Lovely to have been invited for a nice chat with the fabulous Ross Grieve and Matt Jacobs on their popular Talking Shot Podcast.
We chatted about the COVID 19 lockdown, how I started out as a photographer, my career, inspirations, philosophies on journalism and even a little about the equipment I use. Hope you enjoy the conversation.
This is so simple! If you have a computer (Mac, PC/Windows or Linux), join me and help beat COVID 19. This takes a couple of minutes to set up, is simple and once done, is automatic.
Many of us have idle time on our computers, in between editing and processing, or when we leave our computers on overnight so Cloud backups can take place.
The general wisdom in computer circles is that computers should be left on, as apart from general housekeeping maintenance that happens automatically in most OSs overnight, it’s also better for the machine’s longevity, compared to the constant on and off states and the associated surges with the computer and connected hard drives. The team at Stanford School of Medicine’s Folding@home has made analysing COVID 19 its top priority and has focused their efforts and the power of distributed computing towards SARS-CoV-2 (COVID-19) projects.
Folding@home is a project focused on disease research. The problems we’re solving require so many computer calculations – and we need your help to find the cures! Folding@home (FAH or F@h) is a distributed computing project for simulating protein dynamics, including the process of protein folding and the movements of proteins implicated in a variety of diseases. It brings together citizen scientists who volunteer to run simulations of protein dynamics on their personal computers. Insights from this data are helping scientists to better understand biology, and providing new opportunities for developing therapeutics.
Viruses have proteins that they use to suppress our immune systems & reproduce themselves. Folding@home want to understand how these viral proteins work and how we can design therapeutics to stop them.
To help with this international effort, simply download the free Mac, Linux or PC software and help out: https://foldingathome.org You can run this on a laptop or desktop computer and remember that every bit of computing power can help analyse the virus’s proteins and lead to its defeat.
You can select how much computing power to assign and if your computer should work on the project at all times or just when idle. You can also stop and start at will, if for example you’re editing a complex project that needs more computing power. Its all controlled via a very simple web interface. Just follow the very simple instructions.
Get folding and lets help our scientists figure out how to defeat this awful virus.
The Philip Harben Award for Food in Action Shortlist
Thrilled to share some good news! One of my images has made the shortlist of the prestigeous Pink Lady Food Photographer of the Year, in the The Philip Harben Award for Food in Action subcategory.
I made the image on my first night in Barcelona, ahead of the world launch of the Lumix S Series and L Mount Alliance, which took place the next day! The picture was made on a preproduction Lumix S1 and Lumix S 24-105mm lens.
The winners will be announced on Tuesday 28th April, 2020 at 20:00 (GMT), on the Pink Lady Food Photographer Of The Year FaceBook page.
Thrilled to share that the judges of the 13th International Color Awards have kindly awarded two of my images and nominated a further five, out of the 6093 entries received.
Wonderful to see such a wide reaching panel, comprised of jury members from Newsweek, New York; Apartheid Museum, Johannesburg; The Art Channel, London; Netflix, Los Angeles; Koller Auctions, Zurich; Preus Museum, Norway; Galerie Mitterrand, Paris; Fila, New York; Wieden & Kennedy, Portland; Kolle Rebbe, Hamburg; Fox Broadcasting Network, Los Angeles; Gallery Kong, Seoul; Mini / BMW Group, London; and the Royal Academy Of Art, The Hague, Netherlands.
Lumix S Pro 24-70mm f2.8 lens
Leica DG 10-25mm Vario Summilux
Lumix S Pro 24-70mm f2.8
Lumix S Pro 50mm f1.4
Lumix S Pro 24-70mm f2.8
Lumix S Pro 24-70mm f2.8
Lumix S Pro 24-70mm f2.8
As a side note, when putting together this blog post’s images, I was quite surprised at just how many of these images were made using the extremely versatile, new Lumix S Pro 24-70mm f2.8 lens. In fact these were all shot using a pre-production lens ahead of its release. Some of these images were also used in the Panasonic Lumix international launch campaign for the lens, which I was commissioned to shoot.
Apologies for the slightly delayed post; following the previous post announcing the shortlist of the British Photography Awards 2020, I’m thrilled to announce that one of my two shortlisted images made it through to the winner’s podium and was kindly recognised by the judges and awarded a Runner Up prize.
Huge thanks to the awards organisers, the judges and all at The Savoy in London for such a wonderful and unforgettable evening. Wonderful to have my partner Yoshie Nishikawa with me to share this joy and also lovely to catch up with so many friends and colleagues at the awards gala evening on the 4th of February, 2020.
Repairs On The Giant Tortoise; Runner Up, Documentary
I’m thrilled to share that the judges of the British Photography Awards have kindly shortlisted two of my photographs for the 2020 awards. My congratulations to all the finalists and also to the judges for their hard work.
Alongside the judges ruling, there is a people’s choice award too, so voting is open to the public. If you like either (or both!) of my images, kindly press the “VOTE” button by the right hand side of each image. It’s a simple click and no registration is needed.
Category-Fashion: Fashion designer Joshua Kane
The portrait of fashion visionary Joshua Kane was shot as part of the Panasonic Lumix international launch campaign for the new Lumix S Pro 24-70mm f2.8 lens and made using my Lumix S1R and a preproduction lens. The raw file was as always processed in Adobe Lightroom.
Category – Documentary: Repairs On The Giant Tortoise
The image of Senior Conservator Arianna Bernucci working on the shell of a giant tortoise, was made using my Lumix S1 and Lumix S Pro 50mm f1.4 lens. The raw image was processed in Lightroom and finished in Exposure Software’s Exposure X5.
It’s astonishing to hear from the organisers that “In 2019 our audience potential topped 840 million people worldwide. This year we hope to greatly exceed this and showcase the creativity and dynamism of British photography to the world”. The competition’s results will be announced in 2020 at a black tie gala at The Savoy in Central London.
Thrilled to share that several of my images have been kindly recognised and awarded by the judges of the 2019 Black & White Spider Awards.
Honorable Mention in Advertising | The First Porsche Honorable Mention in Photojournalism | No To Brexit Nominee in People | Birdman Nominee in People | The Rose Nominee in Silhouette | The First Ever Porsche
Interestingly, all of the photographs were shot using my Panasonic Lumix S1, a camera I got at the start of the year, and one that has left me so impressed that I’ve shot most of my work using it (and it’s bigger brother, the higher resolution S1R). The lenses used were the Lumix S 24-105mm f4.0 and the Lumix S-Pro 50mm f1.4.
Honorable Mention in Advertising | The First Porsche
Honorable Mention in Photojournalism | No To Brexit
Nominee in People | Birdman
Nominee in People | The Rose
Nominee in Silhouette | The First Ever Porsche
The international jury comprised of representatives from Musee de l’Elysee, Lausanne; The Guardian, London; Contrasto Galleria, Milan; Travel/Discovery Channel, New York; Harper’s Bazaar, UK; Portuguese Center of Photography, Porto; Aeroplastics Contemporary, Brussels; Silvan Faessler Fine Art, Zurich; ADK Creative One Inc., Tokyo; Galerie Hubert Winter, Vienna; Conny Dietzschold Galleries, Sydney; and Pereira O’Dell in New York judged the 6,418 entries, received from 73 countries. Many thanks to the jury for their hard work and many congratulations to all who had their work recognised.
The raw files were processed in Adobe Lightroom Classic and the monochrome treatment finished off in either Nik Collection’s Silver Efex Pro or Exposure Software’s Exposure X4.