Tag Archives: camera

Absolute Craftsmanship; Sheer Beauty

Leica M9-P Edition Hermès

Leica M9-P ‘Edition Hermès’. Photo: © Leica

For me cameras and lenses are tools which let me create pictures to convey stories. I decide to choose the best tools for my way of working, which is why for most of my career, I have chosen Leica. Every once in a while though, Leica produce cameras which are probably never going to be used as a tool, but become works of great craftsmanship; objects of absolute beauty; works of art. I must admit that every once in a while, I do look upon some of these creations with great admiration from an aesthetic point of view and from appreciation of great craftsmanship. Having looked at the M9-P Edition Hermes, I feel this admiration again.

To quote from the Leica press release:

“The Leica M9-P ‘Edition Hermès’ is offered in a choice of two different sets, containing either one or three lenses. Compared to the standard versions, the lenses included in the sets also reveal numerous differences in design, ensuring perfect harmonisation between the cameras, their lenses and accessories.

The first of the Leica M9-P ‘Edition Hermès’ sets will be available in May 2012, in a worldwide limited edition of 300. In addition to the camera, the set includes a silver-anodised Leica Summilux-M 50mm f/1.4 ASPH. lens.

This will be followed by a very special set, which will be available in June 2012. The Leica M9-P ‘Edition Hermès’ – Série Limitée Jean-Louis Dumas, in a strictly limited edition of only 100 sets, is a celebration of the friendship and collaboration between Jean-Louis Dumas, the former president of Hermès, who died in May 2010, and Leica Camera AG. The camera in this set is accompanied by three lenses: a Leica Summicron-M 28mm f/ 2 ASPH., a Leica Noctilux-M 50mm f/0.95 ASPH. and a Leica APO-Summicron-M 90mm f/2 ASPH., all featuring a stunning silver-anodised finish.

Leica M9-P ‘Edition Hermès’ – Série Limitée Jean-Louis Dumas. Photo: © Leica

This unique collection of photographic equipment finds a fitting home in a hand-finished Hermès camera bag that is available exclusively as a part of this second set. This is the first Leica camera bag ever to have been created by Hermès, a company world-famous for its manufacturing excellence. As homage to Jean- Louis Dumas, a Leica photographer, the second set also includes a book with a selection of his pictures. On 190 pages, this photographic work in two volumes shows an entertainingly diverse portfolio of 200 black-and-white images captured by Jean-Louis Dumas with his Leica M camera.

The Leica M9-P ‘Edition Hermès’ is scheduled to be available in the UK from May 2012, at a UK suggested retail price of £18,000 inc VAT. The Leica M9-P ‘Edition Hermès’ – Série Limitée Jean-Louis Dumas is scheduled to be available in the UK from June 2012, at a UK suggested retail price of £36,000 inc VAT. In the UK, both cameras will be available exclusively from the Leica Store Mayfair, 34 Bruton Place, London W1J 6NR. Tel: 020 7629 1351, www.leica-storemayfair.co.uk  ”

Although way outside of the league of most working photographers, it is a thing of beauty; the camera, the lenses, the gorgeous bag and even the box.

Canon C300 V 5D MkII

Comparing Footage From the C300 & 5D MkII

A short clip showing a quick comparison between a Canon C300 and Canon 5D MkII. The cameras were set up as identically as possible, using the same settings. Please note that this was shot during an open day event, so not ideal conditions as the settings were constantly being changed on both cameras by attendees to the event! Lastly, there’s a clip from the C300 which is ungraded. Many have asked to see footage which hasn’t been touched, so all of these clips are straight from camera.

Featuring model Vicki Blatchley  Shot at New Day Pictures

Thoughts

Putting aside for a moment that the Canon C300 is actually a proper video camera with all the video functions, flip screen and audio abilities, not to mention the form factor, that one needs for professional video (all of which are lacking on the 5D MkII) and looking at purely the image quality, at first glance, there appears to be little difference between the two.

It’s only when we brought the image into the full editing suite that the huge dynamic range and masses of detail in the extreme highlight and shadow areas started to show the C300 as vastly superior. Even on the non flat settings, the file was just lush with detail. Although I love the 5D MkII, the C300 is just on a completely different level.

The 5D MkII does have an edge in two ways; it has that gorgeous full frame sensor as opposed to the Super 35mm of the C300 (crop factor of x1.6) and is many, many times cheaper, even when taking into account finders / EVFs, rigs and external audio that’s needed to make it usable.

The C300 does have it all though. I for one am extremely impressed by this camera; it really is rather good.

