I’ve just come across the work of Zoriah. I must admit to not being aware of his work, but he has some very powerful images and a very interesting blog.
Posted in Photography, Pictures
| The W. Eugene Smith Memorial Fund wishes to remind all that call for submissions to its 2008 Grant in Humanistic Photography is still open for entries. Application deadline for the coming W. Eugene Smith Grant in Humanistic Photography is July 15, 2008. Photographers interested in applying may download an application at: We hope you will spread the word by email to photographers in your communities and to emerging photographers who might still not be aware of the Grant. The W. Eugene Smith Grant is presented annually to a photographer whose past work and proposed project, as judged by a panel of experts, follows the tradition of W. Eugene Smith’s compassionate dedication exhibited during his 45-year career as a photographic essayist. For 2008, the Smith Grant will be $30,000, with an additional $5,000 in fellowship money also to be given at the discretion of the jury. The Grant recognizes photographers who have demonstrated a commitment to documenting the human condition. The grant program is independently administered by the W. Eugene Smith Memorial Fund and is funded in part with contributions from Digital Railroad, Getty Images, The Mona Fund, and Open Society Institute. Winners receive their awards in a ceremony held in New York City in October One of the most prestigious honors in photojournalism, the Smith Grant was established in 1978 following the death of Smith, the legendary photo essayist, by his friends Howard Chapnick, Jim Hughes and John Morris to perpetuate his work and spirit. The grant program provides photographers with the financial freedom to envision and carry out major photographic studies. Applicants are also asked to provide a resumé of educational and professional qualifications along with evidence of photographic ability in the form of photographic workprints (8”x10” prints preferred, and no more than 40), and/or photocopies, duplicate transparencies, contact sheets and clippings of published stories. Digital images will be considered only if delivered as low-resolution jpegs on a CD or DVD (no RAW files, TIFF files, or on-line applications). The Smith Fund’s executive committee appoints a three-person jury each year to review the applications and proposals. The jury meets twice, first to select finalists. The finalists are then asked to submit a comprehensive photographic portfolio, to write a more details and focused proposal and to answer questions about the project. At their second meeting, the jury reviews the new material and selects the grant recipient and the recipient of the additional fellowship. The recipient must warrant that the project in progress is ongoing, and agree to provide the Fund with a set of photographs when the project is completed. The photographs will be housed as part of the permanent W. Eugene Smith Legacy Collection at the ICP. There is no entry fee. The application advises that preliminary material will be returned only when accompanied by appropriate packaging and sufficient U.S. postage or its equivalent in U.S. dollars or prepaid return Delivery Form by courier. The Fund is not responsible for loss or damage. Please send all submissions to: W. Eugene Smith Fund c/o ICP For any and all questions please email: |
Posted in News
Posted in Photography, Pictures
As a Canon user the answer to this is pretty obvious to me. However, having been asked this question, I thought I’d share my answer here.
Posted in Camera Equipment, viewpoint
It certainly seems the folks at Nikon have been busy. There had been a few rumours on the net about the Nikon D700, and now the full facts are out:
Posted in Camera Equipment, News
Who will take the crown of best DSLR; the Canon 1D MkIII or the Nikon D3?
“Being a working press photographer in London, I come into contact with a lot of photographers. Strangely, photographers from competing news organizations are best of friends once the action of the assignment dies down. Even stranger, Canon and Nikon users live in perfect harmony. Amongst press photographers, brand loyalty is perhaps not as strong as amongst other groups of photographers, and we speak quite openly about issues with gear; both good and bad.
For several years, colleagues who have shot on the Nikon D2 series of cameras have constantly complained on its noisy images and the fact that they can’t shoot at anything approaching 800 ASA and upwards. There were also complaints that Nikon refused to look at full frame cameras and kept insisting that the DX format was the best way to go. Canon users on the other hand were worried about their brand new 1D MkIII cameras and shooting in AI Servo mode in bright light. Thankfully for both camps, it looks like the two giants of DSLR manufacturing have been listening”.
I have done a hands on review of both these cameras for the BJP (British Journal of Photography) out on July 2nd. If you’re interested to read the rest of the article, get yourself a copy. Also in the same issue is coverage of the winning images from PPY (Press Photographers’ Year), showing the best of British press photography from 2007.
Posted in Camera Equipment, News, viewpoint
Photo This & That 