Amateur Photographer Magazine

A Tribute To Leica; Double Page Interview

Amateur Photographer magazine's Leica tribute issue, containing a double page spread interview on my "Love Your Job" photograph. July 18, 2014. Photo: Edmond Terakopian

Amateur Photographer magazine’s Leica tribute issue, containing a double page spread interview on my “Love Your Job” photograph. July 18, 2014. Photo: Edmond Terakopian

It’s always nice to be featured in magazines and this week’s Amateur Photographer magazine (June 19, 2014) has a double page spread about my “Love Your Job” photograph. Fittingly, as the issue is a tribute to Leica’s 100th anniversary, the image was made on my Leica M9.

Nikkor 8mm Fisheye On A Leica M Type 240

The Joy Of Mirrorless Cameras

The inside of a washing machine drum, photographed on a fisheye lens. July 07, 2014. Photo: Edmond Terakopian Shot using a Nikkor 8mm Fisheye lens on a Leica M (Type 240), using a Novoflex Nikon to Leica M adapter.

The inside of a washing machine drum, photographed on a fisheye lens. July 07, 2014. Photo: Edmond Terakopian
Shot using a Nikkor 8mm Fisheye lens on a Leica M (Type 240), using a Novoflex Nikon to Leica M adapter.

One of the joys of mirrorless cameras is the ability to mount practically every lens made by every manufacturer, using the appropriate adapter. The Leica M rangefinder, being the mother of all mirrorless cameras (going back to 1954), made the perfect camera to try out my old, vintage Nikkor 8mm f8 fisheye lens. Especially as the camera has a full frame sensor so can display the circular fisheye perfectly. With the Leica M (Type 240)’s Live View, the camera was ideal.

Nikkor 8mm Fisheye Lens On Leica M (Type 240) Test, using Novoflex adapter. London. July 06, 2014. Photo: Edmond Terakopian

Nikkor 8mm Fisheye Lens On Leica M (Type 240) Test, using Novoflex adapter. London. July 06, 2014. Photo: Edmond Terakopian

Nikkor 8mm Fisheye Lens On Leica M (Type 240) Test, using Novoflex adapter. London. July 06, 2014. Photo: Edmond Terakopian

Nikkor 8mm Fisheye Lens On Leica M (Type 240) Test, using Novoflex adapter. London. July 06, 2014. Photo: Edmond Terakopian

Photographing the inside of a Bosch washing machine drum. Nikkor 8mm Fisheye Lens On Leica M (Type 240) Test, using Novoflex adapter. London. July 07, 2014. Photo: Edmond Terakopian

Photographing the inside of a Bosch washing machine drum. Nikkor 8mm Fisheye Lens On Leica M (Type 240) Test, using Novoflex adapter. London. July 07, 2014. Photo: Edmond Terakopian

My favourite lens adapters are made by Novoflex (available in the UK from Speed Graphic). With a lot of research and help from the wise folks at the Leica Users Forum, we deduced that the Nikkor would fit (it has a very deep rear element. When used on an SLR, the mirror has to be locked up before the lens is mounted).

***DISCLAIMER – you need to realise that mounting any non standard lens to your camera has it’s own risks. Do your research carefully as you will have to take full responsibility if anything goes wrong! I am not liable for any mistakes, accidents or damage and do not encourage you to try this!***

Nikkor 8mm Fisheye Lens On Leica M (Type 240) Test, using Novoflex adapter. London. July 06, 2014. Photo: Edmond Terakopian

Nikkor 8mm Fisheye Lens On Leica M (Type 240) Test, using Novoflex adapter. London. July 06, 2014. Photo: Edmond Terakopian

These are early days and I’m going to explore using this circular fisheye, but I wanted to share the journey so far. The only proper picture I’ve made so far is the washing machine drum, but there will be more to come, so keep an eye on my Flickr page!

More Nikkor 8mm Fisheye on Leica pictures HERE.

Nikkor 8mm Fisheye Lens On Leica M (Type 240) Test, using Novoflex adapter. London. July 06, 2014. Photo: Edmond Terakopian

Nikkor 8mm Fisheye Lens On Leica M (Type 240) Test, using Novoflex adapter. London. July 06, 2014. Photo: Edmond Terakopian

Nikkor 8mm Fisheye Lens On Leica M (Type 240) Test, using Novoflex adapter. The stairwell. London. July 06, 2014. Photo: Edmond Terakopian

Nikkor 8mm Fisheye Lens On Leica M (Type 240) Test, using Novoflex adapter. The stairwell. London. July 06, 2014. Photo: Edmond Terakopian

Apple Drops Aperture

Aperture Will Cease To Be Developed

Sadly, Apple announced on June 27th, 2014 that it was no longer going to develop Aperture. It is indeed a sad announcement and one that was upsetting in many ways. Aperture has been my platform of choice for over seven years, for all my image processing, organising and archiving. Even my video and audio work go through Aperture. The news even resulted in a  sleepless night; I must have woken up five times and every time I awoke, I was thinking about how my workflow is going to cope with the loss of my favourite software.

A screenshot of Aperture v3. Photos © Edmond Terakopian /2014

A screenshot of Aperture v3.5.1. Photos © Edmond Terakopian /2014

The announcement from Apple:

“With the introduction of the new Photos app and iCloud Photo Library, enabling you to safely store all of your photos in iCloud and access them from anywhere, there will be no new development of Aperture,” Apple said. “When Photos for OS X ships next year, users will be able to migrate their existing Aperture libraries to Photos for OS X.”

The Future For Aperture Users

The good news is that there’s no need to panic and take immediate action. When Yosemite, the next version of Apple’s OS X is released this coming autumn, I’ve been told that Aperture will be updated to work with it. Also, as the raw updates are OS based, all new raw updates will work within Aperture. What this means is that after launch, Aperture will carry on functioning fully for a 12-18 month period. So no need to panic and take drastic action. The new Photos App is set to release early 2015.

Apple's new Photos App for OS X Yosemite. Photo: Apple

Apple’s new Photos App for OS X Yosemite. Photo: Apple

Apple and Adobe are working together to come up with a way to help Aperture users who wish to move over to Lightroom, the logical choice, to migrate their libraries of images over. However, the biggest problem and one which seems insolvable (at least for now) is that Aperture adjustments won’t translate into Lightroom adjustments. Hopefully all metadata, library structure, versions of files and naturally all the raws will come across ok.

Another upgrade path for those Aperture users who aren’t professional or advanced enthusiasts, is Apple’s own forthcoming Photos App. Certainly the first version of the App seems to be very much consumer. However as Apple updated and upgraded FCP X, maybe Apple will do the same with Photos and it will on later releases have Aperture’s functionality? This is pure speculation and hope on my part.

Personally, my course of action is going to be waiting to see what and how the migration tool(s) will work. I have an Aperture archive of well over half a million images, spanning decades of work, so any decision I make cannot be done lightly and without research. Apart from migrating my libraries of work, I also have to update all of my onsite and offsite backups to work with whatever my new system will be. It’s highly likely to be Lightroom, but it does all depend on how things pan out. It’s worth keeping hold of your Aperture libraries for now, just to see how the Photos App develops; who knows, perhaps future versions will be of professional spec?

I’ll also be writing to Apple to explain why I think dropping Aperture is a bad idea and hope they may reconsider; I would urge others to do so too. You can feedback via this LINK.

Lastly, please share this article to help Aperture users from realising there’s no need to panic and there is time to plan a perfect strategy for each user’s needs.

Further Reading

Aperture Expert

DSLR bodies

 

Finalist In Rode Reel 2014

Best Documentary Finalist

"Action". Edmond Terakopian shooting 1 Sixpence 1 Play pinball film. Photo: Magda Rakita

“Action”. Edmond Terakopian shooting 1 Sixpence 1 Play pinball film. Photo: Magda Rakita

We’re absolutely delighted to share that our short documentary film on pinball is a finalist in the Rode Reel 2014 competition. Our team of Magda Rakita and Neil Patience (TAP TV) would like to thank Rode Microphones and Philip Bloom who was the judge for the category.

Rode Reel Title

We’d like to congratulate all the winners; some exceptional work. You can view the entries HERE.

The film, 1 Sixpence 1 Play, was shot on a pair of Olympus OM-D E-M1 cameras and Olympus lenses. We also used a GoPro Hero 3+ Black Edition for a few shots from on the play field. All audio was recorded onto a Roland R26 using various Rode microphones. The films (including the behind the scenes) were edited using FCP X on a Mac Pro, using Eizo monitors and Event Opal audio monitors for the sound edit. For a more detailed post on this, including the behind the scenes video, please see HERE.

rode documentary finalists 2014

My Rode Reel 2014 Finalist Page

40th International Features Conference

IFC 2014; Leipzig

Official opening of the IFC (International Features Conference) by Peter Leonard Braun, also called Leo (German feature-maker), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 11, 2014. Photo: Edmond Terakopian

Official opening of the IFC (International Features Conference) by Peter Leonard Braun, also called Leo (German feature-maker), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 11, 2014. Photo: Edmond Terakopian

I was honoured to have been invited to speak at the 40th International Features Conference (IFC) in May, which took place in the delightful town of Leipzig in Germany. I need to point out though that the IFC is about radio; it’s a conference which gets together the best in radio features journalists. My talk? Well, my talk was naturally going to be about photography.

Official opening of the IFC (International Features Conference). Lorelei Harris (RTE) listens to the opening speech from the stage. Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 11, 2014. Photo: Edmond Terakopian

Official opening of the IFC (International Features Conference). Lorelei Harris (RTE) listens to the opening speech from the stage. Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 11, 2014. Photo: Edmond Terakopian

Initially, it seems to most that the concept of having photography spoken about to folks whose medium is radio, simply is a tad bizarre; one is a visual discipline whilst the other is purely about audio. However, photography, audio (and other forms of story telling) are only the end tool. The initial steps in finding a story; dissecting it, checking it out journalistically, planning out how to convey it, are in fact all the same. It’s only the end tool, the tool of delivery which differs.

