Fleet Street Photo Exhibition

50 Press Photographs at “The Fleet Street Press” Coffee and Tea House

Authentic Fleets Street Photograph

Fleet Street is synonymous with British Newspapers – the “press”. Even though the last newspaper left the street over 20 years ago, the industry is still referred to as “Fleet Street” and as such, the street has a special symbolism for press photographers and journalists alike.

Setting up the Fleet Street Photo Exhibition at "The Fleet Street Press" Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. April 21, 2013. Photo: ©Jonathan Buckmaster

Setting up the Fleet Street Photo Exhibition at “The Fleet Street Press” Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. April 21, 2013. Photo: ©Jonathan Buckmaster

The exhibition is a collection of work from press photographers working for the national papers, international wire agencies and local papers around the country. It’s an insight into the world of press photography, covering wars, politics, features, portraits, disasters, press conferences and sports.

Setting up the Fleet Street Photo Exhibition at "The Fleet Street Press" Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. April 21, 2013. Photo: ©Jonathan Buckmaster

Setting up the Fleet Street Photo Exhibition at “The Fleet Street Press” Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. April 21, 2013. Photo: ©Jonathan Buckmaster

Images that are hard hitting, thought provoking or quirky; you’ll find the full gamut. We are not the paparazzi and as such, you won’t find any of that genre of image here. We are where the news is; we find the truth, we witness history and we are the eyes of the British public who rely on us to bring the news.

Setting up the Fleet Street Photo Exhibition at "The Fleet Street Press" Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. April 21, 2013. Photo: ©Jonathan Buckmaster

Setting up the Fleet Street Photo Exhibition at “The Fleet Street Press” Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. April 21, 2013. Photo: ©Jonathan Buckmaster

On a personal level, it’s with great pleasure that I share the news that two of my images have been selected to be exhibited in the Fleet Street Photo Exhibition:

Poo And The Band. Winnie The Poo lines up with the band in the forecourt of Buckingham Palace for the children's party. June 25, 2006. Photo: ©Edmond Terakopian

Poo And The Band. Winnie The Poo lines up with the band in the forecourt of Buckingham Palace for the children’s party. June 25, 2006. Photo: ©Edmond Terakopian

Love Your Job. A heavy downpour of rain soaks pedestrians and a businessman, as they pass an illuminated advertising sign saying "Love Your Job". Hammersmith, London. January 14, 2011. Photo: ©Edmond Terakopian

Love Your Job. A heavy downpour of rain soaks pedestrians and a businessman, as they pass an illuminated advertising sign saying “Love Your Job”. Hammersmith, London. January 14, 2011. Photo: ©Edmond Terakopian

The exhibition will be open to the public from Monday, April 22nd, 2013 and is going to be a long term, evolving exhibition of work by press photographers. The images on display will be for sale. Each of the 50 photos is 40cmx30cm (A3’ish, including border) and printed on fibre based Baryta paper. Each sale will be printed to order and posted to the buyer within 7-10 working days. Each image is £150 and will be embossed with the Fleet Street Photograph logo. It’s a great opportunity to buy some great images at a great price.

Venue Details

“The Fleet Street Press” Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. Opening times are 6.30am to 6.30pm, Monday to Friday. 10am to 5pm on Saturdays and 10am to 4pm on Sundays. You can follow The Fleet Street Press on Twitter and on their FaceBook page.

Sebastião Salgado: Genesis

The Unspoilt Planet

Sebastião Salgado: Genesis from Edmond Terakopian on Vimeo.

In 2004, Sebastião began the Genesis project, aimed at presenting the unblemished face of nature and humanity. Genesis consists of a series of landscape and wildlife photographs, as well as photographs of human communities that continue to live in accordance with their ancestral traditions and cultures, shot across 32 countries, over an eight year period. This body of work was conceived as a potential path to humanity’s rediscovery of itself in nature.

World premiere of Sebastiao Salgado's Genesis Exhibition at the Natural History Museum in London, UK. April 09, 2013. Photo: Edmond Terakopian

World premiere of Sebastiao Salgado’s Genesis Exhibition at the Natural History Museum in London, UK. April 09, 2013. Photo: Edmond Terakopian

Sebastião Salgado’s photographic exhibition Genesis is unveiled for its world premiere at the Natural History Museum on Thursday 11 April (and will run until September 8th, 2013). Edited, designed and curated by Lélia Wanick Salgado, the exhibition includes 200 epic black-and-white photographs that celebrate the majesty of nature and examine the balance of human relationships with our fragile planet.

World premiere of Sebastião Salgado's Genesis Exhibition at the Natural History Museum in London, UK. April 09, 2013. Photo: Edmond Terakopian

World premiere of Sebastião Salgado’s Genesis Exhibition at the Natural History Museum in London, UK. April 09, 2013. Photo: Edmond Terakopian

Accompanying the exhibition is an equally amazing book published by Taschen. For the collector, there are bigger, limited edition volumes, with photographic prints.

Since elephants are hunted by poachers in Zambia, they are scared of humans and vehicles. Alarmed when they see an approaching car, they usually run quickly into the bush.  Kafue National Park. Zambia. July and August 2010. Photo: © Sebastião SALGADO / Amazonas images/nbpictures

Since elephants are hunted by poachers in Zambia, they are scared of humans and vehicles. Alarmed when they see an approaching car, they usually run quickly into the bush. Kafue National Park. Zambia. July and August 2010. Photo: © Sebastião SALGADO / Amazonas images/nbpictures

Speaking about the exhibition, Sebastião Salgado commented, ‘Genesis is about beginnings. It is about the unspoiled planet, the most pristine parts, and a way of life that is traditional and in harmony with nature. I wanted to present places that were untouched and remain so to this day.

World premiere of Sebastião Salgado's Genesis Exhibition, Natural History Museum, London. April 09, 2013. Photo: Edmond Terakopian

World premiere of Sebastião Salgado’s Genesis Exhibition, Natural History Museum, London. April 09, 2013. Photo: Edmond Terakopian

I want people to see our planet in another way, to feel moved and be brought closer to it. I want them to become more conscious of the environment, to feel respect for nature because this is something that is relevant to everyone.’

Iceberg between Paulet Island and the South Shetland Islands on the Antarctic Channel.  At sea level, earlier flotation levels are clearly visible where the ice has been polished by the ocean’s constant movement. High above, a shape resembling a castle tower has been carved by wind erosion and detached pieces of ice.  The Antarctic Peninsula. January and February 2005. Photo: © Sebastião SALGADO / Amazonas images/nbpictures

Iceberg between Paulet Island and the South Shetland Islands on the Antarctic Channel. At sea level, earlier flotation levels are clearly visible where the ice has been polished by the ocean’s constant movement. High above, a shape resembling a castle tower has been carved by wind erosion and detached pieces of ice. The Antarctic Peninsula. January and February 2005. Photo: © Sebastião SALGADO / Amazonas images/nbpictures

Sebastião Salgado was a driving force behind me taking up photography as a career. When I first saw his image, often referred to as “the crucifix” from the open gold mine in Brazil, I was totally stunned; my mind and eyes were opened like never before, as I discovered a new way of seeing and an epic way of using a camera to convey a story. Personally I have never looked back. They say, one should never meet one’s heroes as disappointment is guaranteed. I’m thankful to say that when I met Sebastião Salgado and his wife, curator and editor Lélia Wanick Salgado at their book signing in Taschen’s London store, it was a special moment. Genuinely lovely, passionate and talented with absolute modesty and elegance. My career has always been inspired by the work and now I’m glad to say that it continues to be inspired by the person too.

Sebastião Salgado: Genesis book signing.   Photographer Sebastião Salgado. TASCHEN Store London, 12 Duke of York Square, London. April 10, 2013. Photo: Edmond Terakopian

Sebastião Salgado: Genesis book signing. Photographer Sebastião Salgado. TASCHEN Store London, 12 Duke of York Square, London. April 10, 2013. Photo: Edmond Terakopian

As a press launch (just like a private view) is never the best time to see an exhibition; one’s always busy working. From the parts of the exhibition I did manage to see, I cannot recommend this exhibition highly enough. I foresee that I’ll be visiting it several times over the coming weeks and months. It should be on everyone’s “to do” list. It is quite literally awesome. I also cannot recommend the book highly enough either. It’s an amazing body of work, with an extremely important message. Go see it.

Addendum: I went to see the exhibition and spent several hours wondering around the various rooms, exploring various aspects of the project. It is magnificent. Amazing imagery, amazing prints and very well curated too. One gets really drawn into the images, discovering amazing details and subtleties. Equally, stepping back from some of the images, brings the graphic elements of the composition to play. I cannot recommend this exhibition highly enough. Book your ticket and time slot and visit; it is quite literally awesome.

Sebastião Salgado: Genesis book signing.   L-R: Lélia Wanick Salgado (wife, curator & editor of the book) and photographer Sebastião Salgado. TASCHEN Store London, 12 Duke of York Square, London. April 10, 2013. Photo: Edmond Terakopian

Sebastião Salgado: Genesis book signing. L-R: Lélia Wanick Salgado (wife, curator & editor of the book) and photographer Sebastião Salgado. TASCHEN Store London, 12 Duke of York Square, London. April 10, 2013. Photo: Edmond Terakopian

The Magnificent One: Philip Jones Griffiths

A Wonderful Film By Donna Ferrato & Emmanuel Trousse

A beautifully intimate film on the legendary Magnum photojournalist Philip Jones Griffiths, featuring a lot of his amazing work and also very interesting interviews with his Magnum Photos colleagues.

A Day Without News?

Raising Awareness To The Growing Number Of Journalists Killed & Injured In Armed Conflict Zones

Imagine a day without news; imagine not knowing what’s happening around the world. Conflicts taking place uncovered; perpetrators’ acts of violence going unchecked or the civilian casualties not given a voice.

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Journalists, be they writers or photographers, have always put their lives at risk by going to cover wars; to tell the stories and share the pictures. Over recent years, journalists have become legitimate targets in the minds of combatants and in some cases are actively targeted.

