The Power Of Photographs
Following the RNOH film, I decided I wanted to do a different edit to our TAPTV film. My thoughts were to combine some photographs within the edit. At first I looked through the beautifully edited by Neil Patience film and realised that there were some nice still images within the footage. With Quicktime 7, I went back to the original Canon 5D MkII footage and exported some still images, particularly from the interview sections.
These images were imported into Aperture 3 where I processed them. For the B/W conversions I exported them into Nik Software’s Silver Efex Pro 2. Here I created four custom looks and these were applied to the images as appropriate. Using FCP X I then did an re-edit of the film, incorporating the images captures. I also used Red Giant’s Magic Bullet Looks 2 to grade the film slightly differently to our original.
Earlier this year, we decided that to coincide with the launch, it would be a great idea to shoot a proper photo reportage on the RNOH, so over a three and a half day period, using a Leica M9 and M9-P, I wandered the operating theatres, halls and wards (with the invaluable help from the fundraising and communications teams), making a set of pictures. I mainly shot the entire project using the Leica 50mm Noctilux APSH, the new 35mm Summilux ASPH and the 28mm Summicron.
These were first edited in Aperture for my agency Eyevine and once done, I set about incorporating them into my video edit. As before, Nik Software’s Silver Efex Pro 2 was used for the B/W conversions and I set about importing them into FCP X and making the new edit of the video.
There is something much more powerful with B/W imagery and for me, this version is even more powerful. It’s a full multimedia marriage of video, audio and photography. I’d love to know which version of the film you find stronger and why.
My biggest ask though is that if you were touched by this amazing place, please help in their redevelopment and donate to the RNOH fund. Thank you.
Lastly, here is a slideshow of my favourite photographs from the project: