Category Archives: News

Winning Image In The 12th International Color Awards

Merit of Excellence

Light and shadows make patterns and shapes in the Tate Modern Turbine Hall, Bankside. London, UK. April 26, 2018. Photo: Edmond Terakopian

Very happy to share that one of my images has won second place, a “Merit Of Excellence”, in the Professional Category of the Silhouette section, in the 12th International Color Awards. The image was kindly chosen by judges from 7241 entries, from 79 countries.

Many congratulations on all the other winners and nominees and my thanks to the judges for their hard work.

It was shot on my Panasonic Lumix G9 with a Leica DG 50-200mm f2.8-4.0 lens (giving an equivalent of 100-400mm). The raw image was processed using Lightroom and finished in Alienskin Exposure X4 on my Mac Pro, using calibrated Eizo CG monitors for colour accuracy.

British Life Photography Awards Exhibition

BLPA Exhibition Opening, Mall Galleries, London

Photographer Edmond Terakopian by his winning image in the Life At Work category. British Life Photography Awards Exhibition Private View and Awards Evening. Mall Galleries, The Mall, London, UK. February 19, 2019. Photo: Linda Wisdom

Absolutely thrilled to have attended the private view of the exhibition and the prize giving last night of the British Life Photography Awards. I was overjoyed to find one of my images had won the Life At Work category and I also had three other images commended by the judges.

British Life Photography Awards Exhibition Private View and Awards Evening. Mall Galleries, The Mall, London, UK. February 19, 2019. Photo: Edmond Terakopian

The winning image and commended images can be seen on my previous blog post, along with details on the Panasonic Lumix, Leica M and Olympus OM-D cameras used.

British Life Photography Awards Exhibition Private View and Awards Evening. Mall Galleries, The Mall, London, UK. February 19, 2019. Photo: Edmond Terakopian

The exhibition is on tour at these venues (check opening times locally):

  • Mall Galleries, London 18th to 23rd February 2019 
  • Banbury Museum, Banbury 16th March to 12th May 2019 
  • The Garden Rooms at Tennants, Leyburn, North Yorkshire 20th July to 3rd September 2019 
  • Redbrick building, Glastonbury, Somerset, 14th September to 13th October 2019

Many thanks to the organisers, judges and sponsors of this wonderful competition along with my congratulations to all the selected photographers. Lovely to meet so many of you at the awards’ evening.

British Life Photography Awards Exhibition Private View and Awards Evening. Mall Galleries, The Mall, London, UK. February 19, 2019. Photo: Edmond Terakopian

Panasonic Lumix S1; Hands On Preview


Three and a half weeks with the full frame mirrorless Lumix S1 Camera

Red rose of love. Daily life, Barcelona, Spain. January 27, 2019. Photo: Edmond Terakopian *NB Test shot with a prototype Lumix S1* **Image taken with a Lumix S1 preproduction sample (Image quality not final) Processed from in camera jpeg**

Story telling. That’s what my reason is for picking up a camera. As a photojournalist, a street photographer, a portrait photographer, a commercial photographer, my need for a camera is to capture the essence, subtlety and feel of my subject, tell their story at that moment.

Portrait of violinist Asia JimŽnez Ant—n de Vez. London, UK. January 18, 2019. Photo: Edmond Terakopian *Test shot with a prototype of a Panasonic Lumix S1. Copyright Photo* **Image taken with a Lumix S1 preproduction sample (Image quality not final)**

The Lumix S1 has been with me for over three weeks and I found myself not shooting with anything else. The birth of a new system for Panasonic Lumix, and the start of a fresh new camera system. Yet the camera feels completely accomplished. My prototype camera, with pre-production early firmware, behaved impeccably, never letting me down. It didn’t matter the subject matter, the level of light , the speed, the cold; it just worked. 

Edmond Terakopian at the Lumix S1 Launch Event, shooting in a chocolate factory using a Lumix S1R with S Series 50mm f1.4 lens. Barcelona, Spain. January 29, 2019. Photo: Yoshie Nishikawa **Image taken with a Lumix S1 preproduction sample (Image quality not final) Processed from in camera jpeg**

To sum up, in a nutshell, the S1 is extremely impressive. The quality is just stunning, in every aspect; image quality, camera handling, system design and build quality.

