Tag Archives: press

Fleet Street Photo Exhibition

50 Press Photographs at ”The Fleet Street Press” Coffee and Tea House

Authentic Fleets Street Photograph

Fleet Street is synonymous with British Newspapers – the “press”. Even though the last newspaper left the street over 20 years ago, the industry is still referred to as “Fleet Street” and as such, the street has a special symbolism for press photographers and journalists alike.

Setting up the Fleet Street Photo Exhibition at "The Fleet Street Press" Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. April 21, 2013. Photo: ©Jonathan Buckmaster

Setting up the Fleet Street Photo Exhibition at “The Fleet Street Press” Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. April 21, 2013. Photo: ©Jonathan Buckmaster

The exhibition is a collection of work from press photographers working for the national papers, international wire agencies and local papers around the country. It’s an insight into the world of press photography, covering wars, politics, features, portraits, disasters, press conferences and sports.

Setting up the Fleet Street Photo Exhibition at "The Fleet Street Press" Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. April 21, 2013. Photo: ©Jonathan Buckmaster

Setting up the Fleet Street Photo Exhibition at “The Fleet Street Press” Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. April 21, 2013. Photo: ©Jonathan Buckmaster

Images that are hard hitting, thought provoking or quirky; you’ll find the full gamut. We are not the paparazzi and as such, you won’t find any of that genre of image here. We are where the news is; we find the truth, we witness history and we are the eyes of the British public who rely on us to bring the news.

Setting up the Fleet Street Photo Exhibition at "The Fleet Street Press" Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. April 21, 2013. Photo: ©Jonathan Buckmaster

Setting up the Fleet Street Photo Exhibition at “The Fleet Street Press” Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. April 21, 2013. Photo: ©Jonathan Buckmaster

On a personal level, it’s with great pleasure that I share the news that two of my images have been selected to be exhibited in the Fleet Street Photo Exhibition:

Poo And The Band. Winnie The Poo lines up with the band in the forecourt of Buckingham Palace for the children's party. June 25, 2006. Photo: ©Edmond Terakopian

Poo And The Band. Winnie The Poo lines up with the band in the forecourt of Buckingham Palace for the children’s party. June 25, 2006. Photo: ©Edmond Terakopian

Love Your Job. A heavy downpour of rain soaks pedestrians and a businessman, as they pass an illuminated advertising sign saying "Love Your Job". Hammersmith, London. January 14, 2011. Photo: ©Edmond Terakopian

Love Your Job. A heavy downpour of rain soaks pedestrians and a businessman, as they pass an illuminated advertising sign saying “Love Your Job”. Hammersmith, London. January 14, 2011. Photo: ©Edmond Terakopian

The exhibition will be open to the public from Monday, April 22nd, 2013 and is going to be a long term, evolving exhibition of work by press photographers. The images on display will be for sale. Each of the 50 photos is 40cmx30cm (A3′ish, including border) and printed on fibre based Baryta paper. Each sale will be printed to order and posted to the buyer within 7-10 working days. Each image is £150 and will be embossed with the Fleet Street Photograph logo. It’s a great opportunity to buy some great images at a great price.

Venue Details

“The Fleet Street Press” Coffee and Tea House, 3 Fleet Street, EC4Y 1AU, London. Opening times are 6.30am to 6.30pm, Monday to Friday. 10am to 5pm on Saturdays and 10am to 4pm on Sundays. You can follow The Fleet Street Press on Twitter and on their FaceBook page.

A Day Without News?

Raising Awareness To The Growing Number Of Journalists Killed & Injured In Armed Conflict Zones

Imagine a day without news; imagine not knowing what’s happening around the world. Conflicts taking place uncovered; perpetrators’ acts of violence going unchecked or the civilian casualties not given a voice.

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Journalists, be they writers or photographers, have always put their lives at risk by going to cover wars; to tell the stories and share the pictures. Over recent years, journalists have become legitimate targets in the minds of combatants and in some cases are actively targeted.

Recent years have seen the deaths of far too many amazing people; dedicated to the truth and upholding humanity by covering acts of inhumanity. 2012 was the deadliest year for journalism with a 33% increase in deaths, resulting in 90 colleagues losing their life.

