Category Archives: Leica

English Countryside

English countryside, around Royston, Hertfordshire. June 13,2011. Processed using Nik Software's Silver Efex Pro 2. Photo: Edmond Terakopian

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English Countryside, a set on Flickr.

The beauty that is the English countryside.

Most landscape photographers would probably cringe at shooting at anything but f8 or even smaller apertures. I spotted this scene from a dual carriageway and thankfully there was a side road which let me come off and explore it. I wanted to convey it in a softer, almost painterly manor and so shot the entire set on my Leica M9 using the 50mm f0.95 Noctilux wide open. As there was too much light, I had to use a B&W ND filter to allow me to shoot at f0.95.

These images are available on my Photoshelter site in the Places section.

World Trade Centre – NY

World Trade Centre, New York. A US flag is draped over a fence. New York, NY. May 19, 2011. Photo: Edmond Terakopian

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World Trade Centre – NY, a set on Flickr.

World Trade Centre Memorial Plaza, consisting of two pools with waterfalls set within the footprints of the Twin Towers. Image shows the partially completed One World Trade Centre (Freedom Tower - towards the left of the image). Construction work at the World Trade Centre, New York. May 21, 2011. Photo: Edmond Terakopian

As the tenth anniversary of the inhumanity carried out at the World Trade Centre approaches, construction workers work to finish building the various skyscrapers, including One World Trade Centre (also known as the Freedom Tower). Alongside these huge new buildings are two pools with waterfalls, placed within the footprints of the original Twin Towers. This and the memorial museum will make up the memorial plaza.

World Trade Centre, New York. New York, NY. May 19, 2011. Photo: Edmond Terakopian

This was a return visit the area; what once used the be literally awesome, where one could not see the tops of the towers from ground level and where taxi cabs were the size of ants when viewed from the roof, had now become the sad and depressing site of ground zero. The site of such inhumanity and sorrow.

World Trade Centre, New York. A pickup truck carries a 9/11 sticker as the World Trade Centre site is reflected in its rear screen. New York, NY. May 19, 2011. Photo: Edmond Terakopian

Battle of the Bokeh

Leica 50mm f0.95 Noctilux Vs Canon 50mm f1.2L

An interesting look at how the currently in production fastest lenses compare in look, specifically the way they render out of focus (or bokeh) areas. Still no idea what the correct way to pronounce this word is, but it’s an interesting little video by the Digital Rev folks.

Retrospective 5 Camera Bag

Think Tank Photo’s Smaller Shoulder Bag

Photographer Edmond Terakopian on assignment with a Retrospective 5 for his Leica gear and a Shape Shifter for his Mac; 10th commemoration of the September 11th terrorist attacks on the United States. American Embassy, Grosvenor Square, London, UK. September 11, 2011. Photo: LP

The one thing I have heard for a couple of years at trade shows when on the Snapperstuff stand, from Leica photographers or people with smaller DSLR outfits is “why don’t Think Tank do a smaller shoulder bag?”. Well, they do now and I got mine today!

Think Tank Photo Retrospective 5 in Pinestone. Shown with a Leica M9 and 50mm f0.95 Noctilux ASPH lens. May 06, 2011. Photo: Edmond Terakopian

It’s called the Retrospective 5 and comes in a natural canvas Pinestone and black. I have already been using the Retrospective 10, 30 and Lens Changer 2 from this range and must say that I absolutely love the range. They are extremely comfortable to wear, hugging your hip with their movable bases and extremely easy to work out of. They also blend in really well, most definitely not looking like camera bags.

Think Tank Photo Retrospective 5 in Pinestone. For size comparison shown with (L-R) Fuji X100, Olympus E-P2, Leica M9 and Leica X1. May 06, 2011. Photo: Edmond Terakopian

The Retrospective 5 has now become my Leica outfit bag. Considering how small it is, you might be a little stunned to find that I have the following inside:

Leica M9 with Leica 21mm Elmarit, 35mm Summicron, 50mm Noctilux and 90mm Summarit lenses. Also the Leica SF 24D flash, TTL extension cord, x2 ND filters, 21 mm Viewfinder, x1.25 Viewfinder Magnifier, Lightmeter, Spare Batteries, Think Tank Photo Cable Management 20, Pixel Pocket Rocket memory card holder and some other bits!

Think Tank Photo Retrospective 5 in Pinestone. Fully loaded with my Leica kit. May 06, 2011. Photo: Edmond Terakopian

The bag is also the perfect size for a small DSLR outfit (with a couple of lenses – eg Canon 5D MkII, 16-35mm f2.8L and a 50mm f1.2L) or a Micro 4/3 outfit like the Olympus E-P2 with several lenses and accessories.

I simply cannot recommend this bag highly enough for anyone who shoots with a Leica M or a Micro 4/3 outfit.

For the UK, check out Snapperstuff. For more info, have a look at Think Tank Photo.

Royal Wedding

My Reportage On The Wedding Of

Prince William To Kate Middleton

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It’s been a hectic few weeks. The pressure of the Royal wedding has resulted in many meetings, emails, phone calls and Tweets between colleagues, picture editors, technicians and press officers.

With a story as huge as this, with all of it’s logistical nightmares as far as security, bureaucracy, cost and locations are concerned, one photojournalist just couldn’t tell the entire story. Looking through the papers, “Fleet Street’s” finest did a superb job; there are stunning images of the couple from every angle and every moment covered by my colleagues. The page designers at the papers also pulled the stops out and produced magnificent work. The highest accolade though must be paid to photographer Max Mumby with his stunning picture of the couple driving away in the Aston Martin; The Times did an amazing job of running this as their front page and even went as far as doing a complete wrap with another wrap picture on the inside; genius. It’s these collection of images which told the story in it’s entirety. Although part of me really wanted to witness the wedding itself, I had other plans.

My way of covering the story was more aimed at the magazine market for which my agency Polaris Images specialises. I decided to look at how Londoners were effected by the wedding, starting from all the memorabilia being offered for sale to the Royal super fans camping out days before the event at Westminster Abbey and The Mall near Buckingham Palace. For this aspect I visited the super fans at night and also during the day.

For the actual day, I had spent well over a month talking with various people who were organising street parties and finally found what I hoped would be perfect for my needs; a small road in Brentford with a nice little pub called the Lord Nelson. On the day after a slow start it did end up offering some of what I had wished for!

For anyone wishing to buy images for publication, please contact Polaris Images or visit my Photoshelter site.

Technically, I used a Leica M9 and 50mm f0.95 Noctilux ASPH for the majority of this work. The first night was shot entirely on a Leica X1. For other shots, I used a Canon 5D MkII with the 135mm f2L, 45mm TS-E and 15mm f2.8 Fisheye. All image processing was done in Apple’s Aperture 3 and Nik Software’s Silver Efex Pro 2.

I’m thrilled to say that this project is also featured on Steve Huff’s website, where there is more information on behind the scenes stuff.

To see the entire edit of images, of which there is also a colour set, please visit:

(NB – although there are some identical images in both sets, they are different)

Flickr – B/W Set

Flickr – Colour Set

“Play Tricks With The Mind”

Street-20110401-042 by edopix
Street-20110401-042, a photo by edopix on Flickr.

This picture is fast turning into a favourite street shot. It’s at an art gallery in Bruton Street, London.

I originally shot it for Instruction #27 Street Photography Now Project.

“Bend the rules and play tricks with the mind; make documents of moments that have never existed.” – Peter Funch

It was taken with a Leica M9 and a 50mm Summicron lens. The RAW image was processed in Aperture 3.0 and converted to B/W using Nik Software’s Silver Efex Pro 2.