At the opening of the IFC (International Features Conference) by Peter Leonard Braun, also called Leo (German feature-maker) and Edmond Terakopian, Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 11, 2014. Photo: Li Hong

At the opening of the IFC (International Features Conference) by Peter Leonard Braun, also called Leo (German feature-maker) and Edmond Terakopian, Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 11, 2014. Photo: Li Hong

The main hall at the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. The delegates listen to features programmes which will then be discussed in smaller groups. May 14, 2014. Photo: Photo: Edmond Terakopian

The main hall at the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. The delegates listen to features programmes which will then be discussed in smaller groups. May 14, 2014. Photo: Photo: Edmond Terakopian

I was fortunate to be able to attend the conference in full and was rewarded by hearing some absolutely astonishing work, from across the world. After listening to a couple of productions, we would break into our smaller groups and discuss these at length. I must admit to being extremely shy in opening my novice mouth and giving an opinion in this world of radio at first, but soon the shyness went and I found myself deep in conversation and discussion with the best people on the planet in this genre of features work. Absolutely fascinating.

IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. Tina Kunath and the delegates discuss the features programmes listened too earlier in the main hall. May 14, 2014. Photo: Photo: Edmond Terakopian

IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. Tina Kunath and the delegates discuss the features programmes listened too earlier in the main hall. May 14, 2014. Photo: Photo: Edmond Terakopian

IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. Thomas Martin Gasser (ORF) and the delegates discuss the features programmes listened too earlier in the main hall. May 14, 2014. Photo: Photo: Edmond Terakopian

IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. Thomas Martin Gasser (ORF) and the delegates discuss the features programmes listened too earlier in the main hall. May 14, 2014. Photo: Photo: Edmond Terakopian

What really astonished me as the week went on was just how vivid a picture radio can paint; how gripping, deep, gentle, forceful, subtle and layered a good piece of radio work can be. Absolutely brilliant. I also had the absolute joy of meeting some fascinating people and making a few friends along the way. You all know who you are and I’d like to thank you for making the conference even more special than it already was.

IFC Leipzig 2014 Group Shot. IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Photo: Bernd Cramer/MDR

IFC Leipzig 2014 Group Shot. IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Photo: Bernd Cramer/MDR

To those, like me, who haven’t really listened to radio features work, I absolutely recommend listening to this short and extremely powerful piece by Kathy Tu from the USA.

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Li Hong

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Li Hong

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Drinks after the IFC, Leipzig, Germany. Radio documentary makers Andre Cunha (Portugal), Charlotte Rouault (France) and Ljubo Pauzin (Croatia) in conversation about the day's presentations. May 14, 2014. Photo: Edmond Terakopian

Drinks after the IFC, Leipzig, Germany. Radio documentary makers Andre Cunha (Portugal), Charlotte Rouault (France) and Ljubo Pauzin (Croatia) in conversation about the day’s presentations. May 14, 2014. Photo: Edmond Terakopian

1 Sixpence 1 Play

Rode Reel Entry For 2014

Two days of shooting, many days of editing; a collaboration with the assistance of Magda Rakita, who also shot the “Behind The Scenes” film and the talented Neil Patience, from TAP TV, who gave direction on the editing, and our new short documentary film is done.

It’s a story on James Millham who is a pinball enthusiast. A collector and renovator of machines from a pre-Space Invaders era, James says the best thing about his hobby is playing the games.

We shot this film for the Rode Reel 2014 competition. Part of the competition is the People’s Choice prize. If you liked our films, we’d really appreciate your support. Kindly take a few seconds and vote for us; we’d be tremendously grateful!

CLICK HERE TO VOTE FOR “1 Sixpence 1 Play”;

Thank You!!

Preparing a pair of Olympus OM-D E-M1s for the first shot of the day. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Preparing a pair of Olympus OM-D E-M1s for the first shot of the day. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

"Action". 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

“Action”. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

A Rode VideoMic Go on an Olympus OM-D E-M1. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

A Rode VideoMic Go on an Olympus OM-D E-M1. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Testing the Rode NTG3 is connected properly to my Roland R26. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Testing the Rode NTG3 is connected properly to my Roland R26. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Magda Rakita filming the behind the scenes action. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Magda Rakita filming the behind the scenes action. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Gitzo carbon fibre tripod and fluid video head keeping things nice and steady. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Gitzo carbon fibre tripod and fluid video head keeping things nice and steady. 1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

1 Sixpence 1 Play pinball film frame grabs. Photo: Magda Rakita

Editing the piece on FCP X and a pair of calibrated Eizo CG277 monitors. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Editing the piece on FCP X and a pair of calibrated Eizo CG277 monitors. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Editing the piece on FCP X and a pair of calibrated Eizo CG277 monitors. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

Editing the piece on FCP X and a pair of calibrated Eizo CG277 monitors. 1 Sixpence 1 Play pinball film frame grabs. Photo: Edmond Terakopian

DataColor Webinar Recording

Reportage & Street Photography

For those who couldn’t join in live on my webinar earlier this week, courtesy of DataColor, here’s a recording of the webinar. It lacks the Q&A which went on for around 30 minutes after, so feel free to post questions here instead.