On April 20, 2011, photojournalist Tim Hetherington was killed whilst working in Misrata, Libya, covering the events of the bloody conflict. British photojournalist and filmmaker Tim Hetherington photographed on the last day of 'Operation Rock Avalanche' on October 25, 2007 at the Korengal Valley, East Afghanistan. Photo: Balazs Gardi

On April 20, 2011, photojournalist Tim Hetherington was killed whilst working in Misrata, Libya, covering the events of the bloody conflict. British photojournalist and filmmaker Tim Hetherington photographed on the last day of ‘Operation Rock Avalanche’ on October 25, 2007 at the Korengal Valley, East Afghanistan. Photo: Balazs Gardi

On April 20, 2011, photojournalist Chris Hondros was killed whilst working in Misrata, Libya, covering the events of the bloody conflict.

On April 20, 2011, photojournalist Chris Hondros was killed whilst working in Misrata, Libya, covering the events of the bloody conflict.

February 22, 2012, legendary correspondent Marie Colvin was killed in Homs, Syria. Evidence from eye witnesses, including London Sunday Times photographer Paul Conroy who was working with Marie, said that they had been deliberately targeted.

February 22, 2012, legendary correspondent Marie Colvin was killed in Homs, Syria. Evidence from eye witnesses, including London Sunday Times photographer Paul Conroy who was working with Marie, said that they had been deliberately targeted.

February 22, 2012, photojournalist Remi Ochlik was killed in Homs, Syria. Evidence from eye witnesses, including London Sunday Times photographer Paul Conroy who was working with Marie, said that they had been deliberately targeted.

February 22, 2012, photojournalist Remi Ochlik was killed in Homs, Syria. Evidence from eye witnesses, including London Sunday Times photographer Paul Conroy who was working with Marie, said that they had been deliberately targeted.

Support

I’m supporting the work of colleagues in spreading the word and campaigning world leaders to bring attention to these injustices and develop laws to try and safeguard journalism; visit the website, A DAY WITHOUT NEWS and do the same. Lastly, please spread the word using your social media.

The Yasmin Parsons Print Auction

Print Auction In Aid Of Great Ormond Street Hospital

Edmond Terakopian, Richard Chambury and Kelvin Bruce during Yasmin’s Print Auction, Thursday October 11, 2012 Photo by Andrew Parsons / i-Images

On the 11th of October a group of press photographers got together to help out their friends and colleagues when it was found their two year old daughter Yasmin had been diagnosed with Leukaemia.

Karen and Andrew Parsons have set up a blog, Our Life With Leukaemia, sharing the pain of finding out their daughter is ill and charting the voyage the family has been put on. They also started a Just Giving page to raise funds for Great Ormond Street Hospital (GOSH) where little Yasmin is being treated.

Kelvin Bruce and Richard Chambury show a set of images by Brian Rasic. Yasmin’s Print Auction, Thursday October 11, 2012 Photo by Andrew Parsons / i-Images

Photographers Eddie Mulholland and Kelvin Bruce had the idea of organising a print auction to help raise funds for GOSH. Photographers donated prints and images to be auctioned, the majority being printed by Alex McNaughton on Epson equipment.

Eddie Mulholland works the room during Yasmin’s Print Auction, Thursday October 11, 2012 Photo by Andrew Parsons / i-Images

There were many notable images donated for this auction, with the highlight being a signed and stamped print of a dust storm in Lesotho by Ian Berry from Magnum Photos.

A raffle was also organised and huge thanks go to all who generously donated prizes for this. Cameras were donated by Fuji, Leica, Nikon and Olympus and Calumet donated accessories and sensor clean prizes. The raffle alone raised £1350.00 for GOSH.

An A1 Giclee print of an image, Love Your Job by Edmond Terakopian is shown around the room by Kelvin Bruce. Yasmin’s Print Auction, Thursday October 11, 2012 Photo by Andrew Parsons / i-Images

I’m very proud to say that the grand total, including the raffle, raised on the night for GOSH by press photographers bidding on each others work came to £10,785.00.

We all wish you well Yasmin :-)

Photographers view the prints on auction. Yasmin’s Print Auction, Thursday October 11, 2012 Photo by Andrew Parsons / i-Images

Deadline Every Second

12 AP Photojournalists; Eight Countries

Trailer from Ken Kobre on Vimeo.

I had the pleasure of attending a screening of “Deadline Every Second” by Ken Kobré at the Frontline Club a week ago. It’s a brilliantly shot short film covering 12 photojournalists from AP as they cover various assignments around the world, with great photographer interviews as well as superb footage of them actually on the job. Just to make things complete, we’re also treated to the actual images taken by the photographers.

