Tag Archives: speed

Loupedeck CT Review

Five Months Of Working With The Loupedeck CT

Workspace. Ergonomics. Repetitive Strain Injury. Workflow. Efficiency. Speed. Control.

Jargon that gets introduced into any conversation about working on a computer, ranging from moans about things taking too long to physically painful woes. As creatives though, we’re using computers in much more in-depth and involved ways. Photography, video, audio and so on, bring with them much more complex creation software, which moves us away from typing, some mouse usage or simple cut and paste shortcuts, into a myriad of easily confused and forgettable keyboard shortcuts, some involving a fair amount of finger dexterity. Add to this the operating of a cursor applying a brush or a cut on a timeline, and it’s very easy to start doing advanced level yoga with our fingers on a keyboard and mouse or probably even worse, trackpad.

Loupedeck CT at my Apple Mac workstation. London, UK. April 01, 2021. Photo: Edmond Terakopian

Spending hours editing and processing a big assignment, or sometimes weeks editing long term projects, made me realise I had to find a better way of working. Around seven years ago, I bought a Contour Design ShuttlePRO V.2 and programmed it for use in Lightroom. This lived on the left side of my keyboard whilst a Wacom tablet lived on the right hand side. The concept was simple; program often used commands and key strokes into the unit, operate it with my left hand, whilst the right hand operated the Wacom pen. Much more efficient and also ergonomic.

The Shuttle Pro though wasn’t perfect. The keys stopped responding properly after a couple of years and I wanted something more designed for creative use, rather than as an office tool which could be re-purposed. Also, the software left much to be desired. At The Photography Show at the NEC around three years ago, I was walking past the Loupedeck stand and caught a demonstration of the Loupedeck+. At the same time, a colleague walked past, saw me watching the demo and told me he’d been using one for a while and loved it. I was sold. Passed over my credit card and walked away with it under my arm.

With both of these systems, I had to add printed labels onto the keys I had programmed. Otherwise it becomes too much of a head scratcher trying to remember (although given enough time, it does become muscle memory, but for the initial weeks and months, labels are definitely needed). I’d seen various, often gaming targeted, keyboard type devices with small OLED panels which could display labels, but non were suitable for my needs. Then came along another product from a company I had already trust in; the Loupedeck CT. 

The company calls this unit a “precision editing console for creative professionals”, with “endless customisation”. Well, they’re not wrong! Whilst the Loupedeck+, which I’m still very fond of and do recommend, was primarily aimed at LightRoom users, the CT opens up many more applications, with the bonus of having customisable workspaces and pages of programmable keys with icons that show what they each do. No more printed or scribbled labels needed! Plus, having the added ability of having multiple pages, each touch key can take on multiple uses, so an ever changing set of labels on the touch screen, is a tremendous help indeed.  

Before I get into my thoughts and experiences, I decided to make this a long term review, for two reasons. Firstly, the CT is as complex or as simple a product as you wish it to be. The Loupedeck CT software already comes with customisation for a variety of different photography, video, illustration applications as well as the OS itself. So, it’s good to go, straight out the box. Or, you can spend time with it and create your own customisation; from modifying the existing setup with the odd key here or there, to fully making up your own workspaces, buttons and so on, which if you want to do it properly, will take a little bit of time to design efficiently, so it suits you perfectly. The actual software is very user friendly and easy to customise. The second reason for making this a long term review, was a colleague told me he had read a report of build quality issues with the knobs on the Loupedeck CT. This did surprise me as the unit felt very well built and constructed as a premium piece of professional grade hardware. As a result of these points, especially the latter, I decided to use it for a while, in a full on professional environment, before writing up my review. The Loupdeck CT has sat on the left of my keyboard for months, whilst to the right of which is a small, Wacom Intuos Pro tablet (highly recommended). As a side note, these two peripherals work perfectly together and fulfil the same ethos of taking away physical strain and fatigue, whilst adding more precision at the same time. Add a quality twin monitor setup (my choice is Eizo CG monitors with built in calibration) and you’ll have a sweet setup that helps you fly through editing and gives you precision when processing.

