Category Archives: Photography

Too Much Reliance On Photoshop

I grew up shooting film and got into the profession when we were shooting black and white film for the papers. There was always the art of the darkroom where pictures were brought to life, but for colour, one had to basically reply on getting it right in camera for colour negative and much more so for slide film.

Compared to Photoshop, the level of change one could bring to a black and white image in a darkroom was miniscule. We now live in a digital age and I have for the most part embraced this age of megapixels and terabytes and given up the days of D76 and Multigrade. However, these are just tools and the importance of the photograph is as has always been; there is a purity and a challenge to get it right in camera and I for one will keep this approach to photography. If we’re talking of any form of photojournalism, then the viewer has to be able to trust the image and its content.
I’ve lectured and made presentations in several venues, including Cambridge University, and judged several competitions as far and wide as the Russian Press Awards to the British Regional Press Awards. The one thing that I’m seeing more and more, as each generation of photographer who joins our ranks of professional image maker, is the total reliance of all things digital and binary, and up to a point, a loss in the purity of getting it right; the art of taking a picture.
My comments aren’t about the aesthetic of composition, the content nor the timing, but the finished product. Photoshopping, to Photoshop, has become a commonly used verb, and alas has also become a commonly used technique to spruce up a picture. I’m not talking about the extreme crimes of removing or adding elements, but of ridiculous use of contrast, saturation, luminance, dodging, burning and masking. I see this more and more.
Recently, three Danish photographers were asked to submit their RAW files to the Picture of the Year competition in Denmark. The judges felt that they could not trust the images they were looking at and wanted to see the original untouched images. I for one applaud this. Photography is about presentation, but most of it is actually in the picture taking part. Its more challenging and is harder, but trust me, its so satisfying when you get it just right.
Give it a try! Set your camera’s to shoot neutrally. Zero adjustment on all things and take the time and care to expose your images properly. Try a hand held incident light meter or learn to use the spot meter properly and choose the manual mode. All digital images, be they scans or digitally taken images need some tweaking; white balance correction (in camera or after the fact), some sharpening and a tweak in luminance using levels or curves. The image should look like what you saw, not what you can imagine!

Unseen – The New BPPA Book

Anyone who knows me, will know that along with a few colleagues, I spent most of last year working on a book. After countless meetings with colleagues, calls to photographers, meetings with publishers and designers and our sponsor, its finally done…..and looks fantastic. I’m naturally talking about the new BPPA book called Unseen.
Its a collection of great images taken by our members over the years, which have remained unseen. As most photographers know, our best work is often not published, even from commissioned assignments. The reasons are wide and varied; from clueless picture editors and designers, to the image being the wrong shape, or it not fitting with political or ideological stance the paper is taking on a given story.
In this book we have gathered, in our opinion, the best of this work and would like to share it with you.

I’d also like to personally thank Canon who have again stepped up to the mark and supported great photography by being the sponsors of this project. My gratitude goes to Matt Beard and Nick Millen from Canon, who after a couple of conversations made this project a reality.

The book itself is being launched on March 25th, 2009, but is available for pre-order from Amazon.

*UPDATE* – Unseen now available at SnapperStuff.

About UNSEEN

In 2004 our ground-breaking retrospective book and exhibition Five Thousand Days underlined our commitment to bringing outstanding photography to the public. Since then we have been constantly working on new projects, and new ways to showcase our members’ work. UNSEEN is the culmination of one such project. It highlights one of the Association’s every day frustrations: that huge numbers of brilliant pictures never see the light of day through too tight deadlines, design limitations or editorial indifference. The images in UNSEEN were selected by a jury of BPPA members, and offers a glimpse of the variety and extraordinarily high standard of the members work.

After spotting that the author Jilly Cooper had written a letter to The Times in June 2008 highlighting the lack of proper photographers bylines, the Association wrote to her to ask that she write a foreword for Unseen, and was delighted when she accepted. Here is an except:

“Thank goodness for Unseen. “The sweetest songs,” wrote Shelley, “‘sing of the saddest thought”, and these photographs are so beautiful yet compassionate that, despite their appalling images of death, loss, mutilation and destruction, one feels an overwhelming elation and relief that someone has drawn attention to such suffering. Without photographers invading the worse troublespots, armed only with their cameras, so much tyranny and brutality would go unrecorded.”

Unseen – Photographs from The British Press Photographers’ Association is published on 25th March by Skateboarding Duck and the project was sponsored by Canon.

It is a cloth bound 170x240mm book with 176 pages and 108 photographs (both colour and duotone) and was designed by Stuart Smith (Five Thousand Days – The BPPA, Personal Best – Elliot Erwitt, Inferno – James Nachtwey) the ISBN is 978-0-9561801-0-0 and has a RRP £19.95

Norwegian "Pictures of the Year"

Some great photographs in the Norwegian Press Photographers’ Club 2008 pictures of the year; definitely worth checking out.

1000 Portraits

Thousand Portraits from Carlo Nicora on Vimeo.


two photographers – one camera
one weekend – a thousand people

A neat project by Carlo Nicora and Eamon Lane, looks at 1000 faces of London.

Chase Jarvis Interview

Chase Jarvis’ 5 Secrets for Exceptional Photographs from SilberStudios.Tv on Vimeo.

Commercial and editorial photographer, friend, diamond geezer and generally top man Chase Jarvis has an interesting interview on Photoshow (above).

There are also a few more interviews on his blog post. Do check them out folks.

Need Money – Pawn Your Work, Like Leibovitz

Annie Leibovitz, the rather famous portrait photographer has done something which on the face of it, seems rather bizarre; she has pawned the rights to her work.

Apparently, the rights to past, present and future work has been pawned by Art Capital for around £10 Million. To find out more, check out The Guardian article and audio piece.