Category Archives: viewpoint

40th International Features Conference

IFC 2014; Leipzig

Official opening of the IFC (International Features Conference) by Peter Leonard Braun, also called Leo (German feature-maker), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 11, 2014. Photo: Edmond Terakopian

Official opening of the IFC (International Features Conference) by Peter Leonard Braun, also called Leo (German feature-maker), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 11, 2014. Photo: Edmond Terakopian

I was honoured to have been invited to speak at the 40th International Features Conference (IFC) in May, which took place in the delightful town of Leipzig in Germany. I need to point out though that the IFC is about radio; it’s a conference which gets together the best in radio features journalists. My talk? Well, my talk was naturally going to be about photography.

Official opening of the IFC (International Features Conference). Lorelei Harris (RTE) listens to the opening speech from the stage. Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 11, 2014. Photo: Edmond Terakopian

Official opening of the IFC (International Features Conference). Lorelei Harris (RTE) listens to the opening speech from the stage. Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 11, 2014. Photo: Edmond Terakopian

Initially, it seems to most that the concept of having photography spoken about to folks whose medium is radio, simply is a tad bizarre; one is a visual discipline whilst the other is purely about audio. However, photography, audio (and other forms of story telling) are only the end tool. The initial steps in finding a story; dissecting it, checking it out journalistically, planning out how to convey it, are in fact all the same. It’s only the end tool, the tool of delivery which differs.

At the opening of the IFC (International Features Conference) by Peter Leonard Braun, also called Leo (German feature-maker) and Edmond Terakopian, Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 11, 2014. Photo: Li Hong

At the opening of the IFC (International Features Conference) by Peter Leonard Braun, also called Leo (German feature-maker) and Edmond Terakopian, Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 11, 2014. Photo: Li Hong

The main hall at the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. The delegates listen to features programmes which will then be discussed in smaller groups. May 14, 2014. Photo: Photo: Edmond Terakopian

The main hall at the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. The delegates listen to features programmes which will then be discussed in smaller groups. May 14, 2014. Photo: Photo: Edmond Terakopian

I was fortunate to be able to attend the conference in full and was rewarded by hearing some absolutely astonishing work, from across the world. After listening to a couple of productions, we would break into our smaller groups and discuss these at length. I must admit to being extremely shy in opening my novice mouth and giving an opinion in this world of radio at first, but soon the shyness went and I found myself deep in conversation and discussion with the best people on the planet in this genre of features work. Absolutely fascinating.

IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. Tina Kunath and the delegates discuss the features programmes listened too earlier in the main hall. May 14, 2014. Photo: Photo: Edmond Terakopian

IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. Tina Kunath and the delegates discuss the features programmes listened too earlier in the main hall. May 14, 2014. Photo: Photo: Edmond Terakopian

IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. Thomas Martin Gasser (ORF) and the delegates discuss the features programmes listened too earlier in the main hall. May 14, 2014. Photo: Photo: Edmond Terakopian

IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. Thomas Martin Gasser (ORF) and the delegates discuss the features programmes listened too earlier in the main hall. May 14, 2014. Photo: Photo: Edmond Terakopian

What really astonished me as the week went on was just how vivid a picture radio can paint; how gripping, deep, gentle, forceful, subtle and layered a good piece of radio work can be. Absolutely brilliant. I also had the absolute joy of meeting some fascinating people and making a few friends along the way. You all know who you are and I’d like to thank you for making the conference even more special than it already was.

IFC Leipzig 2014 Group Shot. IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Photo: Bernd Cramer/MDR

IFC Leipzig 2014 Group Shot. IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Photo: Bernd Cramer/MDR

To those, like me, who haven’t really listened to radio features work, I absolutely recommend listening to this short and extremely powerful piece by Kathy Tu from the USA.

