Category Archives: Photography

Opening Night Of Opera By The River Exhibition

Private View & Launch Party

Edmond Terakopian at the opening of his new exhibition Opera by The River, Riverside Walkway, South Bank, London Photo: Nigel Howard / www.nigelhowardmedia.com

Edmond Terakopian at the opening of his new exhibition Opera by The River, Riverside Walkway, South Bank, London
Photo: Nigel Howard / http://www.nigelhowardmedia.com

September 30th saw the opening and private view of my solo exhibition, Opera By The River. Thrilled that so many friends and colleagues could join, some making considerable journeys to get there. An equally great joy was to be reunited again with the amazingly talented musicians from the Royal College of Music. A true delight to meet up with the amazing singers and instrumentalists who were part of Albert Herring, the opera.

The opening and private view of

The opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Outdoor exhibition at Riverside Walkway, South Bank, London. September 30, 2015. Photo: Neil Buchan-Grant / http://www.buchangrant.com

The opening and private view of

The opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Outdoor exhibition at Riverside Walkway, South Bank, London. September 30, 2015. Photo: Neil Buchan-Grant / http://www.buchangrant.com

The exhibition, kindly supported by Olympus, will continue until October the 11th on Riverside Walkway, South Bank, London.

The opening and private view of

The opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Outdoor exhibition at Riverside Walkway, South Bank, London. September 30, 2015. Photo: Neil Buchan-Grant / http://www.buchangrant.com

The opening and private view of

The opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Outdoor exhibition at Riverside Walkway, South Bank, London. September 30, 2015. Photo: Sophie Ward / http://www.sophiephotos.com

The opening and private view of

The opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Outdoor exhibition at Riverside Walkway, South Bank, London. September 30, 2015. Photo: Neil Buchan-Grant / http://www.buchangrant.com

The opening and private view of

The opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Outdoor exhibition at Riverside Walkway, South Bank, London. September 30, 2015. Photo: Christopher Middleton

Edmond Terakopian at the opening of his new exhibition Opera by The River, Riverside Walkway, South Bank, London Photo: Nigel Howard / www.nigelhowardmedia.com

Edmond Terakopian at the opening of his new exhibition Opera by The River, Riverside Walkway, South Bank, London
Photo: Nigel Howard / http://www.nigelhowardmedia.com

The second part of the evening took place at the launch party (opening night only) at The Deck in the National Theatre.

The opening and private view of

The opening and private view of “Opera By The River”. A poster shows the way for the evening’s party at The Deck, National Theatre, London. September 30, 2015. Photo: Neil Buchan-Grant / http://www.buchangrant.com

Some more imagery was on display from the project. The opening and private view of

Some more imagery was on display from the project. The opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Opening party at The Deck, National Theatre, London. September 30, 2015. Photo: Neil Buchan-Grant / http://www.buchangrant.com

As is customary on such occasions, I had a short speech to give and thought to share it here with a wider audience:

Speeches. The opening and private view of

Speeches. The opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Opening party at The Deck, National Theatre, London. September 30, 2015. Photo: Neil Buchan-Grant / http://www.buchangrant.com

Speeches. The opening and private view of

Speeches. The opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Opening party at The Deck, National Theatre, London. September 30, 2015. Photo: Sophie Ward / http://www.sophiephotos.com

There are some people in this room who I have known for over 25 years and some in this room who I have known for nine months (no, I’m not pregnant, this is all me!). Regardless, you’ve all been part of my life in photography and it’s such a joy to share this reportage with you. As Albert Herring went on his journey in the opera, I too had the pleasure of going on a journey with this most amazing group of supremely talented singers and instrumentalists from the Royal College of Music. 31,794 pictures shot over seven months meant I could really share with the wider world the passion and hard work that goes into putting on such a wonderful opera and I thank every single person involved for letting me delve so deeply with my cameras.

This reportage was a personal project. It came from the wish of wanting to shoot a photo essay and as luck would have it, I met Christopher Middleton on one of my workshops. When I found out he was Assistant Head of Opera at the Royal College of Music, this got me thinking. Speaking over several months when I found out about Benjamin Britten’s Albert Herring being the next production, with Britten having been a former pupil and the college’s theater being called the Britten Theatre, everything just seemed to come together.

