Category Archives: Photography

Endgame In Iraq – by Sean Smith, The Guardian

The Guardian photographer Sean Smith spent two months in Iraq with the 101st Airborne. There’s a very powerful film by him on The Guardian’s web site.

Great Reportage & Street Photography

Just wanted to share some excellent work with you. The first is the work of Hana Jakrlova who’s photography is new for me. However having just looked through her entire web site, I just had to share; its absolutely superb:



The second is the amazing street photography of Nils Jorgensen. I’ve known Nils for years and it was relatively recently that I discovered his personal work. He is truly a master at what he does:


Righteous Kill UK Premiere 01

I tend not to do too many celebrity oriented things. Mainly because these days everyone’s a celebrity; talented or not, and also there are so many photographers and PRs, that the chances of getting a creative shot becomes next to impossible.
However, when AP asked if I’d like to cover the UK premiere of Robert De Niro and Al Pacino’s new film, I jumped at the opportunity. These gents are probably my favourite actors. They are truly talented and I’ve been hooked on their films for many years. I would love to photograph these gents properly in a one on one situation, but alas the situation has yet to present itself.
So, the next best thing, was a movie premiere. As I mentioned already, there are many issues in this environment. Far too many photographers being one of them (which results in too many screams to get “eye line” and practically no chance of directing the subject. On top of this, we’re all squashed into a pen like sardines and on ladders). I didn’t do a count, but in the photographers’ pen at the end of the red carpet there must have been at least 35. I was relatively lucky in getting a central spot on the second row, so my trusty step ladder came into play.
Alas, as De Niro and Pacino appeared, it all went wrong! Naturally they did the rounds signing autographs for the fans and then the line of ever increasing TV interviews. They kept criss-crossing in front of us (which gave an opportunity for a few “candid” frames, but nothing amazing as there were people in the way and messy backgrounds). Finally it was our turn. Whilst the PRs controlling the event had dutifully got several “celebrities” to pose for us, when it came to the reason most of us were there, they managed a group shot! This included De Niro and Pacino, but also “50 Cent” and the film’s director Jon Avnet. Whilst these are definitely pictures worth having, for me, the main picture was of Robert and Al. I kept thinking how hard could it be to have these gents walk down the red carpet towards the photographers? All they would need to do was walk ten meters whilst talking with each other and then do a minute or two’s worth of posing and working the line.
This simple thing wasn’t to happen though and a group shot was all we got. This is pretty typical though of these huge photo calls. Too many photographers, too much shouting, too many agents, carers and PRs. Luckily the situation was half saved when the actors appeared on the cinema’s balcony, first individually and then as a group.

Righteous Kill UK Premiere 02

Al Pacino waves to the crowd as he enters the cinema

My favourite shot from the day; Al Pacino makes
an appearance on the balcony of the cinema

…shortly followed by Robert De Niro

20th Visa Pour L’Image, Perpignan, France

For those that have never heard of Visa Pour L’Image, its a festival of photojournalism. It takes place annually in a lovely town in the South of France called Perpignan. The festival is split into various components. Firstly, and open to all, is a series of exhibitions in the most imaginative and brilliant of venues (ranging from convents to prisons – naturally now disused).


The second component is a series of talks and presentations which take place in an auditorium at the Palais des Congres. There are usually two sessions, which are open to all. However, to get further into the Palais, you’ll need to be accredited and have the needed passes. This allows entry into the huge Canon area where you can get equipment serviced and look at camera, video and printing gear. They also had a great exhibition of images and a studio demo area. On the opposite side to Canon is the Apple area where talks and presentations are made. This year, Martin Gisborne from Apple, who is an absolute genius when it comes to Aperture (and other things) gave a range of talks, from basic to advanced techniques. Brian Storm from Media Storm also gave a fantastic talk on all things multi media. There were also a bank of iMacs connected to the internet for all to use.


On the second floor were all the main players in the game; Polaris, Getty Images, AP, SIPA and so on. Appointments were made and work shown and some new friendships made by photographers looking for new agents or syndication for specific stories. One floor down were a large number of smaller co-operative style agencies. Lastly, on the top floor there was a cafe and open area to chill out in.


Another fabulous part of the week are the evening screenings which take place in an open air amphitheater called Campo Santo with seating for hundreds. This year there was an overflow area in Place de Republic which was a much more relaxed area to view the shows from, whilst sat at a table with table service!

The shows in my opinion weren’t as good as years gone by. There were just too many presentations and too many similar stories shown. Sitting through a two hour show with hundreds of images (some best not shown) just gets too much and there is visual over load. Still, there was some excellent work too and well worth attending.


For me, the highlights as far as the exhibitions were concerned (in no particular order) were:  AFP – 20 Years Covering The World 1989-2008, Alexandra Boulat / VII – “Come On, Come On!”, Paula Bronstein / Getty Images – “Afghanistan – A Fragile Peace”, Horst Faas / AP – “50 Years of Photojournalism”, Yuri Kozyrev / NOOR – “Inside Iraq”, Paolo Pellegrin / Magnum Photos – “The Iraqi Diaspora”, Axelle De Russe – “China – The Return of the Concubine”, Kadir Van Lohuizen / NOOR – “The Katrina Aftermath – those who fell through the cracks”, Brent Stirton / Reportage for Getty Images – “Virunga National Park”, Alfred Yaghobzadeh / SIPA Press – “Religious Minorities in Iran” and the World Press Photo exhibition.


The entire mood of the festival is magnificent. To be surrounded by photographers who in some cases are the top of their game makes for very interesting conversation. After the talks, exhibitions and evening screenings comes the evening entertainment – wine at Le Grand Cafe de la Poste (commonly referred to as La Poste) which is just by the Castillet. This is were most people hang out ‘till around 4 am! Lots of wine, conversation (both deep and interesting and absolutely pointless and still interesting) and new friendships. If you’re going to Visa next year, be sure to print up a load of business cards!


As the morning sessions start at 10am, it gives you an idea of how little sleep one gets. Somehow this never seems a problem as the festival has an infectious energy that just keeps you going. Along with the normal evening get togethers, I was also invited to the private parties by AP, Canon and Getty – many thanks folks.


The superb weather enjoyed by all had to come to an end and alas on the last night of the professional week, it rained…rather heavily. The result was the cancellation of the legendary party at the Couvent des Minimes. I was thankful to discover the beach party the day after though and this brought a magnificent and chilled way to end a very fabulous week.


UPDATE:


I’ve come across a couple of really interesting articles which paint a great picture of Visa:


Digital Journalist: Beverly Spicer


Slideluck Potshow: Casey Kelbaugh

Visa Pour L’Image 2008 – Photos Part 01

Hotel Pams – Everyone’s first stop for collection of passes and info




Palais des Congres – home to presentations and the agencies looking for new talent