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Li Hong

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Li Hong

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Edmond Terakopian giving a talk on Photography & Film to the IFC (International Features Conference), Media Campus (Medienstifftung der Sparkasse Leipzig), Poetenweg, Leipzig, Germany. May 14, 2014. Photo: Thomas Martin Gasser / @ThomasMGasser

Drinks after the IFC, Leipzig, Germany. Radio documentary makers Andre Cunha (Portugal), Charlotte Rouault (France) and Ljubo Pauzin (Croatia) in conversation about the day's presentations. May 14, 2014. Photo: Edmond Terakopian

Drinks after the IFC, Leipzig, Germany. Radio documentary makers Andre Cunha (Portugal), Charlotte Rouault (France) and Ljubo Pauzin (Croatia) in conversation about the day’s presentations. May 14, 2014. Photo: Edmond Terakopian

DataColor Webinar Recording

Reportage & Street Photography

For those who couldn’t join in live on my webinar earlier this week, courtesy of DataColor, here’s a recording of the webinar. It lacks the Q&A which went on for around 30 minutes after, so feel free to post questions here instead.

A Note To Editors, Publishers And Newspaper Owners

How To Succeed In The Newspaper Industry

It’s alarming to see in recent years the closure of photographic departments (e.g. the Chicago Sun Times and countless weekly local papers) and the way great photography is cut from once brilliant newspapers. If someone with no understanding of newspapers, or business generally, wants to cut costs and increase profitability, the simple and easy thing to do is get rid of what costs the most; often this is the photographic department. The reasons are simple; camera gear and computer gear, including software, is expensive and sending photographers all over the country and the world accumulates in cost. After all, unlike journalists who can work many thousands of miles from a story, rewriting press releases or doing interviews over the phone, the photographer has to be there, in person. This is one of the aspects which makes photography the truest form of journalism; you can’t photograph what you can’t witnessA photograph is the only unaltered truth from a story.

State visit to Britain by US President Barack Obama.  Karl Court & Andrew Parsons in the press area. Downing Street, London. May 25, 2011. Photo: Edmond Terakopian

State visit to Britain by US President Barack Obama. Carl Court & Andrew Parsons in the press area. Downing Street, London. May 25, 2011. Photo: Edmond Terakopian

So, easy, let’s cut out or cut down the photography department and use user generated content; a big mistake; putting aside that often these are aesthetically weak and do not communicate the story, the source of the imagery is also unknown and therefore cannot be trusted. A good and unfortunate example is the aftermath of the Boston Marathon bombing where the Police were chasing the wrong suspects as they were led astray by “citizen journalists”. The other option is of course to use the wire services; excellent agencies like AP are journalistically, ethically and morally sound, often producing great content. Only problem is, this content’s available to all your competitors, blogs (both proper or run by individuals as a glorified hobby) and available for free on search engines.

There is also the option of giving iPhones to the reporters; after all, anybody can take a picture, right? Wrong! Many more people write than take photographs, so by this frankly idiotic reasoning, newspapers should certainly get rid of all writers as well.

Anyone can take a picture; just as anyone can write a word, sing a song, write a poem, paint a painting, run, jump, kick a ball, make a paper aeroplane; it doesn’t mean that they can do these things well, let alone properly and at a high level. It certainly doesn’t make these people photographers, journalists, singers, poets, artists, athletes, professional footballers or aeronautical designers and engineers. When it comes to things journalistic, a level of trust is needed as it’s important to get the facts right, be they in words or in pictures. Relying on pictures from bystanders (even if the term Citizen Journalist has come about, it doesn’t mean bystanders have the first idea about journalistic practice, value or ethics) and publishing these is a tragic mistake for all the various reasons outlined.

State visit to Britain by US President Barack Obama.  Photographers setting up remote cameras in order to get a second angle to their shooting positions. Downing Street, London. May 25, 2011. Photo: Edmond Terakopian

State visit to Britain by US President Barack Obama. Photographers setting up remote cameras in order to get a second angle to their shooting positions. Downing Street, London. May 25, 2011. Photo: Edmond Terakopian

At this point, you’ve ruined the quality of your newspaper and at best made it generic and at worst made it awful. Content is king. At this point, any businessman will tell you that you never mess with the essence of your product; you product is what keeps the company afloat. Give the consumer a reason not buy your product and they will stop buying. Loads of options there on the free market. Result? Your sales go down, advertisers at first barter for cheaper rates and then stop advertising. Your newspaper fails and closes. Whoops.

Look at the Daily Mail website and how astonishingly popular it is; ask yourselves why? Is it because many millions like to read the paper’s occasional almost racist stance on things or is it because the paper’s web presence has embraced photography and publishes the best photography available, daily, and thus pushes up it’s visitor numbers and has elevated the website to being one of the most popular in the world, often overtaking the NY Times? Clearly, it’s not the writing, it’s the power of photography.

