Tag Archives: canon

Canon C300 V 5D MkII

Comparing Footage From the C300 & 5D MkII

A short clip showing a quick comparison between a Canon C300 and Canon 5D MkII. The cameras were set up as identically as possible, using the same settings. Please note that this was shot during an open day event, so not ideal conditions as the settings were constantly being changed on both cameras by attendees to the event! Lastly, there’s a clip from the C300 which is ungraded. Many have asked to see footage which hasn’t been touched, so all of these clips are straight from camera.

Featuring model Vicki Blatchley  Shot at New Day Pictures


Putting aside for a moment that the Canon C300 is actually a proper video camera with all the video functions, flip screen and audio abilities, not to mention the form factor, that one needs for professional video (all of which are lacking on the 5D MkII) and looking at purely the image quality, at first glance, there appears to be little difference between the two.

It’s only when we brought the image into the full editing suite that the huge dynamic range and masses of detail in the extreme highlight and shadow areas started to show the C300 as vastly superior. Even on the non flat settings, the file was just lush with detail. Although I love the 5D MkII, the C300 is just on a completely different level.

The 5D MkII does have an edge in two ways; it has that gorgeous full frame sensor as opposed to the Super 35mm of the C300 (crop factor of x1.6) and is many, many times cheaper, even when taking into account finders / EVFs, rigs and external audio that’s needed to make it usable.

The C300 does have it all though. I for one am extremely impressed by this camera; it really is rather good.

Model Vicki Blatchley at the Canon C300 Open Day and New Day Pictures, Surrey. January 26, 2012. Photo ©

Photographer and film maker Edmond Terakopian at the Canon C300 Open Day at New Day Pictures, Kingston Upon Thames, Surrey. January 26, 2012. Photo ©Model Vicki Blatchley at the Canon C300 Open Day and New Day Pictures, Surrey. January 26, 2012. Photo ©

You can see my longer, graded, demo reel from the Canon C300 below:

Canon 1DX Preview

Hands On With The Canon 1DX

A pre-production Canon EOS 1DX. Photo: Edmond Terakopian

I’m fortunate to have had two opportunities to try out the new Canon EOS 1DX in private (thanks to Canon Europe for organising this) during the Pro Photo Solutions show earlier this week.

I need to firstly make it clear that as this was a pre-production camera, I wasn’t allowed to use my own CF cards for evaluating the images or video (which is fair enough as by the time the camera is released in March 2012, the firmware will have gone through several changes).

What I did get to do was try the camera fully, for both stills and video (checking results on the rear LCD screen), check out the completely redesigned menu system and chat at length with the extremely knowledgeable Graham Smith and Mike Burnhill from Canon.

I must say that I’m very impressed with this flagship camera. It carries on the 1D line and is a rugged workhorse of a machine which has been designed to be even more durable than it’s previous versions (I once stood in torrential rain on assignment for around 6 solid hours with a couple of Canon 1D MkII cameras and ‘L’ lenses. Although my Berghaus Gortex jacket leaked, the cameras carried on working perfectly and never gave any problems).

It’s fantastic having a full frame and fast drive camera, all in one. The 12 fps is just astonishing as is using the 14 fps (with mirror lock up – all of this at 18 megapixels). It’s something I have wished for, for years! The controls on the camera are new, with quite a few being fully programmable. The design and placement for all of these is pretty much spot on (the only problematic one perhaps being having the magnify button which is set low down, below the screen – perfect for reviewing stills, but is a problem for when shooting video and wanting to check focus beforehand (initially spotted by Dan Chung, with whom I’m in full agreement) – I’m sure by launch perhaps one of the more convenient buttons can be programmed via firmware to act as magnify if needed for video).

Shooting up to 51,200 ISO was just astonishing; extremely clean with accurate looking colours. Magnifying in to 100% on an 8000 ISO image made me double take as it looked clean enough to have been a 100 ISO shot! Absolutely amazing. I need to remind readers again though, these were all judged on a pre-production camera using the rear LCD screen.

The AF system is completely new and feels very responsive. The new modes and selection methods with overrides certainly impress.

Another hugely impressive fact is for video shooting the camera has a better file system and no longer drops lines when down sampling to HD. Another massively important addition is adjustable audio meters which display during shooting. Canon have stopped just short by not including a headphone jack. If the AV out port can stream during recording, then perhaps a headphone adapter could be fitted to monitor audio? Who knows!

As far as is the Canon EOS 1DX perfect, we shall have to wait and see. November 3rd is due to see a video product announcement by the company and the rumour sites are buzzing with the launch of the 5D MkIII some time next year.

This certainly seems like a perfect DSLR. Personally, I’d love (as would every single one of my colleagues) a lighter pro body, with a removable grip. Apart from this gripe, it really is an impressive DSLR and ticks almost every box. I can’t wait to test it out properly and see what it’s capable of, both in terms of stills and for video.