Model Vicki Blatchley at the Canon C300 Open Day and New Day Pictures, Surrey. January 26, 2012. Photo ©

Photographer and film maker Edmond Terakopian at the Canon C300 Open Day at New Day Pictures, Kingston Upon Thames, Surrey. January 26, 2012. Photo ©Model Vicki Blatchley at the Canon C300 Open Day and New Day Pictures, Surrey. January 26, 2012. Photo ©

You can see my longer, graded, demo reel from the Canon C300 below:

The First Digital Camera

An Interview With Steven Sasson

Fuji X100

Test Images From The Fujifilm X100 At High ASA

I had the opportunity to have a quick play with the new Fuji X100 over dinner and took a series of images inside a dimly lit restaurant and it’s surroundings during Focus on Imaging in Birmingham. My full and proper review will follow once I get a review sample, but wanted to share a few images. These images can be found on my Flickr Page.

Leica S2 Review

My name is Edmond Terakopian and I love Leica. There, I’ve said it. However, as with any relationship involving the heart, all has not always been perfect. I loved my M4-2 and my M6. I loved my 21mm Elmarit, 35mm Summicron, 50mm Summicron and didn’t mind my 75mm Summilux. Didn’t ever like the 90mm Summicron or 35mm Summilux (but the ASPH version was ok). Also, I loved my R6.2 and the 28mm and 90mm Elmarits I had for it, but hated my R4. Phew, I feel better getting that off my chest.

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As with most people who have used or follow Leica, every once in a while the company makes a decision which just leaves one speechless. Some of the bizarre limited editions are one such thing (pushing up prices across the range and more or less guaranteeing that working photographers will no longer be able to afford the standard cameras) and strange things like the R8 and R9 and the Digital Module R. The M8 and M8.2 followed bringing for me a head scratching response. Then the most bizarre and unbelievable news that Leica were going to bring out a medium format SLR! I didn’t believe it, thinking it was a hoax. It became apparent that it was true though. I was so saddened. For me, Leica has always really been about the M range and I’ve always wanted a proper digital M – thankfully the M9 has now answered that prayer (however at a price). Still, I wished that Leica would stop wasting money and effort on lost causes and just concentrate on the M range.

In November 2009 I got an invite from the Leica Store to try out the S2 (almost final firmware and production) and with curiosity I accepted. I went knowing that I would laugh at this ridiculous notion of a medium format Leica. I had recently shot with the excellent Hasselblad H3DII-50 and thought it silly that Leica would even attempt to get into this arena.

I’m Edmond Terakopian and how wrong was I? I had it completely wrong. I admit it; the S2 is brilliant.

It looks so much bigger in the pictures than it really is. Think of it as roughly the same size as a Canon 1D MkIV or a Nikon D3, with the standard lens being roughly the size of a 24-70mm f2.8. It fits in the hand perfectly and handles just like a “normal” 35mm DSLR. This is majorly important as you have to remember that it isn’t a normal DSLR like a Canon or Nikon, but is in fact a medium format camera. The sensor size is much bigger (60%) than a full frame 35mm sensor, coming in at 30x45mm with a healthy 37.5 megapixels. It has a wide (in medium format terms) ASA range of 80 to 1250.

It has a wonderfully responsive and surefooted AF system that performed flawlessly in the studio and in the corridors of the store. It just felt right in the hand and the shutter release was absolutely smooth as, well, a very smooth thing. Whilst Hasselblads with prism finders and motorwinder grips are comfortable, they are nowhere near as comfortable as the S2. You can literally just pick it up and start shooting. It feels so right that I would comfortably even take it into a news situation; something I would never dream of with any Hasselblad.

Whilst the handling was superb, the image quality had to be tested out. I shot a series of images of a model in the store’s studio, using studio lights and also took the model into an area with available light to test out the higher ASAs. All I can say is that I was stunned by the image quality. Whilst I was in awe of the Hasselblad H3DII range at the lowest ASA, anything higher proved an absolute no no, with 400 ASA images showing really bad noise. Not with the Leica S2; this machine produced amazingly beautiful images all the way to 320 ASA, nice looking 640 ASA shots and usable images at 1250 ASA. Whilst compared to a Canon 1D MkIV or 5D MkII this may seem like not such a big deal, in medium format terms it’s a first.

The S2 is brilliant; it’s fabulous; the camera had proven to me that my initial thoughts were way off and this new format and camera actually made sense. As with most things in life though, there is a little but – it is rather pricey.

Visit my Flickr page to view a set of images taken on the Leica S2.