Lumix S1 Launch Event. Barcelona, Spain. January 30, 2019. Photo: Edmond Terakopian. *Shot on a prototype, pre-production firmware Lumix S1R* **Image taken with a Lumix S1 preproduction sample (Image quality not final) Processed from in camera jpeg**

The ergonomics are spot on. The camera just fits and within minutes I was already taking pictures. The button layout, joystick positioning, the placing of the AF button on the back (something crucial for my way of working) is spot on. One superb new feature for this Lumix is the lock button at the back, which can lock the rear buttons. Anyone who runs around with their cameras knows how easy it is to inadvertently find they have set the camera to monochrome HDR mode with bracketing on long exposure! The menu system is also a joy to use; its very well thought out, laid out and the design behind it means there is very little need for referring to the manual. 

Panasonic Lumix S1 full frame mirrorless camera with Lumix S Series 24-105mm standard zoom lens (L-Mount). (NB- Lumix S1 camera is a prototype). London, UK. January 09, 2019. Photo: ©Edmond Terakopian

The build quality and finishing on the camera and lens are sublime. This is definitely a premium, high end camera. One made for serious, daily use, in all sorts of environments. Most professional photographers refer to their cameras as tools; they are the beginning of the journey as it’s only the photograph that matters. These tools are expected to work in all sorts of conditions and never fail; ever. I have a feeling the philosophy behind the design and build of the S Series is going to fit that bill fully. The camera and lenses just inspire confidence in every respect.

I was initially a bit worried at having one camera battery during my testing; I made sure to always pack two USB battery power banks (one wonderful aspect of the top end Lumix cameras is USB charging, which is not only a great convenience when home, but is an indispensible feature for when in the field). It turns out, even with the camera set to sleep after 10 minutes and leaving the camera on constantly, I was managing to still have around 50% battery after close to 1000 photos. All this, in relatively cold conditions.

For most of my initial test period of three weeks, I only had the Lumix S Series 24-105mm f4.0 lens. I’m definitely a fan of faster aperture prime lenses, as I tend to shoot in very low and difficult light. With the lens and body stabilization, married to astonishing high ISO performance meant that I was never really left wanting a faster lens. I didn’t miss any shots. Having said that, I had heard many great things about the S Series 50mm f1.4, so couldn’t wait to make some photographs using that.

Daily life, Barcelona, Spain. January 28, 2019. Photo: Edmond Terakopian *NB Test shot with a prototype Lumix S1* **Image taken with a Lumix S1 preproduction sample (Image quality not final) Processed from in camera jpeg**

One thing that can’t be denied is that the S 50mm definitely has presence. It’s a big and heavy lens. Initially, I was disappointed with the size and weight. I had wished for a smaller lens. Within 15 minutes of having it on the S1, I had shot a couple of test shots under some arches of a member of the Japanese team from Panasonic; the quality was stunning. The sharpness, tonal rendition, shadow and highlight detail, soft falloff of the background. This lens completely impressed. It has character and perfection at the same time. After seeing the results, the size no longer became an issue and the lens almost never came off my camera during three days of shooting with it at Panasonic’s launch event for the S Series in Barcelona, Spain. As a nice icing on the cake, the 50mm is also certified by Leica.

Lumix S1 Launch Event, Barcelona, Spain. January 29, 2019. Photo: Edmond Terakopian *NB Test shot with a prototype Lumix S1* **Image taken with a Lumix S1 preproduction sample (Image quality not final) Processed from in camera jpeg**

The S 24-105mm also definitely impressed me. I have to admit to being a bit of a lens snob; I’m used to shooting with Leica, Leica DG, Zeiss and in earlier years, Angeniuex lenses. I was absolutely bowled over. Not only is this lens sharp, it’s perfectly contrasty and has a phenomenal tonal range. It dealt with shooting in low light or having bright lights without issue. Build quality and feel of the controls match the craftsmanship of the camera.

One thing that has surprised me completely is the level of subtlety I’ve been able to photograph with the S1 and the new S Series lenses. Darker scenes with very subtle gradation and tonal differentiation have been rendered perfectly. The shadow detail and highlight detail have been amazing, even when the same image has had both extremes. It’s also worth pointing out the auto white balance (AWB) worked extremely well, in all but the very mixed and extreme extreme artificial light. I’ve managed to get this level of subtle micro detail and tonal differentiation using a raw converter which is new to me; whilst Silkypix worked and it was a joy to be able to shoot and process raw files on a preproduction prototype camera, I can’t wait for when my preferred imaging software, Adobe’s Lightroom, supports the raw file from the S1. Using software I know intimately is sure to bring a bigger smile to my face when I’m processing images shot on the S1 and extracting even more detail, character and subtlety.

