched, full-frame, phenomenal S1 and S1R. I’ve had the pleasure to work with the S Series since the beginning of the year, so was one of the first wave of professional photographers from around the world to receive a prototype S1 to work with. To say I’ve been left very impressed would be an understatement!
The talks are on:
Sunday the 17th of March at 15:30. “Three Months With The Lumix S1 and S1R”
Monday the 18th of March at 10:30. “Awards and Beyond with the Lumix G9”
They will take place on the Panasonic Lumix stand, D41. I’m happy to say that a few of my images shot on the G9 and S1 will be on the stand as large prints, so I hope you will have the chance to see what these fabulous cameras are capable of.
I shall also be with the Lumix team at the Pro Lounge on:
Saturday, March 16th, from 13:00 – 14:00.
So if you’d like to see the Lumix S Series, have a chat or see my work shot on the S1 and S1R, do pop by.
As always, it gives me immense pleasure to be with the fabulous team from Snapperstuff. We’re the only stand at the show which is manned primarily by professional photographers. Come by and see the superb range of bags and accessories from Think Tank Photo and Mindshift. Meet my friends and I at stands F101 and G101, throughout the show.
If you haven’t yet booked your ticket, here is a discount code which expires on March 13th, 2019. For 20% off, use code: SPKTPS19 (not valid with any other offers).