Category Archives: viewpoint

Too Much Reliance On Photoshop

I grew up shooting film and got into the profession when we were shooting black and white film for the papers. There was always the art of the darkroom where pictures were brought to life, but for colour, one had to basically reply on getting it right in camera for colour negative and much more so for slide film.

Compared to Photoshop, the level of change one could bring to a black and white image in a darkroom was miniscule. We now live in a digital age and I have for the most part embraced this age of megapixels and terabytes and given up the days of D76 and Multigrade. However, these are just tools and the importance of the photograph is as has always been; there is a purity and a challenge to get it right in camera and I for one will keep this approach to photography. If we’re talking of any form of photojournalism, then the viewer has to be able to trust the image and its content.
I’ve lectured and made presentations in several venues, including Cambridge University, and judged several competitions as far and wide as the Russian Press Awards to the British Regional Press Awards. The one thing that I’m seeing more and more, as each generation of photographer who joins our ranks of professional image maker, is the total reliance of all things digital and binary, and up to a point, a loss in the purity of getting it right; the art of taking a picture.
My comments aren’t about the aesthetic of composition, the content nor the timing, but the finished product. Photoshopping, to Photoshop, has become a commonly used verb, and alas has also become a commonly used technique to spruce up a picture. I’m not talking about the extreme crimes of removing or adding elements, but of ridiculous use of contrast, saturation, luminance, dodging, burning and masking. I see this more and more.
Recently, three Danish photographers were asked to submit their RAW files to the Picture of the Year competition in Denmark. The judges felt that they could not trust the images they were looking at and wanted to see the original untouched images. I for one applaud this. Photography is about presentation, but most of it is actually in the picture taking part. Its more challenging and is harder, but trust me, its so satisfying when you get it just right.
Give it a try! Set your camera’s to shoot neutrally. Zero adjustment on all things and take the time and care to expose your images properly. Try a hand held incident light meter or learn to use the spot meter properly and choose the manual mode. All digital images, be they scans or digitally taken images need some tweaking; white balance correction (in camera or after the fact), some sharpening and a tweak in luminance using levels or curves. The image should look like what you saw, not what you can imagine!

Twitter – Follow Me?!

Twitter?? For those who have yet to discover it, its a very quick and abbreviated way of blogging, or as its called properly, micro blogging.

I’ve been using my iPhone a lot to update my Twitter feed with pictures and info, so if you’d like to give it a try, you can FOLLOW ME on Twitter.

Lights Almost On For Darkrooms?

Just saw a nice set of pictures by Richard Nicholson (via Ben Curtis’ blog) on darkrooms, called “Last One Out, Please Turn On The Light”

As I looked through the pictures, I found that my eyes were slightly teary and that I was thinking of a more magical time in photography. When I started out in local papers, I was shooting Tri-X, using D-76 and making my own hand prints. In fact I can still remember how amazing it was to see my first print coming up in the dev tray, in the darkroom at my art school….you just don’t forget these things. Somehow, the sight of a print coming out of an inkjet printer just doesn’t leave one with such fond memories or emotions.
I remember how I’d lock myself into the darkroom at around 9pm and eventually surface at around 4am having finally made the perfect print on Ilford Gallery paper. It was a place where magic was made, gossip was spoken, a place of refuge for journalists trying to hide from the news editor and a place where romances bloomed. A magical place indeed.

Chase Jarvis Interview

Chase Jarvis’ 5 Secrets for Exceptional Photographs from SilberStudios.Tv on Vimeo.

Commercial and editorial photographer, friend, diamond geezer and generally top man Chase Jarvis has an interesting interview on Photoshow (above).

There are also a few more interviews on his blog post. Do check them out folks.

Police Powers Allows Them To Stop You Photographing Them

New “anti-terrorism” measures came in to force yesterday. Alas, the wording is so loose, that it will allow Police to stop you taking pictures of them. This is a huge issue and completely tramples on the freedom of press. Two main issues come forth with this; firstly, if you are covering a demonstration or a riot, the Police can object to you photographing them and you can get arrested. This will put a stop to reporting a situation honestly and properly, and aesthetically will result in pictures of demonstrators with nothing to balance things out with. Secondly, if you’re in a situation where you see a Police officer doing something wrong, you won’t be allowed to photograph them. Its an outrage. Basically, the Police will be able to arrest all photographers in a given situation, ending up in no visual record of what happens.

The big problem is how loosely the wording is on the new measures; its up to individual officers to use their judgement on the scene. In my 20 years on the streets as a news photographer I’ve across many descent, honest and mature Police officers. Sadly I have also come across a fair number of idiots who do not have the mental ability to handle the power, responsibility and importance the job of a Police officer entails.
If we’re at the mercy of the latter kind, which sadly seems to increase by number as years go by, then many news assignments just cannot be covered properly any more.
I urge you to write to your MPs and to the papers objecting these ridiculous new powers. Its ridiculous that a press photographer with a press card can be considered a terrorist. One would assume that a terrorist would probably use a discreet camera phone or a hidden camera and not a couple of pro DSLRs and lenses.

Further Reading:




Yesterday’s Gaza Demo-Police Stupidity?


The crowd are herded towards the underpass tunnel

I covered the Palestinian Gaza demo yesterday and was astonished by the route chosen by the Police for the march. After the rally at Trafalgar Square, the march made its way to the Israeli embassy on High Street Kensington. I’ve been covering demos for over 19 years now and have never once seen a march involving many thousands of people taken into a tunnel (the underpass at Hyde Park Corner). As we were herded by the Police into the tunnel I knew it was a seriously bad idea. To make matters worst, nobody was allowed to use another route, so women and children, some in prams, were all pushed through the tunnel.

A distressed woman rushed away from the violence at the front

The problem was that there was a Police line at the front and surely enough when we were in the middle section, it all kicked off. Sadly I was several meters back so didn’t see what happened. The protesters naturally said that for no reason the Police started to strike the floor with their batons and then began to hit people in the front of the march. I would think that there must have been a provocation as I saw wooden sticks being thrown over my head towards Police lines. I heard one fleeing woman shout that stones were being thrown at the Police.Whatever the reason, this resulted in a mild stampede and the crowd in front of me suddenly turned around and began to run. Screaming and panic ensued. Alas, by the time I reached the front all the commotion had stopped.
To cram thousands of people through a tunnel without any escape exits is utter stupidity. I think everyone was fortunate that there weren’t any injuries suffered apart from those hit by batons.
If anyone knows anyone who is placed high in the Metropolitan Police, please be kind enough to pass this post onto them.

The crowd are jubilant as they approach the tunnel’s exit