Category Archives: Camera Equipment

So You Want To Be A National Geographic Photographer

Randy Olson; Adapting To The Assignment

It’s perhaps the dream job for most photographers; to be on assignment for the “Geographic”. It most certainly is one of mine. However, perhaps we don’t fully appreciate the lengths their commissioned photographers go to, to make the amazing images that grace the pages of the magazine.

Photographer Randy Olson shows how a job in Easter Island involved normal photography, astro photography, underwater photography and perhaps the most challenging of all, aerial photography using a kite, an Apple MacBook Air and an Apple iPad.

Behind The Scenes

On Assignment In Vancouver

A short video of me on assignment covering Virgin Atlantic’s inaugural flight to Vancouver with Sir Richard Branson (Founder and President of Virgin Atlantic) and Olympic gold medallist Amy Williams. 

On Assignment, Vancouver 2012 from Edmond Terakopian on Vimeo.

Video by Andy Reik, Dust*

Photos by Edmond Terakopian

With thanks to Leon Schlesinger, TVC

Additional Audio by Simon White, Airtime TV

A set of photographs from this assignment can be viewed on my Flickr Stream.

ioShutter Review

The Ultimate Timelapse Tool?

It was one of those “oh, wow!” moments. In 2011, at Focus On Imaging, I was chatting with James Madelin from Enlight (the makers of the Orbis and Frio). He shared with me his plans for an iPhone app that could control remote firing a DSLR. I thought it was a cool idea to have a cable release always with you, so was impressed at this simple, yet extremely helpful idea. Then, I got more impressed as he expanded on the project, sharing that it was in fact a complete intervelometer allowing full control over time and frequency of shots.

Behind the scenes as Sotheby’s prepares the Gunter Sachs Collection ahead of the sale on May 22nd and 23rd, 2012. The IO Shutter in action with a Canon 5D MkII, on a time lapse. It is being triggered by an iPad 3 in the Sotheby’s bag. Sotheby’s, New Bond Street, London. May 17, 2012. Photo: Edmond Terakopian

I now have this rather super ioShutter cable with me and it has become part of my regular camera kit. The interface is just genius and very intuitive to use. It also works on the iPad and newer iPod Touches. To control the camera, one has to download the ioShutter app from the iTunes App Store. There is a free version with limited ability or the full on pro version offering much more control. Naturally, I would fully recommend the Pro version of the app to allow full creativity.

I had an assignment at Sotheby’s to make a timelapse video of the Gunter Sachs show being set up. I had three cameras on the go, covering various angles and rooms. For an overhead, fisheye type shot, I had my GoPro HD Hero clamped around a lighting rail using a large Joby Gorillapod (tripod). I had one of my Canon 5D MkII cameras on a tripod being triggered by a Pocket Wizard MultiMax which I’d put into intervalometer mode. On my other 5D MkII I had my iPad attached, using the ioShutter cable. First problem was finding a way to attach the iPad and a Sotheby’s carrier bag proved an elegant and workable solution!

I made sure the volume on the iPad was turned way up (as the IO Shutter cable plugs into the headphone jack), set my duration between shots to five seconds and set it to shoot. First attempt in the field and no problems. The app and cable worked perfectly.

This assignment started around 9.30am and finished around 5.00pm and the system just worked. I carry my Pocket Wizards in my location lighting bag, so unless I’m planning to use them, the Pocket Wizards aren’t always with me. With the ioShutter, I have the cable now in my Think Tank Photo Airport International roller, so it’s always there. I also always have my iPhone and usually my iPad with me, which now means that if see an opportunity for a timelapse, I can just shoot it.

Screen shots of the ioShutter Pro App.

Compared to the Pocket Wizard MultiMax, it’s also a cheaper option, with the camera control cable on the MultiMax costing considerably more. It also has various other uses, as a timer or a sound triggered release too. Lastly, it’s available for Canon and Nikon DSLRs.

Thinking back to our first chat about the ioShutter, I was very excited by the idea but had doubts about it materialising as it was just too good! Well, it’s here, it’s real and it’s genius. Very highly recommended.

If you’re in the UK, you can get the IO Shutter cable from Snapper Stuff.

The Leica M Monochrom Hands On Review

The King Of The Tones?

Opening of the Leica Studio-S, 27 Bruton Place, Mayfair. Portraits of photographer Edmond Terakopian trying out the new Leica M Monocrom and APO-Summicron-M 50mm f/2 ASPH. May 16, 2012. Photo: By Brett / http://www.bybrett.com

I have to admit that when I first read rumours of a black and white Leica M, I thought it would never happen. When I saw the announcements, I was a tad surprised, until I saw the images. Such tonal range and amazing detail at very high ISOs all of a sudden made so much sense.

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 640 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 640 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

I was fortunate enough to be able to try out a pre-production Leica M Monochrom today, along with the astonishingly great Leica APO-Summicron-M 50mm f/2 ASPH. In my enthusiasm to shoot with the camera I unfortunately didn’t check to see if the camera was set to RAW, so all these test images are from jpegs which I have processed a little in Aperture. Naturally RAWs produce the best files, so take these jpegs, which have been saved again as jpegs and thus degraded the image quality (especially at higher ISOs) as a guide. Even so, they are amazingly good!

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 8000 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 8000 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 10,000 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

Test shots with the Leica M Monochrom and APO-Summicron-M 50mm f/2 ASPH. Camera was set to jpeg. 10,000 ISO. ***All shots on a pre-production Leica M Monochrom***. May 16, 2012. Photo: Edmond Terakopian

One of the great aspects of the launch event for the press at Leica Mayfair’s S-Studio was being able to discuss the camera with friends and colleagues.