Even in Finder, the OS controls make it a very useful tool to have. I have LightRoom and Photoshop programmed on two launch keys. One tap and the software I need starts up. Even something like the Calculator becomes easier to use; tap the Calculator button and the CT itself turns into a calculator keypad. You even get a snazzy analogue clock in the centre of the main control dial. The Launchpad, Siri, a new Finder window or System Preferences are all one button touch away.

Getting back to the customisation aspect, the best piece of advice I can give is to live with the CT as is for a while. Use it extensively and get a feel for how the unit works. Soon, you will organically start to realise what’s missing for your own particular needs. We all have our way of working with the software we use. Our own individual quirks or specific workflow needs. Its this extra time spent, that’s time well spent, as it will not only get you used to the various touchscreen and hardware controls, but will help you mentally map what you would like to customise and add, for your unique workflow needs.

Loupedeck CT at my Apple Mac workstation. London, UK. April 01, 2021. Photo: Edmond Terakopian

If you do a lot of work on location or a lot of travelling, one huge bonus the CT has over the Loupedeck+ is that its size makes it travel friendly. You can even get a travel case for it. A strange addition, until I thought it through, is that it has 8Gb of onboard memory, which just shows up as a removable drive, when the CT is plugged in to your computer. This is perfect for keeping any custom settings backed onto, the driver software, along with any other custom presets you may have for other software, meaning that you could just plug the CT into any machine and have it set up for your custom needs, within minutes. Fully self contained, on location tool.

So, almost five months on, I have sat down to type out my thoughts. To address the second point first, the one of build quality, I haven’t had a single issue with neither the hardware, nor the software. Every dial, button and touchscreen interface has worked flawlessly since I first plugged it in, around the middle of November 2020. In this time frame, I’ve gone through at least 10,000 pictures (assignments, personal shoots, competition edits, putting together talks and presentations, as well as putting together images for my new forthcoming website. Just as my Loupedeck+ never gave me a single issue, the Loupedeck CT has just worked and blended invisibly into the background, letting me work efficiently and without fuss. For me, this is always the mark of a good piece of equipment or software; something that empowers you to work well, without making itself apparent and just fading into the background. I’ve even gone through a major OS change, going from Mac OS Catalina to Mac OS Big Sur on my 2013 Mac Pro, without issue. Incidentally, Windows is also supported, although I’ve not tested the unit on a Windows machine. 

There are two main things the Loupedeck CT allows you to do; work with efficiency and work with much better control over the tools you use within your chosen applications.

The added control comes with having tactile knobs (which have gentle clicks as they are turned) to turn when changing controls such as exposure, contrast, colour temperature and so on. You have so much more fine control on making either small tweaks, or turning the knob at speed and making large changes to the onscreen slider. It allows you to do all of this whilst keeping your cursor where it belongs, on the image itself and not constantly moving in a frenzy between processing controls, brushing and so on. The second huge boost for control is having the main control dial allowing you to change brush size and feathering size, again without needing to move the curser off your photograph and onto the processing modules to the right. This lets you brush on precise masks when working, giving you much more control and also allowing you to do this efficiently and not constantly taking the cursor or your concentration off the area you’re working on. It helps you keep a flow, which is not only much more efficient, but much less irksome and creatively rewarding, during long editing sessions. Creativity should flow, unhindered. 

Customisation

After much procrastination, I realised the company’s own settings for LightRoom Classic, generally suited me just fine. I used the pages in the control set as they were, but with use, started to change out some of the buttons for ones which suited me. On a page like the Presets, I removed all the existing presets and instead added all of my custom raw presets, which were already saved in LightRoom. The Loupedeck software interface is a joy to use and very simple. Just drag and drop. That’s it. The Loupedeck CT is updated live as you make changes, so as soon as you switch to your software, you’ll see the remapping and relabelling has already been done; you’re good to go. Very elegant and very simple. The possibilities are also pretty endless, so if you have extremely specialised needs, you can customise to your heart’s content. 

The Loupedeck software and the first page for Lightroom’s Library, with a few of the buttons swapped out for my needs.
A page with my custom raw presets.

In Use

In use, the hardware gives you the physical buttons, dials and touchscreen buttons, as mentioned. You also have two segments on the screen which label the six smaller dials, so one instantly knows what they are mapped to do. Swiping this same screen, takes us to the next page, which different dial operations and touchscreen buttons.

