Category Archives: multimedia

Finalist In The UK Picture Editors’ Guild Awards

Nikon Videographer of the Year Finalist, 2013

Thrilled to share that I’m a finalist in the UK Picture Editors’ Guild  Videographer Of The Year category. The film was a feature on a privately owned speciality cafe in Ealing called the Electric Coffee Company. The awards evening is on November 4th, so please keep your fingers crossed!

The film was my first ever using the new Leica M (Type 240) and also the first time using the very useful Manfrotto 561BHDV Fluid Monopod with Head.

My First Leica M (Type 240) Video

Short Film On The Electric Coffee Company

Electric Coffee Company (FilmConvert Grade) from Edmond Terakopian on Vimeo.

Pleased to share my first short film shot entirely on the new Leica M (Type 240) camera. For the project at the Electric Coffee Company, I used the Leica 28mm Summicron ASPH, 35mm Summilux ASPH FLE and 50mm Noctilux ASPH, with some of the closeup shots being done with the aid of a Leica OUFRO macro adapter. Interview audio was done on a Roland R26 and Rode lavalier microphone. The reportage shots were all done using a Manfrotto 561BHDV video monopod and the interview was shot on a Gitzo video tripod. I also used a Lee RF75 filter holder and Lee ND filters for some shots.

I do hope you like the film, and if you have, would really appreciate if you could vote for it in the Film Convert competition; it’s just one click without registration needed. Thanks.

The editing was done on Apple’s FCP X with several shots being graded in Color by colourist Neil Patience. The final film then had it’s final grading done using Film Convert.

The Press Photographers’ Year 2013

Private View & Awards Ceremony

Press Photographers' Year (PPY) exhibition private view and award ceremony, National Theatre, South Bank, London.  July 15, 2013. Photo: ©Edmond Terakopian / 2013

Press Photographers’ Year (PPY) exhibition private view and award ceremony, National Theatre, South Bank, London. July 15, 2013. Photo: ©Edmond Terakopian / 2013

Yesterday evening saw the private view of the Press Photographers’ Year exhibition at the National Theatre in London’s South Bank. It is a must see exhibition, highlighting the very best of press photography over the last two years, with walls of images that bring thought, sorrow, laughter and reflection. I really cannot recommend this exhibition highly enough. It’s on until August 31st, 2013, so do pass the word around and pop by.

Edmond Terakopian is presented with a Highly Commended certificate (multimedia) for his short film on the RNOH by Ian Wright, Director of Communications at Diageo. Press Photographers' Year (PPY) exhibition private view and award ceremony, National Theatre, South Bank, London.  July 15, 2013. Photo: Peter Bishop / 2013

Edmond Terakopian is presented with a Highly Commended certificate (multimedia) for his short film on the RNOH by Ian Wright, Director of Communications at Diageo. Press Photographers’ Year (PPY) exhibition private view and award ceremony, National Theatre, South Bank, London. July 15, 2013. Photo: Peter Bishop / 2013

As I mentioned in a previous blog post, I am thrilled to have received a Highly Commended award for a film I shot on the RNOH, produced and co-edited by Neil Patience and assisted by Nicola Taylor. I do hope that you can visit the RNOH Charity page and help their funding appeal.

Press Photographers' Year (PPY) exhibition private view and award ceremony, National Theatre, South Bank, London.  Edmond Terakopian with a Highly Commended certificate for his RNOH film, standing by his chosen image for the exhibition, Love Your Job.  July 15, 2013. Photo: © / 2013

Press Photographers’ Year (PPY) exhibition private view and award ceremony, National Theatre, South Bank, London. Edmond Terakopian with a Highly Commended certificate for his RNOH film, standing by his chosen image for the exhibition, Love Your Job. July 15, 2013. Photo: © / 2013

The evening also saw the prize giving, during which some of the top names in the business of press work received certificates and prizes donated by the sponsor of the awards, Diageo. Great to see so many talented colleagues having their work recognised in this way. It was also great to see so many colleagues and friends from companies such as Canon, Pixel Rights and Fixation that back good photography attending the private view.

Also thrilled that my image, Love Your Job, was chosen for the exhibition.

