Very happy to share that one of my photographs has been shortlisted in the Black & White Photo Contest by the judges of the reFocus Awards, in the portrait category. All shortlisted images are automatically entered into the People’s Vote Awards where the public can vote on their favourite images.
The portrait was made on assignment for the Irish Independent.
This image was shot on a Lumix S1 and Lumix S Pro 24-70mm f2.8 lens. The raw file was processed in LightRoom Classic, on an Apple Mac Studio with calibrated Eizo CG monitors.
Absolutely thrilled to share that three of my photographs have made the shortlist for the World Food Photography Awards 2026! You can see all the shortlisted photographs and their categories here.
Here are the shortlisted images in their respective categories:
Champagne Taittinger Wedding Food Photographer
The freshly delivered wedding cake awaits unboxing, as the staff prepare drinks to welcome the guests. The Wedding Of C and M. Wedding lunch and drinks at Carmel in Queens Park, London, UK. Photographed on a Lumix G9 and Leica DG 10-25mm Vario Summilux lens.
Politics of Food
Scooter delivery drivers taking a break between jobs. Chinatown, London, UK. The forerunners of these services are Just Eat, Deliveroo and Uber Eats. The UK food delivery market continued to expand, with projected growth of 3.1% to reach a market size of £14.3bn in 2025. Photographed on a Fujifilm GFX100RF.
Production Paradise Previously Published
Michelin-starred chef Richard Corrigan in The Rib Room, which features original Bentley’s paintings and William Morris-designed walls. Bentley’s Oyster Bar & Grill (opened in 1916), 11–15 Swallow Street Piccadilly, London, UK. Photographed on a Lumix S1 and Lumix S Pro 70-200mm f2.8 lens. Published in the Irish Independent.
Naturally all the images were shot in raw, edited and processed using Adobe’s LightRoom Classic, on my either an Apple Mac Studio using calibrated Eizo CG276 monitors or a MacBook Pro.
Absolutely overjoyed to share some great news from today! The International Awards Associate (IAA), in unison with the European Photography Awards, have selected three of my photographs as Gold winners and seven other images as recipients of Honourable Mentions.
From the press release of the European Photography Awards; “Drawing an impressive number of entrants, the competition received over 3,500 submissions across 50 nations, including the United States, Germany, Italy, Canada, France, Australia, Spain, United Kingdom, Japan, Switzerland, Greece, Portugal, Sweden, and beyond, featuring its global appeal and presence.”
Many thanks to all the judges and congratulations to the winners and runners up. Here are the ten images, with captions and information on the equipment used.
As always, all the photographs were shot in raw and processed in Adobe’s Lightroom Classic, on either an Apple Mac Pro or Mac Studio, using calibrated Eizo CG276 monitors. In the commercial photography using lighting, I also always use a colour meter, to compensate for any colour temperature shifts brought forth by light diffusers and reflectors.
“We are elated to inform you that your spectacular image has proven itself to be a superlative symbol within the entirety of the photography industry”.
Absolutely thrilled to have received these comments from the international jury of the New York Photography Awards for 2023, after four of my photographs were awarded “Silver Winner”. A further four photographs were also recognised with “Honorable Mentions”. To have eight images picking up awards, from a set of ten images entered for the awards, has been more than delightful and brings some sweet news to see out the end of the year with.
All of the photographs were shot in raw and processed in Adobe’s LightRoom Classic on a Mac Pro, with calibrated Eizo CG screens. The images were then finished off in Exposure Software’s X7 plugin.
Interestingly, five of the awarded images were made during photography workshops which I was tutoring. One during a one to one bespoke street photography workshop and the rest on two summer street photography workshops, in conjunction with my good friend and colleague Steve Simon. Look out for details of our 2024 workshop!
My thanks to the judges and organisers of the NY Photography Awards. I’m more than absolutely delighted and it’s wonderful to have a breadth of work, covering photojournalism, street photography and high-end creative product photography recognised and awarded.
Absolutely thrilled to share that the 16th International Color Awards have honoured some of my work. It’s great to have my work judged alongside other photographers’ work from 72 countries, by a jury of international photography curators, editors and other professionals.
I received one win, as an Honorary Mention in the Silhouette category, for one of my street photography pictures. The photograph was made on the King’s Road in London, using my Leica M10-D and lovely 1970s Leica 50mm Summicron.
The still life photographs were made using a Benro geared head and tripod. Lighting was with PixaPro and Godox lights. As always, all photographs were shot in raw. The raw files were then processed in LightRoom Classic on my Mac Pro, using calibrated Eizo CG monitors and finished off in Exposure Software’s X7.