The CT also has an amazing main dial, in the lower portion of the unit, positioned centrally. This offers super precise control to change values or movement. The genius part though, is that it also has a circular display in its centre, which displays a plethora of functions, depending on what software, module or page one is on. Did I mention this is a touchscreen too?!

As for the touchscreen’s virtual buttons, to keep with the tactile nature of the unit, each press has a haptic feedback alongside a generated sound, so in use, one is assured of having pressed the button.

This is an extremely useful design. If for example when in the Develop module, one press on the touchscreen button ‘Basic Panel Wheel’, brings up on the circular touchscreen, all the processing sliders, in the same order as they appear in LightRoom. You can swipe up or down, from one to the next and if you decide to make a change, you just turn the main dial clockwise or counterclockwise. Then swipe to the next and so on. Elegant, fast, simple and precise, without taking your concentration away from the photograph, rather than having to constantly look to the onscreen slider and move your cursor there to change a value and have your eyes darting back and forth as you change a value and then look to see the change on your picture.

So, as well as cutting down on physical fatigue of hand and digit, it also helps hugely reduce eye strain, as one doesn’t have to constantly keep looking at various panels, sliders and the image itself. Whilst a quick edit now and again won’t result in much fatigue, add a large shoot with several hundred pictures and this fatigue quickly adds up. Now multiply that by a couple of times a week and in no time, you can have either have fatigue and eye strain, or you can choose to just have precisely edited and processed work, done comfortably.

So, is it all good news?

Well, the unit is expensive. The cost reflects the build quality and its ability. Whether it’s good value or not, will probably entirely depend on if one realises it’s true worth or not. Anyone who has ever used a similar product to aid in faster, smoother and less fatiguing workflow, will immediately realise its extra abilities and see its value. Those who are still struggling with just their trackpad and cramp, may need to research this a little more. I remember many years ago, well before Loupedeck was around, forward thinking colleagues were getting musical MIDI interfaces and programming them to move sliders in LightRoom. No where near as elegant, but it was the start of realising that we needed a better solution for longer editing sessions.

With use, familiarity kicks in and muscle memory begins to form, allowing very fast use, switching from Library tool sets to Develop tool sets, swiping to get to secondary pages of control dials and touchscreen buttons and so on. Being a tremendously capable and thus complex machine, does mean to get the most benefit, one just has to spend a little time with the CT. As mentioned, it works straight out the box; simple. The more time spent though, the more you realise just how much it can do. So whilst the learning curve is not steep at all, exploration and mastery of just how capable it is, will take a couple of weeks of use. My advice would be to just dive in and get started. It comes together quickly enough. 

I found that without really noticing, I’d transitioned from looking and hunting for a function I wanted, to just doing it. I’d liken it to learning to ride a bicycle or drive a car; suddenly everything just comes together and rather than thinking, you’re just doing. 

Loupedeck CT at my Apple Mac workstation. London, UK. April 01, 2021. Photo: Edmond Terakopian

Final Thoughts

Based on how well my Loupedeck+ has performed over the last two years I’ve used it and based on the build quality of the CT, which feels much more substantial and solid than the Loupedeck+, I have no hesitation in thinking that the CT will be a good investment as a piece of professional grade, daily use equipment, which will last many years. 

Taking into account just how customisable it is, means that the software with which we use it, in my case mainly Adobe LightRoom Classic, the unit will adapt to changes or new controls introduced during updates to these programs. Remember how Adobe brought out the Texture control? Brilliant tool, but the Loupedeck+ couldn’t physically have a labelled slider, so had a programmable dial reprogrammed instead. With the CT though, as it’s so highly customisable, I don’t foresee any such issues. It will just adapt, with keys and dials just remapped to accommodate, along with a nice graphical label showing exactly what’s what. 

Weighting up all these variables, including the price of the unit, I conclude that it will be an investment very well made. Cutting out fatigue, cramps or strain, whilst allowing a faster workflow with more precise control over processing, makes it a great product. It’s a no brainer in reality. So, whilst an expensive peripheral, my experience is that it’s not overpriced and considering the workflow and health gains, it’s actually of good value.

Working efficiently and without fuss. Our tools should never get in the way of our creativity, which must flow unhindered. The Loupedeck CT has done just that. Let me work without being aware of it.