So, “How To Succeed”. Dear editor, publisher or newspaper owner, people are moved by great photography. It catches their eye on the news stand and online and attracts them to your paper and the story. People never remember a great article they read months ago or a great piece of video footage from years ago. They will however remember pictures they saw decades ago. This is how a human being’s mind works and as this is your target audience, you should pay attention to the power of great photography and the effect it has. Just because you see great iPhone pictures produced by professional photographers, it doesn’t mean giving your reporters an iPhone is going to bring similar results. Just as a keyboard doesn’t make people award winning writers and a pot doesn’t make everyone a Michelin Star chef, a camera (be it a Leica, Canon, Olympus or an iPhone) doesn’t make everyone a photographer.

BRITAIN MANDELA 90TH BIRTHDAY CONCERT

In it’s day, The Independent was a great paper. It ran powerful, intelligent photography. They saved costs, got rid of the country’s best photographers. Now look at what the paper’s turned into; such a shame, such a waste. Realise that great photography and writing go hand in hand; marry this with great design and you have a winning formula.

This philosophy applies to local weekly, regional, evening, and national papers. Respect your readership and give them good material and they will stay true to you.

Now, go and hire some great photographers, produce a great newspaper, win awards, be proud, sell loads of copies, get many hits on your website, sell adverts and make your many, many millions.

Addendum:

As if proof were needed: The Chicago Sun-Times has now hired back four of the photographers it fired. Good to see that eventually they came to their senses (probably spurred on by a loss in advertising revenue) and realised what a vital role quality and journalistically accurate photography plays in a newspaper. More HERE

Testing The New Olympus 25mm f1.8 Lens

Olympus M.ZUIKO DIGITAL 25mm 1:1.8 Test

The new Olympus M.ZUIKO DIGITAL 25mm 1:1.8 lens.  Photographed attached to the Olympus OM-D E-M1 camera.  January 28, 2014. Photo: Edmond Terakopian   *Please forgive the particles of sand on the equipment!!*

The new Olympus M.ZUIKO DIGITAL 25mm 1:1.8 lens. Photographed attached to the Olympus OM-D E-M1 camera. January 28, 2014. Photo: Edmond Terakopian
*Please forgive the particles of sand on the equipment!!*

The Olympus OM-D E-M1 has fast become one of my favourite cameras. One of my favourite focal lengths, especially for street photography and environmental portraits is 50mm and I felt that the Olympus m4/3 lens lineup was missing this. I was delighted to find though that this lens was going to be announced soon and Olympus UK kindly lent me the Olympus M.Zuiko Digital 25mm f1.8 lens to shoot my Los Angeles trip with. I’ve therefore been shooting with this lens since the 5th of January, for creating real pictures. Those who are familiar with my tests know that I don’t do the scientific breakdown or photograph brick walls; I take equipment on real assignments and shoots.

The sun rises over Los Angeles, California, USA. January 13, 2014. Photo: Edmond Terakopian

The sun rises over Los Angeles, California, USA. January 13, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator. www.andreafeczko.com), plays volleyball on Venice Beach. LA, USA. January 14, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator. http://www.andreafeczko.com), plays volleyball on Venice Beach. LA, USA. January 14, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator. www.andreafeczko.com), on Santa Monica beach. LA, USA. January 14, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator. http://www.andreafeczko.com), on Santa Monica beach. LA, USA. January 14, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator. www.andreafeczko.com), on Santa Monica beach. LA, USA. January 14, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator. http://www.andreafeczko.com), on Santa Monica beach. LA, USA. January 14, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator. www.andreafeczko.com), on Santa Monica beach at sunset. LA, USA. January 14, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator. http://www.andreafeczko.com), on Santa Monica beach at sunset. LA, USA. January 14, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator. www.andreafeczko.com), at the funfair on Santa Monica pier in the evening. LA, USA. January 14, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator. http://www.andreafeczko.com), at the funfair on Santa Monica pier in the evening. LA, USA. January 14, 2014. Photo: Edmond Terakopian

For those not familiar with the m4/3 (Micro Four Thirds) system, the 25mm lens gives an equivalent of 50mm at a relatively fast aperture of f1.8. Married with the astonishingly great 5-axis stabiliser in the E-M1, this means that hand held extreme low light photography is very possible. At f1.8 one also gets lovely separation of subject from the background. I shot with the lens solidly whilst on a trip to Los Angeles and day in, day out, it performed perfectly.

