Category Archives: Pictures

Nick Ut’s Iconic Napalm Girl Photo

40 Years On From AP’s “Napalm Girl” Photograph From The Vietnam War

Anyone with any interest in history or photography will know the image. It’s a photograph that grabs you and never leaves you once you’ve seen it. The image taken by AP’s Nick Ut on June 8th, 1972, shows crying children running away from their village after a Napalm aerial attack by South Vietnamese Forces.

In this June 8, 1972 file photo, crying children, including 9-year-old Kim Phuc, center, run down Route 1 near Trang Bang, Vietnam after an aerial napalm attack on suspected Viet Cong hiding places as South Vietnamese forces from the 25th Division walk behind them. A South Vietnamese plane accidentally dropped its flaming napalm on South Vietnamese troops and civilians. From left, the children are Phan Thanh Tam, younger brother of Kim Phuc, who lost an eye, Phan Thanh Phouc, youngest brother of Kim Phuc, Kim Phuc, and Kim’s cousins Ho Van Bon, and Ho Thi Ting. AP Photo/Nick Ut

It’s a disturbing image; one that shakes us to our core. The main subject in the shot is nine year old Kim Phuc; running, , wailing the words “Too hot, too hot”, crying and naked. As she was hit by the burning Napalm, it raced up her body and incinerated her clothing on contact. It burnt through the layers of her skin all over her back, leaving her heavily scarred to this day.

This moment brought together photographer and subject, not only to create the most powerful image from the Vietnam war but it also united a nine year old girl who would certainly have died, with her saviour; the young 21 year old Vietnamese photographer, Nick Ut. He drove Phuc to a small hospital, where he was told the small girl was too far gone to save. He showed them his American press badge and demanded the doctors treat the girl and left, assuring them that the girl would not be forgotten. “I cried when I saw her running,” said Ut. “If I don’t help her — if something happened and she died — I think I’d kill myself after that.”

AP staff photographer Nick Ut in Vietnam during the 1970s. AP Photo/Nick Ut

Although AP had strict rules about nudity, legendary AP photo editor Horst Faas broke the rules as soon as he saw the image, as it’s news value far outweighed any policy.

A few days later, Christopher Wain from ITN found out that the little girl had survived. He was on the scene and had given her water and doused her burning back with water from his canteen. He fought to have her transferred to a speciality unit run by the Americans. Although she had 35% of her body scorched with 3rd degree burns, she survived and 13 months later, after multiple painful skin grafts and surgeries, she was allowed to leave the Barsky facility.

Kim Phuc

Photographer Nick Ut with Phan Thi Kim Phuc; the girl in iconic Vietnam War photo “Napalm Girl”. Vietnam Veterans Memorial in Washington D.C. AP Photo/Nick Ut

Kim Phuc, now 49, says “I really wanted to escape from that little girl. But it seems to me the picture didn’t let me go”. After years of difficulty, feeling like a victim of war, then finding love, and finally defecting to Canada, the picture has changed it’s meaning for her. “Most of the people, they know my picture but there’s very few that know about my life,” she said. “I’m so thankful that … I can accept the picture as a powerful gift. Then it is my choice. Then I can work with it for peace.”

To help children caught up in war, she has created The Kim Foundation.

Nick Ut

AP staff photographer Nick Ut views an A-1 Skyraider attack aircraft, as used in Vietnam, fitted with Napalm. April 2010. AP Photo/Nick Ut

Over 40 years have passed since AP’s most iconic image was taken, and Nick Ut, who won a Pulitzer Prize for the image, is very much a full time AP staff photographer, now based in LA. In August this year, Nick visited the AP offices in NY to see his original negatives for the third time ever, since having processed it in the darkroom in Vietnam.

During a visit to the Associated Press headquarters photo library in New York, Aug. 10, 2012, AP staff photographer Nick Ut holds a plastic sleeve containing the original “Napalm Girl” negative, for which he won the 1973 Pulitzer Prize for Spot News Photography. (AP Photo)

To find out more about the background to this amazing image and the surrounding story, I thoroughly recommend this AP article.

Here’s a must watch interview with Nick Ut, describing the events of the day, with some stunning photography.

 

All images ©AP

78 Perspectives

Tom Stoddart Exhibition

Photographer Tom Stoddart at his Perspectives Exhibition, More London Riverside. August 08, 2012. Photo: Edmond Terakopian

One of photojournalisms most powerful authors, photographer Tom Stoddart is having an extremely powerful, thought provoking, moving, educational, photographically brilliant, emotionally shocking exhibition until September 11th, 2012 in an open air display at More London’s Riverside (by Tower Bridge and City Hall).

Photographer Tom Stoddart at his Perspectives Exhibition, More London Riverside. August 08, 2012. Photo: Edmond Terakopian

Having seen the Perspectives exhibition today, I cannot recommend it highly enough to anyone with any interest in the recent world history, the planet, people, photography, photojournalism and life in general. Although very familiar with Tom’s work, there were quite a few images I had never seen before. With 78 of his signature images on display, with subjects as diverse as future Olympians training in China, the fall of the Berlin Wall, the HIV / AIDS pandemic in Africa, hostilities in Iraq, the siege of Sarajevo to the horrific famine in Sudan, it’s an exhibition which should definitely be seen.  Admission is free and the exhibition finishes on September the 11th.

Tom Stoddart’s Perspectives Exhibition, More London Riverside. August 08, 2012. Photo: Edmond Terakopian

Perspectives was created with the participation of the International Committee of the Red Cross (ICRC).

