Tag Archives: canon

Canon & Apple To The Rescue

Helping Out Photographers

Recession. Photography market devaluation. Lack of commissions. Extortionate equipment prices. Sound familiar? It’s the market for the majority of professional photographers. Things have become so bad in some segments of the market, that the money made from a picture sale sometimes doesn’t even cover the money spent on parking!

One of the problems as I mentioned is also extortionate equipment prices. Professional grade digital cameras and the pro lenses have just multiplied in cost to often ridiculous levels, with most pros bewildered as to how they are going to upgrade the tools of their trade.

There is some good news though on this front.

Canon 1DX. Photo: ©Edmond Terakopian

Canon 1DX. Photo: ©Edmond Terakopian

Canon

For those needing to get Canon’s amazing flagship camera, the Canon 1DX, there is some good news. As long as you buy the 1DX with one of Canon’s ‘L’ lenses, you can take advantage of 24 months interest free credit. No big deposit either; the cost is just spread over 24 months (interest free deal ends on January 31st, 2013). Personally I’ve found this deal extremely helpful and it allowed me to get a 1DX and upgrade my 70-200mm f2.8L IS to the new MkII version (saving £160 witht he cashback on the lens!), from the fabulous folks at Fixation. There’s even more good news; Canon are offering cash back on some of the ‘L’ lenses, and I managed to save some money too (offer until January 24th, 2013).

Apple

Apple are very helpfully also offering interest free credit, this time over 10 months. So if your MacBook Pro’s looking a little worse for wear and you need a Retina display, spreading the cost will probably be helpful!

Gunter Sachs Collection at Sotheby’s

An Exclusive Behind The Scenes Look


Behind the scenes as Sotheby’s prepares the Gunter Sachs Collection ahead of the sale on May 22nd and 23rd, 2012. Sotheby’s will be offering close to 300 works of art from the prestigious single owner collection. The sale is estimated to realise £20 million.

Almost 7200 pictures were used in this timelapse. The majority were shot on a pair of Canon 5D MkII cameras specifically set up for shooting this timelapse (with a 16-35mm f2.8L II and 24-105mm f4L), one being triggered by a Pocket Wizard Multimax and the other by the highly configurable IO Shutter running on an iPad 3. A GoPro HD Hero was used for the overhead view timelapse. Reportage images were shot on a Leica M9 and M9-P (using a 50mm Noctilux ASPH, 35mm Summilux ASPH and 28mm Summicron ASPH). The images were all processed in Apple’s Aperture and the video created using Apple’s FCP X.

Huge word of thanks to everyone involved, especially the team from Sotheby’s press office, the lighting crew , technicians and contemporary art experts.

Update: Thrilled to share that the video is published on The Guardian website.

Canon C300 V 5D MkII

Comparing Footage From the C300 & 5D MkII

A short clip showing a quick comparison between a Canon C300 and Canon 5D MkII. The cameras were set up as identically as possible, using the same settings. Please note that this was shot during an open day event, so not ideal conditions as the settings were constantly being changed on both cameras by attendees to the event! Lastly, there’s a clip from the C300 which is ungraded. Many have asked to see footage which hasn’t been touched, so all of these clips are straight from camera.

Featuring model Vicki Blatchley  Shot at New Day Pictures

Thoughts

Putting aside for a moment that the Canon C300 is actually a proper video camera with all the video functions, flip screen and audio abilities, not to mention the form factor, that one needs for professional video (all of which are lacking on the 5D MkII) and looking at purely the image quality, at first glance, there appears to be little difference between the two.

It’s only when we brought the image into the full editing suite that the huge dynamic range and masses of detail in the extreme highlight and shadow areas started to show the C300 as vastly superior. Even on the non flat settings, the file was just lush with detail. Although I love the 5D MkII, the C300 is just on a completely different level.

The 5D MkII does have an edge in two ways; it has that gorgeous full frame sensor as opposed to the Super 35mm of the C300 (crop factor of x1.6) and is many, many times cheaper, even when taking into account finders / EVFs, rigs and external audio that’s needed to make it usable.

The C300 does have it all though. I for one am extremely impressed by this camera; it really is rather good.