Other World Computing

The Fastest; Accelsior PCI Express SSD

Long Term Test

OWC stands for Other World Computing, a title which I felt was very apt for this article. Since I started using OWC’s adapter for modifying my Mac Pro to take multiple SSDs in the optical bay and installing their blisteringly fast SSD into the optical bay of my MacBook Pro, I’ve become a fan of this company. Their adapters and SSDs just seem out of this world; great design, well made and extremely fast.

It was with great interest when I first heard that a PCI Express SSD card was going to be introduced by the company. The advantages of using a PCI Express SSD card are numerous. Firstly, one is directly plugging into the motherboard, using the fastest interface, without having to go through the SATA connectors, adding some speed to operation. Secondly, it frees up your SATA connectors and drive bays for more SSDs or conventional hard drives for storage. In my Mac Pro, I now have four conventional hard drives in the drive bays which I use to store my RAW files amongst other data including documents, music, video and so on. I also have two SSDs installed in the optical bays. One is used to clone the Accelsior every night which is my OS drive, and the other is used for video files when editing  a project. Having FCP X run on the OWC Accelsior and the ProRes 422 video files run from a OCZ 120Gb SSD makes for a very fast and fluid editing experience.

If you’re on a PC, the Accelsior will also work. Regardless of which system you’re using, the helpful thing is the card does not need a driver, so will just work once installed. On a Mac, you will naturally need a Mac Pro as the iMac does not have PCI Express slots.

I decided to go for the 240Gb version which is enough space to store the OS, applications and Documents. Via iTunes I did move the iTunes folder to another drive though as it was simply too big. The card uses Sandforce controllers and several systems to ensure that the SSD chips are used efficiently and kept running smoothly. The SSDs themselves are on smaller circuit boards which clip into the PCI Express daughter card; this means that in time if you want to upgrade to a larger size, it’s easily done.

Speed

Using OWC’s own figures, comparing their top of the range traditional SSD (Pro 6G) to the Accelsior makes interesting reading.

OWC Mercury Extreme Pro 6G – Read 559MB/s Write 527MB/s (Peak Data Rate)
OWC Mercury Accelsior  – Read 762MB/s Write 763MB/s
Traditional 5400rpm Hard Drive – Read 75MB/s Write 77MB/s

These are test figures so real life use will vary, but it will vary proportionally, so the speed advantages are clear to see.

Compared to my previous OS SSD, the OCZ Vertex 3 Max IOPS which was very quick, the speed advantage of the OWC Acceslior is immediately noticeable, even without timing.

I did perform some comparisons though using my early 2009 model Mac Pro.

Reliability

Speed isn’t the only consideration to have though. I’ve had the Accelsior installed in my main imaging workstation, a Mac Pro, for three months now. It has performed without a single hiccup. I installed it when running OS Lion, cloned the OS drive onto the Accelsior using the superb CCC and upgraded to OS Mountain Lion a few days after it’s release. My Mac Pro is on 24/7, used for photo editing, photo archive use, Giclée printing, video and audio editing and general computing too. It’s hooked up to a Sonnet D800 raid with a PCI Express RAID card as well as countless other peripherals and I didn’t have a single issue at all! The Accelsior just performed with 100% absolute reliability and speed.

Final Thoughts

As new technologies come and go and we take leaps forwards, some leaps are giant. The leap to SSDs being one. They are still too costly for storage, but for using as our OS and program disks, the capacities are more than there and the prices have dropped to affordable levels. Although purely on paper the jump to PCI SSD doesn’t appear huge, it is much more than just the speed increase; it’s the convenience increase of freeing up a drive bay for storage too. I for one can’t recommend SSDs highly enough; however if you have a machine with compatible PCI Express slots, then the OWC Accelsior is an absolute no brainer. You’ll love it!

European Buyers – Macupgrade has kindly offered readers of this blog a 10% discount with the code: macupgradephoto

Installing an SSD into a MacBook Pro

Following on from my previous post on installing an SSD into my Mac Pro by utilising the optical bay (allowing a total of six drives to be installed in all) I decided to do a similar thing to my Apple MacBook Pro.

