Tag Archives: olympus

LPOTY 2014 Exhibition

Landscape Photographer Of The Year

The Landscape Photographer Of The Year exhibition is now open at the mezzanine level of Waterloo Station and will be on until January 31st.

The Landscape Photographer of the Year exhibition at London's Waterloo Station, Mezzanine level. Edmond Terakopian by his image from Margate which won a Commendation. December 01, 2014. Photo: Paul Robertson

The Landscape Photographer of the Year exhibition at London’s Waterloo Station, Mezzanine level. Edmond Terakopian by his image from Margate which won a Commendation. December 01, 2014. Photo: Paul Robertson

I’m thrilled to have one of my images commended by the judges and featured in the exhibition.

The sun sets over the steps leading to theTurner Contemporary gallery in Margate, Kent. April 15, 2014. Photo: ©Edmond Terakopian

The sun sets over the steps leading to theTurner Contemporary gallery in Margate, Kent. April 15, 2014. Photo: ©Edmond Terakopian

The shot was taken on an Olympus OM-D E-M1 using an Olympus M.Zuiko 25mm f1.8 lens, shot in raw to preserve maximum shadow, colour and highlight detail.

The Landscape Photographer of the Year exhibition at London's Waterloo Station, Mezzanine level. December 01, 2014. Photo: Edmond Terakopian

The Landscape Photographer of the Year exhibition at London’s Waterloo Station, Mezzanine level. December 01, 2014. Photo: Edmond Terakopian

The Landscape Photographer of the Year exhibition at London's Waterloo Station, Mezzanine level. December 01, 2014. Photo: Edmond Terakopian

The Landscape Photographer of the Year exhibition at London’s Waterloo Station, Mezzanine level. December 01, 2014. Photo: Edmond Terakopian

The Landscape Photographer of the Year exhibition at London's Waterloo Station, Mezzanine level. December 01, 2014. Photo: Edmond Terakopian

The Landscape Photographer of the Year exhibition at London’s Waterloo Station, Mezzanine level. December 01, 2014. Photo: Edmond Terakopian

 

IPA Honourable Mentions

Four Honourable Mentions In the International Photography Awards

Images taken from the IPA website.

Images taken from the IPA website.

Thrilled to share some good news! Three of my images and one video have all received Honourable Mentions in the IPAs ahead of the final announcement on November 2nd.

Here are the images and video honoured by the IPA:

Sunset run,  This image was shot on an Olympus OM-D E-M1 camera and Olympus M.Zuiko 25mm f1.8 lens. Margate Sands, Kent. April 15, 2014. Photo: ©Edmond Terakopian

Sunset run, This image was shot on an Olympus OM-D E-M1 camera and Olympus M.Zuiko 25mm f1.8 lens. Margate Sands, Kent. April 15, 2014. Photo: ©Edmond Terakopian

A magical London sunset. This image was shot on a Leica M9 and Leica 28mm Summicron lens. May 21, 2014. Photo: ©Edmond Terakopian

A magical London sunset. This image was shot on a Leica M9 and Leica 28mm Summicron lens. May 21, 2014. Photo: ©Edmond Terakopian

Sunset over west London. This image was shot on a Fujifilm X100s. April 29, 2014. Photo: ©Edmond Terakopian

Sunset over west London. This image was shot on a Fujifilm X100s. April 29, 2014. Photo: ©Edmond Terakopian

 

1 Sixpence 1 Play

Rode Reel Entry For 2014

Two days of shooting, many days of editing; a collaboration with the assistance of Magda Rakita, who also shot the “Behind The Scenes” film and the talented Neil Patience, from TAP TV, who gave direction on the editing, and our new short documentary film is done.

It’s a story on James Millham who is a pinball enthusiast. A collector and renovator of machines from a pre-Space Invaders era, James says the best thing about his hobby is playing the games.

We shot this film for the Rode Reel 2014 competition. Part of the competition is the People’s Choice prize. If you liked our films, we’d really appreciate your support. Kindly take a few seconds and vote for us; we’d be tremendously grateful!

CLICK HERE TO VOTE FOR “1 Sixpence 1 Play”;

Thank You!!