I must say thanks to Michael Rosewell and Nick Sears from the Opera School who along with Christopher saw my vision for this project and welcomed me in with open arms. My thanks naturally extend to the Directorate for letting me have the access I needed to shoot such an intimate and in depth essay.

My thanks to the wonderful string quartet from the Royal College of Music for their beautiful music; you’ve made my heart sing.

My gratitude also goes to the super talented Stuart Smith for designing such a wonderful exhibition. It’s such a joy to work with someone not only so pleasant, but also with so much passion and understanding of photography. Stuart also kindly designed an exhibition book to go along with this project. Please make sure you pick up one of the free book leaflets and write in for your copy. It really looks amazing and I must admit to being teary eyed when I first saw the final design.

I’d also like to congratulate the wonderful team at Standard8 led by Tom Snell for their beautiful printing and exhibition construction. Over 350,000 people will see this exhibition and I’m proud for my images to be displayed in such a wonderful installation.

It’s one thing to have an idea and another thing to shoot it. Making it available for all to see is the next big hurdle. After all, pictures that remain in boxes or tucked away in virtual folders on hard drives don’t ever live up to their potential to move people. My immense gratitude goes to Olympus, not only for making the wonderful cameras I used to shoot Opera By The River, but for seeing and believing in my idea. I have to single out Mark Thackara from Olympus for his support. If it wasn’t for Olympus and the countless people there who have made this exhibition and book a reality, we wouldn’t all be together now. Thank you all so much.

Finally, thank you all; friends, colleagues and guests for coming this evening. Hope you’ve enjoyed the show and will help spread the word so others will get a chance to see the exhibition before it closes on October the 11th.

You’ve seen what they look like but the real treat to hear what they sound like. I’m thrilled to say that we are all about to be treated to a little bit of Britten’s Albert Herring by the wonderful people at the Royal College of Music.

A string quartet from the Royal College of Music performs at the opening and private view of

A string quartet from the Royal College of Music performs at the opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Opening party at The Deck, National Theatre, London. September 30, 2015. Photo: Sophie Ward / http://www.sophiephotos.com

The opening and private view of

The opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Opening party at The Deck, National Theatre, London. September 30, 2015. Photo: Christopher Middleton

Singers from the Royal College of Music performing at the opening and private view of

Singers from the Royal College of Music performing at the opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Outdoor exhibition at Riverside Walkway, South Bank and opening party at The Deck, National Theatre, London. September 30, 2015. Photo: Neil Buchan-Grant / http://www.buchangrant.com

Singers from the Royal College of Music performing at the opening and private view of

Singers from the Royal College of Music performing at the opening and private view of “Opera By The River”. Photographic exhibition by Edmond Terakopian about the opera Albert Herring at the Royal College of Music. Outdoor exhibition at Riverside Walkway, South Bank and opening party at The Deck, National Theatre, London. September 30, 2015. Photo: Neil Buchan-Grant / http://www.buchangrant.com

Edmond Terakopian's solo exhibition, Opera By The River on Riverside Walkway, South Bank, London. September 29, 2015. Photo: Edmond Terakopian

Edmond Terakopian’s solo exhibition, Opera By The River on Riverside Walkway, South Bank, London. September 29, 2015. Photo: Edmond Terakopian

Further reading on Opera By The River:

BBC – Behind the scenes at the Royal College of Music

AP Magazine – Opera by the River photo exhibition

I hope that you can pop by and enjoy the exhibition before it finishes and also share this post widely so more will get a chance to visit the installation.

Olympus_Opera-River_Poster-FLAT

Opera By The River

A photo reportage on Benjamin Britten’s Albert Herring At the Royal College of Music

Thrilled to announce my forthcoming solo exhibition which will be on from September 30th to October 11th, 2015. It’s an outdoor exhibition on London’s South Bank, very close to the National Theatre (it’s actually just behind the IBM building) on the Riverside Walkway. There’s no entrance fee and is free for all. Do kindly spread the word!

