Commended in the UK Picture Editors’ Guild Awards

Videographer Of The Year

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Edmond Terakopian wins a commended award in the Videographer of the Year category for his short film “Taxi Driver” in the UK Picture Editors’ Guild Awards, Honourable Artillery COmpany, City Road, London. February 25, 2016. Photo: Bruce Adams

Thrilled to share that I was awarded a commendation for my short film, Taxi Driver, by the UK Picture Editor’s Awards.

The awards dinner was held at the Honourable Artillery Company on City Road and attended by the best of the best press photographers and picture editors in the UK. As always, a great evening to catch up with friends and colleagues, drink some wine, and have conversations ranging from equipment, anecdotes and ending up with the inevitable “good old days” tales.

I’d like to extend my thanks to chairman of the awards Alan Sparrow and all the picture editors who formed the judging panel.

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(L-R) Edmond Terakopian, Jessica Mann (Alamy News Team) and Bruce Adams at the UK Picture Editors’ Guild Awards, Honourable Artillery COmpany, City Road, London. February 25, 2016. Photo: ©

The film was shot using two Olympus OM-D E-M5 Mark II cameras and various Olympus M.Zuiko lenses. The audio was recorded on an Olympus LS-100 audio recorder. I used a variety of Rode microphones, ranging from the Lavalier and VideoMic Pro, to the Stereo VideoMic X.

Olympus OM-D E-M5 Mark II

The Olympus OM-D E-M5 Mark II fitted with the HLD-8 Power Battery Grip and Rode Stereo VideoMic X. February 05, 2015. Photo: © Edmond Terakopian

Olympus LS-100

The Olympus LS-100 audio recorder and Rode NTG3 microphone.. February 05, 2015. Photo: © Edmond Terakopian

World Press Photo of the Year 2016

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An image by Australian photographer Warren Richardson is the World Press Photo of the Year

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Hope for a New Life. A man passes a baby through the fence at the Serbia/Hungary border in Röszke, Hungary, 28 August 2015. Photo: ©Warren Richardson

When I logged on to the World Press Photo website and saw the the winning image, I found myself uncontrollably saying “wow” out loud. It’s an amazingly powerful image, highlighting an extremely important issue, photographed with such skill and empathy. Many congratulations to Warren Richardson for his stunning image and for the judges in choosing it out of the submitted 82,951 photographs.

Richardson is a freelance photographer, currently based in Budapest, Hungary. He explained how the picture was made:

“I camped with the refugees for five days on the border. A group of about 200 people arrived, and they moved under the trees along the fence line. They sent women and children, then fathers and elderly men first. I must have been with this crew for about five hours and we played cat and mouse with the police the whole night. I was exhausted by the time I took the picture. It was around three o’clock in the morning and you can’t use a flash while the police are trying to find these people, because I would just give them away. So I had to use the moonlight alone”.

View the entire collection of winning images from the 59th World Press Photo Contest. They were selected from 82,951 photos made by 5,775 photographers from 128 different countries.

For any photographers wondering about the technical aspects of the winning image; the shot was made on a Canon 5D MkII using a Canon 24mm f1.4L lens at 6400ISO, f1.4 with a shutter speed of 1/5 of a second.

Here are a selection of my favourite images from the contest

(in no particular order):

All photographs are copyright. Used with the permission of World Press Photo.

UK Picture Editors’ Guild Awards Finalist

UKPEG VIDEOGRAPHER OF THE YEAR

Thrilled to share some great news! Honoured to have been selected as a finalist in the UK Picture Editors’ Guild Awards for my short film, Taxi Driver. The highly-acclaimed UK Picture Editors Guild Awards competition is distinctive in that panel of judges consists only of working picture editors from national and regional newspapers, and international photo agencies, assessing the thousands of entries from professional photographers from throughout the media.

I’d like to congratulate all my fellow finalists and look forward to seeing you all on the award’s ceremony.

The short film is a look at a day in the life of a London black cab driver. It was shot on a pair of Olympus OM-D E-M5 Mark II cameras and a selection of M.Zuiko lenses. Full details here.

Merry Christmas & Happy 2016

Season’s Greetings and Good Will To All

I’d like to wish a merry Christmas to all who visit this blog; may you have a peaceful day and enjoy this season. I’d also like to wish that 2016 brings us all peace, putting an end to the horrors of war, specially in Syria and hope that the refugee crisis comes to an end.