Battle of the Bokeh

Leica 50mm f0.95 Noctilux Vs Canon 50mm f1.2L

An interesting look at how the currently in production fastest lenses compare in look, specifically the way they render out of focus (or bokeh) areas. Still no idea what the correct way to pronounce this word is, but it’s an interesting little video by the Digital Rev folks.

Canon Pro Photo Solutions 2010

Business Design Centre, Islington,
London, 26 & 27 October

Canon Pro Photo Solutions is now in it’s second year and I have to say, its the best trade show I have ever been to. It’s more focussed towards professional photographers and enthusiasts who are at the top of their game. I really can’t urge you enough to check it out.

The format is in two basic forms; a large number of seminars and also exhibitors showing off their newest kit.

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Photos By: Ant Upton, Antje Bormann, Jeff Ascough, LP & Luke MacGregor.

I’ll be there presenting my work and workflow (both photographic and video) in a seminar called “Moving Forwards With Photography & Video” over both days, in Seminar Room 1 from 14.00 to 14.50.

I’m also going to be with SnapperStuff (stand 49) showing my favourite ThinkTank Photo bags and helping anyone with their questions to do with bags or anything else to do with photography or video. Definitely try and pop by and see the new Retrospective and Sling range.

Hope to see you there!

Canon’s European Launch of the iPF6300

I’ve been fortunate enough to have been asked by Canon to evaluate their new large format printer aimed at photographers; the iPF6300 which had its European launch yesterday in Lisbon. I’ve been testing it for a few weeks now with various papers and still have a long road ahead my tests on lots of papers from Ilford, Hahnemuhle, Olmec and so on. I’ll share these when I’m finished with my tests.

I’m sharing my presentation text below as it’s a great way to let you know my thoughts on this printer:

Canon Launch New Large Format Printers, Lisbon, Portugal

“Being from the school of hand printing to exhibition standard, for many years since the switch over to digital I’ve been making compromises when it came to prints made from my digital images. Having used desktop printers from Canon and Epson and also having had a variety of labs print my work, I’d never been fully happy with the quality of the prints.

I was then introduced to the Canon iPF6300.

Edmond Terakopian giving his presentation. Canon launch of iPF 6300 (and other models) large format printer, Corinthia Hotel Lisbon, Portugal. March 11, 2010. Photo: Graham Smith

As soon as I printed the very first image from the iPF6300, I knew it was something special. With it’s 12 inks I was expecting something amazing, but the quality achieved was just stunning and left me speechless – and this, was only after a test print!

The printer is of such a high standard that to the naked eye printing on the standard setting and the highest setting produce no difference to the quality of the print; what it does do is produce such a speedy output, utilising so little ink, that it has to be seen to be believed. However when ultra critical detail and subtleties have to be resolved, the higher print settings produce this at very close inspection. I was looking at the pupil and eye lashes from a studio model shoot and at the highest setting, every single eye lash is visible; every single line in the pupil, every colour change is rendered perfectly, no matter how subtle.

Pictures by Edmond Terakopian are exhibited at the event. Canon launch of iPF 6300 (and other models) large format printer, Corinthia Hotel Lisbon, Portugal. March 11, 2010. Photo: Graham Smith

Having tried a particularly testing landscape shot taken in the Lake District brought another smile. Every cloud, from the darkest to the lightest was rendered beautifully; every highlight and shadow detail, no matter how subtle was printed without any loss to this detail. It’s performance like this that elevates prints into becoming something special; something collectible. As a result, this printer is something special.

I then moved away from the Canon papers and started printing on the very popular Hahnemuhle Photo Rag which is a coated matt paper. Matt papers are very unforgiving to images with lots of dark shadow detail, so the first image I printed had exactly that – lots of dark shadows. I was astonished at how much of the subtle black detail was printed from a photo of a cafe scene. Throwing more and more images to this excellent but unforgiving paper kept producing great print after great print.

Images by Edmond Terakopian exhibited at the Canon launch of iPF 6300 (and other models) large format printer, Corinthia Hotel Lisbon, Portugal. March 11, 2010. Photo: Edmond Terakopian

I was also very pleased with the print driver and the Photoshop plugin. After around an hour I had come to grips with all that was possible using them. After getting the photograph and processing it correctly, it’s extremely critical to get the settings right in the driver and the way it has been designed makes life easy which is such a bonus. The ability to free print and send print jobs to a separate application to maximise paper usage is a fantastic feature, especially in this day and age of recession and awareness of conservation issues.

I also found the barcoding option on paper rolls extremely useful and an idea that is to be commended; with good quality paper demanding a premium, the last thing I would want is to mix up papers which would lead to wastage.

I also must comment on the printer’s quietness in use. My office is generally pretty quite and quite compact. Considering the size of prints capable, the unit’s relatively compact and amazingly quite when printing. The fact that it’s also such a speedy machine means that the printing’s done quickly and total silence returns very quickly; a must in a creative environment.

Having spent a couple of weeks with the iPF 6300, printing on various papers, both Canon and third party, I would have no hesitation in using it for my future exhibitions and collector’s prints”.

You can check out the iPF6300 HERE.