Olympus_Opera-River_Poster-FLAT

This personal project is the culmination of seven months of photography with the Opera School at the Royal College of Music in London. With the kind support of Olympus I’m overjoyed to be able to share this work with you as an exhibition.

The exhibition itself is designed by the fabulous Stuart Smith.

It’s been a try joy to spend this time with the amazingly talented students at the RCM and the superb staff who have been more than helpful in making the reportage a reality.

You can follow more on the project on my Twitter and Instagram (@terakopian); just look for #operabytheriver

Further Reading:

Opening Night & Private View

BBC coverage of Opera By The River

Opening Night

Press Release

Embargo: For immediate release
Photo reportage by Edmond Terakopian:
The Royal College of Music photo essay project, supported by Olympus.

Opera by the River is an outdoor photographic installation, exhibiting the work of Edmond Terakopian. Terakopian spent over 7 months working with and photographing the Royal College of Music (RCM), documenting the entire process of staging an opera from the initial auditions through to the final stage take down.

From January 2015 Terakopian worked closely with the RCM and they gave him unique access to their preparations for the production of the opera ‘Albert Herring’. The photo essay captured intimate and revealing images of the opera singers, members of the orchestra and production team as they developed and finally staged the historic opera by Benjamin Britten, a former pupil of the RCM himself.

The photo essay has been edited to 62 images, giving a glimpse into the one of the world’s great conservatoires, The Royal College of Music. The photographs will be displayed at an outdoor exhibition entitled ‘Opera by the River’, on the SouthBank London.

The exhibition is free for the public to view, 24 hours a day.

The exhibition is being staged at RiverSide West on the SouthBank. Overlooking the River Thames it is a 4 minute stroll from the National Theatre and is situated behind the IBM building. It will open from Wednesday 30th September to Sunday 11th October.

The Terakopian Royal College of Music photo essay project was supported by Olympus, and shot primarily on an OM-D E-M5 Mark ll, the remainder on an OM-D E-M1.

Selected for the 32nd AOP Photography Awards

Association of Photographers Chooses Two Images For Awards’ Finals

Thrilled to share some good news! The judges of the AOP Photography Awards have chosen two of my images to go through to the finals of the awards.

The first image was shot on my Olympus PEN E-P5 and Olympus M.Zuiko 12-40mm f2.8 PRO.

The thoughful superhero. July 19, 2015. Photo: ©Edmond Terakopian

The thoughful superhero. July 19, 2015. Photo: ©Edmond Terakopian

The second image was shot on my Olympus OM-D E-M1 and Olympus M.Zuiko 12-40mm f2.8 PRO.

A murmuration of starlings at dusk, just after the sunset at the beach in Blackpool, Lancashire, United Kingdom. March 10, 2015. Photo: ©Edmond Terakopian

A murmuration of starlings at dusk, just after the sunset at the beach in Blackpool, Lancashire, United Kingdom. March 10, 2015. Photo: ©Edmond Terakopian

My thanks to the judges and staff at the AOP. Fingers crossed for the final judging!

Both images were processed in Adobe’s Lightroom and finished in Alienskin’s Exposure 7 plugin.

A Wonderful Experience

“Good Energy”

"Embellished Abundance" was directed by Nella Turkki and Muti Musafiri; a short creation with young dancers from London, was part of the J'Agura event by Muti Musafiri and the South Bank Centre Youth Club. London. August 28, 2015. Photo: ©Edmond Terakopian

“Embellished Abundance” was directed by Nella Turkki and Muti Musafiri; a short creation with young dancers from London, was part of the J’Agura event by Muti Musafiri and the South Bank Centre Youth Club. London. August 28, 2015. Photo: ©Edmond Terakopian

Had a wonderfully enriching experience; love it when life brings unexpected joys such as this. After collecting my failed entry into the Taylor Wessing Portrait Prize on Friday, I was driving straight home. Something made me change my mind as I was drawn to the South Bank, for absolutely no solid reason, other than a feeling.