Preparing a pair of Olympus OM-D E-M1s for the first shot of the day. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Preparing a pair of Olympus OM-D E-M1s for the first shot of the day. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

"Action". 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

“Action”. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

A Rode VideoMic Go on an Olympus OM-D E-M1. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

A Rode VideoMic Go on an Olympus OM-D E-M1. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Testing the Rode NTG3 is connected properly to my Roland R26. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Testing the Rode NTG3 is connected properly to my Roland R26. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Magda Rakita filming the behind the scenes action. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Magda Rakita filming the behind the scenes action. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Gitzo carbon fibre tripod and fluid video head keeping things nice and steady. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Gitzo carbon fibre tripod and fluid video head keeping things nice and steady. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Editing the piece on FCP X and a pair of calibrated Eizo CG277 monitors. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Editing the piece on FCP X and a pair of calibrated Eizo CG277 monitors. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Editing the piece on FCP X and a pair of calibrated Eizo CG277 monitors. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Editing the piece on FCP X and a pair of calibrated Eizo CG277 monitors. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Six Honourable Mentions In The IPA

International Photography Awards

2013-OneShot-OW_HM

Astonished and pleased to share that in the 2013 IPA (International Photography Awards) I received six honourable mentions in the One Shot, One World competition.

Here are the six images honoured in the IPA One Shot, One World comeptition:

Street life. Stairs and the businessman. Essex Street, London WC2. February 14, 2013. Photo: Edmond Terakopian

Street life. Stairs and the businessman. Essex Street, London WC2. February 14, 2013. Photo: Edmond Terakopian

A rider gallops through the lake on her horse. Castle Leslie, Glaslough, Ireland. September 10, 2013. Photo: ©Edmond Terakopian

A rider gallops through the lake on her horse. Castle Leslie, Glaslough, Ireland. September 10, 2013. Photo: ©Edmond Terakopian

Atmosphere at Gordon's wine bar (London's oldest wine bar, established in 1890), 47 Villiers Street, London WC2N.   October 01, 2013. Photo: ©Edmond Terakopian

Atmosphere at Gordon’s wine bar (London’s oldest wine bar, established in 1890), 47 Villiers Street, London WC2N. October 01, 2013. Photo: ©Edmond Terakopian

A street performer dressed as a telephone box entertains a young passer by. June 27, 2013. Photo: ©Edmond Terakopian

A street performer dressed as a telephone box entertains a young passer by. June 27, 2013. Photo: ©Edmond Terakopian

The Summer Saunter. A group of bold and independent men led by stylist Timothy Lord and The Chap Magazine’s Albion step out in style in the name of sartorial freedom, from the steps of St. Paul’s Cathedral to Mayfair’s Berkeley Square in a demonstration of solidarity with all men who dare to dress differently. London, UK. Toby Pennington at an exhibition by Agnieszka Brzeżańska, Marlborough Contemporary gallery, Albemarle Street, London, where the gentlemen stopped for a Champagne break. July 21, 2013. Photo: Edmond Terakopian  July 21, 2013. Photo: Edmond Terakopian

The Summer Saunter. A group of bold and independent men led by stylist Timothy Lord and The Chap Magazine’s Albion step out in style in the name of sartorial freedom, from the steps of St. Paul’s Cathedral to Mayfair’s Berkeley Square in a demonstration of solidarity with all men who dare to dress differently. London, UK. Toby Pennington at an exhibition by Agnieszka Brzeżańska, Marlborough Contemporary gallery, Albemarle Street, London, where the gentlemen stopped for a Champagne break. July 21, 2013. Photo: Edmond Terakopian July 21, 2013. Photo: Edmond Terakopian

Inside, looking out. Life along London's South Bank. A waiter at the BFI Riverfront Restaurant rings up a bill on the outside till.  September 24, 2013. Photo: ©Edmond Terakopian

Inside, looking out. Life along London’s South Bank. A waiter at the BFI Riverfront Restaurant rings up a bill on the outside till. September 24, 2013. Photo: ©Edmond Terakopian

FOR IMMEDIATE RELEASE:
International Photography Awards Announces Winners of the Competition
International Photography Awards (IPA) has announced the winners of One Shot: One World competition.
Edmond Terakopian was Awarded six Honorable Mentions in One Shot: One World Competition – One World – People category.
ABOUT Winner:
Multi award-winning photographer and film maker based in London.
ABOUT IPA:
International Photography Awards competitions, receive nearly 18,000 submissions from 104 countries across the globe. IPA is a sister-effort of the Lucie Foundation. The Foundation’s mission is to honor master photographers, to discover new and emerging talent and to promote the appreciation of photography. Since 2003, IPA has had the privilege and opportunity to acknowledge and recognize contemporary photographer’s accomplishments in this specialized and highly visible competition.
http://www.photoawards.com
IPA Contact
Linda Dzhema
Director, International Photography Awards
linda@iawardsinc.com
 

Photographer’s Note:

The images were shot on Leica M9, Leica M (Type 240) and Olympus OM-D E-M1 cameras. All processing was done on Apple Aperture and the Nik Software Silver Efex Pro plugin.

