Somehow completely forgot to share this good news from last year and receiving the certificate yesterday, jogged my memory! My photograph, “Onoto Magna Classic Sterling Silver Nib” received an Honorable Mentionin the Advertising Category of the 18th annual International Color Awards.
A stunning pen, photographed in extremely fine detail, in 100mp, on a Fujifilm GFX100II using a Fujifilm GF110mm f5.6 T/S Macro and lit with Profoto lighting. The raw file was processed in Adobe LightRoom Classic, on a Apple Mac Studio using calibrated Eizo CG monitors.
Onoto Magna Classic Sterling Silver. It is fitted with a 18ct gold fine nib and is available in a limited edition of 999. It has 3 gold-plated sterling silver cap bands with the sterling silver Onoto Chevron clip, plated in 23ct gold. London, UK. June 10, 2024. Photo: Edmond Terakopian
Very happy to share that several images were also nominated:
Nominee in Advertising | Leonardo Dodici Magmatica
Nominee in Fashion | Hello Kitty
Nominee in People | Jessica and Joost
Nominee in People | Pure Joy
Nominee in People | Wedding Day Fun
Nominee in Still Life | Onoto Magna Classic Sterling Silver
Nominee in Still Life | Shibui North Dragonfly Brass Seigaha
Happy to share that my photograph“Fun In The Rain” is a nominee in the Children Of The World category of the 20th annual Black and White Spider Awards.
A child plays in a puddle in the summer rain. Covent Garden, London, UK. July 06, 2025. Photo: Edmond Terakopian
The 102mp image, made on the Fujifilm GFX100RF was processed using the Fujifilm Acros raw profile in Adobe’s LightRoom Classic, on my Mac Studio using calibrated Eizo CG276 monitors. You can find my review of the GFX100RF here.
I’m extremely saddened to find out Brian Harris passed away yesterday (October 4th). He had a battle with cancer, winning mostly for quite a while, but sadly it finally took hold and he passed away peacefully at home. My condolences to his partner Nikki, his family and all close to him.
Brian Harris, after the Memorial Service for Tom Stoddart, at the Humble Grape wine bar near Fleet Street. Brian was always enthusiastic about photography. If you’re wondering why his Leica is minus its lens, its because he had happily lent me his Zeiss wide angle lens to shoot this group shot, from which I have made this crop. London, UK. May 26, 2022. Photo: Edmond Terakopian
A good 15 years before we first met, Brian had become a huge inspiration to me, through his work as chief photographer at The Independent, back when it was a broadsheet. Every edition, was a lesson of excellence in newspaper photography, writing and design.
Brian was due to give a talk organised by the BPPA, this coming week on October 8th – Assignments LIVE: An evening with Photographer Brian Harris.
I had written a short dedication to be read out at the event, but sadly, without Brian hearing it, I shall share it here:
“During the 90s, I was working on the Harrow Observer, having started my career in 1989. Although I visited many exhibitions by world renowned photographers and bought, when funds allowed, great photographic books, quickly, The Independent newspaper became my source of education and inspiration; my source for enveloping myself in great photography. As I became acquainted with the names of the exceptional photographers, one constantly stood out for me. Brian Harris. My daily ritual in my local paper’s newsroom was to track down a copy of the paper and immerse myself in the great work. Without knowing it and probably a good 15 years before we ever met, Brian Harris was a mentor. My teacher in great light, great composition, intelligent storytelling and working unconstrained by what the other photographers were doing, or what would be a safe shot. Thanks Brian.”
Brian was truly incredible. In later years he told me he would sometimes work with a 20mm and a 300mm. Just those two lenses! Always pushing creativity. Always looking at things differently. The most important thing which he did in my opinion, before accepting the position of chief photographer at The Independent, was making sure that it was acknowledged that photographers and writers had equal footing at the paper. On lesser papers, this is not the case, to the detriment of that publication. I was in awe when I heard of this.
Nick Turpin, one of the photographers at The Independent during that time writes:
“Extremely sad news, a great and fearless photographer, he astonished me with the things he would try and succeed at. He shot a vote in the House of Commons at night clean across the river Thames, he shot France from Kent getting both cliffs in the same shot. When I was 20 and working with him at The Independent, I had never seen shots like that. He also stood up for all our rights at the paper.
He inspired a whole generation of young photographers at that time in the 90’s and very much beyond.
On my first day at The Independent in August 1990, I arrived on the open plan newsroom floor and Brian was there, he came up to me, leant quite close to my face, plucked the lens caps from my two cameras and hurled them across the room, gleefully shouting ‘won’t be needing those!’.
I knew it was going to be a fun relationship with him from then on.
He was one of a kind.
Brian was already a very experienced ‘Fleet Street’ Photographer when he joined the newly formed Independent Newspaper. He quickly seized the freedom that was given to The Independent’s photographers and created his own brand of dark brooding, hand printed news imagery. From hard news stories to poetic grabbed moments during a busy day, Brian delivered both to the City Road Picture Desk.