Recent years have seen the deaths of far too many amazing people; dedicated to the truth and upholding humanity by covering acts of inhumanity. 2012 was the deadliest year for journalism with a 33% increase in deaths, resulting in 90 colleagues losing their life.

On April 20, 2011, photojournalist Tim Hetherington was killed whilst working in Misrata, Libya, covering the events of the bloody conflict. British photojournalist and filmmaker Tim Hetherington photographed on the last day of 'Operation Rock Avalanche' on October 25, 2007 at the Korengal Valley, East Afghanistan. Photo: Balazs Gardi

On April 20, 2011, photojournalist Tim Hetherington was killed whilst working in Misrata, Libya, covering the events of the bloody conflict. British photojournalist and filmmaker Tim Hetherington photographed on the last day of ‘Operation Rock Avalanche’ on October 25, 2007 at the Korengal Valley, East Afghanistan. Photo: Balazs Gardi

On April 20, 2011, photojournalist Chris Hondros was killed whilst working in Misrata, Libya, covering the events of the bloody conflict.

On April 20, 2011, photojournalist Chris Hondros was killed whilst working in Misrata, Libya, covering the events of the bloody conflict.

February 22, 2012, legendary correspondent Marie Colvin was killed in Homs, Syria. Evidence from eye witnesses, including London Sunday Times photographer Paul Conroy who was working with Marie, said that they had been deliberately targeted.

February 22, 2012, legendary correspondent Marie Colvin was killed in Homs, Syria. Evidence from eye witnesses, including London Sunday Times photographer Paul Conroy who was working with Marie, said that they had been deliberately targeted.

February 22, 2012, photojournalist Remi Ochlik was killed in Homs, Syria. Evidence from eye witnesses, including London Sunday Times photographer Paul Conroy who was working with Marie, said that they had been deliberately targeted.

February 22, 2012, photojournalist Remi Ochlik was killed in Homs, Syria. Evidence from eye witnesses, including London Sunday Times photographer Paul Conroy who was working with Marie, said that they had been deliberately targeted.

Support

I’m supporting the work of colleagues in spreading the word and campaigning world leaders to bring attention to these injustices and develop laws to try and safeguard journalism; visit the website, A DAY WITHOUT NEWS and do the same. Lastly, please spread the word using your social media.

Nominee In The Photography Masters Cup

6th Annual Photography Masters Cup

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A 1935 Ford Pickup truck parked in the NT (National Theatre) underground car park. London. May 07, 2012. Photo: ©Edmond Terakopian 2012

A 1935 Ford Pickup truck parked in the NT (National Theatre) underground car park. London. May 07, 2012. Photo: ©Edmond Terakopian 2012

I’m delighted to share this good news! Whilst on assignment on London’s South Bank I came across this gorgeous old Ford pickup truck and couldn’t resist photographing it; very happy that I did! The rusty pipes and concrete really added to the feel of the image as did the single overhead light. The image was shot on my Leica M9 and Leica 35mm Summilux ASPH (FLE).

FOR IMMEDIATE RELEASE:
PHOTOGRAPHY MASTERS CUP HONORS PHOTOGRAPHER EDMOND TERAKOPIAN

LOS ANGELES (February 19th, 2013) – Professional photographer Edmond Terakopian of the UK was presented with the 6th Annual Photography Masters Cup Nominee title in the category of Americana at a prestigious Nomination & Winners Photoshow. The live online ceremony webcast Saturday, February 16, 2013 was attended by photography fans in 86 countries who logged on to see the climax of one of the industry’s most important events for color photography.

The awards international Jury included captains of the industry from Phillips de Pury & Company in New York; Kunst Licht Gallery, Shanghai; XPO Gallery, Paris; Tasveer Galleries, India; BFN, Netherlands; to BBH in London who honored Color Masters with 239 coveted title awards in 18 categories.

“It is an incredible achievement to be selected among the best from the 8,521 entries we received this year,” said Basil O’Brien, the awards Creative Director. “Edmond Terakopian’s “Old Ford Pickup Truck”, an exceptional image entered in the Americana category, represents contemporary color photography at its finest, and we’re pleased to present him with the title of Nominee.”

INTERNATIONAL COLOR AWARDS, PHOTOGRAPHY MASTERS CUP is the leading international award honoring excellence in color photography. This celebrated event shines a spotlight on the best photographers worldwide and honors the finest images with the highest achievements in color photography. http://www.photomasterscup.com.

RNOH Funding Appeal Reportage

Multimedia Film On Amazing People

This is the most important project I did during 2012; a look at an amazing hospital in Stanmore, Middlesex called the Royal National Orthopaedic Hospital (RNOH). The original film was first commissioned by the hospital’s charity to help raise funds. After filming I spent several days at the RNOH with the aim of just shooting images. Leica M9s to hand, I was fortunate to see some wonderful moments and combined with a recent visit to the children’s ward by the hospital’s Patron, HRH Princess Eugenie in December, I decided to make a completely new edit of the film, incorporating the photographs.