Photographer Ian Berry from Magnum Photos tries out the new Leica M Monochrome. May 16, 2012. Photo: Edmond Terakopian (Image shot on an M9-P and processed in Silver Efex Pro 2)

Photographer Ian Berry from Magnum Photos tries out the new Leica M Monochrome. May 16, 2012. Photo: Edmond Terakopian (Image shot on an M9-P and processed in Silver Efex Pro 2)

I must admit to being blown away and yearn to be able to work in black and white like the good old days!

The huge thing with this camera is not needing the bayer filter in front of the sensor. This makes the sensor much better at picking up ultra fine detail and a wider tonal range, not to mention it’s ability to produce really gorgeous files at 8000 ISO. Just playing with these jpegs it’s clear to me that Leica have in fact pulled off a master stroke of absolute genius. I can’t wait to get my hands on this camera again, shoot in DNG and process them properly through Aperture. It is going to be lush!

For a full set of images taken with the M Monochrom, visit my Flickr stream.

The B&W Connoisseur’s Camera?

The  Leica M Monochrom

Leica M Monochrom. Photo: © Leica

It does at first glance appear a tad odd; a digital camera that only shoots in black and white. There are two types of photographer who this camera will appeal too though; the high end enthusiast who is into monochrome photography and also the established professional photographer who has made a name for themselves by shooting black and white.

I’m very much hoping to do a hands on review soon, but meanwhile, Andreas Jürgensen from the Leica Forum has done an interesting video review.

The camera certainly appears not to be a Leica M9 which just shoots in B&W. It does indeed have a brand new sensor and it’s ISO range is upped to 10,000. Watching the video and listening to Andreas’ conclusions, the camera produces noiseless images at 3200 ISO and absolutely usable images at 8000 ISO. The sensor also renders massive amounts of micro detail. This camera appears to be an astonishing tool; an interesting concept brought to life with a brave decision making by Leica and also executed in a magnificent way. I really cannot wait to shoot with this camera and make some prints on my iPF6300 and Hahnemuhle paper!

Update: I’ve just read a fantastic piece by Jonathan Slack on the Leica M Monochrom; well worth a read and definitely check out the wonderful gallery of images.

Update: There are some images by Magnum Photos photographer Jacob Aue Sobol on the Leica M Monochrom site that are well worth checking out.

Absolute Craftsmanship; Sheer Beauty

Leica M9-P Edition Hermès

Leica M9-P ‘Edition Hermès’. Photo: © Leica

For me cameras and lenses are tools which let me create pictures to convey stories. I decide to choose the best tools for my way of working, which is why for most of my career, I have chosen Leica. Every once in a while though, Leica produce cameras which are probably never going to be used as a tool, but become works of great craftsmanship; objects of absolute beauty; works of art. I must admit that every once in a while, I do look upon some of these creations with great admiration from an aesthetic point of view and from appreciation of great craftsmanship. Having looked at the M9-P Edition Hermes, I feel this admiration again.

To quote from the Leica press release:

“The Leica M9-P ‘Edition Hermès’ is offered in a choice of two different sets, containing either one or three lenses. Compared to the standard versions, the lenses included in the sets also reveal numerous differences in design, ensuring perfect harmonisation between the cameras, their lenses and accessories.

The first of the Leica M9-P ‘Edition Hermès’ sets will be available in May 2012, in a worldwide limited edition of 300. In addition to the camera, the set includes a silver-anodised Leica Summilux-M 50mm f/1.4 ASPH. lens.

This will be followed by a very special set, which will be available in June 2012. The Leica M9-P ‘Edition Hermès’ – Série Limitée Jean-Louis Dumas, in a strictly limited edition of only 100 sets, is a celebration of the friendship and collaboration between Jean-Louis Dumas, the former president of Hermès, who died in May 2010, and Leica Camera AG. The camera in this set is accompanied by three lenses: a Leica Summicron-M 28mm f/ 2 ASPH., a Leica Noctilux-M 50mm f/0.95 ASPH. and a Leica APO-Summicron-M 90mm f/2 ASPH., all featuring a stunning silver-anodised finish.

Leica M9-P ‘Edition Hermès’ – Série Limitée Jean-Louis Dumas. Photo: © Leica

This unique collection of photographic equipment finds a fitting home in a hand-finished Hermès camera bag that is available exclusively as a part of this second set. This is the first Leica camera bag ever to have been created by Hermès, a company world-famous for its manufacturing excellence. As homage to Jean- Louis Dumas, a Leica photographer, the second set also includes a book with a selection of his pictures. On 190 pages, this photographic work in two volumes shows an entertainingly diverse portfolio of 200 black-and-white images captured by Jean-Louis Dumas with his Leica M camera.

The Leica M9-P ‘Edition Hermès’ is scheduled to be available in the UK from May 2012, at a UK suggested retail price of £18,000 inc VAT. The Leica M9-P ‘Edition Hermès’ – Série Limitée Jean-Louis Dumas is scheduled to be available in the UK from June 2012, at a UK suggested retail price of £36,000 inc VAT. In the UK, both cameras will be available exclusively from the Leica Store Mayfair, 34 Bruton Place, London W1J 6NR. Tel: 020 7629 1351, www.leica-storemayfair.co.uk  ”

Although way outside of the league of most working photographers, it is a thing of beauty; the camera, the lenses, the gorgeous bag and even the box.