Andrea Feczko (American TV Presenter and digital content creator - www.andreafeczko.com), at the lavish Thompson Beverly Hills Hotel, LA, USA. January 14, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator – http://www.andreafeczko.com), at the lavish Thompson Beverly Hills Hotel, LA, USA. January 14, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator - www.andreafeczko.com), at the lavish Thompson Beverly Hills Hotel, LA, USA. January 14, 2014. Photo: Edmond Terakopian

Andrea Feczko (American TV Presenter and digital content creator – http://www.andreafeczko.com), at the lavish Thompson Beverly Hills Hotel, LA, USA. January 14, 2014. Photo: Edmond Terakopian

Visitors at the Chinese Theatre forecourt featuring handprints, footprints and signatures of iconic celebrities. The young visitors check out the Harry Potter imprints. Hollywood Boulevard, Hollywood, California. January 16, 2014. Photo: Edmond Terakopian

Visitors at the Chinese Theatre forecourt featuring handprints, footprints and signatures of iconic celebrities. The young visitors check out the Harry Potter imprints. Hollywood Boulevard, Hollywood, California. January 16, 2014. Photo: Edmond Terakopian

Cartoon characters interact with the tourists. Walk of fame, Hollywood Boulevard, Hollywood, California. January 16, 2014. Photo: Edmond Terakopian

Cartoon characters interact with the tourists. Walk of fame, Hollywood Boulevard, Hollywood, California. January 16, 2014. Photo: Edmond Terakopian

Very fast (and silent) to focus, pin sharp, accurate colour and tonal rendition and great element coating, meaning that shooting into the sun is not a problem. Being part of the M.Zuiko Premium range means it’s extremely well built. As you can see from the product photography, it’s also tiny and only weighs 137g. With two Aspherical elements and a close focusing distance of only 0.25cm, it has fast become my standard lens on my E-M1. I won’t hesitate in recommending this lens; it’s fast, crisp, small and extremely capable.

To see more photographs taken with the Olympus 25mm f1.8 lens, please visit my Flickr set.

LA Fashion District, downtown Los Angeles, California, USA. January 17, 2014. Photo: Edmond Terakopian

LA Fashion District, downtown Los Angeles, California, USA. January 17, 2014. Photo: Edmond Terakopian

Bob's Big Boy in Burbank is a burger restaurant where every Friday night, classic car enthusiasts gather to show off their classic restored cars and hotrods. Los Angeles, California, USA. January 17, 2014. Photo: Edmond Terakopian

Bob’s Big Boy in Burbank is a burger restaurant where every Friday night, classic car enthusiasts gather to show off their classic restored cars and hotrods. Los Angeles, California, USA. January 17, 2014. Photo: Edmond Terakopian

Bob's Big Boy in Burbank is a burger restaurant where every Friday night, classic car enthusiasts gather to show off their classic restored cars and hotrods. Los Angeles, California, USA. January 17, 2014. Photo: Edmond Terakopian

Bob’s Big Boy in Burbank is a burger restaurant where every Friday night, classic car enthusiasts gather to show off their classic restored cars and hotrods. Los Angeles, California, USA. January 17, 2014. Photo: Edmond Terakopian

Bob's Big Boy in Burbank is a burger restaurant where every Friday night, classic car enthusiasts gather to show off their classic restored cars and hotrods. Los Angeles, California, USA. January 17, 2014. Photo: Edmond Terakopian

Bob’s Big Boy in Burbank is a burger restaurant where every Friday night, classic car enthusiasts gather to show off their classic restored cars and hotrods. Los Angeles, California, USA. January 17, 2014. Photo: Edmond Terakopian

The Walt Disney Concert Hall, 111 South Grand Avenue in Downtown of Los Angeles, California, is the fourth hall of the Los Angeles Music Centre and was designed by Frank Gehry. January 17, 2014. Photo: Edmond Terakopian

