Fractured Lives Exhibition

Exhibition by Photojournalist Carol Allen Storey

Fractured Lives is a photographic and multimedia project illustrating the struggles faced by Rwandan citizens rebuilding their lives after the 1994 genocide. The exhibition is at the SW1 Gallery, Cardinal Place (Roof Garden) off Victoria Street in London, and runs until October 12th (check opening times of the gallery before making a trip).

Carol Allen Storey talking about one of her images.

After the private view, a colleague takes in the impact of the imagery.

The project was shot by Carol Allen Storey for International Alert and documents the lives of survivors, ex-combatants and ex-prisoners as they build their communities and reconcile.

Eleneus who did the voice over for the film of the project.

L-R: Photographers Edmond Terakopian, Carol Allen Storey and Joth Shakerley.

The private view of Fractured Lives by Carol Allen Storey at the SW1 Gallery. All Photos: © Edmond Terakopian

I’m proud to say that I have been involved in all the image processing for the project, as well as creating a multimedia piece using these powerful photographs, stories told by the subjects, local music and a voice over. You can view this film below.

It’s an exhibition I highly recommend, so don’t miss it.

Fractured Lives from Edmond Terakopian on Vimeo.

Deadline Every Second

12 AP Photojournalists; Eight Countries

Trailer from Ken Kobre on Vimeo.

I had the pleasure of attending a screening of “Deadline Every Second” by Ken Kobré at the Frontline Club a week ago. It’s a brilliantly shot short film covering 12 photojournalists from AP as they cover various assignments around the world, with great photographer interviews as well as superb footage of them actually on the job. Just to make things complete, we’re also treated to the actual images taken by the photographers.

Deadline Every Second screening and Q&A with director and professor of photojournalism at San Francisco State University Kenneth Kobre (on left) and AP staff photographer Lefteris Pitarakis. Frontline Club, London. September 21, 2012. Photo: Edmond Terakopian

The event had AP staff photographer Lefteris Pitarakis, one of the featured photographers, and Ken Kobré present for a very interesting Q&A session after the screening.

Deadline Every Second screening and Q&A. AP staff photographer Lefteris Pitarakis ansers questions put from the packed screening room. Frontline Club, London. September 21, 2012. Photo: Edmond Terakopian

I can’t recommend this film highly enough to anyone interested in journalism or world affairs, but also to photojournalists and students of it. Definitely try and see it. It’s being screened by various US TV stations and is also available from Amazon.

Fractured Lives

The Aftermath of the Rwandan Genocide

 

Video and Sound for DSLR Photographers Workshop

WORKSHOP by “women with a movie camera”

I’m pleased to announce that I’ll be one of the three tutors on the new two day workshop organised by the Women With A Movie Camera. The course is called Video and sound for DSLR photographers. Needless to say, this workshop is open for everyone (I’ve been asked several times if it’s for women only, so I wanted to make sure everyone understand that it’s for men and women!).

Photographer and film maker Edmond Terakopian using a Canon 5D MkII, Zacuto Striker and Z-Finder Pro x2.5, Think Tank Photo Wired Up 10 bag, Zoom H4-n and Rode NTG-3 mic The wedding of Sheleen and Ben. August 28, 2010. Photo: Jeff Ascough

The workshop will be on the 26th and 27th of October 2012, at the October Gallery in London,featuring tutors Lefteris Pitarakis, a photojournalist with AP for 14 years, along with Phil Hartley, a sound engineer and recordist with over 20 years experience in this field and myself.

For more information and to book you spot (places are limited though, so do hurry), visit Women With A Movie Camera.

Attendees will receive various helpful discounts:

The workshop is supported by Calumet and on the day delegates will receive various offers from them.

Fixation will also be giving each delegate a £25.oo voucher

Our friends at New Day Pictures will also be offering delegates 20% off all rentals for 2012!

Hope to see you there!

Nick Ut-Leica Hall of Fame Award


Nick Ut is an AP photographer. Using a Leica, he captured without doubt the most iconic photograph taken to date; the napalm girl, during the Vietnam war. Watch the story behind the famous photograph “The Napalm Girl”.