Deadline Every Second screening and Q&A with director and professor of photojournalism at San Francisco State University Kenneth Kobre (on left) and AP staff photographer Lefteris Pitarakis. Frontline Club, London. September 21, 2012. Photo: Edmond Terakopian

The event had AP staff photographer Lefteris Pitarakis, one of the featured photographers, and Ken Kobré present for a very interesting Q&A session after the screening.

Deadline Every Second screening and Q&A. AP staff photographer Lefteris Pitarakis ansers questions put from the packed screening room. Frontline Club, London. September 21, 2012. Photo: Edmond Terakopian

I can’t recommend this film highly enough to anyone interested in journalism or world affairs, but also to photojournalists and students of it. Definitely try and see it. It’s being screened by various US TV stations and is also available from Amazon.

Police Threaten Press Photographer

“Video of police threatening to arrest me if I do not delete pictures. Absolutely absurd behavior by them and potential blackmail. No cordon was put in place and no police officer stopped me from walking up to where I was standing… hence the other photographer just walking up after me. Police officer also claiming that he will be “touching me” in the police van back to the station.”

The video has been pulled down by the photographer for various reasons. We hope it’ll be back online soon.

Disgraceful behaviour by a plain clothed Police officer (one assumes a detective, who says he’s in charge of the crime scene, who then clearly threatens the photographer quoted above, by saying “I’ll be touching you in a Police car back to Ilford Police Station”) and a Police sergeant against a press photographer doing his job and covering a story from an un-cordoned public footway. One might accept a Police officer new to the job not to know about the rights of the press, but for two experienced officers to abuse their powers like this and then give the photographer an ultimatum to delete the pictures or be arrested, is just wrong. They also bring forth arguments of morality which is clearly not within the Police service’s mandate of things to enforce.

After all the good work done by the BPPA and NUJ with the Police service, resulting in much better Police relations than has been had in recent years, it really is an absolute shame to see this behaviour emerging again.

The Police have no right to stop anyone taking pictures in a public place. They also have no right to ask for images to be deleted. This document by the Association of Chief Police Officers (ACPO) clearly reminds officers of their powers.

NB-I have kept the identity of the photographer hidden for now. Also as I get more details on what the incident was that was being photographed, I shall update the story.

What’s Wrong With The Newspaper Industry

Press Photography & The Papers

A press card and a selection of media accreditation from over the years. June 12, 2012. Photo: Edmond Terakopian

The problems with the industry (normally and not just during this recession) are multiple; some do lay with the accountants who run most things (being qualified with arithmetic and spread sheet skills, or the understanding of formulas, in my mind does not give someone aesthetic understanding or the ability to have a news sense), weak picture editors, bad editors, visually less capable mass audience and the pandering of the papers to the weakest common denominator as opposed to trying to visually educate the readership a little. Not too long ago we had newspapers that ran the most amazing photography; informative, accurate, ethical, creative and mind blowingly powerful – and no, I’m not just talking about the broadsheets (as they were then) but a few tabloid papers too.

Another huge issue is the switch to digital and the ‘everyone’s a photographer’ syndrome; backed by accountants who see a picture as something that has four sides to it but have no ability to comprehend it’s content, importance or power. This also lead to the birth of the mass paparazzi – the most money paid for photography is for this type of content and the publications who print this material, sell the most, so have the biggest budgets.

The ‘new’ technology, called the internet also has had a detrimental effect to the traditional model of newspapers. A day late, even with great analysis and checked, journalistically correct information, is sometimes too late for readers. I saw new in quotes as anyone looking at most newspaper websites would thing the internet came to being a couple of months ago. It’s been with us long enough, yet few papers have learnt to design good, usable websites that harness the power of the web and deliver amazing content. The business model has to change too; good content needs to be paid for properly. Content is king; no good content means lower visitor hits, equalling less advertising revenue. It’s not rocket science! It is however beyond doubt the future (including mobile devices using the internet for delivery of content).

Let’s not forget though, as photographers we have our share of the blame. Some of this ignorance comes from the educational sector who are happy to teach Susan Sontag and theory, but when it comes to actual skills needed by photographers to survive, like knowing one’s rights and the law of copyright, they teach nothing. The rest of the blame is purely with us for not finding out.

We are signing away our copyright and future rights to our work, even though the law states that it’s ours. This is shortsighted and every time such a contract is signed, another nail is hammered into our collective coffin. There is no going back from this. Sooner than you know, we will retire and have no picture library of our own to fall back on; so, no books, no print sales and no exhibitions. My thoughts are that the bigger picture needs to be looked at; after all, this is a career and so, is long term.

We are killing our own industry too.