The Walt Disney Concert Hall, 111 South Grand Avenue in Downtown of Los Angeles, California, is the fourth hall of the Los Angeles Music Centre and was designed by Frank Gehry. January 17, 2014. Photo: Edmond Terakopian

The new Olympus M.ZUIKO DIGITAL 25mm 1:1.8 lens.  Photographed next to the 45mm lens for size comparison.  January 28, 2014. Photo: Edmond Terakopian   *Please forgive the particles of sand on the equipment!!*

The new Olympus M.ZUIKO DIGITAL 25mm 1:1.8 lens. Photographed next to the 45mm lens for size comparison. January 28, 2014. Photo: Edmond Terakopian
*Please forgive the particles of sand on the equipment!!*

The new Olympus M.ZUIKO DIGITAL 25mm 1:1.8 lens.  January 28, 2014. Photo: Edmond Terakopian   *Please forgive the particles of sand on the equipment!!*

The new Olympus M.ZUIKO DIGITAL 25mm 1:1.8 lens. January 28, 2014. Photo: Edmond Terakopian
*Please forgive the particles of sand on the equipment!!*

The new Olympus M.ZUIKO DIGITAL 25mm 1:1.8 lens.  Shown with supplied lens hood attached.  January 28, 2014. Photo: Edmond Terakopian   *Please forgive the particles of sand on the equipment!!*

The new Olympus M.ZUIKO DIGITAL 25mm 1:1.8 lens. Shown with supplied lens hood attached. January 28, 2014. Photo: Edmond Terakopian
*Please forgive the particles of sand on the equipment!!*

The new Olympus M.ZUIKO DIGITAL 25mm 1:1.8 lens.  Photographed attached to the Olympus OM-D E-M1 camera.  January 28, 2014. Photo: Edmond Terakopian   *Please forgive the particles of sand on the equipment!!*

The new Olympus M.ZUIKO DIGITAL 25mm 1:1.8 lens. Photographed attached to the Olympus OM-D E-M1 camera. January 28, 2014. Photo: Edmond Terakopian
*Please forgive the particles of sand on the equipment!!*

2013: A Year In Pictures

Reviewing The Year

What an interesting year it’s been. A year filled with awards, talks, lectures, workshops, videos and naturally, my main passion, pictures. 2013 brought with it 13 awards for my photography and short film work; 13 for Thirteen – very neat.

I thought it might be fun to go over the year and share my favourite images; some professional commissions and others taken over coffee on my iPhone.

I hope you enjoy them :-)

Gordon Ramsay's Union Street Cafe, 47-51 Great Suffolk Street, Southwark, London SE1.  Gordon Ramsay at the restaurant.  August 30, 2013. Photo: ©Edmond Terakopian

Gordon Ramsay’s Union Street Cafe, 47-51 Great Suffolk Street, Southwark, London SE1. Gordon Ramsay at the restaurant. August 30, 2013. Photo: ©Edmond Terakopian

Gordon Ramsay at his Union Street Bar, 47-51 Great Suffolk Street, Southwark, London SE1.  August 30, 2013. Photo: ©Edmond Terakopian

Gordon Ramsay at his Union Street Bar, 47-51 Great Suffolk Street, Southwark, London SE1. August 30, 2013. Photo: ©Edmond Terakopian

Gordon Ramsay at the steps leading to his Union Street Bar, 47-51 Great Suffolk Street, Southwark, London SE1.  August 30, 2013. Photo: ©Edmond Terakopian

Gordon Ramsay at the steps leading to his Union Street Bar, 47-51 Great Suffolk Street, Southwark, London SE1. August 30, 2013. Photo: ©Edmond Terakopian

Gordon Ramsay's Union Street Cafe, 47-51 Great Suffolk Street, Southwark, London SE1.  Gordon Ramsay at the restaurant.  August 30, 2013. Photo: ©Edmond Terakopian

Gordon Ramsay’s Union Street Cafe, 47-51 Great Suffolk Street, Southwark, London SE1. Gordon Ramsay at the restaurant. August 30, 2013. Photo: ©Edmond Terakopian

Gordon Ramsay's Union Street Cafe, 47-51 Great Suffolk Street, Southwark, London SE1.  Gordon Ramsay at the Union Street Bar.  August 30, 2013. Photo: ©Edmond Terakopian