Tom Stoddart’s Perspectives Exhibition, More London Riverside. August 08, 2012. Photo: Edmond Terakopian

Tom Stoddart’s Perspectives Exhibition, More London Riverside. August 08, 2012. Photo: Edmond Terakopian

Tom Stoddart’s Perspectives Exhibition, More London Riverside. August 08, 2012. Photo: Edmond Terakopian

Behind The Scenes

On Assignment In Vancouver

A short video of me on assignment covering Virgin Atlantic’s inaugural flight to Vancouver with Sir Richard Branson (Founder and President of Virgin Atlantic) and Olympic gold medallist Amy Williams. 

On Assignment, Vancouver 2012 from Edmond Terakopian on Vimeo.

Video by Andy Reik, Dust*

Photos by Edmond Terakopian

With thanks to Leon Schlesinger, TVC

Additional Audio by Simon White, Airtime TV

A set of photographs from this assignment can be viewed on my Flickr Stream.

Gunter Sachs Collection at Sotheby’s

An Exclusive Behind The Scenes Look


Behind the scenes as Sotheby’s prepares the Gunter Sachs Collection ahead of the sale on May 22nd and 23rd, 2012. Sotheby’s will be offering close to 300 works of art from the prestigious single owner collection. The sale is estimated to realise £20 million.

Almost 7200 pictures were used in this timelapse. The majority were shot on a pair of Canon 5D MkII cameras specifically set up for shooting this timelapse (with a 16-35mm f2.8L II and 24-105mm f4L), one being triggered by a Pocket Wizard Multimax and the other by the highly configurable IO Shutter running on an iPad 3. A GoPro HD Hero was used for the overhead view timelapse. Reportage images were shot on a Leica M9 and M9-P (using a 50mm Noctilux ASPH, 35mm Summilux ASPH and 28mm Summicron ASPH). The images were all processed in Apple’s Aperture and the video created using Apple’s FCP X.

Huge word of thanks to everyone involved, especially the team from Sotheby’s press office, the lighting crew , technicians and contemporary art experts.

Update: Thrilled to share that the video is published on The Guardian website.

The Leica M Monochrom Hands On Review

The King Of The Tones?

Opening of the Leica Studio-S, 27 Bruton Place, Mayfair. Portraits of photographer Edmond Terakopian trying out the new Leica M Monocrom and APO-Summicron-M 50mm f/2 ASPH. May 16, 2012. Photo: By Brett / http://www.bybrett.com

I have to admit that when I first read rumours of a black and white Leica M, I thought it would never happen. When I saw the announcements, I was a tad surprised, until I saw the images. Such tonal range and amazing detail at very high ISOs all of a sudden made so much sense.

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 640 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 640 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

I was fortunate enough to be able to try out a pre-production Leica M Monochrom today, along with the astonishingly great Leica APO-Summicron-M 50mm f/2 ASPH. In my enthusiasm to shoot with the camera I unfortunately didn’t check to see if the camera was set to RAW, so all these test images are from jpegs which I have processed a little in Aperture. Naturally RAWs produce the best files, so take these jpegs, which have been saved again as jpegs and thus degraded the image quality (especially at higher ISOs) as a guide. Even so, they are amazingly good!

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 8000 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 8000 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 10,000 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 10,000 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

One of the great aspects of the launch event for the press at Leica Mayfair’s S-Studio was being able to discuss the camera with friends and colleagues.

Photographer Ian Berry from Magnum Photos tries out the new Leica M Monochrome. May 16, 2012. Photo: Edmond Terakopian (Image shot on an M9-P and processed in Silver Efex Pro 2)

Photographer Ian Berry from Magnum Photos tries out the new Leica M Monochrome. May 16, 2012. Photo: Edmond Terakopian (Image shot on an M9-P and processed in Silver Efex Pro 2)

I must admit to being blown away and yearn to be able to work in black and white like the good old days!

The huge thing with this camera is not needing the bayer filter in front of the sensor. This makes the sensor much better at picking up ultra fine detail and a wider tonal range, not to mention it’s ability to produce really gorgeous files at 8000 ISO. Just playing with these jpegs it’s clear to me that Leica have in fact pulled off a master stroke of absolute genius. I can’t wait to get my hands on this camera again, shoot in DNG and process them properly through Aperture. It is going to be lush!

For a full set of images taken with the M Monochrom, visit my Flickr stream.

Camera Club Talk

Presentation At The Thatcham Photographic Club

Photogrpher Edmond Terakopian during a street photography workshop for the Metropolitan Police Photographic Society. London. September 17, 2011. Photo: Steve Osborm

For anyone in Berkshire or the surrounds, I’ll be giving a presentation of my work and having a chat with a Q&A at Thatcham Photographic Club on June 13th. If you’re interested in popping by, it would be good to have you. Contact the club directly to make a booking.

We’ll be raffling one of my prints, with the proceeds going to the club. Additionally, it’s my pleasure to announce that I’ll also be making several prints, from two of my images from Armenia available for purchase, at very special prices.

Images from Armenia. Signed and embossed prints, made available at a special rate for the Thatcham Photographic Club talk in June. 24cm x 16cm (roughly) archival and embossed print, signed, £25.00. Photo: Edmond Terakopian (These prints were made on a Canon iPF6300 during the testing of the machine which is why I can offer them at this reduced rate).

Images from Armenia. Signed and embossed prints, made available at a special rate for the Thatcham Photographic Club talk in June. 45cm x 30cm (roughly) archival and embossed print, signed. £45.00. Photo: Edmond Terakopian (These prints were made on a Canon iPF6300 during the testing of the machine which is why I can offer them at this reduced rate).

For anyone wishing to purchase a print, please note that on the night, it will be cash only, so kindly make sure you have sufficient means! Alternatively, you can contact me via the Contact page to pay via BACS beforehand and collect your print on the night.

A note on copyright: Please note that by purchasing prints, you are buying a print and not the rights to the image.