Camera in hand, I began wondering around and in a short time stumbled across an amazing group of dancers performing amongst the public, along the Queens Walk on the South Bank. They were superb. I approached them afterwards to find out some details and was told they were just practicing ahead of their proper performance later in the evening. So, naturally I hung around.

Ahead of the performance, the group got together in a circle to mentally prepare. I was watching this from outside, contemplating a photograph when voices called out. A few of the dancers called out for me to join in the circle as I had a “good energy”! How very wonderful! Such a gift to get magical experiences like this. The performance was wonderful, made lovely images and ended in such great conversations with the dancers. Just fabulous 🙂

On a technical note, the image was made with a Leica Monochrom (Type 246) and a Leica 35mm FLE Summilux, processed in Adobe Lightroom.

London Bombings

10 Years On From The Terrorist Attacks On London

Paul Dadge leads Davinia Turrell (now Davinia Douglass) away from Edgware Road tube station after a suicide bomb attack in which she suffered burn injuries, resulting in the need for a face mask. The bomber blew himself up on a train at the station, killing seven passengers - one of four coordinated attacks on London's public transport system during the morning rush hour. The bombs exploded within 50 seconds of each other on London Underground trains, and the fourth bomb occurred on a bus less than an hour later. The explosions resulted in some 56 deaths (including those of the four bombers) and 700 injuries. Surveillance video footage showed that the four men had been working together. Intelligence services have claimed links between the bombers and al-Qaeda. Edgware Road underground station, London, United Kingdom. July 07, 2005. Photo: Edmond Terakopian

Paul Dadge leads Davinia Turrell (now Davinia Douglass) away from Edgware Road tube station after a suicide bomb attack in which she suffered burn injuries, resulting in the need for a face mask. The bomber blew himself up on a train at the station, killing seven passengers – one of four coordinated attacks on London’s public transport system during the morning rush hour. The bombs exploded within 50 seconds of each other on London Underground trains, and the fourth bomb occurred on a bus less than an hour later. The explosions resulted in 56 deaths (including those of the four bombers) and 700 injuries. Surveillance video footage showed that the four men had been working together. Intelligence services have claimed links between the bombers and al-Qaeda. Edgware Road underground station, London, United Kingdom. July 07, 2005. Photo: ©Edmond Terakopian

It’s with a heavy heart that I look back to the events of 10 years ago. 7/7, the day my home town was attacked by four suicide bombers who killed innocent people who were just trying to commute using the tube trains and a bus.

A commuter, still clutching his morning newspaper, leaves Edgware Road Underground Station after a suicide bomb attack. The bomber blew himself up on a train at the station, killing seven passengers - one of four coordinated attacks on London's public transport system during the morning rush hour. The bombs exploded within 50 seconds of each other on London Underground trains, and the fourth bomb occurred on a bus less than an hour later. The explosions resulted in some 56 deaths (including those of the four bombers) and 700 injuries. Surveillance video footage showed that the four men had been working together. Intelligence services have claimed links between the bombers and al-Qaeda. Edgware Road underground station, London, United Kingdom. July 07, 2005. Photo: Edmond Terakopian

A commuter, still clutching his morning newspaper, leaves Edgware Road Underground Station after a suicide bomb attack. The bomber blew himself up on a train at the station, killing seven passengers. Edgware Road underground station, London, United Kingdom. July 07, 2005. Photo: ©Edmond Terakopian

I thought it appropriate to republish a slightly updated version of the article I wrote for the Digital Journalist at the time of the attacks:

London’s Darkest Hour

July 7, 2005. I was looking forward to today. Yesterday had ended on a high. London had been nominated as the Olympic City for 2012. I had two excellent assignments today; the first was an 8.30am photocall at the Natural History Museum to photograph a new diamond exhibition. The second was an exclusive look at how the Police were monitoring the security for the G8 summit from their secret control centre.

There must have been around 20 photographers waiting to photograph the diamonds. We were queuing to photograph the world’s largest uncut diamond. I was waiting patiently, macro lens and lights in hand, for my turn. As I contemplated getting a coffee, my phone rang; it was the PA office, for whom I was working today. “There’s been an explosion at Aldgate East tube station….get there. They’re saying it’s a power surge”. I caught every one’s attention as I started to pack away my gear, as a few colleagues were waiting to borrow my macro lens! Slowly, the others began to get calls.