Press Photographers' Year (PPY) exhibition private view and award ceremony, National Theatre, South Bank, London.  July 15, 2013. Photo: ©Edmond Terakopian / 2013

Press Photographers’ Year (PPY) exhibition private view and award ceremony, National Theatre, South Bank, London. July 15, 2013. Photo: ©Edmond Terakopian / 2013

The award winning RNOH film can be viewed below. Shot on Canon 5D MkII cameras and Canon lenses. The black and white reportage imagery was shot on Leica M cameras and lenses. The photography was processed in Apple’s Aperture and Nik Software’s Silver Efex Pro 2 and the entire multimedia piece was edited using FCP X. 

Highly Commended: Multimedia Section

The Press Photographers’ Year 2013

The results of The Press Photographer’s Year 2013 were announced on 1st July, showcasing the very best press photography from 2011 & 2012 taken for and used by the UK news media.

The Press Photographers' Year (PPY) website, Highly Commended, Multimedia section.

The Press Photographers’ Year (PPY) website, Highly Commended, Multimedia section.

Absolutely delighted and honoured to have had my work chosen by the judges of PPY 2013 (Press Photographers’ Year). I was fortunate to receive “Highly Commended” in the Multimedia section, for a project I shot on the Royal National Orthopaedic Hospital (RNOH) which was produced and edited by the very talented Neil Patience at TAP TV.

The video was shot over several months using Canon 5D MkII cameras and lenses, and edited by Neil Patience using FCP 7. For the multimedia piece, further photographs were taken using Leica M9 cameras and lenses, and the piece was re-edited by me using FCP X. All audio was recorded using Rode microphones; the VideoMic, VideoMic Pro and NTG-3. The film had it’s premiere screening at St James’s Palace.

“Now in its seventh year, the competition’s aim is to demonstrate that even in an age of rolling television news, internet and satellite communication, the traditional still image burns the keenest, fastest impression on the public conscience and is the most effective way to show the world the world as it really is.”

I’m also delighted that one of my photographs (“Love Your Job”) was also selected for the PPY exhibition at the National Theatre in London. It will be featured in “Features” section, joining the 150 images chosen from the just over 12,500 submitted by 390 photographers, from over 20 countries. All the winning images can be viewed on this slide show and details of the winners are also on this list. A full Press Release is also available.

The Press Photographers' Year (PPY) website, "Features" section.

The Press Photographers’ Year (PPY) website, “Features” section.

Huge congratulations to all the winners; this year’s winning imagery is spectacular and the exhibition is definitely one not to miss; National Theatre, South Bank, London, from July 6th to August 31st, 2013.

Sebastião Salgado: Genesis

The Unspoilt Planet

Sebastião Salgado: Genesis from Edmond Terakopian on Vimeo.

In 2004, Sebastião began the Genesis project, aimed at presenting the unblemished face of nature and humanity. Genesis consists of a series of landscape and wildlife photographs, as well as photographs of human communities that continue to live in accordance with their ancestral traditions and cultures, shot across 32 countries, over an eight year period. This body of work was conceived as a potential path to humanity’s rediscovery of itself in nature.

World premiere of Sebastiao Salgado's Genesis Exhibition at the Natural History Museum in London, UK. April 09, 2013. Photo: Edmond Terakopian

World premiere of Sebastiao Salgado’s Genesis Exhibition at the Natural History Museum in London, UK. April 09, 2013. Photo: Edmond Terakopian

Sebastião Salgado’s photographic exhibition Genesis is unveiled for its world premiere at the Natural History Museum on Thursday 11 April (and will run until September 8th, 2013). Edited, designed and curated by Lélia Wanick Salgado, the exhibition includes 200 epic black-and-white photographs that celebrate the majesty of nature and examine the balance of human relationships with our fragile planet.

World premiere of Sebastião Salgado's Genesis Exhibition at the Natural History Museum in London, UK. April 09, 2013. Photo: Edmond Terakopian

World premiere of Sebastião Salgado’s Genesis Exhibition at the Natural History Museum in London, UK. April 09, 2013. Photo: Edmond Terakopian

Accompanying the exhibition is an equally amazing book published by Taschen. For the collector, there are bigger, limited edition volumes, with photographic prints.

Since elephants are hunted by poachers in Zambia, they are scared of humans and vehicles. Alarmed when they see an approaching car, they usually run quickly into the bush.  Kafue National Park. Zambia. July and August 2010. Photo: © Sebastião SALGADO / Amazonas images/nbpictures

Since elephants are hunted by poachers in Zambia, they are scared of humans and vehicles. Alarmed when they see an approaching car, they usually run quickly into the bush. Kafue National Park. Zambia. July and August 2010. Photo: © Sebastião SALGADO / Amazonas images/nbpictures

Speaking about the exhibition, Sebastião Salgado commented, ‘Genesis is about beginnings. It is about the unspoiled planet, the most pristine parts, and a way of life that is traditional and in harmony with nature. I wanted to present places that were untouched and remain so to this day.

