Absolutely delighted to get a third place in the the premiere, international photographic awards dedicated to food photography, which so deeply covers the various aspects of food, from celebration and opulence to hunger and the need for sustenance. It’s a phenomenal competition and I’m thrilled my work was recognised by the global judging panel. Many thanks to the awards’ team and all the supporters and sponsors of the Pink Lady Food Photographer Of The Year.
Many thanks also to this year’s judges, chaired by food photographer, David Loftus, Fiona Shields, Head of Photography, Guardian News & Media, Susan Bright, Writer and Curator, Nik Sharma, Cookbook Author and Photographer, Chef Simone Zanoni, Restaurant Le George, Four Seasons Paris, Alison Jacques, Founder, Alison Jacques Gallery and Vitalie Taittinger, President, Champagne Taittinger.
My prize winning image got third place in the Politics Of Food category. This section is about photojournalistic images that show the reality of issues relating to food anywhere in the world including the impact that Covid 19 has had on the global population over the last year. I’m delighted that another of my photographs was a finalist in this section and one other also made the shortlist.
I’m absolutely in awe of the overall winning image, titled ‘Taste’, by Li Huaifeng. Such a wonderful image.
The exhibition of award winning work is due be held at the RPS (Royal Photographic Society) in Bristol from 20th November to 12th December 2021. With over 20 categories, ranging from the Politics of Food to Food Portraiture, the images from the Awards capture the great sweep of stories and cultures in the world of food.
For the photographers, some background to the equipment used. The third place image (top) was shot on my Lumix S1R with a Lumix S Pro 16-35mm f4.0 lens.
The finalist image (centre) was made using my Lumix S1 and Lumix S Pro 70-200mm f4.0 lens.
The shortlisted image (bottom) was made using my Leica M10-D and Leica 35mm Summilux ASPH FLE lens.
All images were shot in raw and processed in Lightroom Classic and finished in Exposure Software’s X6.
As the judges of the prestigious Travel Photographer of the Year competition, currently choose the winners for the main competition from the announced shortlist, the organisers have now opened the public vote segment for the People’s Choice award – the winner of which is chosen purely by visitors voting for their one favourite image. The winner will be announced in January together with all of the judged results of the awards.
There is some truly phenomenal photography in this segment and I’m thrilled that one of my images appears on the People’s Vote page. Please have a look and vote for your favourite shot. Should you choose image number 45, I will of course be most grateful!!
Voting is open until 21st January 2021.
The photograph was made when I was shooting a project for the L Mount Alliance, using a Sigma fp and a Leica 50mm APO-Summicron SL lens. The raw file was processed in Adobe Lightroom Classic and finished off in Exposure Software’s X6.
Many thanks and wishes for a much deserved happy new year for us all. Keep safe, keep well.
Very happy to share that for the second year running, the judges of the prestigious British Photography Awards have chosen two of my photographs for the award’s shortlist. This means that these two images are now eligible for the People’s Choice Awards and open to a public vote.
If you like either (or both!) my photographs, I would greatly appreciate your vote. You may vote vote for one image in each category. No registration is needed and it’s literally one click to cast your vote.
Happy to share some pleasant news from the 15th B&W Spider Awards. The judges have kindly given a Fashion Category Honourable Mention to my backstage photograph, taken at Joshua Kane‘s fantastically creative Mythical Creatures fashion show.
From the 6,378 entries, from 69 countries, these seven images were also nominated in their categories too.
All the photographs were naturally shot in raw format. These Lumix RW2 files (from the S1, S1R and G9) were then edited, captioned and processed in Adobe Lightroom. The monochrome conversions were then finished in Exposure Software‘s Exposure X5.
Wonderful to see the UK’s biggest show on photography persevere through having to be cancelled earlier this year due to the pandemic and return in this COVID 19 friendly, virtual form.
The Photography Show will be on this coming Sunday and Monday, September 20th and 21st. So, get some of your favourite snacks and drinks in stock, plump up the cushions on your favourite chair, fire up your computer or smart device and settle in to all things photographic.
Registration is free, so visit The Photography Show and register. There are a host of talks by some very talented friends and colleagues, as well as talks by the various camera and other equipment manufacturers.
21-Sep-2020 16:45– 17:15. Shooting an international campaign
I’m delighted to be presenting on one of the Main Stages this year. My presentation will be on “Shooting an international campaign“, on the Connect stage. I was thrilled to have been commissioned by Panasonic Lumix Japan to shoot the international launch campaign for the yet unannounced Lumix S Pro 24-70mm f2.8 lens. During my talk I’ll be sharing various aspects of how I prepared for and worked on the campaign, sharing my images as well as a behind the scenes video of me shooting one aspect of the project. I’m most thankful that Lumix UK have supported my presentations and will be hosting a live Q&A shortly afterwards.
21-Sep-2020 12:20– 12:50. Eyewitness: A global movement to preserve memory through the printed image
I’ll also be one of the photographers from the Eyewitness collective who will be part of a panel talk about the importance of having prints and why we’ve joined together as a global collective of concerned photographers, sharing our thoughts about the physical manifestation of the image and why we feel it’s crucial for us as individuals, as a society and also us as photographers; professional and enthusiast.