Brian was passionate and driven, he lived the newspaper motto that you are only as good as your last picture, and was always focused on how to break boundaries and come back with something that exceeded expectations.
He was also generous with his time and advice for the younger photographers he worked with, many of whom have carved significant careers of their own. His professionalism and willingness to go the extra mile and not compromise, lives on in many of us.”
Absolutely delighted to share the good news that the international group of judges from the IAA have chosen to generously award my work, in amongst entries from 45 countries, with one gold and eight silver winners’ awards.
Late Night Conversations. Black & White Photography – People. Fujifilm GFX100RF.
Astonishingly, four of the nine photographs were made using the new Fujifilm GFX100RF which I had on loan to review (you can read my review on this blog).
“The International Awards Associate (IAA) is pleased to announce the exceptional winners of the 2025 Global Photography Awards. This year, under the theme “Framing the World,” the competition recognizes photographers from across the globe to capture unique interpretations of this ever-evolving world.”
Chef Marco Pierre White. Editorial Photography – Personality. Leica M10-D.
“Photography has the power to bridge continents, cultures, and perspectives. This year’s submissions reveal how photographers transform everyday moments into universal stories. Photographers have shown us that perspective is limitless, capturing landscapes, moments, and emotions that invite reflection while inspiring imagination,” said Thomas Brandt, spokesperson of IAA.
In Conversation With Celebrity Chef Marco Pierre White. Editorial Photography – Celebrity. Leica M10-D.
The awarded work is a mixture of magazine assignments, personal work as well as photographs made during this summer’s Passionate Photographer London Street Photography Masterclass. If you fancy joining us for our fifth annual week long workshop in 2026, see my friend and colleague Steve Simon’s website.
As always, the raw files were processed in Adobe’s LightRoom Classic, on my Mac Studio using a pair of calibrated Eizo CG276 monitors.
Actress Hazel Collinson. Editorial Photography – Personality. Leica M10-D.Alternate Ripples Of Reality. Black & White Photography – Street. Fujifilm GFX100RF.Scooter Drivers On A Break. Editorial Photography – Contemporary Issues. Fujifilm GFX100RF.Michelin-starred chef Richard Corrigan. People Photography – Portrait. Leica M10-D.Michelin-starred chef Richard Corrigan in his kitchen. Editorial Photography – Documentary. Leica M10-D.Into The Light; Out Of The Shadows. International Photography – United Kingdom Photography. Fujifilm GFX100RF.A joyful montage to celebrate! Photo: AE
Extremely happy to share that my photograph, “Heavy Summer Rain”, has won Gold in the European Photography Awards! It was an award winner in the ‘Black & White Photography – Street’ category.
Many thanks to the team of international judges for choosing this image, from the thousands of entries, spanning 30 countries.
A child plays in a puddle in the summer rain. Covent Garden, London, UK. July 06, 2025. Photo: Edmond Terakopian
The 102mp image, made on the Fujifilm GFX100RF (which I have reviewed), was processed in Adobe’s LightRoom Classic, with the Fujifilm Acros raw profile, on my Mac Studio using calibrated Eizo CG276 monitors.
It was such an honour to be invited by AP Magazine to pay tribute and to honour the wonderful and inspiring Sebastião Salgado, who very sadly passed away earlier this year.
Festival of Photography – Documentary, Amateur Photographer Magazine. Panel talk: Sebastião Salgado tribute. L-R: Ian Berry (Magnum Photos) and Nigel Atherton (AP Magazine’s editor). The Royal Geographical Society, 1 Kensington Gore, London, UK. August 09, 2025. Photo: Sophie Ward
The event was organised by Amateur Photographer Magazine and called Festival of Photography – Documentary, at The Royal Geographical Society in London. The tribute panel closed the day’s talks to a practically packed out Everest Room.
Festival of Photography – Documentary, Amateur Photographer Magazine. Panel talk: Sebastião Salgado tribute. Edmond Terakopian (photojournalist) in conversation. The Royal Geographical Society, 1 Kensington Gore, London, UK. August 09, 2025. Photo: Sophie Ward
The talk was chaired by Nigel Atherton (AP Magazine’s editor) and involved a conversation between Ian Berry (Magnum Photos), Neil Burgess (agent) and myself.
Festival of Photography – Documentary, Amateur Photographer Magazine. Panel talk: Sebastião Salgado tribute. L-R: Edmond Terakopian (photojournalist) and Neil Burgess (agent). The Royal Geographical Society, 1 Kensington Gore, London, UK. August 09, 2025. Photo: Sophie Ward
With thanks to Sophie Ward for the wonderful photographs from the event.
[general caption] Festival of Photography – Documentary, Amateur Photographer Magazine. Panel talk: Sebastião Salgado tribute. L-R: Edmond Terakopian (photojournalist), Neil Burgess (agent), Ian Berry (Magnum Photos) and Nigel Atherton (AP Magazine’s editor). The Royal Geographical Society, 1 Kensington Gore, London, UK. August 09, 2025. Photos: Sophie Ward.
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