World premiere of Sebastião Salgado's Genesis Exhibition, Natural History Museum, London. April 09, 2013. Photo: Edmond Terakopian

World premiere of Sebastião Salgado’s Genesis Exhibition, Natural History Museum, London. April 09, 2013. Photo: Edmond Terakopian

I want people to see our planet in another way, to feel moved and be brought closer to it. I want them to become more conscious of the environment, to feel respect for nature because this is something that is relevant to everyone.’

Iceberg between Paulet Island and the South Shetland Islands on the Antarctic Channel.  At sea level, earlier flotation levels are clearly visible where the ice has been polished by the ocean’s constant movement. High above, a shape resembling a castle tower has been carved by wind erosion and detached pieces of ice.  The Antarctic Peninsula. January and February 2005. Photo: © Sebastião SALGADO / Amazonas images/nbpictures

Iceberg between Paulet Island and the South Shetland Islands on the Antarctic Channel. At sea level, earlier flotation levels are clearly visible where the ice has been polished by the ocean’s constant movement. High above, a shape resembling a castle tower has been carved by wind erosion and detached pieces of ice. The Antarctic Peninsula. January and February 2005. Photo: © Sebastião SALGADO / Amazonas images/nbpictures

Sebastião Salgado was a driving force behind me taking up photography as a career. When I first saw his image, often referred to as “the crucifix” from the open gold mine in Brazil, I was totally stunned; my mind and eyes were opened like never before, as I discovered a new way of seeing and an epic way of using a camera to convey a story. Personally I have never looked back. They say, one should never meet one’s heroes as disappointment is guaranteed. I’m thankful to say that when I met Sebastião Salgado and his wife, curator and editor Lélia Wanick Salgado at their book signing in Taschen’s London store, it was a special moment. Genuinely lovely, passionate and talented with absolute modesty and elegance. My career has always been inspired by the work and now I’m glad to say that it continues to be inspired by the person too.

Sebastião Salgado: Genesis book signing.   Photographer Sebastião Salgado. TASCHEN Store London, 12 Duke of York Square, London. April 10, 2013. Photo: Edmond Terakopian

Sebastião Salgado: Genesis book signing. Photographer Sebastião Salgado. TASCHEN Store London, 12 Duke of York Square, London. April 10, 2013. Photo: Edmond Terakopian

As a press launch (just like a private view) is never the best time to see an exhibition; one’s always busy working. From the parts of the exhibition I did manage to see, I cannot recommend this exhibition highly enough. I foresee that I’ll be visiting it several times over the coming weeks and months. It should be on everyone’s “to do” list. It is quite literally awesome. I also cannot recommend the book highly enough either. It’s an amazing body of work, with an extremely important message. Go see it.

Addendum: I went to see the exhibition and spent several hours wondering around the various rooms, exploring various aspects of the project. It is magnificent. Amazing imagery, amazing prints and very well curated too. One gets really drawn into the images, discovering amazing details and subtleties. Equally, stepping back from some of the images, brings the graphic elements of the composition to play. I cannot recommend this exhibition highly enough. Book your ticket and time slot and visit; it is quite literally awesome.

Sebastião Salgado: Genesis book signing.   L-R: Lélia Wanick Salgado (wife, curator & editor of the book) and photographer Sebastião Salgado. TASCHEN Store London, 12 Duke of York Square, London. April 10, 2013. Photo: Edmond Terakopian

Sebastião Salgado: Genesis book signing. L-R: Lélia Wanick Salgado (wife, curator & editor of the book) and photographer Sebastião Salgado. TASCHEN Store London, 12 Duke of York Square, London. April 10, 2013. Photo: Edmond Terakopian

RNOH Funding Appeal Reportage

Multimedia Film On Amazing People

This is the most important project I did during 2012; a look at an amazing hospital in Stanmore, Middlesex called the Royal National Orthopaedic Hospital (RNOH). The original film was first commissioned by the hospital’s charity to help raise funds. After filming I spent several days at the RNOH with the aim of just shooting images. Leica M9s to hand, I was fortunate to see some wonderful moments and combined with a recent visit to the children’s ward by the hospital’s Patron, HRH Princess Eugenie in December, I decided to make a completely new edit of the film, incorporating the photographs.