Lumix S1 Launch Event. Barcelona, Spain. January 30, 2019. Photo: Edmond Terakopian. *Shot on a prototype, pre-production firmware Lumix S1R* **Image taken with a Lumix S1 preproduction sample (Image quality not final) Processed from in camera jpeg**

Alongside my eagerness, with almost childlike enthusiasm, to shoot with the S Series 50mm f1.4, I’m was also super impatient to shoot with the larger megapixel cousin, the S1R. In every aspect, the cameras look and behave identically. It’s the sensor and some settings which differ (mainly the highest ISOs and certain video functionality). I only had the S1R for a few hours during the launch event, so my impressions are based on a brief encounter, which left me breathless at the results this camera produces. The size and detail of the images are simply mind blowing, producing a 47.3mp image, which in high resolution mode produces a mid blowing 187mp image. This is truly top end medium format territory, in a smaller and much more dynamic package.

Unique in the full frame market, is the union of Panasonic Lumix and Leica, two camera manufacturers, collaborating around the L Mount, along with Sigma (which I would assume will bring some of their superb ART lenses in the L Mount). This is great news for the Lumix S Series as well as the existing Leica SL community. Panasonic Lumix’s three lenses (24-105mm f4.0, 50mm f1.4 and 70-200mm f4.0) joining an already available portfolio of Leica SL lenses. By 2020, Panasonic Lumix is due to release a further seven lenses. 

Lumix S1 Launch Event. Barcelona, Spain. January 31, 2019. Photo: Edmond Terakopian *NB-Image taken with a Lumix S1 preproduction sample (Image quality not final). Images processed from in camera fine setting jpeg*

It’s a truly remarkable to be so enthused about a new camera system after 30 years of professional photography. My excitement for this system reminds me of when I picked up my first SLR, 34 years ago. Roll on March 2019, when these will be available in the shops!

Alongside the S Series, Lumix Pro service has also been rolled out to support professional photographers: https://lumixpro.panasonic.com/

To see an album of test images, please visit my Flickr album Panasonic Lumix S1 and S1R

I also have an album of product shots and comparisons: Lumix S1 Camera Comparison Shots

Once final production cameras are available, I will be writing a full review. In the meantime, do keep an eye on my Instagram where I will be sharing more images.

British Life Photography Awards 2018

Winning Image, “Life At Work”

Thrilled to start the new year with some wonderful news! I’m extremely happy to share that the photograph “Love Your Job” has won the Life At Work category of the British Life Photography Awards 2018.

A heavy downpour of rain soaks pedestrians as they pass an illuminated advertising sign saying “Love Your Job”. Hammersmith, London. Photo: ©Edmond Terakopian
  • Leica M9
  • Leica 35mm Summicron ASPH

The good news continues as the judges have very kindly commended three of my other photographs.

A child runs around whilst bathed in rays of sunlight in the turbine hall. Tate Modern, during a heat wave bank holiday. Bankside, London, UK. Photo: ©Edmond Terakopian
  • Panasonic Lumix G9
  • Leica DG 50-200mm f2.8-4.0
A portrait of model Jordan Ebbitt. London. Photo: ©Edmond Terakopian
  • Olympus OM-D E-M1
  • M.Zuiko 12-40mm f2.8PRO
Behind the scenes as Sotheby’s prepares the Gunter Sachs Collection for sale (2012). Sotheby’s will be offering close to 300 works of art from the prestigious single owner collection. Allen Jones’ mannequin furniture (1969) from Gunter Sach’s bedroom in St Moritz. Each individual piece is estimated at £30-40,000. Hatstand and Table are unwrapped by the technicians. Sotheby’s, New Bond Street, London. Photo: ©Edmond Terakopian
  • Leica M9
  • Leica 35mm Summilux (FLE)

Exhibition

Many congratulations to all the winners; there are some truly beautiful photographs selected by the judges. The winning and commended images will be exhibited in a travelling exhibition, which I hope many of you will be able to see. A book of the selected images from 2018 will also be published (but is not yet listed, so keep an eye out on the website).