With thanks to the jury, comprised of members from The National Gallery of Art, Washington DC; The J. Paul Getty Museum, Los Angeles; The Art Channel, London; Groninger Museum, Netherlands; Koller Auctions, Zurich; Preus Museum, Norway; Throckmorton Fine Art Gallery, New York; Publicis Groupe, Warsaw; Chung 24 Gallery, San Francisco; Kolle Rebbe, Hamburg; Photo-Eye Gallery, Santa Fe; High Museum of Art, Atlanta; Bonhams Cornette de Saint Cyr Auctions, Brussels; Institute of Contemporary Art (ICA), Philadelphia; William Shearburn Gallery, Saint Louis; Museo d’arte Moderna di Bologna (MAMbo), Bologna; and Clamp, New York.
At a wonderful evening at the UK Picture Editors Guild Awards, held at the Honourable Artillery Company, I was honoured to have received a joint commendation for my portfolio of five portraits, placing the images as third in the UK, in the DMGT Portrait Photographer of the Year category.
Photojournalist Edmond Terakopian attending the UK Picture Editors’ Guild Awards 2022. Honourable Artillery Company, London, UK. October 17, 2022. Photo: Peter Jordan
As always, much joy in catching up with friends, colleagues and picture editors, some of whom I’ve known for around 30 years! Great to see powerful and moving photojournalism by talented photographers, still helping us understand stories from around the world and the human impact they have. Makes me think that Kodak’s famous “a picture is worth a thousand words” slogan needs to be reworded to “ten thousand words”.
My thanks to the judges, led by the legendary former Sunday Times Picture Editor Ray Wells, for all their hard work in choosing the winning and commended images. Huge thanks also to friend and colleague, Alan Sparrow for his dedication and hard work in making these crucial awards take place.
Portrait Photographer of the Year Portfolio
An XR protestor is seen through the broken window of a bus, which was broken when the Police stormed the bus as the Extinction Rebellion action began. Extinction Rebellion protestors block off the southern end of London Bridge. London, UK. August 31, 2021. Photo: Edmond Terakopian. Lumix G9 and Lumix G Vario 35-100mm f2.8II.Angelika Ghazaryan, a descendant of Genocide Survivors, at the 106th Commemoration of the Armenian Genocide of April 24th, 1915. Members of the British Armenian community gather at the remembrance service for the 1.5 Million Armenians massacred by the Ottoman Empire. US President Joe Biden has become the first US president to issue a statement formally describing the 1915 massacre of Armenians as a genocide by the Ottoman Empire (modern day Turkey) on the day that Armenian communities around the world marked the killing of 1.5 million Armenians. St Yeghiche Armenian Church, London, UK. April 25, 2021. Photo: Edmond Terakopian. Lumix G9 and Voigtlander 29mm f0.8 MFT Super Nokton Lens.Miner Ian Turner, at the end of his shift. Aberpergwm Mine is the only remaining operational coal mine in the UK. It’s the only source of high-grade anthracite in Western Europe. Aberpergwm Mine, Glynneath, Neath, Wales, UK. July 30, 2021. Photo: Edmond Terakopian. Lumix G9 and Leica DG 50-200mm f2.8-4.0 lens.Extinction Rebellion protestors block off the southern end of London Bridge. London, UK. August 31, 2021. Photo: Edmond Terakopian. Leica M10-D and Leica 50mm Summicron (1960s ‘Rigid Summicron’) lens.A mourner commemorates the victims of the Genocide, during a church service, as candles lit in prayer illuminate the back of the church. Joe Biden has become the first US president to issue a statement formally describing the 1915 massacre of Armenians as a genocide by the Ottoman Empire (modern day Turkey) on the day that Armenian communities around the world marked the killing of 1.5 million Armenians. (London, UK) 106th Commemoration of the Armenian Genocide of April 24th. Members of the British Armenian community gather at the remembrance service for the 1.5 Million Armenians massacred by the Ottoman Empire. St Yeghiche Armenian Church, London, UK. April 25, 2021. Photo: Edmond Terakopian. Lumix S1 and Lumix S Pro 70-200mm f2.8 lens.
The images in my commended portfolio were shot on Lumix G9, Lumix S1 and M10-D cameras. The raw files were edited and processed in Adobe’s LightRoom Classic, finished in Exposure Software’s X7, all using fully calibrated Eizo CG monitors attached to an Apple Mac Pro.
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