 

Exposure 2014

A Competition Celebrating The Power Of The Image

I’ve just entered Exposure 2014, and it invites the public to vote. It’s a simple one click vote (top right) when on the page, so if you like the images, can you kindly spare a second and vote? Many, many thanks for the support 🙂

Please visit HERE for Exposure 2014. Thanks!

exposure 2014

 

For those interested in technical information, images were taken on a Leica M6 (but could have been M4-2), a Leica M9, Canon 1D MkII and Olympus OM-D E-M1 cameras.

LA Diary

A Multimedia Piece On LA; Its People, Its Places

Bob's Big Boy in Burbank is a burger restaurant where every Friday night, classic car enthusiasts gather to show off their classic restored cars and hotrods. Los Angeles, California, USA. January 17, 2014. Photo: Edmond Terakopian

Bob’s Big Boy in Burbank is a burger restaurant where every Friday night, classic car enthusiasts gather to show off their classic restored cars and hotrods. Los Angeles, California, USA. January 17, 2014. Photo: Edmond Terakopian

On a recent trip to Hollywood to attend the Taste Awards ceremony at the Egyptian Theatre on Hollywood Boulevard as a finalist for my film on the Electric Coffee Company, I decided to shoot a project on Los Angeles.

My initial thought was to shoot a photo series of daily life, a photo series on TV Host Andrea Feczko and separately, a video interview with the legendary AP photographer, Nick Ut. As my time in LA continued, I shot a wider set of imagery and short video interview with LA street artist Plastic Jesus.

(L-R) AP photographer Nick Ut, author of the Pulitzer Award winning "Napalm Girl" photograph (shown) from the Vietnam War and Edmond Terakopian. Image shows some of Nick Ut's cameras used during the Vietnam War and more modern cameras; on the right is Edmond Terakopian's Olympus OM-D E-M1. Thompson Beverly Hills, LA, California, USA. January 18, 2014. Photo: Edmond Terakopian (self timer image)

(L-R) AP photographer Nick Ut, author of the Pulitzer Award winning “Napalm Girl” photograph (shown) from the Vietnam War and Edmond Terakopian. Image shows some of Nick Ut’s cameras used during the Vietnam War and more modern cameras; on the right is Edmond Terakopian’s Olympus OM-D E-M1. Thompson Beverly Hills, LA, California, USA. January 18, 2014. Photo: Edmond Terakopian (self timer image)

For the project, I took an Olympus OM-D E-M1 and Olympus M.Zuiko lenses; the 12-40mm f2.8PRO, 25mm f1.8 (see my review of this superb lens) and 45mm f1.8. I also took along a Roland R26 audio recorder and the Rode Lavalier and VideoMic Pro microphones. Lastly, possibly the most used accessory, a Lastolite reflector which didn’t stop getting used for the beach and pool shots with Andrea. I don’t think in my lifetime I’ve used a reflector as much as I did over those two days!

When looking at the material as a whole, it became apparent that it all would make an immersive multimedia piece, mixing photography (and time lapse photography) with video, some audio and the right music. After I’d done my photo editing and processing in Aperture, I fired up FCP X and started to look at the material as one unified project. 64 hours of editing later, I had my “LA Diary”.

The Olympus OM-D E-M1, Olympus M.Zuiko 12-40mm f2.8 PRO lens and Rode VideoMic Pro on a Manfrotto tripod. On the left is a Roland R26 audio recorder. January 18, 2014. Photo: ©Edmond Terakopian

The Olympus OM-D E-M1, Olympus M.Zuiko 12-40mm f2.8 PRO lens and Rode VideoMic Pro on a Manfrotto tripod. On the left is a Roland R26 audio recorder. January 18, 2014. Photo: ©Edmond Terakopian

The interviews with Nick Ut and Plastic Jesus are short tasters as I will be editing more in-depth versions of these in due course. For the LA Diary, it worked better to have shorter, sharper video segments to fit in with the flow of the entire piece. The flow was helped along tremendously wight he correct music and I spent a while listening to various pieces. I’ve mixed, edited and cut quite a few of the tracks, bringing in audio on it’s own or with video and getting the delicate balance just right was tremendously helped along by using the astonishing Event Opal audio monitors.

During the project I had a lot of help from various people, so a huge thanks goes out to: Nick Ut, Associated Press, Andrea Feczko, Rachel Rudwall, Plastic Jesus, Armen Khanlian, Yvette K. Mankerian, Nick Stern, Joseph Hovanessian, Thompson Beverly Hills hotel, Kellee Griffith, Michelle Nouraei, Roxana Alas, Rachel Rudwall and Mark Thackara. The project could not have been done without your help; you have my thanks 🙂