  • Mall Galleries, London 18th to 23rd February 2019 
  • Banbury Museum, Banbury 16th March to 12th May 2019 
  • The Garden Rooms at Tennants, Leyburn, North Yorkshire 20th July to 3rd September 2019 
  • Redbrick building, Glastonbury, Somerset, 14th September to 13th October 2019

The post processing of the images were done on my Apple Mac Pro using Eizo CG monitors, using Adobe Lightroom (and finished in either Alienskin Exposure or Nik Collection Silver Efex Pro plugins).

The British Photography Awards Shortlist 2019

I’m thrilled to share that two of my images from 2018 have been shortlisted in the British Photography Awards 2019. The images are finalists in the Street Photography and Portrait categories.

Street Photography-20180506-504-Edit-2

Twice The Fun. A child runs around whilst bathed in rays of sunlight in the turbine hall. Tate Modern, during a heat wave bank holiday. Bankside, London, UK. May 06, 2018. Photo: Edmond Terakopian

Alford_Gardner-Windrush-20180525-056-Edit-2

Windrush Passenger. Alford Gardner, one of the few surviving Windrush passengers, from the 1948 SS Empire Windrush, which left Jamaica bound for Britain. Portrait photographed by the River Thames, South Bank, London, UK. May 25, 2018. Photo: Edmond Terakopian

I’d like to thank the judges for putting together the shortlisted images and also congratulate the other shortlisted photographers for some truly spectacular images.

Technical Info

For those interested in the equipment used, both images were shot using a Panasonic Lumix G9. The running child was shot using a Leica DG 50-200mm f2.8-4.0 lens and the portrait was shot using a Leica DG 25mm Summilux. Both images were shot in raw and processed in Adobe Lightroom, with the final black and white treatment being completed using Alienskin Exposure X3.

Bird’s Eye View Commended By Judges

Landscape Photographer Of The Year Competition 2018

Layout 1

Very happy to share that one of my images has been commended by the judges in this year’s Landscape Photographer Of The Year Competition.

Bird's Eye View

Bird’s Eye View; a bird flies into the frame created by the Peace Dove Sculpture in Hermitage Wharf Riverside Memorial Garden, as the The Shard shows through. Wapping, London, UK. May 16, 2018. Photo: ©Edmond Terakopian

The photograph was commended in the Urban View section and is the second time the competition has kindly awarded my work. The image will be printed in the forthcoming book and will be part of the digital display at the exhibition. Many congratulations to the winning photographers and judges.

The photograph was shot using a Panasonic Lumix G9 with a Leica DG 12-60mm f2.8-4.0 lens. The raw photograph was then processed in Adobe Lightroom CC Classic and the monochrome treatment finalised in Alienskin Exposure X3.

London Waterloo Exhibition details:

Dates: 19th November 2018 – 3rd February 2019
Venue: The Balcony at London Waterloo station.
Times: Opening times as for the station. Admission free.

Book details:

Collection 12: 224 pages
Publisher: AA Publishing (16th October 2018)
Language: English
ISBN-13: 978-0749579272

Oblique Strategies Photographic Exhibition

London Independent Photography; Ealing Satellite Group Exhibition

Opens On September 7th, 2018.

19 photographers from Ealing London Independent Photography, have created a collection of work in response to a set of Oblique Strategies originally written by Brian Eno. The images address the challenges of creativity and how they can be overcome by ingenuity and lateral thinking.

Exhibition: 7th – 15th September 2018
Open weekdays 12pm – 7pm (Fridays until 8pm), weekends 11am – 6pm

St Mary’s Church, St Mary’s Road, Ealing W5 5RH.

Huge thanks to the support of Panasonic Lumix and Pixelrights for sponsoring this project.

The project can be seen on our Pixelrights gallery website, Ealing Photo Gallery, where there is an opportunity to also purchase prints.

Also, massive thanks to Hauke from Fire & Flame for all the fabulous design work, not only creating all the fantastic leaflets, invitations and so on, but for also creating the elegant layouts and typography for the actual exhibition pieces.

The exhibition is part of Ealing BEAT (art trail).

FF0145_LIP_BEAT_Social_2000x2000px_2018_v1