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A dramatic sunset over west London. 2015. Photo: Edmond Terakopian

2015

For me personally, 2015 was kind, allowing me to realise my Opera By The River project. An intensive personal project, photographing the arts. An opportunity to spend seven months photographing the talented singers and instrumentalists at the Royal College of Music as the prepared for an opera by one of the college’s former students, composer Benjamin Britten. A real joy to spend time with the pupils and staff, feeding off the creative buzz as Albert Herring took shape, from auditions straight through to the last performance.

It’s one thing to find a camera manufacturer who produces the equipment one uses to craft photographs (I use Olympus OM-D cameras for the vast majority of my photography as it’s designed in exactly the way I’d like it to be and produces the results I need). However, it’s quite another thing to find a camera manufacturer who cares what you craft and create. Olympus made my project come to life, culminating in a solo outdoor exhibition on the South Bank, allowing around 350,000 people to see the work. My gratitude goes to the team at Olympus UK for all their help and support.

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The opening and private view of “Opera By The River”. A poster shows the way for the evening’s party at The Deck, National Theatre, London. September 30, 2015. Photo: Neil Buchan-Grant / http://www.buchangrant.com

2015 also brought some competition niceties from the AOP Photographers Awards selecting two of my images for their finals and exhibition, the International Color Awards nominating one of my images and the I Shot It competition choosing one of my monochrome images as a finalist. Another image made the exhibition by the Portrait Salon.

I hope most have had a good year and that 2016 is kind to you and allows you to be kind to others.

Who Owns A Photo?

The Copyright Of A Photograph

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The folks at Clifton Cameras have put together a very neat graphic explaining much about ownership of the image.

The only thing I would add is that adding a watermark (use Marksta on an iPhone or software such as Adobe Lightroom or Photoshop on your Mac or PC) is essential when you post images online on services like FaceBook and Instagram which as their T&Cs state, have full rights to use the posted images as they see fit. You need to protect not only your copyright but also the subjects in your images from having their likeness used to promote services they wouldn’t be happy with. Watermarking also protects you against companies which may steal your image for commercial gain, try and Photoshop out your watermark and then plead ignorance. Image forensics can easily show tampering and with this you prove intent, followed by a nice payout.

When hosting your own website of photography, it’s wise not to post images full size; these are easily stolen and can be used in a variety of ways as the size allows printing and so on. Using the services of Pixelrights as your host means that you benefit from all the various anti-theft features they have as well as future plans for their new partnership with ImageRights. Highly recommended.

Shaun Curry, Co-founder & CEO of Pixelrights adds; “ImageRights International is honored to announce a new and exciting partnership with Pixelrights. This groundbreaking partnership will provide post infringement, image tracking & USCO registration included in the price of your Pixelrights subscription.
Pixelrights are the only portfolio service focused on championing copyright awareness by use of their patent pending ‘Smart Frame’ image technology
This new image format provides their members with substantial customisable technical protection, blocking illicit web-bots, stopping unwanted hot linking, disabling right click , blocking some screen grab attempts, save-as, and eliminating the image from the source file and web page.
With ImageRights technology included if anyone removes any technical protection measures from your Pixelrights site and publishes it on the web, ImageRights will track your image down, and provide a global network of IP
lawyers to take action on your behalf. Never before has a portfolio website been so safe yet so easy to use!”.

Remember, copyright is your right. You are the author and the image is yours. When getting commissioned to take pictures, you aren’t being paid for the copyright, but are being commissioned to make the photograph and granting the client a right to use the image; you’re licensing them image usage. Without your copyright you can’t even legally post your picture on your website, enter it in a competition or have a print in your portfolio. You will lose all sales and recognition as the image becomes of historical value in the future. Don’t be bullied; don’t let multi-million pound companies take advantage of your work and force you into signing away your rights.

Click to enlarge the graphic:

Who Owns A Photo

8th Annual International Color Awards

Nominee In The People Category

Somehow managed to miss this completely! One of my images, titled Street Style, reached the position of nominee in the people category of the International Color Awards announced in April 2015.

Banksy style graffiti (not an original Banksy) in Broadwick Street, Soho, London. July 22, 2014. Photo: Edmond Terakopian

Banksy style graffiti (not an original Banksy) in Broadwick Street, Soho, London. July 22, 2014. Photo: Edmond Terakopian

The image was shot on a Leica M9 and processed in Adobe Lightroom. The image was then finished in Alienskin Exposure 6.