Nick Ut was honored with the Leica Hall of Fame Award on September 17 at “LEICA – DAS WESENTLICHE” at Photokina 2012.

The Leica M-E

The Working Photographer’s Leica

With great quality and no compromise manufacturing, comes cost. Leica, who don’t cut corners and use the best materials, making by far the best lenses in photography, also have to charge a premium for these non mass-produced products. With photography being so undervalued, the professional photographer often struggles to get into the Leica system . Naturally some enthusiast photographers also fall into the category of struggling to buy a Leica camera.

The Leica M-E. Photo: © Leica

With tonight’s Photokina announcement, there is good news. The Leica M-E, which will be available for £3900 including VAT! Don’t misunderstand the price though as the M-E resembles the excellent Leica M9; a camera I have been shooting with professionally for around three years.

The Leica M-E, rear view. Photo: © Leica

The camera comes in a rather attractive dark grey finish with a silver shutter speed dial and shutter release button, is a full frame, 18 megapixel rangefinder camera.

The Leica M-E, top view. Photo: © Leica

One thing with Leica is that practically every lens made from the 1950s will work on the camera as will a range of Leica screw mount lenses going even further back, using an adapter. Once an investment is made in Leica lenses, they stay with you for life. With the more affordable body, a doorway into Leica digital M photography is now open, bringing with it what I consider to be the best photographic lenses ever made.

The Leica M-E, front view. Photo: © Leica

Leica Press Release

Leica announces M-E: The essence of rangefinder photography

Photokina, Cologne, 17 September 2012: Leica Camera AG today presents a new model in the Leica rangefinder portfolio: the Leica M-E.

Together with the new Leica M and Leica M Monochrom – the world’s first digital black and white camera in 35mm format – the Leica M-E joins the latest digital generation of Leica M cameras, now comprising three rangefinder models. Offering rangefinder technology perfected by Leica over decades, the Leica M-E represents the essence of rangefinder photography. Concentrating on the essential photographic functions and renowned dependability for all typical ‘M’ fields of use, the Leica M-E makes an ideal entry- level model for photographers wishing to experience the fascination of M-Photography in its purest form.

Featuring a proven, high-resolution, 18 MP CCD sensor in full 35 mm format, the Leica M-E offers exceptional image quality combined with the distinct advantages of rangefinder photography, and a minimal, discreet design in an unobtrusive anthracite grey paint finish. The application of an attractive new leather-style trim, which also provides enhanced grip for steadier shooting, ideally complements the camera’s classic design.

About the Leica M-System

Since 1954, the Leica M system has stood for an unmistakable, individual kind of photography and a very conscious photographic style. This is because, with a Leica M, the photographer becomes a part of the action in the process of capturing challenging and creative images. The rangefinder allows the photographer to frame the shot precisely, while providing a clear view of what is happening outside the viewfinder frame lines. This allows the user to predict the decisive moment and capture it discreetly and reliably at the right moment – in all fields, from photojournalism and ‘available light’ exposures to discreet and aesthetic fine-art images.

The functions of the Leica M rangefinder camera are consistently constructed for extreme durability and robustness. The highest quality materials, meticulous manufacturing processes and precise manual assembly guarantee functional reliability for many years to come. Full backward system compatibility – almost all lenses in the Leica M range built since 1954 can still be used with the latest M camera models – is an important factor in the enduring value of the Leica M series.

Pricing and availability

The Leica M-E in anthracite grey paint finish is scheduled to be available in the UK at a suggested retail price of £3,900 inc VAT from September 2012 from authorised Leica dealers including the Leica Store Mayfair: www.leica-storemayfair.co.uk, tel: 020 7629 1351. A full list of authorised UK Leica dealers is available at www.leica-camera.co.uk.

Leica warranty and added value services

The Leica M-E comes with a two-year warranty and a one-year Leica UK ‘Passport’ (complimentary accidental damage cover). UK customers are also welcome to visit the Leica Store and Akademie in Mayfair, London, for a complimentary demonstration or training session on the features of the camera. Technical support by telephone or in person is available via Leica’s London-based Client Care department.