Category Archives: Photography

Behind The Scenes At National Geographic, 1992

The Sense Of Sight

A fascinating look at how National Geographic Magazine photographer Joe McNally shoots a story called The Sense of Sight and how the editing process of the 1200 rolls of film takes place, including all the various editorial meetings which result in the 40 page magazine story.

The Huffington Post

Pictures Of The Year 2011

Heavy rain soaks a businessman as he passes an advertising sign saying "Love Your Job". Hammersmith, London. January 14, 2011. Photo: Edmond Terakopian

I’m delighted to say that one of my pictures has made The Huffington Post Pictures of the Year 2011. Interestingly the feature was done by asking photographers to choose their favourite image of the year. I chose mine and I’m delighted it’s in and what’s more, is the front cover image to the slideshow.

This is the one image which really stands out for me from 2011. I’ve been fortunate and had some great press and commercial jobs, both in the UK and the US (New York and Miami), but something keeps bringing me back to this picture taken in a rainy winter’s afternoon in Hammersmith, west London. I was on my way back to my car after visiting an expo at a nearby hotel. The rain was absolutely torrential and people were running for shelter all round. I first spotted the illuminated sign as it was side lighting the rain and giving a surreal look to the entire scene. It was a rolling sign with several adverts, but this particular one was the brightest. It was only then that I realised the message and as luck would have it, after several minutes, a businessman ran across my frame and I managed to get this picture on my Leica M9 and 35mm Summicron ASPH lens. The RAW image was processed in Apple’s Aperture and the black and white work was carried out in Nik Software’s Silver Efex Pro 2.

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For me the image works on several levels. In it’s simplest form, it’s a rainy and great day with a dreary businessman and the message to love your job. It also works on a deeper level of world recession, doom and gloom. The message now taking on a different meaning; love your job as there are no other jobs, or as you may lose it. There’s also a lot of interesting aspects to the image, various figures, interesting light and bucket fills of mood.

Chase Jarvis’ Photo & Video Workflow

“Nessie” Proof Backup Strategy

I’m a big believer in having a good backup strategy; it’s absolutely essential in this day and age of digital everything. My friend and colleague Chase Jarvis has put together a great video showing how he approaches the challenges of photo and video backup workflow; definitely check it out.

Leveson Inquiry Says No To The BPPA

BPPA Refused by Leveson Inquiry

I’m shocked and saddened to find out that the Leveson Inquiry has rejected the BPPA‘s (British Press Photographers’ Association) application to become core participants in the inquiry.

The inquiry which was set up to look into press ethics and working practices following various recent tabloid practices (some of which are now known not to have happened at the hands of the press) took a turn and began attacking the paparazzi and photographers as a whole. The reporting of the inquiry has muddled the distinction of the paparazzi and working press photographers, calling everyone a press or news photographer.

Michelle Heaton from Liberty X is chased by the gathered paparazzi at the invitation only dinner for cast and guests, after the X-Men 2 movie premiere at "Sketch", Conduit Street, London W1. April 24, 2003. Photo: Edmond Terakopian

The BPPA made an application to become a core participant to balance out the extremely one sided evidence which was given, but sadly has been rejected from doing this.

How is the Leveson Inquiry going to be balanced or even accurate if it won’t accept the BPPA?

Related Reading:

The BPPA & The Leveson Inquiry

I’m A Press Photographer & Very Proud Of It

Nik Software Plugins Workflow

Digital Image Processing with Aperture and Nik Software

Here is a recording of my online seminar (webinar from November 30th, 2011) showing how I use Nik Software’s plugins and Aperture for my image processing.
 

The BPPA & The Leveson Inquiry

British Press Photographers’ Association Applies To Speak At The Leveson Inquiry

The BPPA today wrote to the Leveson Inquiry and asked to be added to the list of those giving evidence. We did this because of the one-way traffic from witnesses criticising photographers and because of the dreadfully lazy television journalism that has painted each and every one of us as the worst kind of citizen paparazzi. This is what we said:

Initial submission to The Leveson Inquiry into the culture, practice & ethics of the press by The British Press Photographers’ Association:

Introduction

The British Press Photographers’ Association (The BPPA) has amongst its membership a large percentage of the country’s front line news photographers. Founded in 1984 to ‘promote and inspire the highest ethical, technical and creative standards from within the profession’, The BPPA has a unique perspective on the current practices and market place for press photographs in the United Kingdom. Press photographers led the way when it came to establishing the guidelines by which all UK Police forces (via ACPO) work alongside the media in the field and we would endeavour to bring a similar problem solving approach to the Inquiry.

Request to be added to the list of Core Participants

In the light of the nature of the evidence being given to The Inquiry by various celebrity witnesses, the association’s board took the decision that we needed to make a submission and to seek to give evidence in person. In reading the list of persons and organisations that may be considered as Core Participants, the association believes that the weight of commentary during the opening weeks of the Inquiry makes press photographers “subject to explicit or significant criticism during the inquiry proceedings or in its report.” In the light of this, we would contend that The BPPA is able to give evidence on the issues of culture, practices and ethics, which the Inquiry might not otherwise be able to obtain.

The BPPA can speak for press photographers who, because of the highly fragmented nature of our employment may well speak to the BPPA when they would not speak to the Inquiry. The Inquiry should know that our membership breaks down as follows:

• Directly employed – 24%

• Employed on fixed or rolling contracts 12%

• Working through agencies as freelance photographers 18%

• Entirely freelance 46%

As a profession attracting a great deal of criticism we would further contend that such a diverse group will not be represented in an equitable and fair way at an inquiry where such representation is both vital for a large and key group of professionals, and for the Inquiry’s ability to hear and consider the widest range of informed opinions.

Press photographers are, for various reasons, the very visible face of the UK print media. Because of this we are regularly subjected to false attribution and accusations as well as verbal abuse from members of the public and from a significant number of people who work in the celebrity, entertainment and even law and order industries. The continuous use of pejorative terms such as ‘paparazzi’ about the widest spectrum of news photographers harms our collective reputations.

Our Evidence

The BPPA would seek to provide evidence on the following:

• The culture and practices of professional press photographers

• The market place for news pictures and how it affects those cultures and practices

• The problems that the market for celebrity images is causing

• The dangers of introducing French style privacy laws

• The need for cooperation between all parts of the media to establish clear and enforceable ethical guidelines and codes of behaviour and etiquette

• Our proposals to help control the problems of unethical photographers and citizen journalists with cameras

The association believes that it would be able to make a very positive contribution to The Inquiry by providing a more accurate, up-to-date and informed assessment than any other organisation on the specific topics where we have expertise.