Gordon Ramsay’s Union Street Cafe, 47-51 Great Suffolk Street, Southwark, London SE1. Gordon Ramsay at the Union Street Bar. August 30, 2013. Photo: ©Edmond Terakopian

A portrait of Tony McNulty. London.  September 20, 2013. Photo: ©Edmond Terakopian Shot using a Leica M (Type 240) and an Angenieux 35-70mm f2.5-3.3 zoom lens, using a Novoflex Leica r to M adapter. Processed in Aperture and DXO Film Pack 3 plugin.

A portrait of Tony McNulty. London. September 20, 2013. Photo: ©Edmond Terakopian
Shot using a Leica M (Type 240) and an Angenieux 35-70mm f2.5-3.3 zoom lens, using a Novoflex Leica r to M adapter. Processed in Aperture and DXO Film Pack 3 plugin.

The Summer Saunter. A group of bold and independent men led by stylist Timothy Lord and The Chap Magazine’s Albion step out in style in the name of sartorial freedom, from the steps of St. Paul’s Cathedral to Mayfair’s Berkeley Square in a demonstration of solidarity with all men who dare to dress differently. London, UK. Toby Pennington and the chaps outside El Vino on Fleet Street.  July 21, 2013. Photo: Edmond Terakopian

The Summer Saunter. A group of bold and independent men led by stylist Timothy Lord and The Chap Magazine’s Albion step out in style in the name of sartorial freedom, from the steps of St. Paul’s Cathedral to Mayfair’s Berkeley Square in a demonstration of solidarity with all men who dare to dress differently. London, UK. Toby Pennington and the chaps outside El Vino on Fleet Street. July 21, 2013. Photo: Edmond Terakopian

The Summer Saunter. A group of bold and independent men led by stylist Timothy Lord and The Chap Magazine’s Albion step out in style in the name of sartorial freedom, from the steps of St. Paul’s Cathedral to Mayfair’s Berkeley Square in a demonstration of solidarity with all men who dare to dress differently. London, UK. Toby Pennington at an exhibition by Agnieszka Brzeżańska, Marlborough Contemporary gallery, Albemarle Street, London, where the gentlemen stopped for a Champagne break. July 21, 2013. Photo: Edmond Terakopian  July 21, 2013. Photo: Edmond Terakopian

The Summer Saunter. A group of bold and independent men led by stylist Timothy Lord and The Chap Magazine’s Albion step out in style in the name of sartorial freedom, from the steps of St. Paul’s Cathedral to Mayfair’s Berkeley Square in a demonstration of solidarity with all men who dare to dress differently. London, UK. Toby Pennington at an exhibition by Agnieszka Brzeżańska, Marlborough Contemporary gallery, Albemarle Street, London, where the gentlemen stopped for a Champagne break. July 21, 2013. Photo: Edmond Terakopian July 21, 2013. Photo: Edmond Terakopian

Daily life on Oxford Street at rush hour. October 17, 2013. Photo: Edmond Terakopian

Daily life on Oxford Street at rush hour. October 17, 2013. Photo: Edmond Terakopian

Daily life along London's South Bank and the Christmas Fair stalls. November 30, 2013. Photo: Edmond Terakopian

Daily life along London’s South Bank and the Christmas Fair stalls. November 30, 2013. Photo: Edmond Terakopian

London's South Bank.  Skate Park.  July 15, 2013. Photo: ©Edmond Terakopian / 2013

London’s South Bank. Skate Park. July 15, 2013. Photo: ©Edmond Terakopian / 2013

London's South Bank.  Pedestrians walk past a bridge.   July 15, 2013. Photo: ©Edmond Terakopian / 2013

London’s South Bank. Pedestrians walk past a bridge. July 15, 2013. Photo: ©Edmond Terakopian / 2013

Life along London's South Bank. June 27, 2013. Photo: ©Edmond Terakopian

Life along London’s South Bank. June 27, 2013. Photo: ©Edmond Terakopian

Life along London's South Bank. June 27, 2013. Photo: ©Edmond Terakopian

Life along London’s South Bank. June 27, 2013. Photo: ©Edmond Terakopian

Magnum photographer René Burri at his book signing in the Photographers' Gallery book shop, Ramillies Street, London. April 24, 2013. Photo: Edmond Terakopian