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As I rushed outside, a friend from AP asked for a lift as we were both going to Aldgate. We got in my car and started making our way as quickly as traffic allowed. The phone rang again, “There’s been a second explosion at Edgware Road tube. Go there instead as you’re closer”. My heart sank. This was no longer an accident as originally thought. How can there be two explosions on the tube in the same morning. I knew it must be terrorism. I began to think of 9/11. The first plane could have been an accident, but as the second plane hit…..

We were very lucky. The traffic was a lot better than usual and we got to Edgware Road quickly. As we got to the scene, we were greeted by a lot of silence. The emergency services were all busy. No screaming of orders, nor the sound of sirens. I must commend them on their professionalism. Unfortunately, the Police had erected their cordons, and there was no way to get close to the tube station. I did a quick walk around the roads, and decided which would be the best. Luckily I had picked the correct road. Within ten minutes, the first passengers walked out and down the road, closely followed by the walking wounded. The first sight that drew me was a lady being helped by a young man (Paul Dadge as I found out the following day). Her face was burnt and she had a white face mask on. She was barefoot, and had blood on her legs. I felt bad for her suffering. I had an instance of battling with the shock of witnessing what clearly illustrated something terrible had happened beneath us. Reminding myself of my duty as a photojournalist, my camera was raised. For the next five minutes, all I saw was through the viewfinder. Concentrating on the images which were presenting themselves.

Paul Dadge leads Davinia Turrell (now Davinia Douglass) away from Edgware Road tube station after a suicide bomb attack in which she suffered burn injuries, resulting in the need for a face mask. The bomber blew himself up on a train at the station, killing seven passengers - one of four coordinated attacks on London's public transport system during the morning rush hour. The bombs exploded within 50 seconds of each other on London Underground trains, and the fourth bomb occurred on a bus less than an hour later. The explosions resulted in some 56 deaths (including those of the four bombers) and 700 injuries. Surveillance video footage showed that the four men had been working together. Intelligence services have claimed links between the bombers and al-Qaeda. Edgware Road underground station, London, United Kingdom. July 07, 2005. Photo: Edmond Terakopian

Paul Dadge leads Davinia Turrell (now Davinia Douglass) away from Edgware Road tube station after a suicide bomb attack in which she suffered burn injuries, resulting in the need for a face mask. The bomber blew himself up on a train at the station, killing seven passengers. Edgware Road underground station, London, United Kingdom. July 07, 2005. Photo: Edmond Terakopian

It was a very intense five minutes. So many injured. The thing that struck me the most though, was I only saw one person crying. Everyone else was composed; there was no screaming, no running. Everyone, including the lady with the burnt face, and even the crying lady, were very dignified. I saw a gentleman, bandaged on his neck and head, blood on his face and shirt, still carrying his newspaper (now covered in blood) as if nothing out of the ordinary had happened. It was amazing. This was the British spirit; the stiff upper lip talked of by Sir Winston Churchill.

The wounded were taken to the Hilton Metropole Hotel. I decided to go inside and managed to stay for several minutes, taking pictures of the wounded waiting for treatment. It must have been the world’s poshest triage area. The hotel’s security soon noticed me, and I was asked to leave.

An injured Davinia Turrell (now Davinia Douglass) from the Edgware Road Station Underground suicide bomb attack get medical attention in the triage area set up at the Hilton London Metropole Hotel in Edgware Road. The bomber blew himself up on a train at the station, killing seven passengers - one of four coordinated attacks on London's public transport system during the morning rush hour. The bombs exploded within 50 seconds of each other on London Underground trains, and the fourth bomb occurred on a bus less than an hour later. The explosions resulted in some 56 deaths (including those of the four bombers) and 700 injuries. Surveillance video footage showed that the four men had been working together. Intelligence services have claimed links between the bombers and al-Qaeda. Edgware Road underground station, London, United Kingdom. July 07, 2005. Photo: Edmond Terakopian

An injured Davinia Turrell (now Davinia Douglass) from the Edgware Road Station Underground suicide bomb attack get medical attention in the triage area set up at the Hilton London Metropole Hotel in Edgware Road. London, United Kingdom. July 07, 2005. Photo: Edmond Terakopian

After another ten minutes or so, it was obvious all the pictures had been taken and I made my way to the nearest Starbucks to wire on their WiFi. Although all the mobile networks (cellphones) were down, WiFi was still working…thankfully. After wiring I returned to the scene. As nothing was going on, I contacted the office. They asked me to check out Kings Cross station. By now, we knew that there were at least four explosions; three on the tube, and one on a bus.

Walking wounded leave Edgware Road Underground Station after a suicide bomb attack. The bomber blew himself up on a train at the station, killing seven passengers - one of four coordinated attacks on London's public transport system during the morning rush hour. The bombs exploded within 50 seconds of each other on London Underground trains, and the fourth bomb occurred on a bus less than an hour later. The explosions resulted in some 56 deaths (including those of the four bombers) and 700 injuries. Surveillance video footage showed that the four men had been working together. Intelligence services have claimed links between the bombers and al-Qaeda. Edgware Road underground station, London, United Kingdom. July 07, 2005. Photo: Edmond Terakopian

Walking wounded leave Edgware Road Underground Station after a suicide bomb attack. The bomber blew himself up on a train at the station, killing seven passengers. Edgware Road underground station, London, United Kingdom. July 07, 2005. Photo: Edmond Terakopian

As I made my way, a friend contacted me saying that he had heard of someone who had been evacuated from Leicester Square tube, following another explosion. This was minutes ago. I called the office to let them know, and I made my way. The streets were clear. No cars, no buses, no people. Just silent emptiness.

I got there to find that there was no explosion; just that the station, along with all others in London were closed. I found out later that it was a controlled explosion by the Army on a suspect package.

I got to Kings Cross. Police cordons were well and truly up. There was no access. The explosions were below ground and there was nothing to photograph. Knowing how long this day was going to be, I grabbed a sandwich and a coffee.

I was then sent to Tavistock Square, where the bus had been bombed. I had high hopes of getting an image as this was in plain sight. As I got there and saw the hoards of frustrated media, I knew this wasn’t to be easy. Again, the Police with their cordon tape had been out and had covered everything within sight with blue and white tape. I attempted to get into a high rise hotel, only to be greeted rather rudely by two security men. I was rather chuffed as another four joined them. Obviously they thought two goons weren’t enough!

After another hour or so, I had to admit defeat; there was no way I could find an angle. I called the office and was told not to worry, as one of our photographers had managed to get a good shot. “Can you get to Downing Street for Blair in 20 minutes?”. I said that it was impossible! I was sent anyway!

It was for a picture of the PM arriving at number 10. I had missed it. I got another call, “Can you go to Buckingham Palace, the flag’s at half mast”. Back in the car, and off I went. This was the last image I took today. A very sad and symbolic way to end London’s darkest day. My city had been targeted by terrorists.

Terrorist suicide bombing of London.  The Union Flag flies at half mast at Buckingham Palace follwing the request of the Queen in memory of the victims who lost their lives in the morning's terrorist attacks. July 07, 2005. Photo: Edmond Terakopian

Terrorist suicide bombing of London. The Union Flag flies at half mast at Buckingham Palace follwing the request by the Queen in memory of the victims who lost their lives in the morning’s terrorist attacks. July 07, 2005. Photo: Edmond Terakopian

*I have since left PA. For syndication of this work please contact Eyevine or Polaris Images.

Olympus Magazine Interview – May 2015

10 Page Interview

Olympus Magazine May 2015 Front

Thrilled to share that this month’s Olympus Magazine has a 10 page interview with me about my photography and video work.

You can get your free online copy HERE.

Alternatively, you can download a PDF of just the 10 page interview HERE.

Photoshoot with model Jordan Ebbitt. London. April 10, 2015. Photo: Edmond Terakopian

A portrait of Jordan Ebbitt. London. April 10, 2015. Photo: Edmond Terakopian