Model Vicki Blatchley at the Canon C300 Open Day and New Day Pictures, Surrey. January 26, 2012. Photo ©

Photographer and film maker Edmond Terakopian at the Canon C300 Open Day at New Day Pictures, Kingston Upon Thames, Surrey. January 26, 2012. Photo ©Model Vicki Blatchley at the Canon C300 Open Day and New Day Pictures, Surrey. January 26, 2012. Photo ©

You can see my longer, graded, demo reel from the Canon C300 below:

Canon 1DX Preview

Hands On With The Canon 1DX

A pre-production Canon EOS 1DX. Photo: Edmond Terakopian

I’m fortunate to have had two opportunities to try out the new Canon EOS 1DX in private (thanks to Canon Europe for organising this) during the Pro Photo Solutions show earlier this week.

I need to firstly make it clear that as this was a pre-production camera, I wasn’t allowed to use my own CF cards for evaluating the images or video (which is fair enough as by the time the camera is released in March 2012, the firmware will have gone through several changes).

What I did get to do was try the camera fully, for both stills and video (checking results on the rear LCD screen), check out the completely redesigned menu system and chat at length with the extremely knowledgeable Graham Smith and Mike Burnhill from Canon.

I must say that I’m very impressed with this flagship camera. It carries on the 1D line and is a rugged workhorse of a machine which has been designed to be even more durable than it’s previous versions (I once stood in torrential rain on assignment for around 6 solid hours with a couple of Canon 1D MkII cameras and ‘L’ lenses. Although my Berghaus Gortex jacket leaked, the cameras carried on working perfectly and never gave any problems).

It’s fantastic having a full frame and fast drive camera, all in one. The 12 fps is just astonishing as is using the 14 fps (with mirror lock up – all of this at 18 megapixels). It’s something I have wished for, for years! The controls on the camera are new, with quite a few being fully programmable. The design and placement for all of these is pretty much spot on (the only problematic one perhaps being having the magnify button which is set low down, below the screen – perfect for reviewing stills, but is a problem for when shooting video and wanting to check focus beforehand (initially spotted by Dan Chung, with whom I’m in full agreement) – I’m sure by launch perhaps one of the more convenient buttons can be programmed via firmware to act as magnify if needed for video).

Shooting up to 51,200 ISO was just astonishing; extremely clean with accurate looking colours. Magnifying in to 100% on an 8000 ISO image made me double take as it looked clean enough to have been a 100 ISO shot! Absolutely amazing. I need to remind readers again though, these were all judged on a pre-production camera using the rear LCD screen.

The AF system is completely new and feels very responsive. The new modes and selection methods with overrides certainly impress.

Another hugely impressive fact is for video shooting the camera has a better file system and no longer drops lines when down sampling to HD. Another massively important addition is adjustable audio meters which display during shooting. Canon have stopped just short by not including a headphone jack. If the AV out port can stream during recording, then perhaps a headphone adapter could be fitted to monitor audio? Who knows!

As far as is the Canon EOS 1DX perfect, we shall have to wait and see. November 3rd is due to see a video product announcement by the company and the rumour sites are buzzing with the launch of the 5D MkIII some time next year.

This certainly seems like a perfect DSLR. Personally, I’d love (as would every single one of my colleagues) a lighter pro body, with a removable grip. Apart from this gripe, it really is an impressive DSLR and ticks almost every box. I can’t wait to test it out properly and see what it’s capable of, both in terms of stills and for video.

Battle of the Bokeh

Leica 50mm f0.95 Noctilux Vs Canon 50mm f1.2L

An interesting look at how the currently in production fastest lenses compare in look, specifically the way they render out of focus (or bokeh) areas. Still no idea what the correct way to pronounce this word is, but it’s an interesting little video by the Digital Rev folks.

Canon Pro Photo Solutions 2010

Business Design Centre, Islington,
London, 26 & 27 October

Canon Pro Photo Solutions is now in it’s second year and I have to say, its the best trade show I have ever been to. It’s more focussed towards professional photographers and enthusiasts who are at the top of their game. I really can’t urge you enough to check it out.

The format is in two basic forms; a large number of seminars and also exhibitors showing off their newest kit.

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Photos By: Ant Upton, Antje Bormann, Jeff Ascough, LP & Luke MacGregor.

I’ll be there presenting my work and workflow (both photographic and video) in a seminar called “Moving Forwards With Photography & Video” over both days, in Seminar Room 1 from 14.00 to 14.50.

I’m also going to be with SnapperStuff (stand 49) showing my favourite ThinkTank Photo bags and helping anyone with their questions to do with bags or anything else to do with photography or video. Definitely try and pop by and see the new Retrospective and Sling range.

Hope to see you there!