Magnum photographer René Burri at his book signing in the Photographers’ Gallery book shop, Ramillies Street, London. April 24, 2013. Photo: Edmond Terakopian

Test shots with the Olympus PEN E-P5 at Olympus's UK press event launching the new camera.  *NB-Image taken on an initial production, pre-final firmware camera*  Model Sonia Yasmin Ali.  London, UK. May 29, 2013. Photo: © Edmond Terakopian   Technical notes: raw image processed in Aperture. ISO 3200, Olympus 45mm f1.8 lens

Test shots with the Olympus PEN E-P5 at Olympus’s UK press event launching the new camera. *NB-Image taken on an initial production, pre-final firmware camera* Model Sonia Yasmin Ali. London, UK. May 29, 2013. Photo: © Edmond Terakopian
Technical notes: raw image processed in Aperture. ISO 3200, Olympus 45mm f1.8 lens

Model Lizzie Bowden. New Look behind the scenes shoot of their Autumn / Winter 2013 collection advertising film by Cherry Duck. Walnuts Farm, Old Heathfield, East Sussex, UK. August 22, 2013. Photo: ©Edmond Terakopian

Model Lizzie Bowden. New Look behind the scenes shoot of their Autumn / Winter 2013 collection advertising film by Cherry Duck. Walnuts Farm, Old Heathfield, East Sussex, UK. August 22, 2013. Photo: ©Edmond Terakopian

Montblanc pens and ink on a desk. London. July 13, 2013. Photo: ©Edmond Terakopian / 2013

Montblanc pens and ink on a desk. London. July 13, 2013. Photo: ©Edmond Terakopian / 2013

A portrait of Megan. London. August 18, 2013. Photo: Edmond Terakopian

A portrait of Megan. London. August 18, 2013. Photo: Edmond Terakopian

A portrait of Maya, Heatherden Hall, Pinewood Studios, Pinewood Road, Iver, Slough, Buckinghamshire. October 24, 2013. Photo: Edmond Terakopian

A portrait of Maya, Heatherden Hall, Pinewood Studios, Pinewood Road, Iver, Slough, Buckinghamshire. October 24, 2013. Photo: Edmond Terakopian

Atmosphere at Gordon's wine bar (London's oldest wine bar, established in 1890), 47 Villiers Street, London WC2N.   October 01, 2013. Photo: ©Edmond Terakopian

Atmosphere at Gordon’s wine bar (London’s oldest wine bar, established in 1890), 47 Villiers Street, London WC2N. October 01, 2013. Photo: ©Edmond Terakopian

Street life. Stairs and the businessman. Essex Street, London WC2. February 14, 2013. Photo: Edmond Terakopian

Street life. Stairs and the businessman. Essex Street, London WC2. February 14, 2013. Photo: Edmond Terakopian

A busker plays outside The Library Project shop, Temple Bar, Dublin. November 17, 2013. Photo: ©Edmond Terakopian

A busker plays outside The Library Project shop, Temple Bar, Dublin. November 17, 2013. Photo: ©Edmond Terakopian

Tom Stoddart Shoots ‘Healthcare in Danger’

Behind The Scenes With Tom Stoddart; Shooting A Campaign For The International Committee of the Red Cross And Red Crescent (ICRC)

A fascinating behind the scenes shoot showing multi award winning photojournalist Tom Stoddart shooting the “Healthcare In Danger” campaign for the ICRC, using a Leica S2 medium format digital camera. I really like this campaign as the studio shots are like I have never seen  before; they have a gritty realism to them which immediately puts the viewer within the conflict zone feel and communicates the message.

The current campaign was shot around six weeks ago and follow on from the last campaign Stoddart shot for the ICRC around two years ago, using Leica M9 cameras.

ICRC_HCiD_Checkpoint2.indd ICRC_HCiD_Field_Hospital_EN_EU_BD1 ICRC_HCiD_Recovery.indd ICRC_HCiD_Riot_EU.indd

The Soul of Photography

Interview On Armenia’s Civilnet

I had the honour of being interviewed on Armenia’s Civilnet on my career as a photographer.