Installing an OWC Mercury Electra 6G SSD into an Apple MacBook Pro (15″, Mid 2010 model). The OWC “Data Doubler” bracket, SSD and the tools needed for the job. August 22, 2011. Photo: Edmond Terakopian

With cloud computing (storage of data, transferring data with services such as Drop Box and buying of software) and USB keys, we have become less reliant on optical drives (CDs or DVDs). It makes absolute sense to utilise this space by fitting a second hard drive. Other World Computing, or OWC, have a genius adapter called a Data Doubler which has the form factor of a laptop internal optical drive and is a bracket for holding a 2.5″ hard drive or SSD.

Installing an OWC Mercury Electra 6G SSD into an Apple MacBook Pro (15″, Mid 2010 model). With the cover off; the DVD drive where the SSD will be installed is on the bottom left. The OWC “Data Doubler” bracket, SSD and the tools needed for the job. August 22, 2011. Photo: Edmond Terakopian

Having found a European dealer, Macupgrade (superb service), I decided to order the parts needed for this project (You can also order direct from OWC):

OWC Data Doubler & optional USB SATA Optical Drive Enclosure
OWC Mercury Electra 6G 120Gb SSD
 

Rather handily, the Data Doubler comes with a full toolkit as well as extremely comprehensive instructions on how to fit it, covering a very large range of Mac laptops. What I found even more useful were the excellent instructional videos on the OWC site.

Installing an OWC Mercury Electra 6G SSD into an Apple MacBook Pro (15″, Mid 2010 model). With the cover off; with the DVD drive removed. This is where the SSD will be installed. The OWC “Data Doubler” bracket, SSD and the tools needed for the job. August 22, 2011. Photo: Edmond Terakopian

All in all, it took around thirty minutes to take out the DVD Superdrive, install the SSD and finally install the optical drive into the external USB case (which is also powered by the USB port, so no need for AC adapters). Whilst not complicated, it pays to take things slowly and follow the instructions to the letter as one is dealing with sensitive equipment with fragile wiring and circuitary.

Installing an OWC Mercury Electra 6G SSD into an Apple MacBook Pro (15″, Mid 2010 model). The OWC “Data Doubler” bracket and SSD installed, with the conventional hard drive on the right. August 22, 2011. Photo: Edmond Terakopian

What’s fantastic about this upgrade is having two separate hard drives inside a laptop. The SSD now contains OS X Lion and all my programs. It also contains my Aperture Library and images are downloaded onto the SSD for extremely speedy editing. Once I’ve done my edits, these are then exported as Projects to the conventional 500Gb internal hard drive. Also as I approach getting the SSD full, images in the Aperture Library, after backups, can either be deleted or stored on the conventional hard drive as Referenced Files and thus, still appear in the Aperture Library.

Installing an OWC Mercury Electra 6G SSD into an Apple MacBook Pro (15″, Mid 2010 model). The DVD Superdrive is then installed in the OWC external optical drive case. August 22, 2011. Photo: Edmond Terakopian

The same workflow will apply to video editing with Final Cut X; small projects will have video initially loaded into a Project on the SSD for speed and then moved onto the conventional hard drive for storage. Bigger projects will just be downloaded onto the conventional hard drive.

I’m extremely impressed with this upgrade; it has brought even more usability to my MacBook Pro and made it blisteringly fast too. Previously my boot up time (from cold) was 37 seconds; with the SSD, it’s now 12 seconds! Programs open in a flash too. I for one am hooked on this latest generation of SSDs with Sandforce controllers. Completely recommend the SSD path to anyone for whom time is precious!

Addendum:

Great news; the fabulous folks at Macupgrade have offered all readers a kind 10% discount on all items in their shop. Discount code: macupgradephoto

IMPORTANT NOTE: Depending on your model of MacBook Pro, installing the SSD in the optical bay as shown will not harness the drive’s full speed. Certain MacBook Pro models have a faster SATA speed channel for the hard drive bay than the optical bay. It’s worth researching your model of computer to ensure you gain the maximum speed benefit. For my particular laptop, the speed is identical on both SATA channels.

The regular Hard Drive is in the optical bay and the OWC SSD is in the HD Bay.

The regular Hard Drive is in the optical bay and the OWC SSD is in the HD Bay.